Page Two THE MICHIGAN DAILY Friday, September 15, 1972 Page Tw~ THE MICHIGAN DAILY C 1 Q QQ Qjo Shaft's Big Score State Shaft's Big Score is the second of what promises to be a long and lucrative series of Black sex-and-violence films starring Richard Roundtree as John Shaft, the private eye nobody calls "Boy." The story is simple -Black gangsters, the Mafia, and Shaft are all hunting for a quarter of a billion dollars that a Black numbers boss/philan- thropist lost due to his sudden demise. During the course of a chase that may seem tame to recent viewers of the French Connection or Bullit, Shaft man- ages to blow gaping holes in various vital organs of his com- petition, and intimates that the money will be funneled back in- to the Black community. Overall, the movie is very well produced, sometimes a bit too slick, which tends to make those parts that are dominated by dialogue rather than mayhem some what boring. The attempt to temper violence with clever dialogue compromises both elements, but there is still a fair amount of good lines, and a good deal of gore for the carni- vore in all of us. -SHELDON LEEMON Slaughterhouse Five Campus When Billy Pilgrim was young and innocent and wide-eyed he witnessed the bombing of Dres- den.rLater, when middle-aged and wearing glasses he survived a. number of other crises, but none which affected him so deeply as his experience in Germany; in- deed, they only brought Dresden backsto mind more clearly. Final- ly, as an elderly man Billy began to take the whole of it in stride, and consequently his dreams be- came more pleasant. The horror of destructon was replaced by the complacency of a cozy home on the planet Tralfamadore, totally controlled by an invisible' being with a soft, friendly voice. An ex- treme, maybe, but so was the war. George Roy Hill's film version of Slaughterhouse Five gives us Pilgrim's-or Kurt Vonnegut Jr.'s -life as a series of random events out of their proper time sequences, which is the way Pilgrim himself sees it by the end of the filni. Each event ultimately has no more or less meaning or importance than other events, but they are all to be lived with. Hill's use of re- peated flashbacks and flash- forwards shuffles Pilgrim through time and space gently, some- times joltingly, though after a while the process becomes te- dious. Stephan Gellar has writ- ten a witty, moving screenplay, and Michael Sacks gives a good performance as Billy. Despite some extraneous and poorly done slapstick and excessively stagy sets in the dream sequences, the picture should keep your eyes wide open. -DAVID GRUBER Play It Again Sam Michigan A Woody Allen movie with a plot? What next? Woody is Felix Allen, a nebbish cum old movie buff whose wife leaves him out of sheer boredom. Coached by the ghost of Humphry Bogart in the art of acting tough, Allen reelsafrom amorous gambit to amorous gambit only to become entangled with his best friend's wife. The humor is pure Woody Alen, but the ending is all Bo- gart. All of this good fun was filmed in San Franscico. -HERB MALINOFF The Music Lovers Fifth Forum Ken Russell's film concerning Tschaikowsky's sexual problems annoyed even more people than The Devils, if that is possible. The movie stars Glenda Jack- son and Richard Chamberlain as the tormented composer. One of The Music Lovers' more in- famous scenes consists of a blaring 1812 Overture on the soundtrack paired with a visual consisting primarily of peoples' heads exploding every time the overture reaches one of those fa- mous cannon blasts. If that's your kind of movie, enjoy! -STAFF Women in Love Fifth Forum The ambitious career of di- rector Ken Russel eventually led him to attempt the filming of D. H. Lawrence's Women in Love, a novel so steeped in mys- tical sexuality that it seemed too delicate to withstand the transi- tion to the screen. But, if Rus- sel failed,hefailed magnificent- ly, drawing on fine perform- ances by Alan Bates, Oliver Reed, and Glenda Jackson to create a movie that comes as close as conceivable to r "Law- rence on film." -STAFF The Other Fox Village Thomas Tyron's bestselling cient mask and enters world of horrors!!! When he puts on his mask, you put on your flimsy carboard and cellophane con- traption (which Cinema II will hopefully supply). There's a cer- tain amount of enjoyable antici- pation in waiting for that bas- tard to finally get the notion of trying on the raunchy museum piece, and the world of horrors - which looks like somebody's unswept basement - is good for a few laughs. But the movie's bag oftricks is soon depleted, and Eyes of Hell becomes slight- ly repetitious, exceedingly dull. -RICHARD GLATZER Red Planet Mars Cinema Guild Sat. & Sun. Sci-Fi-Adventure - Propaganda- Morality Flick. Good for laughs. Peter Graves uses amazing scien- tific device which allows him to send radio beam to Mars! His conversation with 300 yr. old Martians wins the Cold War for the U.S. Good Guys while causing a second Russian Revolution. Ex- tremely plausible. Comes com- plete with a Mad-Dog Nazi Scien- tist, lots of gadgets, and the President of the U.S. of A. Plugs for the American Way of Life, religion and research make it amusing. --ERIC LIPSON The Testament of Orpheus Cinema II Sat. & Sun. The Testament of Orpheus is Cocteau's final tribute to Cocteau. The, film, essentially a celebra- tion of the Poet's playful struggle with his Muse, stars the senes- cent enfant terrible as himself, and contains a pant-load of al- lusions to previous works, such as Orpheus. Of course, there is the usual quota of mystical won- derment, including the Poet's death and subsequent ressurec- tion, performed for the benefit of such admirers as Picasso and Yul Brynner. I must concur with these luminaries, there is some- thing engaging about this old fraud, who was putting people on long before Warhol could pick up a soup can; sometimes the dialogue, the special effects, and the symbolism of this movie are so witty and striking that it doesn't really matter that they don't mean anything. -SHELDON LEEMON, Ben Hur Cinema Guild Fri. When The New York Times voted Fred Niblo's Ben-Hur one of the ten best movies of 1925 not many people were surprised. Small wonder. For, despite the two years the production crew wasted on location in Italy com- bating labor problems, technical difficulties, and prideful local politicians (Mussolini banned the film from Italy when he discover- ed the Romans do not win the chariot race), Ben-Hur was the most ambitious, "action packed spectacle" of its time, and it played to packed audiences everywhere, saving M-G-M from total bankruptcy. M-G-M spent more money, built bigger sets; and had more extras than any other movie up to that time, thus setting a precedent for large scale film production that was to continue through the next three decades. Besides its tremendous financial success, however, Ben- Hur was also considered to epito- mize the skill of motion picture technicians at that stage of film history. The chariot race in par- ticular is always singled out as some of the most exciting foot- age ever filmed-one critic, com- nienting on the excellent camera work, wondered how the film in- dustry would be able to top it- self after this one. The 1958 Charleton Heston re- make of the chariot race is a shot-for-shot copy of this 1925 version. The title role is played by Ramon Novarro (M-G-M's answer to Rudolph Valentino) with Francis Bushman as an ap- propriately villainous Messala. And Douglas Fairbanks is in the crowd scene at the Circus Maxi- mus . . . somewhere. -WILLIAM MITCHELL Have a flair for artistic writing? If you are interest- daramadance,film, poetry, and music, or writing feature stories about the arts: Contact Arts Editor, c/o The Michigan Daily. PRIME TIME-TV-FOR THE FALL Sun. ABC FBI Movie CBS Anna and The King M-A-S-H Mannix NBC Disney Mystery Movie Rec Ramsey Night Gallery KEN RUSSELLS directs ,THP Music R PANAVISION* COLOR by De "A MOVIE THAT CAN ONLY BE SEEN AS THE PRO- DUCT OF A MAN DRUNK ON THE POWER OF FILM, on his own masterful and manic command of the medium and his own excitement over the vision he is communicating. Ken Russell emerges as one of the great directors of our era. -RICHARD SCHICKEL, Life Magazine "It's really quite extraordinary. I think Ken Russell is a genius!" -REX REED or of "THE DEVILS" with RICHARD CHAMBERLAIN and GLENDA JACKSON et~uxe United~hrtstDOUBLE-FEATURE 2 movies for the price of one! "A MARVELOUS FILM! WELL WORTH SEEING." -THE MICHIGAN DAILY- Woodstocl Modern Languages Michael Wadleigh ha ed an epic documenta the history making e inspired an entire g Woodstock is surprisir colorful, complex, well-r fascinating for its ent hour length. novel The Other was at best a mediocre attempt to write har- rowing fiction. Tyron, remem- Bldg. bered for his third-rate perform- s fashion- ance in the second-rate Shoes of ry out of the Fisherman, put together an vent that uneven, boring account relating eneration. to the adventures of some weird ugly fine; twins. The movie, however, is made, and far superior. It is everything the tire three book should have been. Robert Mulligan's last film -STAFF before this was the sentimental Summer of '42. But sharper film buffs will recognize in The Oth- er hints of the style found in his To Kill A Mockingbird, with Gregory Peck. Mulligan also made the unforgettable Baby the Rain Must Fall with Steve Mc- Queen. He has yet. to paint his masterpiece. Mon. The Rookies NFL Football Gunsmoke Lucille Ball Doris Day Bill Cosby Laugh-in Movie Tues. Temperatures Rising Movie Marcus Welby, M.D. Maude Hawaii 5-0 Movie Bonanza The Bold Ones NBC Reports "LUST vs. LOVE ON THE SEXUAL BATTLEGROUND." -LOOK WeknWhrw Wed Paul Lynde Movie Julie Andrews Carol Burnett Medical Center Cannon Adam-12 Mystery Movie Search Bars BIMB'S--Oaslighters (Fri., Sat., Sun.) BIMBO'S ON THE HILL-The Steven James Quintet (Fri., Sat., Sun.) BLIND PIG-Johnny Shines (Fri., Sat., Sun.) DEL RIO-Armando's Jazz Group (Sun.) GOLDEN FALCON-The Evil Eye (Fri., Sat.) LUM'S-RFD Boys (Fri., Sat.) - MACKINAC JACK'S-Muddy Waters and The Aces (Fri., Sat.) MR. FLOOD'S PARTY-Washboard Willie (Fri., Sat.) ODYSSEY-Detroit (Fri., Sat.) PRETZEL BELL-Honky Tonk Angels (Fri.); Lincoln County Ramblers (Sat.); Diesel Smoke-Dangerous Curves (Sun.) RUBAIYAT-Iris Bell Adventure (Fri., Sat., Sun.) THE SCENE-discotheque, dancing Concerts NEW YORK PHILHARMONIC ORCHESTRA-the first of a long series of international presentations offered by the University Musical Society this year, Sat. at 8:30 in Hill Auditorium. Tickets available at Burton Tower box of- fice. RAVI SHANKAR-one of the foremost classical masters of the sitar appearing with tabla player, Alla Rakha in first of UAC-Daystar Fall Concert Series, Fri. at 8:00 in Hill Auditorium. Tickets available at Michigan Union ticket desk and Salvation Records. Events CELEBRATION-benefit show to help pass upcoming abor- tion reform referendum featuring speakers, musicians, and theatre groups, including Jennifer, Nanette Natal, Roberta Kosse, Crisler Arena, 7 p.m. (Sun.) LAFAYETTE PARK ART FAIR-East Lafayette at Orleans in Downtown Detroit, 10:00 a.m. to dusk. (Sat., Sun.) LYN LARSEN at the BARTON PIPE ORGAN accompanying the 1926 Silent Film Classic "The Son of the Shiek" starring RUDOLPH VALENTINO plus SING-ALONG and POP-CONCERT WEDNESDAY, SEPT. 20 -PETE ROSS Eyes of Hell Cinema II Fri. & Sun. A cheezy 3-D movie that you might have seen in 1961 under the title The Mask. Adventurous psychoanalyst dons curs-ed an- The Michigan Daily, edited and man- aged by students at the University of Michigan. News phone: 764-0562. Second Class postage paid at Ann Arbor, Mich- igan 420 Maynard Street, Ann Arbor, Michigan 48104. Published daily Tues- day through Sunday morning Univer- sity year. Subscription rates: $10 by carrier (campus area); $11 local mail (in Mich. or Ohio); $13 non-local mail (other states and foreign). Summer Session published Tuesday through Saturday morning. Subscrip- tion rates: $5.50 by carrier (campus area); $6.50 local mail (in Mich. or Ohio); $7.50 non-local mail (other states and foreign). Mod Squad The Men Thurs. The Waltons Movie Flip Wilson Ironsides Dean Martin FRIDAY: "Music Lovers" 6:45 "Women in Love" 9:00 SAT., SUN.: "Music Lovers 2:15 and 6:45 "Women in Love" 4:25 and 9:00 LARRY KRAMER and MARTIN ROSEN present KEN RUSSELLS film s D. H.LAwRENCE'S "WOMEN IN LOVE" directed by KEN RUSSELL (director of "THE DEVILS") starring OLIVER REED, ALAN BATES and GLENDA JACKSON in her ACADEMY AWARD WINNING PERFORMANCE Owen Marshall Comedy Night Little People Ghost Story Banyon All in the Family Bridget Loves Bernie Mary Tyler Moore Bob Newhart Mission Impossible Sonny & Cher Movie 761-9700 STUDENT DISCOUNTS! SERIES NOW ON SALE! PTP TICKET OFFICE * MENDELSSOHN LOBBY! Sat. Allas Smith & Jones Kung Fu Streets of San Francisco Sixth Sense Emergency Movie r: 'a _ _ _ _ _ _ U R U U r i snn r .. , , Friday Sept 15 Mill Am.A r ra. ., . krc . k.3: nw. 4 ' .. by ' 4'# s .; .. ... 't d%+tF ... . I