AteTHE MICHIGAN DAILY Tuesday, March 30, 1976 age Five Folk group- last of the old time black s tring bands ii (i! I S . E 4 I k Join Arts Page staff IF YOU HAVE a particular interest in local cultural events or a flair for writing about the arts, The Michigan Daily cor- dially invites you to join our Arts and Entertainment Page staff. We have a need for aspiring journalists who would like to tackle record, movie and concert reviews. For further informa- tion please attend a special meeting for new staffers tonight at 7:00 in the Daily offices on the second floor of the Student Publications Bldg. at 420 Maynard St., or call 764-0552 this afternoon and ask for Jeff Sorensen. the arborS"*" S TONIGHT: TUES., MAR. 30 MIDWEST PREMIERE OF THE GENTLEMAN TRAMP (1975) The .Lifeand Times of Charlie Chaplin. Orig- inal music by Chaplin. An affectionate tribute to Charlie using scenes from 17 of his greatest films, newsreels, still photos, and Dond Chap- lin's home movies. Narrated by W. Matthau and Sir Laurence Olivier. The definitive film biography of the life and work of this great film artist. FIRST TIME EVER IN ANN ARBOR! Produced by Bert Schneider, dir. Richard Patterson at 7, 8:45, and 10:30 in AUD. A, ANGELL HALL $1 25, KIDS 75c By JOAN BORUS ragtime, blues, early jazz, popu- jacket, but surprisingly without Howard's sons was making a lar songs and even a little bit of one of his outrageous hats which videotape of the group's per- "LADIES AND gentlemen, we classical music. have become his , trademark, formance. "They're not spring are Martin, Bogen and and Ted in a brightly patternedp Armstrong, the last of the old HEAR THEM do just one shirt and an even brighter red chickens anymore," he said, ex- time black string bands-thank number and you'll know why jacket, which the other mem- plaining that the tape was to be goodness." No matter where they have continued to endure bers kidded him about all even- used to permanently record they go (and they've' been in;despite a host of obstacles. ing, memories for their grandchild- nearly every state, not to men- IYears of playing in all kinds of Such a colorful appearance ren. His point is well taken; tion Latin and Central America), situations (bars, parties, fish holds the promise of a dazzling Martin, Bogen and the Arm- Howard Armstrong, the group's fries and radio broadcasts, to performance, and the group strongs are a unique group, the violinist, always gives the same name a few) and for all Kinds doesn't fail to deliver. When last remains of a once flourish- tongue-in-cheek introduction. of people have made them ex-1 they start playing, they really! ing musical heritage. It may be Like their theme song, "Lady perts in the art of pleasing a sizzle. Each of, the group mem- some time before they return be Good," it's a standard fix- crowd. bers has a distinct personality, to Ann Arbor, but they will be ture of their show and it never! I don't think I'll ever get both temperamentally and mu- performing this summer at the fails to delight the audience. tired of hearing Carl Martin's sically. Smithsonian Festival in Wash- After nine months of anticipa- rendition of "You're Nobody; gton D. You are strongly tion, the group that wowed audi- Until Somebody Loves You." HOWARD is the suave debo- urged to see them before the ences at last summer's Mari- Despite all their other excellent nair showman, worldly wise. His opportunity becomes lost for- posa Folk Festival finally made numbers, that song seems to amplified violin and his virtuos- ever, it to Ann Arbor, playing for capture the essence of Martin, tic playing add a dramatic flair three nights to a packed Ark, Bogen, and the Armtsrongs. to many of their songs. Ted is Now Showingq and once again they completely . the quiet one, with a smile that Todav at captivated their listeners. Now an old man, Carl sings seemingly never leaves his face. 7 and 9:15 During the weekend I learned that song n a way that com- But behind his unassuming ap- that Howard Armstrong doesn't bines the vigor and sincerity of Bupeinde is unang apr tha HoardArstrng oes'ta far younger man with the pearance lies a penchant tor ; pull any punches, and when he satire that comes out in such/ introduces Martin, Bogen and wisdom of an old sage. songs like "The Sweetheart of the Armstrongs as the last black Sigma Chi." Tom is also quiet, string band, he's not jiving. ABOVEArmstonartnatBtheir but, like Ted, writes some very Composed of himself on the and t ongs ant tir funny songs, and always seems violin, his son, Hom, on the audace tofhve goohtime, to be smoothly on top of it all, bass, Carl Martin on the man-a fact rfeedrntes fankly, never deflating the group's mo- doinflashy appearances and per-mentum. I r l I FOR THE PUBLIC INTEREST . ELECTIONS FOR PIRGIM'S BOARD OF DIRECTORS WILL BE H HELD APRIL 6,7, and 8 Any student is eligible to run for one of nine positions on the Board. To become a candidate, sign up at the PIRGIM office (4116 Michigan Union) no later than Thursday, April 1. For further information CALL 662-6597 Public Interest Research Group in Michigan formigsye guitar, the group is the only one oA of its kind. True, there are On Saturday night they came repr other black groups, but none of out looking their sharpest - i unex them have a repertoire that Howard sporting sunglasses, a "Ye covers the same scope. flowered shirt, and a checkered "do They play just about any kind coat; Tom in a maroon satin deli of music that's associated with shirt, black cap and flowered ence the first third of this century- tie; Carl in a snappy plaid O Theatre Co.'s' nd above all, there is the ir- ressable Carl Martin, whose xpected interjections of ah," "Play it boy," and it again," never fail to ght and surprise the audi- e. N SATURDAY night, one of From tsJ MR 5 A d &i t AjOl3at .0H IA Bitch' 0 " "A fine film." *--Penelope Gilliatt, The New Yorker Swept Away. SHOWTIMES Today at: 7:00 and 9:00 Good collaboration By DEBBIE LACUSTA dIe faster and faster. Suddenly, sounded as if it was being trans- Jesus falls out of his cradle mitted to the audience via a A CLEVER collaboration of and onto the floor, and the de- high school health teacher. The talent, material and energy rogatory religious overtones be- well - researched script was on- made the Theatre Company of come apparent. ly slightly tainted by this lec-r Ann Arbor' production of ture - like quality. UAC/eclipse jazz PRESENTS CECIL TAYLOR IN CONCERT Thursday, April 15 Power Center--8:00 P.M. TICKETS GO ON SALE TODAY TUES., MAR. 30Y All Seats $4.50 Reserved TICKETS AT TICKET CENTRAL, HILL AUDITORIUM The All-New IronO Book to decorate T-shirts, tank tops, or Grondmos favorite sof. Sixteen creations from those swell folks of NotLompCo, the company that will sell you anything. Iron ons riclude pobtracl ' pudowns, purely artistic designs in the Nationol Lampoon fcshion nd other full-color art ord words and miscellanea lnr nhy_ never before been seen in the short but foscinoting history of the 1shirt These heat-tran sfer designs would ordinarily sell or stores every- where far $1,00 each instead of 16 for $2.50: but National Lampoon designs are not availoble at stores anywhere. The National Lampoon Iron On Book is distributed in bookstores and on newsstonds on a limited basis and may not be available in your area If not. you con order it by sending $2.50 to the National Lampoon.635 Modison Avenue,.New York, New York, 10022. Please be sure to prnt your name and address, listing your correct zip code number. t-11131 t11 VVI .1. X71%Juu"lVli Vl I Bitch, You Crazy! last week end a uniquely satisfying ex- perience. Every aspect of the play was presented in a deliberately simple, dramatic fashion. This stark atmosphere never became obstrusive or boring. Rather it was supposed to reflect the bleak oppression women have experienced and their newly- found consciousness. The creative musical and sound arrangements were coor- Innovative, energetic, dis- dinated to the action with pre- tinctive and powerful - these cision. In Act I, a psychiatrist all serve as accurate descrip- babbles about a woman's need tions of Bitch, You Crazy! So, for taking Lithium, a potential- it was not surprising that this ly lethal drug. As his petty ;production filled Schorling Au- speech continues, a bizarre ditorium almost every night. plinking piano is heard, and the umumiu iuu.I.... audience immediately questions R his credibility. We'veIt (OUR LICENSE) SIX ENERGETIC women so yo e ot it I created the various characters (SPIRITS) of the play. Individually, each kept her singular characteriza- tion intact, so the audience can - - easily identify and follow the WITH OUR different personalities. Collec- ITALIAN - tively, their dependence upon -DINNERS. one another became obvious, - and helped to promote the * B eer troupe's unity. WITH OUR PIZZA AND mt .. .4. - - , - -- i rne o ANDIAjr.tCHF - NOW SHOW1NG unrestrained comedy I No definable story line is evidenced in the script, and it is just as well because the skill- ful mesh of poetry and songs provide more depth than many k conventional, plot - oriented plays. Each individual scene flowed smoothly into the next,, forming a coherent, purposeful sequence, and the viewer could easily sense the building tension so necessary for effective dra- ma. BESIDES commenting on the female oppression issue, Bitch, You Crazy! also made some subtle and not so subtle com- ments on accepted institutions. An ironic bicentennial com- mercial, cosmetic manufactur- ers and marriage were among those criticized. During one such memorable instance, cha- os erupts during an elementary school Christmas play. The child playing Joseph begins re-# citing more than just his lines - he adds parables and other Biblical stories, causing the Vir- gin Mary to become so upset that she starts rocking the cra- :t ,t ';t # 1 I t *fL t The action and dialogue was directed toward the audience. The actresses seemed to be speaking on a one-to-one basis to everyone in the audience, A heightened viewer involvement was triggered during the game show segment of Catch Him and You Keep Him. A rowdy atmos- phere quickly developed, and then the audience actually de- termined the winner, by way of an applause-o-meter. THE RELAXED environ- ment and the total reality cre- ated on stage hid a minor flaw. Though the play present- ed some interesting points of view on such concerns as drugs, prostitution and mental retarda- tion, at times this information WITH YOUR FAVORITE LIQUEUR. It's a game for any number of players! C otta te - Today at:7:15 and 9:00 s ~231 south state, INN 663.3379 512 EAST WILLIAMSTheatre Phone 64-1 11 ii I, I I Iama THE DEPARTMENT OF and THE PROGRAM IN JUDAIC STUDIES 000 S° 0 STATE STREET 0 DELI0 ?0,0 STAUEAT ., TRAY CATERING Sandwiches-Salads--Omelets-Cheesecake TRAY CATERING A SPECIALTY announce a lecture by David C. Jacobson UCLA entitled I he Neo-Hasidic Study in Early Twentieth Century Hebrew Literature" 3050 FRIEZE BLDG. TUESDAY, MARCH 30-4:00 P.M. AL JOLSON in 1928 THE JAZZ SINGER (AT 7) A young cantor feels the pull of bright lights and jazz music. So Hollywood puts on one of its biggest shows . .. and introduces talkies. CHARLES V1DOfR'S 1946 _. U .,'° . . , . 'i: '' r_ ,