Pge Six Historic view of the work theory (Continued from Page 4) concept of leisure into his an- alysis, at last. He uses the motor assembler as the typical figure of contemporary indus trial production and the very symbol of alienation. I concur wholeheartedly, having assem- bled motor parts myself. The use of a wife's account of her husband's energy loss is well placed. Auto making tends to stop several human functions and then inertiacreeps into your entire life. Leisure becomes monotonous. Here all stops. Just like punch- ing-out on a time clock. Clayre packs up his lunch box and goes bone. The book ends without really justifying the study. The reader is no better able to un- derstand his own work situation (a universal concept) from Clayre's work. The philosophers chosen accurately expound on the nature of man and his work, but Clayre does not clearly re- late work experiences or deal with leisure in a sufficient man- ner. His results are often cor- rect and concise, however it is difficult to use his framework as support for the conclusions. Literary advice: needs work. Thomas: vividin ord pictures (Continued from Page 4) left on the first of three lecture tours of America. To this im- prudent and penniless poet the United States was a promised land of easily won riches. It was also a vast continental par- ty, or $o it seemed, due to that destroying kindness pressed up- on the poet from all quarters. John Brinnin, the American poet and critic responsible for ar- ranging Thomas's tour, has pro- vided a record of his excesses abroad in Dylan Thomas in America; it's the chronicle of the self-destructive poet in the midst of killing kindness. Sin clair gets to the heart of the tragedy: As Caitlin knew, if Dylan could get away with the re- sposibility for his excesses by appearing to have them put upon him, he would do so. For then he could excuse his Welsh conscience and -sense of sin; it was not him, it was the others. Some are born drunks, some achieve drunkenness, but Dylan liked to have 'drunkenness thrust upon him. This America liked to do, and Brinnin could not stop it. YN TE LAST PAGES of this book, the "legacy" chapter, Sinclair repeats what is obvious from the foregoing text, that Thomas was a host of warring contradictions, a man with tal- ent to burn who instead immo- lated himself. Sinclair has writ- ten a good appreciation of a legendary poet; the text and pictures are as warmly evoca- tive of the man as Christmas in Wales is of childhood. But it does seem like too much sweetness and light. Sinclair is indulgent, forgiving, elevating; his graceful interweaving of Thomas's life and work, inas- much as it frames and glorifies an important poet, bears a like- ness to those decorative illum- inations so carefully and loving- ly inscribed onto church texts by medieval ecclesiastics. 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