Tuesday, November 13, 1973 THE MICHIGAN DAILY Page Five Tuesday, November 13, 1973 THE MICHIGAN DAILY Page Five Hedy 4Y approach By BILL IRVINE Noticeable inr Returning to the Ark after is the influenc nearly a year, folksinger Hedy sic which shes West gave splendid - and amaz- counterpoint w ingly eclectic - performances many. She sp this weekend in her own unique ently and cor style. sounds of the Author of the well-known "Five to the soundso Hundred Miles," West retains a A native of slight British accent, a souvenir blue-eyed, dar from a seven-year stay in Eng- phasizes tradit land. Soft-spoken, West fills her her repertoire, vocals with subtle inflections, ballads in the capturing all the shades of emo- versions. She tion in a song. renditions oft est takes eclectic toward folksong her singing style ce of cabaret mu- studied along with hile living in Ger- eaks German flu- mpares the sharp German language of her banjo. northern Georgia, k-haired West em- donal folk music in especially British [eir Americanized delivers powerful the Child ballads concerning incest and murder- "Matty Groves," for instance, a fine bloody tale of adultery. In her performance Friday night, West also sang several broadsides - songs which first appeared on popular penny sheets in the last century. A member of a folksinging family, she learned much of her mater- ial from her grandmother, who in turn learned them from West's great - grandmother. In addition, West picked up songs from the American labor movement, now performing some poirwied songs of coal mining, for instance. As she gives anecdotes for these pieces, we learn that her own father was jailed once for labor organizing. West's first big break for a foiksinging career came when she had the opportunity to ap- pear in concert with Pete Seeger in New York. She received so little money for singing that See- ger took pity upon her and gave her part of his own salary. West describes Seeger as an import- ant influence on her music. In the early '60's, West left the U. S. for England, where she studied British folk music and formal music theory. Seven years after she returned to the U. S. to enroll in the music depart- ment at Berkeley, continuing her study of music theory. Having written several songs, West is currently putting her knowledge of music theory and composition to work by writing -of all things -- chamber mu- sic. She hopes to soon finish a piece for a string quartet and wind trio. Eclectic is certainly the word for her music. CULTURE_.AL ENDAR FILM-Cinema Guild features Bunuel's Viridana in Arch. Aud. at 7 and 9:05; AA Film Co-op presents Nichol's Who's Afraid of Virginia Woolf in Aud. A at 7 and 9:30; New World Film Co-op shows de Broca's Cartouche in Aud. 3, MLB at 7:30 and 9:45; Women's Studies Films presents Joyce at 34 and Bette Tells Her Story in UGLI Multipurpose Rm. at 7:30. POETRY-Undergrads read their poetry in Aud. 4, MLB at 4:10. MUSIC SCHOOL-Maynard Klein conducts the University Choirs in Hill Aud. at 8. ART-Residential College Art Faculty Show at the Union Gallery opens tonight from 8 to 10. Artists include Rita Messenger-Dibert and Barbara Brodsky. \\ ' --s Daily Photo by KAREN KASMAUSKI A.heavenly experience The Little Angels, Korea's national folk ballet, perform the Fan Dance 'Sunday afternoon in Power Center. In a colorful array of costumes the troupe of 30 dancers, age eight to 15, displayed bea!tiful grace and control as they executed Hye Ta Chang's marvelous choreography. New Riders, Azteca albums: 'Nothing new under the sun' By BOB SCHETTER A listening to two new albums, The Adventures of Panama Red by New Riders of the Purple Sage (Col. KC 32450) and Pyra- mid of the Moon by Azteca (Col. 32451), may well convince you that there is nothing new under the sun. In fact, if these record- ings are any indication, it may be that most of the material un- der the sun is pretty banal. The New Riders album will be the most sought after of the two. A long association with the Grate- ful Dead and a distinctive, oft- times tongue-in-cheek, country- western sound have made the in' out and hangin' on) the mu- sic becomes bland and finally evolves into tedium. Worse still are the lyrics. Here the group tries to appeal to the good life - good dope, kinko sex, heavy truckin', etc . . . Surely there are people who can iden- tify with this kind of life style, but one always has the suspician that such identification is Camp. (Not to mention pretentious.) It's cool, man, to get into anti- establishment, best friend's wo- man fucking, good dope smoking heroes, but how many honestly feel or act that way? And coup- led with the fact that no attempt this is not to sav that the msic is up to par with these artists. The major drawbacks are a defi- nite monotony of r h y t h m throughout the first side and an ability on the part of the groups vast number of musi- cians, including brass and wood- winds, to -blow good "break" spots. Essentially the music lacks drive, except in areas where the group's Latin background shines through. TV highlights 8 56 Canadian actor Donald Har- ron stars as "Reddiek," s young minister whose faith is tested by a tough gang. 8:30 7 Movie: "The Cowboys." John Wayne as a rancher drives cattle across the Southwest with only raw teenage re- cruits to help. 9 4 Bob ,Hope special. Spoof of TV private eyes with Don Rickles, Redd Foxx, and the Carpenters. 9:30 56 Men Who Made the Movies. Documentary on director Frank Capra. 10 4 "The Blue Knight." In this spec ialI Willi amnHliden por'- =rays a tough cop. 11:30 2 Movie: "Heaven with a Gun" Glenn Ford as a preacher in this range-war yarn filmed in Arizona. 7 Invitation to the Royal Wed- ding. Douglas Fairbanks, Jr. previews the wedding of princess Anne and Mark Phillips. 50 Movie: "The Amazing Dr. C'litterhouse." D o c t o r (Edward G. Robinson) joins a gang of crooks to study psysiological effects of crime. 12 9 M o v i e: "Dinosaurus!" A thriller (:) on prehistoric monsters. 1:30 2 Movie: "Ritual of Evil." In- vestigating a wealthy pa- tient's death, a psychiatrist (Louis Jordan) encounters the supernatural. ___ GRADUATE STUDENTS WELCOME I We Style Hair u;. Wed. &.?Thurs.: Mankiewitzs 5LEUT1f We Don't Just Cut it! appointments available _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Dascola Barbers Arborland-971-9975 TONIGHT -- AUD. A., ANGELL HALL - 7 and 9:30 -$1 Maple Village-761 -2733 East Liberty-668-9329 East University-662-4354 ART S Ms GRAD COFFEE HOUR WEDNESDAY 8-10 p.m. West Conference Room, 4th Floor RACKHAM group popular among certain au- diences - the "druggies" to be sure. But the closest association with the Dead on Panama Red is a poor song by Dead writer Robert, Hunter, which is an attempt to capture the Dead's nack of tak- ing simple rhythms and artis- tically improvising on them. Additionally, once one tries go- ing past the group's very well produced sound, the music falls apart. This is as if one had peal- ed back the skin of a bean pod and had all the beans scatter onto the floor. For, falling back on stock pop traditions, such as the "hard driving beat to wail- ing lyrics" tradition or the "nas- ally sung, rhythmically slow 'I've got troubles"' tradition, (I'm just a lonesome L. A. cowboy hang- is made to blend the lyrics with the music, not bothering to re- place a certain word because it sounds "flat" in its musical con- text, the end result is trite. Pyramid of the Moon is also marred by poor lyrics. But it is obvious that this Latin-jazz ori- ented group is at least trying to create something good. A new group, Azteca has tried emulat- ing Stevie Wonder in spirit, if not musically, (The album is dedi- cated to him.) and the lyrics shov a true concern for the world around them. But unfor- tunately the words lack original- ity and fall short of supporting the feelings of the composers. Musically, Azteca's sound has the Latin brilliance of Santana and the night-clubish sophistica- tion of Sergio Mendes. However, "A THEATRICAL MIRACLE! -Life Magazine PRESENTED BY Office of Student Life EASTERN MICHIGAN UNIVERSITY Jazz for the Generation Gap Swinging right over the generation gap is the MODERN JAZZ QUARTET, now moving into its third decade of entertaining classical and jazz buffs of all ages. JOHN LEWIS, piano, MILT JACKSON, vibraharp, PERCY HEATH, bass, and CONNIE KAY, drums, come to Ann Arbor with compositions of their own, plus transcriptions of music by Rodrigo, Bach, Gershwin, and others. pill trascritioi by odrl Bnc ^s err rrri'fc'Trn EW - U I r r 1 I( - -0