Tuesday, March 27, 1973 THE MICHIGAN DAILY ,Page Three Tuesday, March 27, 1973 THE MICHIGAN DAILY Page Three ANN ARBOR CIVIC THEATRE presents PRIME OF MISS JEAN BRODY MARCH 28-31 CURTAIN 8:00 p.m. Lydia Mendelssohn Theatre Box office opens at 10 a.m. daily Opens Tomorrow 8:00 P.M. THE UNIVERSITY PLAYERS SHOWCASE PRODUCTIONS present "The Architect and The Emperor of Assyria" by FERNANDO ARRABEL MARCH 28-31 ARENA THEATRE FRIEZE BUILDING Tickets: $1.00 ($1.50 on Friday/Saturday) Time: 8:00 P.M. Trueblood Box Office Open 12:30-5:00 (until 8:00 on performance dates) BOX OFFICE PHONE: 764-5387 Dept. of Speech, Communication & Theatre "..1 .. ..l........ .. ................. ............................................................................................................................................. ...... In Memoriam KINGSTON, Jamaica VP)-Sir Noel Coward, acclaimed playwright, author, actor, director, producer and wit, died of a heart attack at the age of 73 yesterday at his vacation home on this Caribbean island. Death came suddenly but peacefully, his London secretary said, ending a career of more than half a century. It came at a time when many of his works were enjoying a successful revival in London and New York. During the course of his career, which began at the age of 11, he wrote more than 40 plays and films, acted in dozens more, published books and composed music for cabaret, revues and operettas. As playwright his credits include Blithe Spirit, Private Lives, Bitter Sweet and Brief Encount- er. As an actor he was featured in such films as Around the World in 80 Days, Our Man in Havana, and The Italian Job. As a director he made the outstanding Brittish war film In Which We Serve. As a composer, perhaps his best known work was the song "Mad Dogs and Englishmen," a satire on English colonialism. It's Oscar Daily predictions By RICHARD GLATZER I have volunteered to put my neck on the chopping block and try to predict the outcome of to- night's Academy Awards. Yes, I; . .. .am aware of how very corrupt and business-like an affair the 'h Oscars is-. So why am I bothering with this? First of all because the Os- cars can affect the future ca- : reers of upand coming stars, di- rectors, and the like simply be- cause film is such a commercial enterprise. And besides, I'm ir- rational - I get a big charge out watching the proceedings. BEST ACTRESS-Liza Minelli .Liza has been peddling her "Look at me! I'm neurotic" schtick for Noel Coward some time. She is, after all, a public relations man's dream, a y prERvacative By TONY CECERE ways strong and supportive but I' .*. *.*sm .* .. .*.* .*. . . a *. *.*. . s.* .. .. . . . . . . . . . . . . . TONIGHT!! (and Thursday) "I'A DUNCTIE STRIUMPH! THE '70s FIRST REAT EPIC! Little Big 1a1listhe new western to begin all westerns!" -Stefan Kanfer, Time Magazine "DUSTIN HOFFMANIS A MARVEL!a B Alin at eeury iment and fall of dazzling surprises!" -Newsweek Magazine \ Au DUSAN HOITMAN "LUTR : 50 MAN" Panavisior Technicolor Modern Languages Aud. 3 7:15 & 9'30 P.M. (E..,Washington at Thayer, $1.25 Ann Arbor) NEW WORLD FILM CO-OP t The Aeoian Chamber Players: Erich Graf, Flute, Richard Wasley, Clari- net, Lewis Kaplan, violin,. Jerry Grossman, Cello and Walter Ponce, Piano. Program: Largo..........Charles Ives Centerings 1.......... David Gilbert Vox Balaenae George Crumb Sequenza. .... .. Luciano Berio Chamber Symphony No. 1, Op. 9, ar- ranged for small ensemble by Anton Webern .. . Anton Schoenberg Saturday at 8:30 pm, March 24, 1973 in Rackham Auditorium, Ann Arbor When the Aeolian Chamber Players performed last Satur- day, Ann Arbor was witness to what was probably the first com- plete program of contemporary music ever sponsored by the University Musical Society - a long awaited event. The program was well balanc- ed and provocative, opening with the Ives' "Largo" for violin, clarinet and piano. Walter Ponce made a profound impression here with his ability to draw the cor- rect musical sound from the key- board. Ponce's playing was al- never the least bit obtrusive. Lewis Kaplan employed a slow, broad quasi-vienese vibrato that worked well with the piano and clarinet timbres. The piece it- self was a good initiation to the program, with. its long lines in the violin and overall serene quality. "Centerings I" by David Gil- bert, which followed, was an un- impressive collection of crescen- does and decrescendoes that fea- tured unusual sound effects on each instrument. Unfortunately, the effects had no purpose out- side of these swelling crescendo units, thus producing a fairly boring result. The performance did, however, reflect the group's ability to handle a contemporary score - all means of instrument sound production were exploited. George Crumb's "Vox Balae- nae" (the title means either Voice of Whales or Voice from the Sea) also employed many sonic tricks. However, this piece, I no talent hype job, and the ef- fortsofall those adoring critics and what must be quite a talent- ed manager should finally pay off. I'd much rather see Diana Ross (who carried the weight of a sagging movie on her should- ers) or Liv Ullman win; they both have outside chances. BEST ACTOR - Marlon Bran- do - Despite the fact that he probably won't be attending the ceremony tonight and that he is even more stunning in Last Tan- go than he is in The Godfather, Brando should take the Oscar. Laurence Olivier might be re- warded for the wonderful vir- tuosity he exhibited in Sleuth, even though it is, for him, quite ordinary. And if the Fates are rogra like all of Crumb's compositions, deals with time in a large sense. The piece involved the flute, cello, prepared piano and an- tique cymbals with electric am- plification fo- the former three instruments. Many n a t u r a 1 sounds, such asthe sighting of seagulls and various whale noises were also incorporated into the composition. The performance of these natural sounds in a musical fashion was a compelling chal- lenge that the Aeolian Chamber Players met with ease. Flautist Erich Graf was especially im- pressive in the opening of the work, displaying a robust tone and a thorough knowledge of con- temporary techniques. "Vox Balaenae" seemed to have a stunning effect on the audience - the performance was excellent, the piece per se was excellent. My own first reaction was the strong desire for another hearing of the work - there was indeed a strong sense of Destiny to the piece. Graf then played the "Sequer.- za" for solo flute, a piece that has become somewhat of a stan- dard piece of the modern reper- tory. Here I felt that there was too detached an approach to the piece - I had the feeling that Graf really did not want to play the piece; the performance was too matter-of-fact and somewhat too ordinary. The Anton Webern reduction of the Schoenberg "Chamber Sym- phony No. 1" is a piece that of- fers the listeners an unusual glance into the musical mind of Webern. The Schoenberg score is reduced almost in its entirety -the technical result is that all the parts are very difficult be- cause there is simply so much to do. Once again, the group demon- strated its masterful touch. The Schoenberg was performed with expansive drive and power. The balance was a bit fishy at times. -I could not hear the clarinet from my side of the auditorium, but what little clarinet I did hear sounded extremely covered and somewwhat muffled. It might very well be the acoustics of the hall, not the player, that was at fault in this instance. The Aeolian Chamber Players brought us more than a contem- porary music concert last Sat- urday. They brought an approach to music, especially chamber music, long forgotten in this coun- try: an approach to music based on strong emotion. The care with which the performance was giv- en made this rather 'obvious, and I for one am glad to see this ap- proach in use again. truly unjust tonight, Peter O'Toole might prove a winning Is Brando dark horse for his awful flam- boyance in an awful film, The Ruling Class. Still, The Godfath- n t c n ti~ er should sweep, so I'll put myCO, 7 y. money on Brando. BEST DIRECTOR - Francis HOLLYWOOD (Reuter) - It Ford Coppola - Again, The God- appears likely that Hollywood's father should win. If for some annual Oscar ceremony, sched- reason it doesn't, old Hollywood- uled to take place here today, ian Mankiewicz might take the will not see the appearance of award for his awful work in two of the main nominees-Mar- Sleuth. lon "The Godfather" Brando and BEST PICTURE - The God- his film son, Al Pacino. father - Should have it sewed Brando, nominated for the best up. Cabaret seem to be the only actor Oscar and regarded as an other film with any chance. almost certain winner, has been BEST FOREIGN FILM - The turning down all awards for his Discreet Charm of the Bour- Godfather role this year. geoisie - This category is thor- Academy spokesman John Or- oughly inane. No further corn- mond said yesterday: "Mr. ment. Brando has not responded to our BEST SUPPORTING ACTOR invitation and we must conclude - Al Pacino - True, Pacino is he will not attend." one of three Godfather people Brando has already won one nominated in this category, and academy award, for his 1954 true, Joel Gray is great in Ca- role in On the Waterfront. baret, but I think Pacino will Ormond also disclosed that Pa- benefit from The Godfather's cino, who plays a bigger role in sweep. The Godfather than Brando as B E S T SUPPORTING AC- the soldier son eventually con- TRESS - Eileen Heckart - It verted into a murdering Mafia will be one of the old Hollywood chieftain, had turned down his warhorses, so if Heckart Butter- invitation. flies Are Free doesn't win it'll Pacino was expected to get a probably be Geraldine Page best actor nomination along Pete and Tillie or less probably with Brandoabut the 3,000 rem- Shelley Winters The Poseidon bers of the academy, actors and Adventure. Susan Tyrell is great, technicians in the film industry, but she and Jeannie Berlin are decided to nominate him as best too new on the scene to win. supporting actor. written by NEIL SIMON directed by ELAINE MAY "ONE OF THE YEAR'S BEST" -N.Y. TIMES -NEWSWEEK -TIME -NEW YORKER NOMINATIONS supporting Actress. Eddie Albert, best supporting Actor. rUU r U;(,C A L EI'W ARi FILMS-AA Film Coop shows Pollack's They Shoot Horses Don't They? tonight at 7, 9, Aud A; Cinema Guild shows Keighley's G-Men tonight at 7, 9:05, Arch. Aud.; New World Film Coop shows Little Big Man tonight at 7:15, 9:30, Aud. 3, MLB; History 104 shows Bunuel's Nazarin tonight at 7:30, UGLI Multipurpose rm. DANCE-University Musical Society features Topeng Dance Theatre of Bali tonight at 8:30, Rackham Aud. MUSIC-Music School presents wind instrument recital this afternoon at 12:30, SM Recital Hall; U Arts Chorale, May- nard Klein, conductor, tonight at 8, Hill. MUSIC LESSONS SIGN UP NO WFOR CLASS GUITAR LESSONS. JUST $12.00 FOR A SIX-WEEK COURSE. Rentals available. Also private lessons on guitar, flute, recorder, banjo, piano, and moog. CALL Ann Arbor Music Mart 769-4980 9:30-9:00 336 South State Street MOHN WA"NE RNN-h1IRRCRET THE THIN ROBBERS Daily Photo by KAREN KASMAUSKI Navaho Drama A scene from a creation myth presented on campus Sunday by the Navaho Theatre Ensemble. to 0 ' TODAY AT 1-3-5-7-9 INGMAR BERGMAN'S (RIESAND tonight 6:00 2 4 7 News 94Courtship of Eddie's Father 50 Flintstones 56 Operation Second Chance 6:30 2 CBS News 4 NBC News 7 ABC News 9 I Dream of Jeannie 50 Gilligan's Island 56 How Do Your Children Grow? 7:00 2 Truth or Consequences 4 News 7 To Tell the Truth of the (Uplippis IIIII HURON AT STATE 9 769-2200 I Opening at 4 o'clock for dinner, cocktails and snacks. -t "BEST Picture Director $creenplay Actress (Liv Ullman) -N.Y. Film Critics Awards "Nothing That Bergman Has Done Before Is Likely to Prepare You for 'Cries & Whispers.' It Stands Alone and It ReducesAlmost Everything Else You're Likely to See This Season to the Size of a Small Cinder." -vincent Canby, N.Y. Times PRESENTS: Wednesdays Are Bargain Days! Adults only 75c 1 -5 PM Wed. OPEN 12:45 Shows at 1, 3, 5, 7, 9 PM rjcg Med iatrics Rosemary's Baby Re-scheduled from April 6 & 7 7 & 9:30 p.m. Friday & Saturday March 30 &31I Nat. Sci. Aud. ONLY 75c Tickets on sale at 6 p.m. 9 Beverly Hillbillies 50 I Love Lucy 56 FrenchChef 7:30 2 What's My Line? 4 You Asked for It 7 Price Is Right 9 Danny Mosgrove: All- Canadian Timmy 50 Hogan's Heroes 56 Earthkeeping 8:00 2 Maude 4 Keep U.S. Beautiful 7 Temperatures Rising 9 Children of Zero 50 NHL Hockey 56 Naturalists 8:30 2 Hawaii Five-O 7 Movie "No Place to Run" 30 56 Bill Moyer's Journal 9:00 4 Cavalcade of Champions 9 News 56 Common Ground 9:30 2 Movie "Footsteps: Nice Guys Fin- ish Last" (1972) 9 Front Page Challenge 56 Black Journal 10:00 4 Oscar Awards 7 Marcus Welby, M.D. 9 Canadian Income Tax Test -56 Detroit Black Journal 10:30 50 Perry Mason 56 360 Degrees 11:00 2 7 9 News 11:30 2 Movie "Murder Most Foul" 7 Nightmare Step 50 Movie "Front Page Woman." (1935) 12:00 4 News 9 Movie "Rosle." (1968) 12:30 4 Jane Morgan 1:00 7 News 1:20 Movie "Trouble in the Glen." (English, 1945) 1:30 4 News 2:50 2 TV High School 3:20 2 News wcn 89.5 fm 9:00 Morning After Show 12:00 Progressive Rock 4:00 Folk 7:00 Sports 8:00 Rhythm & Blues 11:00 Progressive Rock 3:00 signoff cable tv SOON: PAUL NEWMAN in: "THE LIFE & TIMES OF JUDGE ROY BEAN" FIFTH AVENUE AT LIBERTY ANN ARBOR INFORMATION 761-9700 'W'THng~ P P"UM II ?EP WITH SPECIAL GUEST STAR Billy Preston& McKendree Spring April 7, 8:00 P.M. at F M- IT _tUIU)t'T rir III fI smum Im fiESI"HER" "Sylvia Miles does a penetrat- ing portrait. Joe Dallesandro, who indicated in 'Trash' that he was something more than a superstud, proves it with the cool calculated sensuality with which he plays the field in his own conviction that he is the - I EASY JOB-GOOD PAY *Dorm Residents Call u ihrinic t Thec4ri, 4hoee. 66&"16 J: m ; _ _: ' . - i t.a . vu. r of a .vv I i