Saturday, October 21, 1972 THE MICHIGAN DAILY Page Three Saturday, October 21, 1972 THE MICHIGAN DAILY I OPEN 12:45 "FIDDLER" AT 1 P.M.-4:30-8 P.M. CHILDREN $1.00 ADULTS: MON.-SAT. MAT.-$2.00 EVE. & ALL DAY SUN.-$2.50 TONIGHT 8 p.m. SHARP Dept. of Speech Communication and Theater University Players P resent "EN DGAMEJ by SAMUEL BECKETT. OCT. 19-20, 24-28 ARENA THEATER Frieze Building Individual Tickets $1.50 Trueblood Box Office open 12:30-8:00 p.m. Latecomers will be seated at the intermission! 11U6LTIURE CLNA DRAMA-University Players showcase production of Beckett's Endgame continues at Frieze Building's Arena Theatre tonight at 8..PTP's Sleuth, opens today at 3 and 8 at the Power Center with two shows tomorrow. For the kiddies, young or old, there's The Wizard of Oz, presented by the Ann Arbor Junior Light Opera, performed at the Com- munity High School Theatre. cinema Different: Ho-hum FILM-Cinema II presents the Marx Brothers' Day at Races in Aud. A, Angell Hall, at 7, 9. Chabrol's Bonnes Femmes is being shown by Cinema Guild in Arch. Aud. at 7, 9:05. Tell Them Willie Boy is Here be seen in the West cafeteria of Bursley at 9. the Les the can . UNDER NEW MANAGEMENT TONIGHT: AI RBORN 9:30-2:00 SUNDAY: OPEN JAM SESSION 5:00-2:00 208 W, Huron, LUNCHES DAILY yI BEER VAULT FIRST AND OLDEST IN U.S. DRIVE IN FOR BEVERAGES FOR PARTIES-PICNICS-OR HOME JUST DRIVE THRU 303 N. FIFTH AVE., ANN ARBOR UPCOMING MUSIC TIP-Local musicians will participate in a marathon mixed-media concert tomorrow night as a benefit for the McGovern campaign, at the First Uni- tarian Church (1917 Washtenaw) at 8. The suggested donation is $5, but people are encouraged to donate what- ever they can for the campaign. Coordinator Richmond Browne promises there will be no speeches, only "cider and doughnuts and plenty of music." The program will include ragtime piano music played by William Albright and piano music of Haydn, Liszt and Ives; performed by Joseph Gurt. On the vocal side of things, Willis Patterson will sing Brahms' Four Serious Songs, accompanied by Wallace Berry, while Leslie Guinn will present songs by Stephen Foster and others, accom- panied by Albright. Silent films will be shown with both electronic and piano accompaniment. Chaplin's The Rink and a Mary Pickford film The New York Hat will be accompanied by George Burt on Arp synthesizer and Browne on electric piano. Donald Sosin will provide a piano accompaniment for Keaton's comedy, The Blacksmith. And there will be jazz as well-Danny Stevenson's trio will be followed by the Bob Detweiler Duo, with some electric keyboard sounds. MUSIC-Malvina Reynolds performs today at the Ark; she's giving a children's performance at 1 and a regular set at 9. The Rockets and Bad Luck and Trouble play at the People's Ballroom tonight from 8-12. ART-An exhibit of Renee Lubarow's oils, etchings, and watercolors opens today at the Galerie Jacques. Lubarow will be present today to autograph posters and speak to her admirers. WEEKEND BARS AND MUSIC-Bimbo's, Gaslighters (Fri., Sat., Sun.) cover; Bimbo's on the Hill, Long John Silver (Fri., Sat.) no cover; Blind Pig, Blue Jukes (Fri., Sat.) cover, classical music (Sun.) no cover; Del Rio, Arman- do's Jazz Group (Sun.) no cover; Golden Falcon, Stanley Mitchell and the People's Choice (Fri., Sat., Sun.) cover; Mackinac Jack's, Radio King and His Court of Rhythm (Fri., Sat.) cover, Boogie Brothers (Sun.) cover; Mr. Flood's Party, Terry Tate (Fri., Sat.) cover; Odyssey, Airborne (Fri., Sat.) cover, Jam Night (Sun.) no cover; Rubaiyat, Iris Bell Adventure (Fri., Sat., Sun.) no cover. MON.-SAT. 9 to 12 SUNDAYS 12 to 12 668-8200 GOOD SEATS STILL! SATURDAY MATINEE & SUNDAY MATINEE By TERRY MARTIN And Now for Something Com- pletely Different contains many things that are fairly old, notice- ably borrowed, and moderately blue. Unfortunately there's not too much that is new in this British import. Mostly witty, sometimes silly, it's neither com- pletely bad nor completely good, but certainly nothing different in the cinematic world. It's another in the breed spawned by Laugh- In, stylish enough when it ap- plies itself, but sometimes em- barassingly wide of the mark. Completely Different is basic- ally an hour and a half of gags, some simple visual (and simply old) ones and others more elabor- ate. One sketch is actually en- titled, "The Funniest Joke in the World." (It's not, but it's not bad either.) The old idea of the jokester who dies laughing is blown up to World War secret weapon proportions, with the Marines iunning through jungles shouting the joke in German as Nazis fall convulsed on every side.) Most of the sketches deal in some manner with either sex or violence. Example: a little per- vert runs about flashing open his raincoat and delighting in the shocks caused to passersby. When he "exposes" himself to the camera, the object of scan- dal is (surprise!) the word "Boo!" taped to his chest. Then there's the "Hell's Grannies"~ (they live for kicks) who attack handsome young men and ter- rnrize the city in theirasearch of lchea thrills. The scene in which they swagger down main street, wielding purses left and right, is a classic. Less success- ful is a tired sketch revolving around a marriage counselor who moves in on a sexy wife in the presence of her jackass hus- band. A large number of sketches concern homosexuality, by in- ference if not directly. For in- stance, the "Hell's Grannies" are guys in drag, with white wigs, simonhose, etc. A favorife in this vein was a Nelson Eddy- Jeanette MacDonald take-off in which a lumberjack sings to the frail beauty clasped in his arms while a back-up chorus of Moun- ties hidden among the tall pines echo his stirring words. The Mounties chime in robustly for the first few verses of "I'm a Lumberiack. I'm O.K.," then trail off in bewilderment as the red-laid-clad singer details his after-hours enjoyments, which include dressing up in high heels, dress and scarf. Despite several w a r n i n g s against "being silly," delivered by a recurring military figure, (whose general place in the scheme of things I couldn't figure out) the film has a ten- dency to devolve into nonsensical sight gags. Such idiocies as "Conrad Poohs and his Dancing Teeth" and "The Man with the Tape Recorder Up his Nose," are neither long nor scatalogical, but that's about the best which can be said about them. It comes as no surprise to dis- cover that a film composed en- tirely of jokes, which span a rather small range of subjects, Have a flair for artistic writing? If you are interest- edim r ev ie w in g drama, dance, film. poetry, and music. or writing feature stories a btou t the arts: contact Art Editor, c/o The Michigan Daily. has a lot of weak, not to say.. defective, moments. The surprise is that Completely Different scores clever hits more often than you'd expect. The audience when I viewed the film was a small but appre- ciative one, sniggering on cue and actually guffawing at several choice scenes. For other long stretches of time, however, the theatre reposed under a heavy blanket of silence. Generally these quiet speels occurred dur- ing the "interludes" of sight gags that more or less separated the lengthier sketches. The British notion of humor is not something completely different, but forf., Americans born with theusound of the laugh-track in their ears, the deadpan humor which the English love is hard to adjust to. Perhaps this may account in some measurelfor theoccasional lack of correlation between the $ antics on the screen and the laughter from the seats; beyond, of course, the fact that some ComplimentsF portions of the film were simply Sleuth bad. David Haviland in a scene from the mystery-thriller "Sleu Ian MacNaughton d i r e c t e d presented by PTP today and tomorrow. these segments 'of frace, and peetdb T oa n oorw while he's no Richard Lester, the man shows definite potential. There's a lot of waste material in this film, but sternerapplica- tion to the principles of structure and good taste might result in more chuckles and less sniggers. The credits at the end of the movie picture the screenplay book has one titled "Foreplay and Conception." Less foreplay and more conception could lead to something actually, instead of __ spuriously, different. records A look at some new releases PTP uth," R-0 I tonight 6:00 2 4 7 News, Weather, Sports 9 This is Your Life 50 Hee Haw 56 Thirty Minutes With 6:30 2 CBS News 4 NBC News 7 Safari to Adventure 9 Beachcombers 56 Just Generation 7:00 2 Truth or Consequences 4 What Did You Learn in School Today? 7 Michigan Outdoors 9 Pro Hockey ADVANCE SALES: PTP TICKET OFFICE MENDELSSOHN LOBBY 7:30 2 Young Dr. Kildare 4 Adventurer 7 Town Meeting 56 Playhouse New York 8:00 2 All in the Family 4 Emergency 7 College Football 8:30 2 Bridget Loves Bernie 9:00 2 Mary Tyler Moore 4 Movie "Fools: Parade" (71) Jimmy Stewart playsa one-eyed ex-con. 56 On Location 9:30 2 Bob Newhart 9 Document 50 One Step Beyond 10:00 2 Mission: Impossible 9 CBC News 56 First Edition: Tell It All 50 Lou Gordon-Discussion 10:15 9 News 10:30 9 East Side/West Side 11:00 2 4 7 News, Weather, Sports 56 Boboquivari 11:30 2 MOVIE "Genghis Khan" (65) Omar Sharif presumably plays lead role. 4 Johnny Carson 7 Movie "All Hands on Deck" (61) Pat Boone and Buddy Hackett star in this rousting comedy. 9 Movie "A Girl Named Tamiko" (62) Miscegenation! Excellent pho- tography! 50 Movie Blood Rose" (70) Artist tries plastic surgery on his wife. 1:00 4 News 50 The Baron 1:30 Movie "The vampire's Ghost" (45) vampire scares African natives senseless. 7 Movie "Ensign Pulver" (64) Walter Matthau and Burl Ives appear in this sequel to "Mr. Rob- erts." 3:00 2 7 News UAC DAYSTAR presents - AS S nil aiNIM AW S I/ AMrWVA r - 0 0 By HARRY HAMMITT And now, it's time to discuss some more new releases ... Soprano saxist Paul Winter has put together a band of his own which he calls Winter Consort. Their album, Icarus (Epic KE 31643), is produced by George Martin of Beatles fame. The main interest of this band is their exo- tic collection of instruments and with , the direction of Mar- tin, the band would be expected to be something sensational. But the first side, while being all right, is fairly disappointing. The real saving grace of the album is the first number on the second side with the highly suspect title of "Whole Earth Chant." The title is quite misleading as the band, for the first time on the album, hits upona formula where their instruments can be made the most of. The other cuts on side two are less impressive than "Whole Earth Chant," but still of a higher quality than those of side one. Another British group which has formed an American follow- ing is Mark-Almond. The band, originally formed from members of one of John Mayall's bands, has now released their third al- bum, Rising (Columbia KC 31917). The band has changed substantially since their last al- bum, having acquired a drum- mer, a trumpet-player, and a new bass player, and new pian- ist. The music has changed slightly for more commercial appeal, but it remains unlike any other music, being a mixture of classical, folk, big band, and rock. The addition of trumpet adds considerable depth to the rhythm section. The emphasis is mainly on the tunes rather than solos; some of the tunes are really quite melodic with "What Am I Living For" and "The Little Prince" being the stand- outs. The most radically differ- ent of the songs is one called "Riding Free" which is very strongly rock-influenced and fea- tures an unusual electric guitar. solo by Mark which again is definitely in the rock genre. The strong points of the band are their original compositions, their impeccable instrumnentation, and their vocal harmonies. Weak points are Mark's lead vocals, and the lack of soloing by Al- mond, who is a very fine sax player. Nevertheless, the good outweighs the bad. Finally, an album that has been long awaited by many rock fans, Rock & Roll Music to the World (Columbia KC 31779) by Ten Years After, their first re- lease in a little over a year. The album is probably everything that is expected of it. One of the biggest assets of Ten Years Af- ter is their practically unbeliev- able consistency. This means that their albums have hardly any low points, but it also means that they hardly ever have any- thing very new. Strangely enough though, this album does present a possible new phase for the By ROB HORWITZ Richard Tillinghast, poet, songwriter, teacher at Berkeley . . . lived a little poetry for a small audience in the UGLI last Thursday. He read from his soon-to-be-published s e c o n d book, shared some fantasies, and played three songs to which he wrote the lyrics. Some poems bore resemblance to the plain- ness of narrative description and fragmentation of Williams' works, while others suddenly took off in a burst of unexpected and seemingly accidental lyrical quality. The mind. as we zero in upon it has two monkeys rapping in what appears to be a de- serted cabin. the leaves are simple ample apple The floor is tawny whereas carpeted whereas you back up into this otherwise carpeted material Library of Congress transferred United or TWA or Pan Am or America as though by magic. After "thrilling" us with his "psychedelic poems," the poet moved on to some' other at- tempts at creating a certain en- vironment. One, a short story, which he said he messed up "because I didn't have the pa- tience to do it," became a prose poem. The "Last Earthquake Story Poem" wanders through a sol- emn mental fantasy, complete with author's notes until a Realistic n-ssaee - in which three electric he-ters bre-k down much to their consterna- tion. The fire begins to go out -the wood is wet and frozen - argment over whether wood freezes - "It can!" In recreating the emotional excitement of his experience, Tillinghast is constantly playing crashing and stammering sounds and images aglinst each other. Through this feel for jnxtonosi- tion. he succeeds in capturing 'n' roll tradition, but his lyrics, in their attempt to be topical us- ually end up sounding trite. His only real success lyrically is on the title song which successfully captures some of the same ideas that Chuck Berry is so success- ful at conveying. The other in- teresting song on the album is entitled "Turned Off T.V. dlues" which even though it is only a blues progression attains great- ness by the mere fact of writing a blues about T.V. One of Lee's major troubles at the moment is his somewhat erratic use of sound effects. In general, on this al- bum, he uses them rather super- ficially for no apparent reason. This excess is made up in part poetry and prose Backseat Cabbage, by the superb use of effects on "Standing At the Station," the longest cut on the album. To- wards the end of the song, Lee plays a driving climatic lead which is finally overtaken by a surging locomotive to end the song; the transition is aboslutely flawless and adds immeasurably to the song. As for now, the other members of the band are only there to back up Lee. In "Stand- ing At the Station," organist. Chick Churchill is given his only solo much in the style of Keith Emerson. This is a pretty good album for Ten Years After, but they give nothing very new, only their consistent brand of blues- rock. See Earth for the first time Always experimenting, Tilling- hast took a lesson from the New York School in successfully utilizing pauses to create the pervading calm and beauty of living on a farm alone. Sun burst backseat cabbage So big it scares me. H3nds shaking at the wheel. I switched on the headlights and start (Oause) Down the driveway. (-?rvse) D-!st of silence settles o rer the g Arden and empty cabin. (pause) 3 We Don't Just Publish a Newspaper * We meet new people " We laugh a lot " We find consolation " We play football * We make money (moybes * We solve problemsE SWe debate vital issuesj " We drink 5c Cokes Richard Tillinghast Power shut off in the pump house. Tools motionless. (pause) Into the city I'm hauling. Spicing up the reading, Till- ighast alternated his poems with taped songs to which he wrote the lyrics. They were light, rocking tunes which at times flowed into Eastern melo- dies and lyrics. An easy manner and natural wit seems to veil Tillinghast's - r-~ - -~- w - r -