Tuesday, April 17, 1973 THE MICHIGAN DAILY Page Three THE MICHIGAN DAILY Page Three Couples Are Special Today & Every Tuesday BILLIARDS at Reduced Rates Michigan Union, Diesel Smoke' sticks to hard-core country By JEFF SORENSEN Diesel Smoke and Dangerous Curves is a successful country and western band in a city where country groups "tend to be looked down on as music that people's parents listened to years ago," says band member Lorna Rich- ards. "We seem to be too coun- try for the hippies and too hippie for the hillbillies." "The band has a poicy of sticking to- hard-core country with no folk or country-rock," says member Steve Newhouse. Diesel Smoke does just that-their re- pertoire generally consists of country standards (like "Truck Drivin' Man," "Sweet Thing" and "Six Days on the Road"), gen- erously mixed with some of their . own material (like "Truck Driv- in' President" and "Marriage on the Rocks"). Despite its country 'and west- ern flavor, the hand has plotted a record of local successes, At Vilgot Sjbmen's complete and uncut Am Curious (Yellow) is a "remarkable film (which) has been playing for a long time to droves of Swedes, and to several mil- (ion people almost everywhere. It is the story of a young girl who is. or was, curious about politics, nonviolence, Zen, commitment, so iasism, othe rSwedes and, to be sure, sex, It is a serious film ith a noble theme, and, in dramatic terms, it is original," says Look maga- zine. The Evergreen Film presented by Grove Press stars Lsna Nyman. A San- drews Production. ADMISSION FESTRICTED TO ADULTS. MENDELSSOHN THEATRE Tuesday i Wednesday 7:30 & 9:45 P.M. NEW WORLD FILM COOP present Diesel Smoke is playing Mr. Flood's Party every Sunday afternoon from 4-6. This per- formance is broadcast live over WNRS-AM. Radio. This Flood's gig has continued for the past month; the radio show for the past two months; and both should continue for at least the re- mainder of April. Diesel Smoke and Dangerous Curves is composed of five mem- bers: Lorna Richards (lead vo- cals, r h y t h m guitar), Steve Newhouse (lead v o c a l s, lead guitar), Gil Thomas (lead vo- cals, pedal steel guitar), Dennis O'Brien (lead vocals, bass) and Sam Wiener (drums). Richards, Newhouse and Thomas do the original songwriting for the group -although Richards has been the most active. The groups name was taken when the band formed seven months ago from one of the coun- try standards they perform, "Diesel Smoke and Dangerous Curv es" by Red Simpson. "We wanted the name of the group to be related to truck driving songs, and we just came upon this one which everyone agreed to. The name also works because Lorna can be considered the "dangerous curves," says Newhouse. Several of the bandmembers expressed a desire to do more -than just play bars. "I think we're more a concert band than just a bar band," explains Rich- ards. "I would hope that we could get the band on record," com- ments Thomas. The band has an excellent chance of doing just that because Richards and Thom- as recently went to Nashville to Hickory Records with tapes of 12 original songs and three country standards performed by the band. Thomas says that the recording people were "really impressed" with the tapes and that the com- pany has invited the band to come to Nashville in the near future to cut a demo recording, even though no contract has yet been signed. Richards is hope- ful about the con'tract: "I think the group is as ready as it will ever be for recording." Even though Diesel S m k e plays straight country, the mem- bers come from a wide range of musical backgrounds, most hav- ing been involved with folk or rock music earlier. Gil Thomas is the only member who has been into country music, for most of his life. He's been a close fol- lower of country since he was seven and has been performing country the past five years. All the members of Diesel Smoke have been performing on the Ann Arbor music scene for the past three and a hal~f years. All were members of Buddies in the Saddle at one time or ano- ther,' and most were with Buddies when they performed with Com- mander Cody and when Buddies apeared alone in Hill Auditor- ium. Diesel Smoke has performed with Phil Ochs in the Power Cen- ter, and some members of the group have worked briefly with Doug Kershaw. Also, the band has put on three benefit con- certs for the Milan Federal Peni- tentiary. The future of the group is un- certain as Steve Newhouse will he leaving Ann Arbor for t h e summer, and it isn't certain that they will re-form next year. How- ever, the possibility of a record- ing contract should improve the chances for the group to stay together. For the present, though, Die- sel Smoke and Dangerous Curv- es is performing straight coun- try in this community where "People think they're too sophis- ticated, for country .and western music." Winter returns in style SHOWS AT 1, 3, 5, 7, 9 P.M. THOSE "SUMMER OF 42" BOYS ARE BACK AGAIN! THEYRE THE NEXT: "SLEUTH" II' EVERY WEDNESDAY RADIO KING EVERY TUESDAY AT T H UE. 208 W. H URON CULURECALENDWAR FILM-Ann Arbor Film Co-op presents Rafelson's Five Easy Pieces in Aud. A Angell at 7, 9 tonight. Cinema Guild presents Flaherty's Louisiana Story in Arch. Aud. tonight at 7, 9:05. New World Film Co-op presents I Am Curious (Yellow) in Mendelssohn Theater at 7:30, 9:30 tonight. Astronomy Club Films presents Exploring the Milky Way and Interplanetary Space in Lecture Room 1, MLB, at 8 tonight. POETRY-Reading by Robert Bly in Aud. 4, MLB, at 4:10. RIVE GAUCHE-West Africa Night: 1024 Hill Street at 9:30 tonight. MUSIC-Trumpet student recital: SM Recital Hall at 12:30 this afternoon. String chamber music recital: SM Recital Hall at 8 tonight. U Jazz Band, Edward Smith, conduct- or: Rackham Aud. at 8 tonight. U Choir, Maynard Klein, conductor: Hill at 8 tonight. featured in this month's Playboy. See it while6 you can. ;: 0 plus ALL ABOU SX cine a n ma482-3340 F f LIGN ! PA KI By HARRY HAMMITT After a conscicuous absence of about two years, Johnny Winter is back, sounding very much like the Winter who dropped out of the music world and retired to Texas, trying to beat his heroin habit. He managed to kick heroin .and, later, infrequent rumors had it that he was playing blues in the Houston area, at one time backing up Jimmy Reed. Rumors lated placed him playing w i t h Greg Allman on the latter's solo album. Finally, Winter was quot- ed as saying that he was looking for a rock 'n' roll trio so that he could make his long-expected comeback. He recruited his old bassist, Randy Jo Hobbs, and drummer Richard Hughes and joined once again with his old guitar companion from the John- ny Winter And days, Rick Der- ringer. This time, Derringer acts in the capacity of producer, al- though he does appear on the al- bum and writes several of the songs. With the reunion of these musicians, Winter went into the studios and cut Still Alive and W~ell (Columbia KG 32188). Perhaps the most remarkable thing about this album is t h a t Winter has not changed notice- ablv. He still has all -the tech- nique and flash of two years ago - there's no deficiency, but there has been no improvement either. If Winter's technique has changed little in two years, his anproach to music has changed even less. It is still the energetic, driving, raucous music that Win- ter developed on his own and defined more thoroughly with the Johnny Winter And band. Even though the music is alive and of- ten devastating, the album does suffer from certain deficiencies. There is the slightest deficien- cy in Winter's vocals which sound slightly more forced at times and lack a bit of the throaty re- silience of past days; he does em- ploy a very nice new technique when he double-tracks his voice on "Ain't Nothing to Me." Secondly, for this more rock- oriented music that Winter plays now, the concept of a trio is a bit shallow; the bass cannot fill the gap left when Winter goes into a solo. The songs that work best in the raunchy vein are the Winter's new album Winter is satisfied to give it a half-hearted rendition as he bur- ies it underneath a layer of lightning guitar which is perhaps too mechanical at the expense of emotional fervor. But Winter can still play the blues with the best of them and he proves it on "Too Much Scan- dal." Here Winter plays some really excellent and subtle man- dolin, .an instrument where his normal fast speed can be put to good use. He backs himself on. National Steel Standard Guitar, playing some fine slide which -is one of Winter's fortes: His voice is gentle and laid back, and he never oncethas to strain himself to reach the, notes. All this is complemented by Jeremy Steig who plays, some good breathy flute. Other good things on the album are. Derringer's "Still Alive And" Well," Winter's "Rock & Roll," a yet unreleased Jagger-Ricnard tune called "Silver Train," and the .Stones' "Let It Bleed." The title cut drives with real strength, ones where Winter tracks his gui- tar on lead and rhythm. T h e final fault is the eventual down- fall of the album, the material is decidedly a bit weaker than Winter has done in the past. Both Derringer's "Cheap Te- quila" and "All Tore Down," are fairly innocuous songs, although the former features the talents of Derringer and Todd Rundgren. Winter starts the album off with the only easily recognizable blues number, "Rock Me Baby." In- stead of giving it the intense de- liberate tone that straight blues demands, or ;he devastating power that Hendrix gave it, Chicano theater: Drama of torment a celebration of its own musical energy as Winter cuts across the bass with harsh chords and quick leads. "Rock & Roll" is gentler than the title implies, but it rocks well with Winter staying right up front with the slide gui- tar. "Silver Train" is probably cut here only because it is a Stones song; it has the character- istics of the Stones, it's driving and powerful, but it suffers from a general absence of a memor- able melody as do many Stones songs. Mark Klingnan does turn in some fine pounding piano in the background. The real highlight of the album is Winter's version of "Let It Bleed" which could easily make a fine single. Winter jumps into the song and it is he that really gives it its raucous flavor with his weaving tough rhythm work and his edgy voice which serves the lyrics almost as well as Jag- ger's did. The real build comes in Winter's stabbing, piercing, slashing slide guitar which tears across the song giving it another dimension. Winter has had good success with Stones' songs, as he proved on "Jumping Jack Flash," and "Let It Bleed" is his latest success. There is a lot of good music on this album. Perhaps it is not quite as good as some of his previous albums, but the thought of having Johnny Winter back again is a gratifyinghone and with this album he shows that he's in pretty good shape. tov. tonight 6:00 2 4 7 News 9 Courtship of Eddie's Father 50 Flntst ones 56 Operation second Chance 6:30 2NNews 4 News 7 News 9 I Dream of Jeannie 50 Gililgan's island 56 How Do Your Children Grow? 7:00 2 Truth or Consequences 4 News 7 To Tell the Truth 9 Beverly Hillbillies 50 I Love Lucy 56 French Chef 7:30 2 What's My Line? 4 You Asked for It 7 Price is Right 9 Bobby Goldsboro 50 Hogan's Heroes 56 Earthkeeping 8:00 2 Maude 4 Movie "The Hired Hand" (1971) 7 Temperatures Rising 9 UFO 50 Dragnet 56 Meadowlands 830 2 Hawaii Five-O 7 Movie "The Screaming Woman" (1972) 56 Bill Moyers' Journal 50 Merv Griffin 9:00 9 News 56 Common Ground 9:30 2 Movie "The Strangers in 7A" (1972) 9 To Be Announced 56 Black Journal 10:00 4 Upon This Rock 7 Marcus Welby, M.D. 9 To Be Announced 50 Perry Mason 56 Detroit Black Journal 10:30 56 360 Degrees 11:00 2 4 7 News 9 CBC News 50 One Step Beyond 11:30 2 Movie "THX 1138" (1971) 4 Johnny Carson 7 Dick Cavett , 9 News 50 Movie "Stanley and Livingstone (1939) 12:00 9 Movie "Tank Force!" (English 1958) 1:00 4 7 News 1:15 2 Movie "Queen of the Pirates" (Italian 1960) 2:45 2 TV High School 3:15 2 News cable tv channel 3 3:30 Pixanne 4:00 Today's Woman 4:30 something Else 5:00 Stratasphere Playhouse 5:30 Local news and events 6:00 Love and the Law 6:30 NCAA Sports 7:00 Community Dialogue wcbn 89.5 fm 9:00 The Morning After 12:00 Progressive Rock 4:00 Folk 7:00 This Week in Sports 8:00 Rhythm and Blues 11:00 Progressive Rock 3:00 Sign-off Hove a flair for artistic writing? If youare interest- ed in reviewing poetry, and music, or writing feature stories a b o u t the drama, dance, film, arts: Contact Ara t~ditor, c/o The Michian Daily SEQUEL TO YELLOW THURSDAY ONLY Modern Languages Bldg., Aud. 3 8 & 10 P.M.-$l.50 Angell Hall, Aud. B 7 & 9 P.M.-$1.50 NEW WORLD FILM COOP By SARA RIMER The words were Spanish, but the language of Chicano suffer- ing was universal. It seems almost superfluous to talk about the excellent acting of the multi-talented El Teatro Cam'pesino (The Farmworkers' Theater) which performed in Hill Auditorium Saturday night. The drama extended beyond the lim- its of the play itself. The actors were acting out the drama of their own lives. Project Community & Rainbow Multi-Media present RAY CHARLES SHOw'73. CHARLES MINGUS LIGHTNIN' HOPKINS . ORNETTE COLEMAN - LUTHER ALLISON -'The JOHNNY OTIS Show t "s". . - - I "-III .a. U U H \ . H N I ', *So\. LEON THOMAS - HOUND DOG TAYLOR * YUSEF LATEEF N RA . J.B. HUTTO & the HAWKS . ROOSEVELT SYKES MORE ARTiSTS TO RE ANNOUNCERi ann arbor BLUES & JAZZ festival 1973 Otis Spana Niemorial Field Septemnber 7"A 4 e Get your tickets now! Series tickets are available during April for students who will be out of town for the summer. SERIES TICKETS ONLY ($16.00) available at the Michigan Union ticket desk, World Headquarters Records (330 Maynard) in Ann Arbor, and Ned's Bookstore in Ypsilanti. MAIL ORDER - certified check-or money order .only to ANN ARBOR BLUES & JAZZ FESTIVAL 1973, Box 381; Ann Arbor, MI. 48107. Please include stamped, self-addressed envelope with your order for speedy processing. :STUDER N 1111111M§2.:; ThewaytaseeKuropiwithwmtfe.lg ikeat.uris.- Student-Railpass is valid in Austria, Belgium, Denmark France, Germany, Holland, Italy, Luxembourg, Norway Portugal, Spain, Sweden,.Switzerland. I Eurailpass, Box 90, Bohemia, New York 11716 Please send me your free Student-Railp4ss folder order form. Q Or your free Eurailpass folder with railroad map l Name_ r Street____________________ l City I state zip I I 192(B) e.. mm mm- mm--mm-mm-mm...mm ....mm..mm -m m - - -m-m-- m---m-- -mm-- - There was a contagious family spirit between the largely Chicano audience and the troupe. While preparing the stage, the actors delighted in slapstick humor and quickfire wisecracks. The audi- ence warmly encouraged their every antic. This sense of kin- ship was well illustrated when one actor shouted, "Hey man, that's my cousin!"-and then rushed into the audience to em- brace his relative. The play begins with the cru- cifixion and resurrection of Christ as a foreshadowing of events to follow. Using masks and a few props, relying instead on evoking pure emotion, the actors tell the story of a Mexican's ex- ploitation by those 'in power in the U.S. The command "All right, boy, you pick that lettuce," continu- ally assaults his ears. He quickly learns that he is "Mexican, poor, lazy and dirty." Evil sets a trap in the form of alcohol, dishonest car dealers, and cheating grow- ers. Even the Church, aptly la- beled "Saint Boss the Church," is revealed as an exploiter. Crushed by his tormented exist- ence the man dies, leaving his destitute wife and children. His last word, in answer to the ques- tion, "Did you like the U.S.?" is a resonant "Noooooo!" The second act is introduced by, "This is the story of two brothers and how both got screw- ed." In their search to escape the fields, they encounter the world of pimps, pushers and cor- rupt politicians. For a time they deny their own cultural identity, compromising each other to suc- ceed in a materialistic way. They, only pause with fear when the Virgin Mary appears to sternly inquire, "Don't you see what you are doing to your own people?" Madly immersed in the pursuit of money, they can only complain, "Shit, what a time for her to show up!" The brothers finally come to understand, however, that they must learn to fight with "strength, love for each other and love for God." The play ends with Christ's triumphant return. The Chicanos then declare, "If I love and respect you, I love and respect myself. "Their peace- ful struggle must be with the help of God. As the last actor dis- appeared behind the patched bur- lap curtain, the audience spon- taneously rose; thunderous ap- plause was one way of expressing shared emotions and a profound caring for Chicano conditions. But appreciation can be more active than mere applause. David Martinez, a law student at the University, provided a fitting epilogue describing the deplor- able conditions of the lettuce pickers, the, indifference of major growers and of President Nixon, and the importance of the na- tional lettuce boycott. There can not be a single per- son who sat in Hill Auditorium Saturday night who didn't leave without a raised political and. social conciousness. Non-union lettuce will always provoke in my mind the shrill order, "All right, boy, you pick that lettuce!" IF YOU'VE MISSED IT BEFORE, DON'T MISS IT THIS TIME! Alan Bates and Genevieve Bujold in Phillipe de Broca's THE KING OF HEARTS Wild, raffish satire. A spoof of the military and "sanity." So you plan to spendthe Summer in Europe this year. Great. Two things are mAndatory. A ticket to Europe. And a Student-Railpass. The first gets you over there, the second gives you unlimited Second Class rail travel for two months for a modest $150 in Austria, Belgium, Denmark, France, Germany, Holland, Italy, Luxembourg, Norway, Portugal, Spain, Sweden, and Switzerland! All you need to qualify is-to be a full-time student up to 25 years of age, registered at a North American school, collene or and very comfortable. They have to be. So you'll meet us-on our trains. It really is the way to get to know Europeans in Europe. But there's one catch. You must buy your Student-Railpass in North America before you go. They're not on sale in Europe because they are meant strictly for visitors to Europe-hence the incredibly low price. Of course if you're loaded you can buy a regular Eurailpass meant for visitors of all ages. It gives you First Class travel if that's what vou want. THIS FILM HAS RUN MORE THAN 1 IN CAMBRIDGE, MASSACHUSETTS! SCHEDULE) 1 CONSECUTIVE WEEKS AT A THEATRE (REPLACES "FIVE EASY PIECES" ON OUR TONIGHT!-April 17th-ONLY! 7 & 9 P.M. TOMORROW EVENING: COMING THURSDAY: r - &--- ot& v..I1t' a °" - i^ m r 'hia - THE RESIDENTIAL COLLEGE Presents