Page 6-Thursday, April 6, 1978-The Michigan Daily RTS ARCADE.. a weekly roundup Another view of '62 LOS ANGELES - More American Graffiti is being readied for production this summer by Universal Pictures as a sequel to the hit film American Graffiti. Paul La Mat, Cindy Williams, Ron Howard, Candy Clark and Charlie Mar- tin Smith will re-create their roles. George Lucas, co-writer and director of the first film, wrote the original story 'and will oversee the production. Fans wish Wayne well BOSTON - John Wayne's recovery from open-heart surgery has been marked by phone calls from fans the world over, including one from President Carter and a televised get- well message from Bob Hope.' Martin Bander, .spokesman for Massachusetts General Hospital, where Wayne underwent surgery to replace a faulty heart valve, quoted President Carter as saying "John Wayne is a great national asset. If there's anything I can do for him, please let me know. He surprises all of us with his ability to recover. Tell him he is in my thoughts and prayers." During the Academy Awards Monday night, master of ceremonies Bob Hope paid tribute to Wayne. "We want you to know, Duke, we miss you tonight," said Hope. "We ex- pect to see you amble out here in person next year, 'cause no one else can walk in John Wayne's shoes." Doctors said that the 70-year-old Wayne would remain in intensive care for a few more days, be out of the hospital in two or three weeks, and fully recovered and active in about three months. In the operation, doctors cut out the ruptured mitral valve which had been allowing blood to leak from the heart to the lungs, causing Wayne to feel weak and short of breath. The faulty valve was replaced with a similar valve from a pig. Wayne registered at Massachusetts General Hospital under his real name, Marion Morrison, in order to avoid publicity. The hospital refused to acknowledge his illness until after the operation had taken place. Ho w to succed in business without really trying LOS ANGELES - Ousted Columbia Pictures president David Begelman is expected to surrender to Burbank police next week on grand theft and forgery charges. . A four-count complaint was filed Friday against Begelman, who was forced to resign the presidency of the company earlier this year and has been retained by Columbia since as a $300,000-a-year consultant. District Attorney John Van de Kamp said the charges, one of grand theft and three of forgery, cited $40,000 in thefts from Columbia and $40,000 in checks forged, with the names of prominent Hollywood figures. The two amounts involve the same money because the checks in question were written on a Columbia Pictures account, Van de Kamp said. The district attorney said Begelman would surrender to police early next week. and would be arraigned on the charges in a Burbank Municipal Court on a yet undetermined date. Van de Kamp asked that bail be set at $2,500. If convicted, Begelman would face a maximum sentence of 10 years in prison for grand theft and 14 years for each forgery charge. Begelman, 57, was riding the crest of his latest suc- cess, Close Encounters of The Third Kind, when his misappropriation of studio funds was discovered last fall. He admitted diverting company fun- ds totaling about $61,000, a figure cited by Columbia, and resigned in October. It was not immediately known whether the $40,000 cited in Van de Kamp's complaint was part of the $61,000. "My misdeeds, my misappropriation of funds ... were aberrational," Bagelman said in a statement at the Bride in artists like Al Price, a well- traveled painter and writer who is put- ting Chicago's black history to canvas. Or Bill Walker, whose acrylic street scene is entitled, "No Hope With Dope." Pride in city officials, whose cultural commitment includes hiring 108 "artists in residence," and ap- proving the hiring of 347 persons for work in 64 non-profit art agencies. And proud of the American taxpayer, who is paying for it all with jobs money ear- GRE EK NIGH Admission Free with proof of membership in a frat.-or sorority DORM NI1 Admission Free with a meal card TONIGHT A t DISCO Lessons at DANCE SPACE 3141/2 S. State COLL 995-4142 for schedule and registration information. From Simon to Shakespeare RICHARD DREYFUSS, in the role of Cassius, is importuned by Rene Auber- jonois, portraying Brutus, in a scene from Skakespeare's ".Julius Caeser." The Play, which is being presented at the Brooklyn Academy of Music's Lepercq Space, will run through April 23. At 70, Bette Davis exhibits no slackening of her enormous energies. She declined a recent birthday inter- view - "I'm much too busy with the Academy Awards and all that." "That's the best thing for me, having my work," she said at an Egyptian location in October. "I would never get married again; that just wouldn't suc- ceed. When your children grow up and leave you, it can be very lonely. Luckily for me, I've got my work to fill the gap." When she is not working in films, she goes on the .road with her one-woman show, screening highlights from her film career and commenting on her life and work. Miss Davis has alwvays been free and open in her comments, and these are some of her remarks in recent times: - "I've always known the value of the press. They're just as valuable as the performances you give; you can't exist without them. That is something that is lacking today. Young people don't realize the value of publicity. They're fools." - "It took me a long time to learn to fight. In the beginning I wasn't that way at all. It wasn't in my nature, but I realized that you have to force yourself to fight for what you want or they sim- ply won't respect you. I never would have had the same career if I hadn't fought." - "The only thing I worry about is dying without a cigarette in my mouth. People have suggested that I give up smoking, to which I answer, 'Whatever for?' -O Of Human Bondage was my first step up the ladder, the first time I was considered a really good actress. The character I played was the first bitch 'heroine on the screen, and none of the well-known actresses would play it." - "Nutsto growing old. Don't you ever believe that life begins at 40 or that it's wonderful to be 70. I'd give anything to be 30 again. Every so often somebody asks me if I've had my face lifted. I always tell them. 'Would I look like this if I did?'" Celluloid hits the stage NEW YORK - Playwright Christopher Durang has come up with a new comic twist on the idea of life imitating art: life imitating the American film. At least that seems to been one of his basic ideas behind A History of the American Film, which opened on Boardway March30 at the ANTA Theater., The play is a series of parodies of American movies from Orphans of the Storm to Earthquake. Real characters get caught up in an endless series of real movies, unable to break out of their celluloid prison. The chief character is Loretta, beautifully played by April Shawhan, all blonde hair, innocent eyes and mouth, and at one point giving a devastating imitation of a bulgy Marilyn Monroe. Loretta is abandoned as a baby in a movie house, and grows up livg through Keystone Cop movies, The Jazz Singer, The Grapes of Wrath, I Was Fugitive from a Chain Gang, Citizen Kane, Now Voyageur, Casablanca, The Best Years of Our Lives, On the Water- front, and a number of Jimmy Cagney Katherine Hepburn, Gary Cooper, An- drews Sisters, western, war, musical and Monroe films. Loretta constantly is pleading for THE END caption, but it only propels her into a new screenplay. Wandering through the history of Hollywood with her are her boyfriend Jimmy Gary Bayer in a versatile series of Cagney, Bogart and Brando roles, her best friend Eve Joan Pape in a series of wisecracking, boy-losing Eve Arden roles, Jimmy's other girlfriend Bette "Bet," played by Swoosie Kurtz, whose roles include Dr. Strangelove, and Jimmy's brother Hank Brent Spiner, seen as Cooper, Henry Fonda, Jimmy Stewart and Cary Grant. The Arts Arcade was compiled by A rts staffers Owen Gleiberman, Mark Johansson, Peter Manis, and Alan Rubenfeld, from the AP and UPI wires. it'sjust the same. old thing again- anothe y tty If you're a keyboard a proudly stands by hisI instrument (no synthe electronics-lust a sirr foot grand), it helps'tc unexcelled, inventive, original player and th Inner Voices, the la addition to Tyner's lon of Milestone masterpi blends his piano with and horns-plus a not supporting cast that in Ron Carter, Jack DeJoh Jon Faddis, Earl Klugh Composed and arrang by the pianist, of cours rbrilliant and different album. )rtist who natural sizers, no - nple nine- o beaon highly inker. ,test ig list eces voices 4 able idludes inette, 1. led 3e. time. "I had neurotic displays of self- destructiveness." Columbia, unwilling to lose the man who had saved the studio from the brink of bankruptcy, suspended -him. Then, after Begelman said psychiatric therapy had cured him and Columbia said he had paid back the missing money with interest, the studio stunned Hollywood by returning him to his top production post in December. Colum- bia's stock immediately fell. Community culture on canvas CHICAGO - Eleanor Roosevelt, patron of the New Deal, would burst with pride at Chicago's community arts renaissance. APRIL SHOWER SPECIAL 1952 Singing in the Rain Sound comes to Hollywood and hys- teria gets to studio ;executives and bewildered silent stars in this most Ipopular of musicals with its fine dancing scenes. With GENE KELLEY,' DONALD O'CONNOR, DEBBIE REY NOLDS and CYD CHARISE. In color. Fri: The Maltese Falcon Sat: Bergman's Face to Face Sun: Rules of the Game CINEMA GUILD OLDARCH.AUD. I I$1.50 I - TONIGHT AT7& 9:05 ------------ marked for the long-term unemployed. Chicago is a pacesetter in the use of federal jobs dollars to subsidize the ar- ts. Through the $6.2 billion public program, the federal government is underwriting a coast-to-coast mobiliza- tion of an estimated 10,000 unemployed artists. In 1938, as first lady, Mrs. Roosevelt dedicated the South Side Community Arts Center in Chicago's black com- munity. Today it is the sole survivor of several hundred such centers created by the Depression-era Works Projects Administration. And today, 40 years later, the center again is hiring artists with federal jobs money. This time the program is the Comprehensive Employment and Training Act rather than WPA. The U.S. Department of Labor is en- couraging the CETA art activities, and is planning a conference in May to discuss the arts, with local manpower officials.f "Arts are among the first hurt by recession. Schools eliminate music and art classes. Contributions to museums dry up. The industry literally goes into depression," says Joyce Bolinger, who heads Chicago's artists-in-residence program. "CETA is helping us back up." Since 1975, the city of Chicago has spent $7 million CETA dollars to hire 965 artists. Some $3.9 million is being spent to hire artists this year alone. Even without CETA, most artists would- make a living. But arts officials say that if the artists didn't have CETA jobs, they would inevitably try to find work in jobs held by others - waiting on tables, pumping gas or teaching school. Too late to stop now HOLLYWOOD tAP) - Bette Da vi doesn't hide her age, but she doesn't dwell on it either. "It's just another bir- thday," she says of her 70th yesterday. "A big one, I'll admit, but I don't believe in birthdays." $499 McCoy Tyner*Inner Voices (M-9079) 'i tk IVESITY CfMUSICAL SOCIETY present5 Jessye NORMAN and the University Symphony Orchestra, Gustav Meier, conductor for the 4th Annual Benefit Concert. Don't ry,, hc nnnn ~rr~'rtnnuit , toPinv an- nw £~tnnin4c i On Milestone Records and T apes .-1