'' 4 -or THE MICHIGAN DAILY 4 Sunday, November 22, 1970 9 .... .- . " , 4 A Page Twenty-two Sunday, November 22, 1970 THE MICHIGAN DAILY I El THE MICHIGAN DAILY a play from the B LACKTNEATRE Ron Milner WHO'S GOT HIS OWN Directed by Leonard Smith of Wayne State University UNIVERSITY OF MICHIGAN PLAYERS Co I G DEC. 2! Lydia Mendelssohn Theatre I I a I Times outlook: Movies are to be toleratedx Contiued from Page 21 erything. They were all bundled up into the balcony of this theater. A lot of irrita- tion.- I was sitting in a row next t Dick Schickel (of Life Magazine). Next to Dick was Pauline (Kael). Pauline hated the mo- vie. She is the most impossible lady to watch a movie with because she e I t h e r talks throughout, even when she likes it, or sheA sits there and sighs, 'Oh my God! He isn't going to do that! OHHHHHH! Ohhhhhh! Ohhhhhh! Oh God! Oh Fellini!"' In the end, the Times film department, f like all Times departments, doesn't succumb to pressure from anybody but The New York Times - the monolithic mold. It doesn't matter so much who writes what or what one thinks, because when your copy ends up in print it's not your copy. It's The New York Times. "Any of the critics can write any way he chooses so long as the style he chooses is the Times' style," says Greenspun. Copy, like a Catholic schoolboy, m us t go through a a thorough process of disinfection from the evils of the outside world. First it must be. . . cleared by editor Dick Shepard. Then Shep- ard turns it over to the copy desk, and from the copy desk it's handed to the Bullpen, which the Times man calls "a collection of old men." It is here that the Times' style isx imposed. It's here that sex and politics are removed, a 'Mr.' or 'Miss' inserted before " each sirname, an arm is changed to a'limb.' ;<. And it is here that the Times keeps rolling along its ponderous way. "There are many words you can't use," Greenspun says. "When I was hired I was told you couldn't say 'fuck,' and I thought that was OK. I rarely use 'fuck' in a movie w". review. Now I've discovered you can't use shit,' you can't use 'screw,' any number of words. The last word I found taken out of my copy was 'lousy.' " Rave Notices. § § § 4 §§ § i§ People who write about men's fashions at magazines § and newspapers have singled out this Gant shirt (called § Keats) as big fashion news. One, because of its big, § § bold, elegantly-proportioned collar which stays wrinkle- § free from dusk to dawn. Two, because of its § exuberantly striped cotton broadcloth. This Gant Keats § shirt is tailored with singular care. It has a trimI tapered body.- $11.00 § I ANN ARBOR DETROIT 326 S. STATE 41 ADAMS EAST 1 ran the Moroccan border Swithout cutting my hair! 0 - ---- -- --- - - 6 science fiction By Gabe Eisenstein and Tom Gottlieb A futuristic photo fantasy about a par with wings. The new children aren't gr c~:w Xis \f) STA-PREST. HOWARD KOHN writes for the De- troit Free Press. He has worked as as- sociate editorial director of The Daily in 1968-69, editor of the Novi News, and as sports writer for the Detroit News. GABE EISENSTEIN is a freshman who has written for numerous science fic- tion (fanzene) magazines. CLARK NORTON Daily in 1967-6 from North Afric he wrote for Tr NEAL GABLER, science, writes n Daily. r TRIM CUTS Levi's classic Ivy model with belt loops and cuffs- given a now look with great colors and fabrics-all with Sta-Prest. Nobody but Levi's makes Sta-Prest. 0 the daily magc Dealing junk in Detroit is not a healthy living By Howard Kohn Or, how a young reporter posed as a d and infiltrated a west side heroin ring They Review Films, Don't They? By Neal Gabler The big New York movie critics live a filled with intrigue and disappointmer hoping someone somewhere is listenir By Clark Norton Some freaks would rather forego Mc than cut their hair at the border. The Daily Magazine, Vol. I, No. 2, November 22, 1970. Michigan Daily, 420 Maynard, Ann Arbor, Michigan. Daniel Zwerdling, editor Anita Wetterstroem, editorial assistan Cover photo by Jim Wallace. Photos on p. 4, 5 courtesy Free Press; on 7, 8, 21 by Jim Judkis; on 18 by Tom Go Jim Wallace. Sketches on 9, 10, 11 by Suzy Oxford. ~ss"( Presented By The in Hill Auditorium, Ann Arbor FRIDAY, DEC. 4 at 8:30 SATURDAY, DEC. 5 at 8:3t SUNDAY, DEC. 6 at 2:30 THE UNIVERSITY CHORAL UNION MEMBERS OF THE INTERLOCHEN ARTS ACADEMY LUCIA EVANGELISTA, Soprano JOHN McCOL ELAINE BONAZZI, Contralto JEROME HINE MARY McCALL STUBB INS, Organist CHARLES FISHER, Harpsichordist DONALD BRYANT, Conductor TICKETS: $3.00 - 2.50 - 1.50 University Musical Society Benefit C ARTUR RUBINSTEIN, Pianist-FRI., JAN. 22 UNIVERSITY MUSICAL SOCIETY, BURTON TOWER, Office Hours: Mon.-Fri. 9 to 4:30; Sat. 9 to 12 (Teleph 'lCEr4S MEN bhrl J 1 109 S. UNIVERSITY 49