Saturday, February 21, 1976 THE MICHIGAN DAILY Page Three _ Saturday, February 21, 1976 THE MICHIGAN DAILY Page lhree I- ,, 1k events and entertainment g * for the week of Feb. 21-27 all week Low - budget sci-fi horror flick about a futuristic killer. Well, it has Whit Bissell in it, so it can't be all bad. satu rdav tones, blues, 9:30, $1. Sure Thing - Tantrum, rock, 9:30, $1. Rubaiyat - Open Road, top 40's, 9, no cover. Loma Linda - JB & Com- pany, 9:30, no cover. long i i J l 3 i i 7 E T Y 3 t t i 1 s t t t r. e L COMMERCIAL CINEMA CINEMA Chinatown - (New World, The Man Who Would Be King MLB 3, 7 & 9:45) - A private - (Michigan) - John Hus- detective's entanglement in a CINEMA ton's best film n years! A rol- web of moral - political cor- Sunset Boulevard - (Cinema lickingly exciting Rudyard Kip- ruption in Depression-era Los II, 7 & 9) - Famous Billy cng-me (Michael Catw i h a Angeles. Roman Polanski's film Wilder film of an aging ex-si- con-men n(Michael Caine and is really more an unabashed lent movie star (Gloria Swan-I theiray C toor shipover horror movie than the cynical son) who lures a young screen- their way into lordship over a detective story it pretends to writer (William Holden) into small fictional kingdom north be, and is deservedly one of the her decaying mausoleum of a of India. Their ultimate fate blockbuster entries of the '70s. house. Gradually he is reducedr follows the time-honored Huston Jack Nicholson, Faye Dunaway to a kind of voluntary captive wages-of-greed theme, but The et al. are memorable. **** in her mansion - phychologic-' Man Who Would Be King is The Hound of the Basker- ally wedded to her resurrected fresh and multi - leveled. It's on villes - (Cinema II, Ang. Aud. past, his life on the outside of the one hand a terrific adven- A, 7 & 9) - The first - and an ever-fading blur. A mem- r silaryusadtesmnVictorian best - of the Basil Rathbone- orable study of the truth-: hilarious satire On t Sherlock Holmes collaborations. vs.-illusion quality of the cel- British Imperialism at its worst *** luoid world, but I think the (Watch the parallels to our own lodwrd u hn h Cwboy -h ade t Indn yn Little Big Man - (Media- film is irreparably marred by Cowboy - and - Indian nper- trics, Nat. Sci. Aud., 7 & 9:30) Holden's unfortunate voice-over drome). Connery and Caie er- - Arthur Penn's grand-epic narration. He describes the] form as if these were the roles Western sage of a 12-year old story's events in a pseudo-hip-; they d been waiting to play all survivor of Custer's last stand ster style that is corny and] siir lyI (Duston Hoffman), who spins cliche - ridden, and only de-' siOneFlew Over the Cuckoo's his tale in flashback form. A tracts from a film which speaks Nest - (The Movies, Briar- muddled, schizophrenic film well enough for itself. *** woos) - Theong-iedfilm that fluctuates moment to mo- Deep End - (Cinema wood) -~ This long-awaited ment between comedy and dra- Guild, 7 & 9:05) - Love affairl emerges as an earnest, ostensi- ma, and can never seem to between a young man and anI no t sehowat nage make up its mind just what it's older woman, directed by Jerryl novel, but somehow manages trying to say - but it's glorious: Skolmowski. to reverse the book's philosophi- ' entertainment nonetheless. It's Catch-22 - (People's Bicen- cal point almost completely. helped in no small measure by tennial Committee, Nat. Sci.E Jack Nicholson is certainly the Hoffman's bravura perform- Aud., 7 & 9) - Mike Nichols' ideal R. P. McMurphy, and ance. *** 1970 film from Joseph Heller's Louise Fletcher creates a Big The 39 Steps - (Cinema absurdist anti-war novel. A gen-; Nurse much subtlerandin the Guild, Arch. Aud., 7 & 9:05)- erally unsatisfying effort, due process more terrifying'than One of Alfred Hitchcock's finest not so much to Nichols' valiant director Milos Forman has al- British films, in which accused attempt at cinematizing an al- directr Mning ora s sag- murderer Robert Donat under- most unfilmable book, but rath- tyrsd thet endi eer's slit- takes a desperate one - man:(er to his casting judgement; ly, so that now McMurphy's fin- trackdown of the Nazi spies approximately half his rep; ating martyrdom than a delud- who are the real culprits. This; company gives such lousy per-! ed action of self - destruction. was one of Hitchcock's first formances that they tend to True, Chief Broom still escapes, uses of the innocent man theme, shatter fond memories of Hel-I but no one else is saved, the which he has worked over and ler's very surreal yet very per- 'remains the over through the years with al- sonalized galaxy of characters. | same, and the Big Nurse's do most magical success (Frenzy Alan Arkin does make a won-' inance seems as strong at the excepted). derful Yosarian, though. *** end as at the beginning. The Twelve Chairs - (Couz- Young Frankenstein - Ma- The Sunshine Boys - ((The ens Film Co-op, Couzens Cafe- trix, 7 & 9:30) - See Saturdayr Movies, Briarwood) - Two fa teria, 8 & 10) - A trio of con Cinema. men (Ron Moody, Frank Lang- EVENTS mou ex-adGevrgeBans) War ella and Dom DeLuise) scram- TV Center - The Cinema: A Matthau and George Burns) are ble across 1920s Russia in pur-Glnea Tchiu:W J reunited to do a TV skit after - Glance at Technique: WWJ, years of not speaking to each suit of 12 dining room chairs channel 4, noon. other. Neil Simon's fling at -one of which contains a for- University Dancers =- Dance Chekovian pathos just doesn't tune in hidden gems. Mel Snacks; Union Gallery, 2. work at all-it's offensive when Brooks most overlooked com- Music School - faculty re-X it's trying to be funny (the end- edy is also his best - it con- cital; Benning Dexter, pianist; less gags about the comedians' tains his most cohesive plot, Rackham Aud., 4.t senility), and dull when it's his most controlled direction UAC Ars Comedia - The trying to be serious (After Mat- tan an almost total absence of Time of Your Life 7/6 of a: thau has suffered a heart at- h gross overreaching for Play, a collection of four one- tack, Burns muses: "When he laughs in most of Brook's other a coleion;ofefdurssne- yelda' eostgh o work. This isn't to say that act comedies; Mendelssohn yelled at me onstage, he got a The Twelve Chairs is a pale Theatre, 3:30, 8:15. million laughs - when he yell- .entryrs s'a* pa* eBARS c ed at me offstage, he got a entry - its hilarious. Sure Thing - Tantrum, rock, L- -l- .. ..1.!_ __ n r Fe Thkin - TantrumMrock, Del Rio - Jazz, 5, no cover.' otal films of our time, Bonnie Mr. Flood's Party - Griev- and Clyde torpedoed forever the ous Angels, country, 9:30, 75c. Hollywood concept of the "well- Chances Are - Brainstorm, made film", complete with its rock, 9, $1 to $1.50. stock standard plots and end- ings and gargantuan list of do's and don'ts. Here it is, folks - the movie that destroyed the Sound of Music Ethic, and be- p sides that it's a great film. CINEMA Many thanks. **** Young Frankenstein - (Ma- The Hired Hand - (Ann Ar- trix, 7 & 9:30) - See Saturday bor Film Co-op, Ang. Aud. A, 9 Cinema, only) - Peter Fonda directed EVENTS and starred in this lyrical West- Center Russian, East Euro- ern which received little atten- pean Studies - Igor Birman, tion from the critics or dis- "What Happened to the Soviet tributors when first released. Economic Reform?": West I I've never seen it, but the film Conference Room, Rackham, 4. has picked up quite a few Music School - Faculty Re- champions the past couple of: cital of Chamber Music for years and could be something! Strings; Rackham Aud., 8. quite special. PTP - special one night per-; Young Frankenstein - (Ma- formance, Man of La Mancha; trix, 7 & 9:30) - See Saturday; Power, 8:30. Cinema. BARS EVENTS Blind Pig - Boogie Woogie Commission for Women-mini Red, blues, 9:30, $1. w o r k s h o p, "Assertiveness Loma Linda - JB & Com..T r a i n i n g: What is it All pany, 9:30, nb cover. About?"; 3205 Union, noon. Mr. Flood's Party - Catfish Future Worlds - Nicholas' Miller, jug blues band, 9:30, Johnson, former FCC Commis- no cover. sioner-National Citizens Com- Sure Thing - Tantrum, rock, ; munications Lobby director, 9:30, no cover. "Citizens and Communication"; Golden Falcon - Silvertones, Hill Aud., 3. blues, 9:30, $1. English - poetry reading: Chances Are - Mojo Boogie Andrew Carrigan, Warren Band, rock, 9, $1 to $1.50. Hecht, Richard McMullen of Street Fiction Press: Pendle- 3---- ?ton Room, Union, 4:10. Take your chances, folks -: non - realized characterizations Hell at 7, Preview Murder Mys- anywhere from BOMB to **** all presented with cutesy stares tery at 9) - Early whodunit depending on your hangups. I and winks to the audience, im- films featuring the camera gen- Tommy - (Matrix, 7 & 9:30)I plicating it as a knowing part- ius of famed cinematographer - The wretched excesses of di- ner to a joke which was ob- Karl Strauss. Probably worth rector Ken Russell crash head- viously unknown to the cast and seeing for the visuals alone. on with The Who's hard-rock director themselves. It's all South Pacific - (Couzens opera - and the result is a topped off with a circus finale Film Co-op, Couzens Cafeteria, surprisingly effective film. that's such a blatant rip-off; 9 only) - Big, bloated film ver- Russell's dime-store garishness from Fellini's 82 that some sion of the big, bloated Broad- seems for once to have stumb- critics should be ashamed of way musical. Considered super- led onto a malleable product: themselves for not taking Alt-; ior entertainment in its day - the resulting collaboration: man to tasks As usual, I guess, how times and taste can change drives, drives unrelentingly the Golden Boy can do no in a couple of decades.** and often unpleasantly at the wrong. BOMB. Chinese Connection and Re- audience, but the onslaught of The Story of Temple Drake-, turn of the Dragon - (Ann Ar- sight and sound is never dull (Ann Arbor Film Co-op, Ang. bor Film Co-op, Connection at and is often undeniably com- Aud. A, 7 & 9) - Very early MLB 3 at 7, MLB 4 at 9, Drag- pelling. I think even Russell's '30's film version of Faulkner's on at MLB 4 at 7, MLB 3 at 9) severest critics must give novel, Sanctuary. ;--Two of Bruce Lee's vintage Tommy its reluctant due, even Tommy - (Matrix, 7 & 9:30) zappers. If one doesn't mind if its success is by and large a - See Wednesday Cinema. the lack of any kind of coherent lucky accident. *** EVENTS script, the films project a kind Dr. Jekyll and Mr. Hyde - Pendleton Arts Information of poetry all their own. As (Cinema Guild, Arch. Aud., 7 Center - "Open Hearth," Lois such, rather irresistable. *** only) - See Tuesday Cinema. Kane, "Weaver's Craft," Pen- The Three Musketeers - Me- Dreams - (Cinema, Arch. dleton Room, Union, noon. diatrics, Nat. Sci. Aud., 7:30 & Aud., 9:05 only) - Bergman Commission for Women - 9:30) - The first of Richard film about the disillusioning ad- Take This Women; Returning Lester's two-part Dumas epic- ventures of two women. Students' Lounge, 3205 Union, and by far the weaker of the EVENTS noon. two segments. Lester's decision University Players - Studio University Players -- Studio to divide his film in half rather Theatre Series, 27 Wagons Full Theatre Series, 27 Wagons Full than over-condense it was prob- of Cotton, Moon; Arena Thea- of Cotton, Moon: Arena Thea- ably a good decision artistically tre, Frieze, 4:10. tre, Frieze, 4:10. j(and certainly commercially), Romance Languages / Medie- Musical Society - P. D. Q. but Part One inevitably suffers val, Renaissance Collegium -- Bach; Power Center, 8. since most of the important ac- Paolo Cherchi, University of W o u n d e d Knee Support 'tion occurs in the last half of Chicago, "Some Considerations Group / Women's Studies 340 - the novel. The result is too on Traditions and Topoi"; Lec- video tapes, "Why Wounded many fight scenes obviously ture Room 2, MLB, S. Knee?," discussion presenta- employed as a substitute for BARS tion, "Role of non-Indians in meaningful plot progression, Ark - Hoot night, folk, 8:30, solidarity with the Indian Move- but a wonderfully offbeat cast 75c. ment"; 1020 Angell, 8. keeps things alive reasonably Chances Are - Masquerade, BARS well. ** ITommy -- (Matrix, 7 & 9:30) rock, 9, students SOc. Pretzel Bell - RFD Boys,s Mr. Flood's Party - All Di- bluegrass, 9:30, $1. - See Wednesday Cinema. rections, 9:30, 75c. Heidelberg Rathskeller - B EVENTS Sure Thing - Ivory White, Mustard's Retreat, folk, 9, no Mistretta, R. Bradley"Meas- rock, 9:30, no cover. cover. uring Taste and Swallowingin Loma Linda - JB & Com- Mr. Flood's Party - Mike the Fetal Lamb" 12204 Wom- pany, 9:30, no cover. Smith and his Country Volun- en's Hospital, noon. Cteers, 9:30, $75. Vengeful Templars of Olgath Chances Are - Masquerade, - James Matthews, University thursday rock,9 $1 to $1.50. of Owosso "Understanding Sure Thing - Ivory White, Jack Narz," 511 Linden, 6:30. CINEMA rock, 9:30, no cover. BARS W o m e n ' s Experimental Golden Falcon - Melodioso, Ark - Joe Hickerson, folk, Films - (Cinema Guild, 7 & 8 9:30, $1.2.50. 9:05) -- Collection of short Ark - Amanda Bailey, folk, Bimbo's - Gaslighters, rag- films by women directors, some 8:30, $1.50. time sing-along, 6-1:30, SOc after previously seen at Ann Arbor Loma Linda - JB & Com- 8. film festivals. A fine collec- pany, 9:30, no cover. Chances Are - Masquerade, tion. rock, 8, $2 to $2.50. TootNN BARS k7 ;Chances Are - Shotgun, rock, CINEMA 9, $1 to $1.50. Dr. Jekyll and Mr. Hyde - Sure Thing - Tantrum, rock, (Cinema Guild, Arch Aud., 7 9:30, no cover. y -Mr. Flood's Party - Gemini, only) - A genuine treat: The! blues, 9:30, no cover. Frederic March version of Stev- Los, Linda - JB & Com- enson's horror classic - a film pa 9,no cover. almost never seen anymore on:pony, 9:30, no cover. TV or in theaters. Unviewed by this writer, but the pictureI won March an Oscar and is' supposed to be better than the subsequent Soencer Tracy ad- CINEMA aptation - which was a very Blue Water, White Death - good film indeed. (Ann Arbor Film Co-op, Ang. The Man Who Shot Liberty Aud. A, 7 only) - Documen- Valence - (Cinema Guild, tary of scientists and hunters Arch. Aud., 9:05 only) - West- stalking the Great White Shark ern greenhorn (James Stewart) - some of the footage of which is joined by old pro (John was subsequently spliced into Wayne) is combating feared the finished copy of Jaws.. badman Valence, memorably The Texas Chainsaw Massa- incarnated by Lee Marvin. En- cre - (Ann Arbor Film Co-op, jovable but basically routine Ang. Aud. A, 9 only) - Here John Ford film, lately cham-, it is, kiddies: The Ann Arbor pioned by cultists as one of his: premiere of the movie that' all-time greatest. It's far from made Sam Peckinpah look like that, but certainly worth see- Wally Cox. Director Tobe ing - especinllv for Marvin's Hooper in describing the film- exquisite portrait in villiany. ing says "Everyone was in- *** jured at one time or another, Bonnie and Clyde - (Ann Ar- everyone got sliced, or cut, or bor Film Co-op, Ang. Aud. A., 7 was bleeding." On the other only) - Arthur Penn's famed hand, the film has been select- dissection of the '30's bankrob- ed for a permanent place in bers. One of the genuinely piv- the Museum of Modern Art.I Brewster McCloud - (New World, Nat. Sci. Aud., 7 & 9)--- Robert Altman's absurdist film about a strange youth (Bud Cort) who wears mechanical wings, has a fairy bird-god- mother (Sally Kellerman) and hides out in the Houston Astro- dome. A movie one either loves or hates; cherished by many as a nihilistic nose-thum- ber to society, but in this cor- ner a coddled, crashing bore. Scene after scene tailing off into nothingness, amateurishly CINEMA Flash Gordon's Trip to Mars - (Cinema Guild, Arch. Aud., 7 & 9:05) - The Second - and best - of three FG serials. Shown here in two separate segments, so true believers bet- ter plan to dig in for the whole four-hour duration. *** Guilty as Hell and The Pre- view Murder Mystery - (Cine-' ma II, Ang. Aud. A, Guilty as Golden Falcon - Melodioso, jazz, 9:30, $1. Heidelberg Rathskeller - Mustard's Retreat, folk, 9, no cover. Loma Linda - JB & Com- pany, 9:30, no cover. Pretzel Bell - RFD Boys, bluegrass, 10, $1.50. Mr. Flood's Party - Griev- ous Angels, country, 9:30, $1. Rubaiyat - Open Road, top 40's, 9, no cover. Sure Thing - I'ory White, rock, 9:30, $1. heart attack." Obviously this is ' xLungr ran enswi - (ma- supposed to be laden with deep trix, 7 & 9:30) - Terrific Mel philosophic content, but I am Brooks film, due primaily to its unable - and not especially in- solid, cohesive story line. It terested - in deciphering what seems that the more chaotic that content is.) As the more Woody Allen's films are, the acerbic member of the duo, nore successful (Bananas), Matthau grossly overplays his while the opposite is true of part, but the ageless Burns Brooks - Young Frankenstein brings just the right touch of and The Twelve Chairs stand- dignity to his gentler role - ing superior to the more anar- the only real class in this un- chistic Blazing Saddles and The" pleasantly overblown situation Producers. I think Brooks' true comedy. ** genius lies in comic narrative A Boy and His .Dog - (Fifth - filmly based in logical plots Forum) - A dreadful piece of and enriched with his undis-; film that's billed as "kinky" puted gift for gags. Leave the because the distributors knew nihilism to Woody. * * * they couldn't attract an audi- EVENTS! ence based on the flick's merit. PTP - Davis's Purlie, Pow- Not so much kinky or even er, 8. - sexy as just plain ridiculous. Mu s i c S c h o o l- The movie presents a post-2000 Contemporary Directions, Les-, world view in which dogs ap- lie Guinn, baritone; Rackham parently are smarter than their Aud., 8. masters. UAC Ars Comedia - Thez Barry Lyndon - (The Mo- Time of Your Life 7/6 of a vies, Briarwood) - Stanley Play, a collection of four one- Kubrick's film from the' act comedies; Mendelssohn The-, Thackeray novel emerges as atre, 8:15. pretty much what folks have Residential College - Road- been saying about it :Huge, in- side Attractions, T'was Brillig, credibly beautiful and absolute- an evening of masks; Residen-; ly bloodless. Oh, the first hour tial College Aud., 8:30. or so lopes along interestingly BARS enough, with duels, battles and Ark - Ola Belle Reed, folk, the promise of greater things 8:30, $2.50. to come. But as the film sinks Chances Are - Brainstorm,I ever deeper into stilted, costum- rock, 8, $2 to $2.50. ed soap opera and one realizes Golden Falcon - Melodioso, that nothing of further inter- jazz, 9:30, $1. est is forthcoming, the viewer Pretzel Bell -- RFD Boys, has no alternative other than bluegrass, 10, $1.50. to settle back and concentrate Heidelberg - Continentals, on the scenery-rather akin German, 9:30, no cover. to strolling through a gallery Heidelberg Rathskeller - of Constable paintings, all gor-, Mustard's Retreat, folk, 9:30, no geous but rather numbing af- I cover. ter about the 400th entry. What Bimbo's - Gaslighters, rag-j an immaculate, itemized waste. time sing - along, 6-1:30, 54c af-: ** ter 8. Psychic Killer - (State) - Mr. Flood's Party - Silver- SDistinctive Mexican v 9:30, no cover. Dmni ' N ou .*- n n 0or featuring this week Whether it's morning, noon, or night, for some hearty helpings of haute cui- sine, for drinking and relaxing in a pleas- ant atmosphere, or for dessert and coffee after the theater, The Victor's Restaurant welcomes you. Located in the Campus Inn, just a cou- ple minutes walk from the Diag, The Vic- tor's offers a tempting array of meals suited to any time of day. The reasonably priced breakfast buffet is a banquet of only the best where even football players do not walk away hungry. If you stop in for lunch, choose from The Victor' assort- ment of crisp and filling salads, sand- wiches, or the "Luncheon Favorites" like butter-broiled Cape Cod scallops or a three egg omelette with your choice of ham, mushrooms, or cheese. All the Lun- cheon Favorites include a tossed salad, choice of potato or vegetable, rolls and butter. But the real Victor's celebration begins with dinner. From the magnificent appe- tizers to the dazzling desserts, the Victor's mode of dining is hardly standard campus fare. And the eager and courteous service staff adds to the elegance and ease of this eating experience. Greeted at your table with a delightful relish tray-which is included in the price of the entree-you can help yourself to any of the unique light and appetizing salads. Your next stop on the eating ex- travaganza could be Escargots Bourguig- nons-tender snails served in their shells and prepared in a delicate garlic butter sauce to butter broiled Cape Cod scallops. The Victor's also offers a soup du jour like the mouth-watering cream of mush- VICTOR'S room soup, or authentic French onion soup with croutons and a broiled butter- cheese crust by the cup, bowl, or crock. The gourmet selection of entrees include such tasty favorites as broiled prime filet mignon served with burgundy mushroom caps; butter-broiled red snapper "Matre d'Hotel"; veal Tosca with sauteed mush-- rooms and lemon, and the acclaimed "Victor's Specialty"; tenderloin and king crabment enbotchette, carefully prepared and flamed right at your table. The desserts are virtually a meal in themselves with a selection from the Vic- tor's "bountiful" pastry tray, ice cream sundaes or parfaits with liquor, assorted fruits of the season served with a vari- ety of cheese, or the very special and' spectacular Cherries Jubilee. with a blend of no less than four different types of liquor, and flamed at your table. Along with fine food and excellent serv- ice, The Victor's also boasts the best wine cellar in Washtenaw County. The special selection of tried-and-true favorites suited for all different tastes and geared for all pocketbooks. And if your a bility for choosing a wine leaves you lacking, the specially trained staff can help you choose one to compliment your meal. The comfortable, high-class atmosphere is enhanced by the live entertainment pro- vided by the Victor's pianist Rich Farner every night from 6 to 9 p.m. and Satur- day night from 9 to 1 a.m., the Alexius Trio picks up the tempo. One thing is for sure, after you've spent some time dining at this fine restaurant, you'll know why the campus fight song is, "flail to The Victor's". Your wine selection is stored in the perfect environment of Victor's wine-cellar. Enjoy weekend entertainment while you dine with the Alexius Trio. Victor's is located inside the beautiful Campus Inn, corner of State and Huron. Enjoy an intim dining with the of Rich Farner. Then dance to ate evening of fine esoft piano music " #(,e e , Heidelberg;