Sunday; Apri( 6, 1975 THE MICHIGAN DAILY Page Five F AT U RES/[Universitv of Michinan Men's Glee C :1u6 A vicious little movie astandard on college (Continued from Page 3) in changing a hostile environ- ment and individual survival in that environment - the differ- ence between the Viet Nam gen- eration and the Nixon genera- tion, which may be why Harold and Maude never found an au- dience the first time around even though it ridiculed all the right people. All of this is pounded home - with about as much subtlety as a stiff poke in the ribs - when the camera shows us the concen- tration camp tatoo on Maude's arm. From one survivor to an- other. All we've got is our- selves. Maude OPERATES ON the as- sumption, then, that any- one who isn't with us is against us and is fair game. It ridi- cules all the convenient tar- gets of the Establishment by blowing them into cartoon gro- tesques: a psychiatrist who isj a composite of every dumb psy- chiatrist stereotype save the German accent; a blubbery, jel- ly - jowled priest who preaches conservative nonsense; an of- ficious, steel-eyed motorcyclej cop listed in the credit as M. Borman (sic); a general, Har- old's uncle, who nearly sali-i vates when he thinks of battle and who has rigged up his arm-1 less sleeve to salute. The audi- ence howls on signal and gets its revenge on the symbols. But there are other victims in the film who aren't attached to the Establishment and who are condemned merely because they haven't joined up with Maude. (Who's the Nazi here?) Two scenes illustrate: Maude leaves church after a matinee! funeral. She hops into a Volks- wagon, waves goodbye to Har- old, and ,zips away. The offic- iating minister, who has done; absolutely nothing horrible, rushes out and blinks, "That'sf my car." Howls. In the second scene, Harold demonstrates hari kari to one of his com-} puter dates. The date is a | dumbbell - an aspiring ac- tress named Sunshine - but, she is nothing more than that. Still Harold hands her the knifef and she shoves it into her in- nard's trying to figure out how Harold did the same trick. The wages of stupidity are death. She collapses to the floor, and there are howls and screams. Most bona fide black humor exaggerates morbid reality and forces us to laugh, defensively, at our own fears. But a modern cult comedy like Maude seems to comfort us instead by put- ting us on the offensive. It's not our fears - death, The Bomb, war - we laugh at; it's the stupidity of other people (which may be an acceptable source for humor) and at the comeuppance! these poor idiots get (which isf more questionable). There is something incredibly cruel about terrifying young numb-1 skulls as Harold does to his computer dates, stealing an in- nocent minister's car, disrupt- ing a funeral, and crueler still about letting a girl die because she wears a newsboy's cap, cracks gum, and makes idiotic small talk. Harold and Maudei have this license because} they're a pair of Life Forces dynamiting a path through Con II America, which is as ironic a tangle as you can get. And yet few things, not even Alice ICooper, better illustrate young hostility and paranoia. JUOREOVER, THAT ironic, confusion of means and ends is precisely one of the points, if not of the movie, at least of the odd value system which underlies it. Films like King of Hearts, The Ruling, Class, and even Maude make a good deal of fuss over what is normal, sane. Back in the hof has character, Maude is a I could just as easily have been character. And just in case we peppy Strom Thurmond without b eco m es ( don't get it, the film sticks drastically changing the film; our noses in it again and again I say that because ultimately and again. She lives in an old the politics of the film, its railroad car (character), she cheap digs at everyone who's rCa m p USes models in the nude for a sculp-jnot young or old and crazy, are tor (at her age! character), she almost bulled over by that con- has a cabinet full of musical in-; stant onslaught of energy. 30s it wasn't that the dominant struments (character), she has Within days of Maude's open- S u rc order made bad sense - it a machine which recreates at- ing in New York, Clockwork wasn't insane - it's just that mospheres (character), she Orange and Dirty Harry pre- old Grandpa Vanderhof made steals cars (what a character!),; miered. It's a nice coincidence better sense. By the time ofj Catch-22 and King of Heartsif and she attends the funerals of -Maude and these two wild, you'll excuse comparing the people she doesn't even know rather vicious, little films, both Box Of yo'excituse lattrngthe (with a capital 'c'). She's so of which make as great claims former with the latter, the busy playing tricks and having for assertiveness as Maude world had gone crazy and that fun that it's hard to believe does., That violence is import-t- forced awhole redefinition of she ever sleeps, except for that ant. All three films, though insanity; i Hearts the symbols one time with Harold. Poor with different slants and vary- are literally transposed, insane; Harold is also a character and ing degrees of artistic success, asylum (sane) and real world he also does cheap cabaret set off vicarious thrills in an (insane), in case you miss the turns to confirm it: pretending audience absolutely convinced poit. A later Laingian film like to hang himself, slit his wrists, of its impotence. Aren't we all? Maude turns the tables: it re- chop off his hand, immolate That's one reason why Maude verts back to the old defni- himself, commit hari kari. But seems so cynical and pessimis- tions, then elevates madness since Maude is the convertor tic even though it's constantly to the top of the moral heap. and Harold the convertee (his coming on with slogans of how You've got to be really crazy class, a screwball vestige great it is to be alive. We don't to be good; you've got to out- though incidental here, is the believe it and neither does the flank society by retreatig nto tipoff), he seems to have a lot film: the next funeral Harold 1 your own head, then lashing less fun playing his tricks. He's attends will be Maude's. No one out as occasion warrants. desperate to get attention; he's in his right mind (of course, Grandpa Vanderhof impresses unhappy, he says. He wishes he that's the rub) is going to go us with his sound common were dead. out and lay an eighty year-old sense, pulling the IRS man's woman, and no one is going to leg while winking at us all the BUT WHY BE self-destructive go out and steal a car because time. He isn't jabberwocky, and when you can harm others, there's too much materialism, his feet are planted on terra as Maude does? or rationalize his own car be- firma, if one can say that What commits him to life is ing stolen on the same ground about arthritic Lionel Barry- not Maude's love - it is im- -acts which follow the didactic more. But Maude, who never possible to think of her as lov- aim L-I-V-E as Maude defines even touches humanity tan- ing since she never touchesa gentially, has her head stuck down. Rather it is her prodig- it. in the clouds. She is jabber- ious energy, a different torch TN THE END, then, Maude wocky in a world of more jab- than the capacity to "have merely underscores the dis- berwocky. Her synthetic bo-! fun" with which older screw- parity between our values and hemianism and facile slogan-1 balls guided their converts. In ' our behavior. It's much easier eering take Capra's simple fact, one suspects that Maude to go to the movies truth and turn them into more plastic for plasticland: "What sense in borders and nations and patriotism?" "Everyone $ OUT MONEY $ ,has the right to make an ass O F MO EY $ out of himself." "Just live. L-I-V-E!" Maybe Army Green is your answer. You have WJHILE PLACING s u c h until June 30th to enlist for only two years. enormous stress on eccen- After that you must enlist for 3 years to get tricity as a moral value, Maude; travel, training, maturity, and the 'GI Bill" also nudges aside other, more worth $10,000 to continue your education. traditional moral values on the ground, I suppose, that these Now's the time to ask questions. See an Army values no longer work. Signifi- Representative at the PLACEMENT OFFICE, nn tl"y, W1''"- r ---'.Uin- " Un i--'--l m Now S----------------'---- -.'---~~-~-1 1 j MICHIGAN COEDS 'in Porn Girl rryouts FOR FOOTBALL AND BASKETBALL CHEERLEADER SQUAD canny, where uranapa vanaer 3200 STUDENT ACTIVITIES BUILDING on MONDAY, APRIL 7th from 10 to 5. Coll 764- 7456 for an apoointment, or walk in. F r# IR r, 11 II U U E0 III