Page Two THE SUMMER DAILY Wednesday, June 27, 1973 PoqeTwo HE UMME DALY WdnedayJun 27,197 t.v. tonight, 6:00 2, 4, 7, 11, 13 News 9 Courtship of Eddie's Father 20 Land of the Giants - Adven- 24 ABC News-Smith/Reasoner 50 Flintstones 56 To Be Announced 6:30 2. 11 CBS New-Walter Cronkite 4, 13 NBC News-John Chan- celor 7 ABC News-Smith/Iteasoner 9 1IDream of Jeannie-omedy 24 Dirts Van Dyke--comedy BW 50 Gilligan's Island 56 Guten Tag Wei Geht's 6:45 56 German Travelog 7:00 2 Truth or Consequences 4 News 7 To Tell the Truth 9 Beverly Hillbillies 11 To Tell the Truth 11 What's My Line? 20 Nanny and the Professor 24 Bowling for Dollars 50 I Love Lucy-Comedy 56 Zoom 7:30 2 What's My Line? 4 Festival of Family Classics 7 Wild Kingdom 9 Singalong Jubilee 11 PollcerSurgeon 13 Truth or Consequences 20 Rifleman-Western 24 Lrt's Make A Deal 5Hogan'sieroes-Comedy 56 Consumer Game 8:00 2, 11 sonney and Cher Comedy Hour 4, 13 Adam-12 7,24'hitker Than Water 9 Billy Graham Crusade, special 20 Burke's Law-Crime Drama 50 Dragnet-CrimeD rama 56 America 73 8:30 4, 13 Movie-Crime Drama 7, 24 Movie-Drama 5) Merv Griffin 9:00 2,1 1 Dan August 9 News-Don West 30 Ozzie and Harriet-Comedy 56 June Wayne-Interview 9:> 19Wosts and Wheels-Camping 201 OSetsnlsndred Clssh 56 Inner City Freeway 10:00 2:Cannon 4, 13 Search-Adventure 7, 24 Oiwen Macshall 91'astion 10 It ocmentary 11 Billy Graham Crusade 550 Perry Mason 1510?,4 7"" .1113 24 Nes 50 One si el'yond-lrama 11:30 2, 11 'Svi-Drama 4, JSo h ntty Carson > 4.ackPtaarTonite >0( (snip Meeting sour-Religion 50 Movie-"Happiness Ahead." 12:0 0' Moise-Comedy onsieur Beaucaire." (1946) 100 4, 7,3Nw 1: ovie-She Wonders of Alad- di"(Istalian 161) ':50 2 News TIlE SUMMER DAILY, summer cdi- tion of Thte Michigan Dolly Vohl. LXXXIII, Nn. 35-S We'sdkesday, Jutne 27, 1973 is edited and smnaged by students at the University of Michigan. News phone 764-0562. Second class postage paid at Ans Arbor, Michig0n 48106. Published dally'Tuesdoy throubgbhSsndaymorncibsg turing the niversity year at 420 Moy- nard Street, Ann Arbor, Michigan 48104. Subscription ratecs:$1 by carrier (cam- pus areal;11 lslal(Michiganad Ohio;$13non-localsmail(thrstates and foreign). Summer session published Tuesday throughtSat uday morning. Subcrip- tioss rates: 05750 by carrier (campuso area); $6.50 local mail (Michigan and Ohio); $7.00 non-local soail (other states and foreign). Moscow entertainment scene marked by enthusiasm, variety By WILLIAM GLOVER AP Drama Writer MOSCOW-For a visiting the- ater addict, trying to catch up with the Moscow drama scene is a considerable dilemma. At the hotel there's a "what's on" list, the sort available in New York, London or Paris. But in- stead of 20 or 30 events, you find that in a two-week span there are on tap here 128 plays and mu- sical comedies, 32 operas or bal- lets, a double fistful of assorted concerts. Each theater is show- ing from six to 10 productions, top admission about $1.25. THE REST of the operating nut is subsidized by union and city governments, with an all- seeing ministry of culture on the paternal alert for what is per- formed. No matter how you flip a 20- kopek coin to settle the night's- entertainment, however, when you get to any theater every seat is bulging with Slavid ardor. Lobby hopefuls seek spare tick- ets like there's no tomorrow. "The enthusiasm is genuine," asserts a long-time member of the foreign community. "It goes way back into the country's tra- dition." Even television, with a nightly load of culture, hasn't cut live attendance, according to official reports, A CRASH ROUND of play- houses with a friendly guide-in- terpreter reveals tradition also appears to weigh heavily on that elaborate bill of amusement fare, Here are assorted impressions. Perhaps the most impregnable rampart of old-fashioned, broad, suety, florid performance and solemn dramaturgy is at the Maly Theater, which deploys four-hour stunners such as Leo Tolstoy's "The Power of Dark- ness and no-relation Alexei Tolstoy's "Tsar Fyodor Ioanno- vich," which is Boris Godunov without arias. ONE OF THE Maly's directors keynotes a basic attitude or at least part of thespic community, remarking: "We will never accept theater that indulges in erotics and vio- lence. We speak of the truth of life in the developmenttofour sociolist society." Though drama is patently en- couraged to deliver a message officially endorsed, some Maly ri- vals function with an appreciable measure of freer expression. They also happen to be places where visitors find extra diffi- culty obtaining tickets. 'Stubborn resistance to a string of "NY- ETS," however, usually produces the desired paper slip. LOCAL INITIATES rate Ta- ganka the top troupe. It perhops avoids supervisory frowns by in- cluding such presumably anti- Western themes as "Ten Days That Shook the World," based upon Yankee John Reed's story of the 1917 revolution, and "Un- der the Skin of the Statue of Lib- erty," an off-Broadway type youth - and - violence exposition done to verses by Yevtushenko. The latter play concentrates on police brutality, which some spectators may consider not an American monopoly. Propaganda can entail subliminal connota- tions for those who look. Similarly, an SRO crowd over at the Mayakovvsky is a bril- liant production of "Can of La Mancha." As it ends, while Don Quixote-Cervantes climbs lb in- exorable doom, prison bars drop across the front of the stage. The ly against them. Bravos and bou- rest of the cast claws frantical- quets are the regular response. THE SAME GROUP has con- trived a happy-ending version of "A Streetcar Named Desire" that could surprise Tennessee Wil- liams, with Stanley Kowalski a forlorn loser. Although about 90 per cent of the extravagent display along Gorky Street and adjacent by- ways present the heritage of Go- gol, Gorky, Ostrovsky, Pushkin and shook-up Shzakespeare, there are less imposing pieces by pres- ent Russian journeymen, plus a sprinkling of works from across the Atlantic. EDWARD ALBEE is represent- ed with "The Ballad of the Sad Cafe," Robert Penn Warren with "All the King's Men," and David Rabe is up against a disputed rendition of "Sticks and Bnoes." At the ultimate shrine of the Moscow Art Theater, which is which is celebrating its 75th year, there are signs of deliberate in- fusion of fresh elan. An example in its round robin roster is "Steel- makers," an opus about an ambi- tious young laborer who discov- ers the need for comradely co- operation. The play is performed against a wild Disneyland set- ting of ultra-realistic flaming fur- naces, flying props and, for a clincher, a bulldozer demolition of a workmen's bar. The dominant impressions car- ried away from such shows are: highly imaginative design, from Belasc naturalism to neomodern abstractunexpected use of lit- urgical music, from Gregorian chantato soaringranthems, They perhaps obliquely compensate certain yearnings suppressed since Lenin voiced certainty that theater would ultimately supplant religion, and a bouncy comic so- phistication that leavens heavier matters. IN ONE PLAY, as a chess fan's solo game is ,interrupted, a by- stander remarks, "you're the one who should have played Bobby Fischer." The audience guf- faws. bar notes By GLORIA JANE SMITH Monday night at Mr. Flood's Party, down-home country sing- ers Amanda Bailey and Mike Smith added two musicians (Da- vid Cahn on dobro and Tony Mar- kellis on 'fretless electric bass'). It's definitely a good, although not permanent move and gives the duo an appreciably richer sound. Markellis works professionally for David Bromberg, but lately he's been seen playing with a lot of different people. Saturday at the Ark he did a fine job back- ing folksinger Paul Siebel and at the Blind Pig he's been step- ping on stage with the jazz group Okra. SO NOW he's with Amanda and Mike, a duo that's been playing "together" for only a few weeks. For the past year, however, Mike and Amanda have been seen on stage together (at the Ark and other places) with Mike contributing pnly music See BAR, Page 14 ligm I'm NMOMMOMMM "A treat for armchair detectives. I had fun with it, and I think you will too. It reminds me of those good old-fashioned whodunits - the dialogue is sharp, clever and pungent. It's mystery, mayhem and high comp on the high seas. -Bob Salmaggi, Group W (WINS) "An elaborate cinematic puzzle. This whodunit takes on the intricacy of Christie's 'Ten Little Indians'." -Paul D. Zimrerman, Newsweek "'THE LAST OF SHEILA' is a good deal of fun, like one of those tricky, after-dinner party games. Dyan Cannon gives a very good, very comic performance." -Vincent Canby, New York Times "I recommend it to you! It is slick entertainment with sustained sus- pense and a first-rate cast. It is devilishly clever." -Ernest Leogrande, N.Y. Daily News "If you like intellectual puzzles and games, then this movie is for you. -Stewart Klein, WNEW-TV NEW WORLD FILM COOP - presents -' THE MYSTERY OF THE LEAPING FISH 1916 Cocaine classic, starring DOUGLAS FAIRBANKS, SR. as "Coke' Ennyday. See Coke vnquish the nefarious knaves while dancing the Cocaine quiver. Don't miiss the big fight in the Ch- sese laundry, you won't believe your eyes. Directed by Tod Brown- ing (Freaks, Dracula, Mark of the Vampire). INTERNATIONAL HOUSE- W. C. FIELDS, Slightly lost on his way to St. Louis, drops in on the Wuhu Hotel in China in his gurocopter-automobile. This film also features such curiosities as BABY ROSE MARIE doing a torch song number that several crtics of the day found salacious, and Cab Calloway praising marijuana in "THAT REEFER MAN"-- with W. C. Fields, George Burns, Gracie Allen, Bela Lugosi, Rudi Vallee, and Cab Calloway. TRICIA'S WEDDING Some peole thought Whtergate was a scandal. Apparently they missed THE COCKETTES in Tricia's wedding. SEE ALL 3 SHOWS AT 8:00 AND 10:00 P.M. THURSDAY & FRIDAY Modern Languages Building - Aud. 3 (E. Washington at Thayer) $1.25 THE. LAST OF "See it twice! 'THE LAST OF SHEI- LA' is my kind of movie -- fast, flashy, sophisticated and demanding. This crackling mystery is. bang-up entertainment! It is ten times better than 'Sleuth'."-Liz Smith, Cosmopolitan "A complex, twisted, juicy, deyilish little murder mystery that will have whodunit fans wringing their hands with glee! Superb performances." -Jeffrey Lyons, WPIX-TV "The suspense is throttling! With each closeup of a doorknob the ten- sion mounts A frenzy that would make Alfred Hitchcock's chest ex- nand with pride." -Rex Reed, N.Y. Daily News eAn intricate who-done-it in the Aga- tha Christie tradition. A web of mur- der and suspicion." -Kevin Sanders, WABC-TV "THE LAST OF SHEILA" A Herbert Ross Film Starring (in Alphabetical Order) RICHARD BENJAMIN @ DYAN CANNON . JAMES COBURN @ JOAN HACKETT JAMES MASON . IAN McSHANE @ RAQUEL WELCH Music by Billy Goldenberg "Friends" Sung by Bette Midler Shows at 7:30 & 9:30 76 1970 Sat & Sun. Mat. 3&5