Saturday, March 27, 1976 THE MICHIGAN DAILY Page Three -V 1k I events and entertainment g s... week of March 27 - April 2 to this tedium a visual glutting Mustard's Retreat, folk, 9, no of Beautiful People >o:ilence cover. slobbering through endless shots Loma Linda -- Footloose and of rich, garish apartments Fancy-Free, rock, 9, no cover. (there's scarecely an outdoor Bimbo's - Gaslighters, sing- scene in the entire film), and along ragtime, 6-1:30, 50c after l none is left with a cinematic ob- 8. ject-worship ritual as offensive Blind Pig - Aldaberan, jazz,I COMMERCIAL CINEMA as it is unfunny. As the ex- 9:30, $1. CaxiDriverCIALIeMA.ie hubby, Gould offers us his most Mr. Flood's Party - Silver- Taxi Driver - (The Movies, leering exhibitionism to date in tones, blues, 9:30, $1. Briarwood) - Martin Scorcese's a film (following Spys, Busting Golden Falcon - Mellodioso, much-acclaimed film of an alien- and Whiffs, his much-publicized jaz, 9, $1. ated Everyman debased by the comeback continues to excellr- Rubaiyat - Open Road, top' monster known as New York ate 90 miles per hour in re- 40's, 9, no cover. City. Unpreviewed at this time, verse). As for Keaton, one can Chances Are - Shooter, rock, but from what we've heard only re-express the fervent (and 8, $2. about it, probably the best bet probably failing) hope .hat she Pretzel Bell - RFD Boys, of the week. doesn't do for Woody Allen bluegrass, 10, $1.50. what Cybil Shepard did for Pet- Dog Day Afternoon - (Michi- er Baddanovich. BOMB gan) - Sidney Lumet's f i 1 m about an actual bungled bank robbery in Brooklyn, w h i c h sUrda sd turned into a kind of city-wide tua CINEMA happening thanksdto the wacky Gertrude - (Cinema II, Ang. sideshow eccentricities of the fe- CINEMA Aud. A., 7 & 9:05) - A 1964 ions involved. In its intimate de- Behind the Green Door - film by German director Carl joyable, even though anyone could predict the events on the screen ten minutes before they actually take place. Gilda is proof positive that a film does- n't have to be great in order to be richly entertaining, and I don't mean that as a backhand- ed compliment. This flick should definitely be seen. *** The Gentleman Tramp-(Ann Arbor Film Co-op, Ang. Aud. A, 7 & 9) - Just - released biog- raphy of Charlie Chaplin makes an interesting film, but could have been a lot better. It's1 very informative (if a little one- sided), but devotes precious little time to excerpts from Chaplin's films, and what se- quences that are included are often taken so out of context that an unfamiliar viewer would; miss most of the humor in- volved in the scenes. As such, The Gentleman Tramp can't bej recommended to Chaplin new- 1930's melodrama, with Marlene' against the carnage and brutal- Dietrich and Cary Grant. ity around him, becomes a1 A Brief Vacation - (Ann Ar- monk. The picture is said to1 bor Film Co-op, Ang. Aud. A, 7 possess an incredible lyric; & 9) -- How this film could be beauty, and is probably worth' hailed as a "fitting tribute to seeing. a distinguished career" is a Steppenwolf - (New World,1 little beyond comprehension. Nat. Sci. Aud., 7 & 9) - Maxj Vittorio deSica's last film is re-I Von Sydow stars in this mis- markably thin in just about shapen film from the famous everything is takes a stab at, novel. Hesse fans will likely bef approximating a soapy day- outraged, the rest will likely be dream that with minor revisions bored. ** would eat up a couple of weeks And Now For Somethingr on Days of Our Lives. Taken Completely Different - (Ma- singly, there really isn't all that trix, 7 & 9:30) - See Wednes- much wrong with it - but one day Cinema. would expect the creator of EVENTS The Bicycle Thief and Umberto Music School - Bizet's "Car- D to provide something a little men": Mendelssohn Theatre, 8 meatier, even if he was in his p.m. dotage. ** Musical Society - Waverly EVENTS Consort: Rackham Aud.. 8:30 University Players - Studio p.m. write something deep and pro- found and universally humanis- tic. If so, he clearly bit off more than he could chew. Al- len's creative abilities have matured in recent years, but his primary talent remains that of comedian, not cosmic philo- sopher. His apparent attempt to grasp for the latter plateau results here in some of the most sustainedly unfunny pas- sages contained in any of his films. Things are not helped along by the once-again pres- ence of the absolutely numbing Diane Keaton (Louise Lazer, where are you?), but the chief blame for this mess must fall squarely on the shoulders of the most gifted comic artist of our time, who for the moment ap- pears unwilling to settle for that much - deserved title. ** Shampoo - (Mediatrics, Nat. Sci. Aud., 7:30 & 9:30) - War- ren Beatty's savage, supposed- ly autobiographical study of a quintissential stud bathed in the eternal youth of Southern Cali- fornia i the late '60's. One of the most penetrating comedies of recent years, Shampoo is graced with scintillatingly ac- curate portrayals by Beatty, See HELLO, Page 7 j. i i E Theatre Series, "Herbert III": Arena Theatre, 4:10 p.m. Music School - Trio Concert, works by Ravel, Beethoven, Mendelssohn: Rackham Aud., 8 p.m. tailing of the event, the film (New World, MLB 3 & 4, 7, 8:30, Dreyer which is apparently takes on a kind of schizophrenic 10) - If there can possibly be about life and love, although the quality, as what begins as a hi- such a thing as a good porn film advertising blurb doesn't make lariously botched, slapstick hold- (there probably can't), t h e n things especially lucid plotwise. up gradually changes into a this is about the best example Marcario - (Cinema Guild, grim, soul-searing vigil between of such a hybrid product. Green Arch. Aud., 7 & 9:05) - A sur- the thieves and hostages in the Door is almost sprightly in it's realist fantasy detailing o n e bank and the hundreds of cons makeup, lacking the heavy- man's journey through the Mex- surrounding the building. As handed solemnity deadening to ican countryside. Considered such, Dog Day strikes a very most skin flicks. This film ac- 'one of that country's finest tenuous balance between farce tually displays some moments of films. and tragedy, and its too-long outright humor, and Marilyn If - (Peole's Bicentennial running time tends to leave the Chambers is as energetic and Commission, Nat. Sci. Aud., 7 & viewer in a state of unrest. spontaneously sexy a star as 9) - Lindsay Anderson's famous Even so, the story itself is quite you're likely to find in this study of a pair of English prep compeling, and the electric per- genre. Honest, this really is an school youths, whose noncom- formances by Al Pacino as the entertaining film - which is a formist aversion toward the exhibitionistic "brains" of t h e quality ten Barry Lyndons could stiff-collared brutality of their operation and John Casale as his not hope to match.*** educational hierarchy leads to silent, psychotic sidekick make; The Bride Wore Black - Cin- oen hostility and eventually to this a better film than it per- ema Guild, Arch. Aud., 7 & literal armed rebellion. Andr- hans deserves. *** 9:05) - A man is gunned town son intended the film as both a Barry Lyndon - (The Movies, j at his wedding ceremony, with grilling of the English school Briarwood) - Stanley Ku- his widowed bride subsequently system and as a microcosm of brick's film from the Thacker- embarks on a one-by-one mis- an increasingly archaic British ay noval comes across pretty sion of revenge against her hus- society, but If has been adot- much like .filks have been say- band's killers. Francois Truf- ed by many radicals as a sort ing: Huge, breathtakingly beau- faut's tribute to Alfred Hitch- of metanhor for revolution tiful and absolutely bloodless. cock is affectionate and finely around the world. The nicture Oh, the first hour or so looes crafted (he even hired Bernard does nack a wallon in its lat- along interestingly enough, what Herrmann to do the music): but ter stages, hut Anderson takes with duels, battles and the pro- Truffaut is Truffaut and Hitch- forever getting around to it: he mise of greater things to come. cock is Hitchcock, and the for- meanders along scene after But as the film sinks ever deep- mer's attemots at imitation only j'nonclusive scene, and also er into stilted, costumed soap tend to verify the latter's un- i'imns annoingly from stark opera and one realizes that noth- challenged mastery of the sus- relism to surreal abs'rdism ing of further interest is forth- nense thriller. It's a nice try, with"t any warning whasoev- coming, the viewer has no alter- though, and fun to watch.* ' r. If thls emerges as a good, native other than to settle back Iacombe, Lucien - tCinema imaoinntive film whih c o u I d and concentrate on the scenery ITT, Ang. Aud. A, 7 & 9:30) - have been a great film had its - rather akin to strolling The best film of 1974, Godfath- diretor exhibited a little more through a gallery of Constable ers and Chinatowns not except- -cl-dis-inline structurally rid a paintings, all gorgeous but ra- ed. A restless, minimally-educa- little better grasn on just -what ther numbing after about the ted teenager in WW II France is it was he was trying to s iv.** 400th entry. One can only s c- rejected in his efforts to join Fmmannelle -- (ATtri, 7 & ulate on Kubrick's motivations the French Underground. Flus- 930) - See Saturdoy Cinema. for choosing both story a n d trated and utterly non-nolitial , EVENTS style, but film entertainment he instead joins the Nazi Ges- Music Shool - Chamber Or- does not appear to have been tapo and is soon turning in form- I hestra: Hill ad. 4 p.m. one of his goals. Fine for him er acquaintances with no ad- ~-Music School - a nizin' - too bad for us.** joining guilt feelings. En-aptr- Blues: Rackham Aud., 7:30 p.m. Swept Away - (Campus) - ed with the macho thrill of wear- UAC Musket - Hello Dolly: Director Lina Wertmuller ing a gun and pushing others Power Center, 2 p.m. (whose past work alone make around, he swaggers along like PTP - Feelin' Good, musical her worth watching), has fash- a hood out of West Side Story, tribute to black entertainers, ioned a brilliant film that ex- his concept of the world conflict National Theatre Co.: Trueolood tends her love-sex-politics into going to further than his own Theatre, Frieze, 8 p.m. a dazling trio. Not only is the:, self image. Louis Malle's sensi- ;9't film her most technically super- tive study of children playing BARS ior to date, but it provides her at war raises profound questions Chances Are - Honey Big, with an intellectual rom of individual guilt and respon- rock, 9, 51. through Marxism, feminism and sibility, and also offers the .,'o- Mr. Flood's Party - Griev- elitism that defies verbal de- position that for most of us war ous Angels, countr, 9:30, 7c, s-rintion. Perennial ..o-stars is less an ideological struggle Ark - Martin, Bogen, a n d Giancarlo Giannini and Marian- than an ultimate ego trip. Whe- Armstrong, folk, 9, $3. gela Melanto agin live :p to ther or not one draws the same Loma Linda - JB & Com- Wertmuller's stringent de- conclusion, Lacombe, Lucien re- pany, 9:30, no cover. mands, ading much to an in- mains a deeply disturbing, cine- telligent and sohisticated tragi- matically brilliant effort.*** comedy that firmly establishesj this director as a major cine- The Great Waldo Pepper -- M ondy matic force. Bring on Se " re n (Mediatrics Nat. Sci. Aud., 730 Beauties (Wertmuller's latest). & 9:30) - Robert Redford stars CINEMA *** in George Roy Hill's concocted Emmanuelle - (Matrix, 7 & One Flew Over the Cuckoo's macho fantasy. Say, did I ever 9-30) - See Saturday Cinema. Nest - (The Movies, B r i a r - tell you about me and this Ger-'" EVENTS wood) - This long-awaited film man fella in the war? I wonder Musical Society - Pennsyl- emerges as an earnest, esten- what's become of him . . . slick vania Ballet: Power Center, 8 sibly faithful re-creation of the and terrible.* p.m. novel, but somehow manages to Bob & Carol & Ted & Alice BARS reverse the books philosonhical - (Bursley Enterprises, Bursley Blind Pig - Boogie Woogie point almost completely. Direc- West Cafeteria, 8:30 only) - Red, blues, 9:30, $1. tor Milos Forman has altered Paul Mazursky's famous Swing- Chances Are - Friends Road- the ending ever so slightly, so'er satire involving a would-be show, Comedy, 9, $1. that now McMurphv's final trag-,worldly couple (Natalie Wood Loma Linda - JB & Com- ic sacrifice stems less a 'iberat- and Robert Cul) who attempt pany, 9:30, no cover. ing martyrdom than a deluded to play house with their some- Golden Falcon - Silvertones, ant of self-destruction. T r u e, what less bouncy friends (Elliott blues, 9:30, $1. Chief Broom still escapes, but Gould and Dyan Cannon). Ahead Mr. Flood's Party - Cat'-ash no one else is saved, the pr-yof its time when released, now|Miller, jug blues band, 9:30, no tients' ward remains the same, rather trailing the scene, but cover. and The Big 'Nurse's dominance still pretty funny. The film was seems as strong as at the be- also the turning point in E1btt ginning. Forman anears to be Gould's climb to fame, an evert saying "No, you can't beat the for which one may or may noty system" - a direct negation of be grateful. TEDYMRH3 Kesey's redemtion of freedom Emmanella - (Ma r, 7 & TUESDAY, ARCH 30 of freedom theme. As such, for 9:30) - The highl*outed Tsoft-JgCINEMA admrer ofthenovl tis aycore porn film - the one that' The Jazz Singer - (Cinema he one of the most depressmng neddled itself under the slogan Guild, 7 only) - Al Jolson's films ever made.**I "let's yo feel good without feel- golden tonsils warbled forth ov- Gable and Lombard - (V4ifth{ ing bad." The real prolern with er 1928 movie audiences, and Forum) - Reortedly lessthanb this stultifying dull film is that the face andsound of movies memorable film biogranhv fo it doesn't let you feel at all. For was changed forever. The first csing mostly on the love life a vicarious thrill, mayb.* talking film is actually mostly of the two famous stars. You The Chiminal Code - 'L a w silent save for the musical pays your money and takes your School Films, 100 Hutchins Hall, numbers, but still sent out artis- chances, folks - so far this 7 & 9:05) - A very early Mow- tic shock waves that ruined writer hasn't worked up the am- ard Hawkes melodrama about a some careers and saved others. comers or Chaplin fans it would doubtless myE former group and an the latter.. Emmanuelle - (Mat 9:30) - See Saturday EVENTS English - David Ray reading: Pendleton Rm 4:10 p.m. Music School - rug Percussion Ensemble, Owen, conductor: Cady Rm., Stearns p.m. BARS Blind Pig - II V I Or be-bop, 9:30, $1. Chances Are - Clo atics, as stify the tagonize BARS rix, 7 & Pretzel Bell - The Profes-' Cinema. sionals, comedy, 9, 50c. Chances Are - Cloudburst, y, poetry rock, 9, 50c with I.D. ., Union, Ark - Hoot night, folk, 9, 75c. Blind Pig -Friends Road- concert, show, comedy, 9, $ . Charles Mr. Flood's Party - All Di- rections, 9:30, 75c. Bldg., 8 Loma Linda - JB & Com- pany, 9:30, no cover. rchestra, thursday )udburst,Y rock, 9, $1. Mr. Flood's Party - Gemini,' folksy blues, 9:30, no cover. Loma Linda - JB & Com- pany, 9:30, no cover. CINEMA And Now For Something Com- pletely Different - (Matrix, 7 & 9:30) - Filmed collection of' CINEMA Notorious - (Cinema Guild, Arch. Aud., 7 & 9:05) - One of Alfred Hitchcock's most unique experiments - a film lacking a single gunshot, knifing or any act of violence in any way, shape or form. Ridiculous, you say? Not at all - Notorious proves one of the most sus- penseful efforts in the Hitchcoc- kian repertoire. Implication is everything as Cary Grant and Ingrid Bergman concoct a ba- zarre and risque scheme to un- cover Nazi spy Claude Rains, with as hair-raising a non-vio- lent finale as you're ever likely to see. Sam Peckinpah, take note. BARS Ark - Benefit for Food Day with various players, folk, 9, $1.50. Heidelberg Rathskeller - Mustard's Retreat, folk, 9:30, no cover. Mr. Flood's Party - Mike Smith and his Country Volun- teers, 9:30, 75c. Golden Falcon - Melodioso, jazz, 9:30, $1. Loma Linda - JB & Cqm- pany, 9:30, no cover. Chances Are - Cloudburst, rock, 9, $1. CINEMA Bananas - (Ann Arbor Film Co-op, MLB 4, 7, 8:30, 10) - Sex-starved New Yorker Field- ing Mellish seeks to improve his. stock in life, somehow winds up dictator of a small Latin Ameri- can country. Woody Allen's most disjointed film is also his funniest; the negligible plot is offset by such an hysterical series of gags and situations that one really can't stop laugh- ing long enough to follow what story there is. Bananas marked Allen's first truly adroit acting job as the hero, and his film is bolstered immeasurably by the incomparable Louise Lazer - surely the most inspired comic actress in movies today. Love and Death - (Ann Ar- hor Film Co-op, MLB 3, 7, 8:30, 10) - What would possess Woody Allen to play variations on Tolstov? Better he tackle bank robbers, futuristic robots, even giant breasts. Simply put, Love and Death is a botch. Not Rutgers Review Center, Inc. Not affiliated with Rutgers, The State University CONVENIENT LOCATIONS MICH. 0 N.Y. 0 N.J. Classes limited to 20 students 40 hir. aad 24. Courses -T ToyA.l Your future depends on a 3 hour exam. Don'i leave it to chance!?LS A T MCAT NOW FORMING 50 HR. COURSE-$240 GMAT 30 HR. COURSE-$170 Courses developed by: ARCO PUBLISHING CALL 24 HOURS Test Preparation Specialists for 40 7 Days 313/557-3158 years, with Cal now for Sprinq Candrill and Siawsky ColnworSin 343 Van Houten Ave, and Summer courses Passaic, N.J 07055 . *NOTICE * POSITIONS ARE A VA ILABLE FOR WORK STUDY STUDENTS Please see Beth or Cassie 420 MAYNARD-764-0560 .. Monty Python skits that bomb- ed out when released in the U.S.' several years ago, but now be- ing recirculated due to the group's new-found TV fame. To; this writer Monty Python is an extremely pale variation on Laugh-In, Firesign Theater and Roma - (Ann Arbor Film others, and its mystifying suc- Co-op, Ang. Aud. A., 7 only) - cess can perhaps only be at- ! Fellini's cinematic tribute to tributed to people's desperate the Eternal City predictably fo- need for something to laugh at cuses more on Fellini than on in this troubled era (During Rome. If one can tolerate the World War II, Americans cloying self-absorbtion of about thought Abbott and Costello a third of the film, the major- were hilarious). Although such ity remaining contains some of laughter may alone be justifica-,the old master's best recent ' tion for such a group's exist- ' work. *** ence, it is not a guarantee of I The Burmese Harp - (Ann good comedy - or in this case'Arbor Film Co-op, 9 only) - good filmmaking. ** Japanese anti-war film of a The Jazz Singer - (Cinema WW II private who rebels Guild, Arch. Aud., 7 only) - "--e---~dy C-ne a See Tuesday Cinema. Blonde Venus - (Cinema Guild, Arch. Aud., 9:05 only)- Midwest's Largest Selection of European Charters.. Canadian and U S from $259 CALL 769-1776 -. Great Places ' TRAVEL CONSU TANTS 216 S. 4th Ave, Ann Arbor Confused by the SUMMER SUBLET Game? SIMPLIFY THINGS'!""""" ''' THETA XI1 ~'*. 1345 Washtenw GR EAT LOCATION (WASHTENAW AT S. UNIV) COED LIVING INEXPENSIVE 761-6133-995-8455 just a botch by Woody Allen standards, but by those of far lesser humorists than himself.' Perhaps Woody felt the recent- lv refurbished spectre of Mel 'Brooks breathing down his back, and thus felt compelled to -e ~ I f 1 t f t t { f I {ja r 1 4 te tbru C Ia ssfed C There IS a ** : 1fference!!! ; * PREPARE FOR: ! 0 UMCAT Over years i * VIDIof experience S and success * , Small classes "* ISAT Voluminous home GRE study materials AT courses that are " : constantly updated* " EhCaSI Tape facilities for "* " reviews of class * " ATlessons and for use. Sof supplementary " : FLEX materials " Make-ups for ECM missed lessons N NAT'L M ED BOS~ ; NATL DENT BDS When someone drinks too much and then drives, it's the silence that kills. Your silence. It kills your friends, your relatives, and people you don't even know. But they're all people you Could save. If you knew what to say, maybe you'd be less quiet. Maybe fewer people would die. What you should say is, "I'll drive you home." Or, "Let me call a cab." Or, "Sleep on my couch tonight." Don't hesitate because your coffee never made anyone sober. Maybe it would keep him awake long enough to have an accident. But that's about all. The best way to prevent a drunk from becoming a dead drunk is to stop him from driving. Speak up. Don't let silence be the last sound he hears. bpdistrict attorney who gets ap- It's immortal mainly for its attend. 'nointed warden of a prison con- historical importance, as the I Will, I Will . . . For Now - taining many men out there by film's story of a young singer (The Movies, Briarwood)- An the attorney himself. Juicy lust- making it big doesn't carry absolutely abominahle film retribution possibilities, a nd much excitement. * about the attemts of a divor- maybe a very entertaining flick. Gilda - (Cinema Guild, 9:05 ced. filthl-ri(h h7w V r k EVENTS only) - Post-war soldier of' r------------p1 D7)RUNK DRIVER, DE. Y Az E BOX 2345 ROCKVILLE, MARYIAND 20852 I don't want to remain silent.