Page Two THE MICHIGAN DAILY Tuesday, November 17, :1974 , Page Two THE MICHIGAN DAILY Tuesday, November 17, 1970 * .. ...... _ .. theatre Mimicking the poltical times By MARK DILLEN I'm not really sure if t h i s should be on this page. Usually, this space is reserved for re- views of art where you c a n' examine a production on levels of tale'nt, etc. But you can't real- ly examine the San Francisco Mime Troop's performance last night in the Union Ballroom in that manner. You have to exam- ine it on a political level first: it comes no other way. If you agreed with the politics, then you examined the art. If not, you probably left. The whole message of the Troop's two playlets was revolu- tion. Because I agreed with their politics, it was great on t h a t level and the outstanding char-, acterizations of the 11 players merely embellished the effect, Using a small 15' square wooden stage for both plays, they had to rely on the skill of the act- ors. That great skill was soon evidenced in the first play. Entitled, "The Independent Fe- male or A Man has His Pride." the politically and dramatically effective play soon had the crowd hissing the villian a n d cheering the heroine. Unlike the archaic style of the melo- drama, here it was used in a modern biting way to demon- strate the history and nature of the repression of women in our society. Typically, it revolves around the efforts of a latter day f em- inist Sarah Bullitt and her at- tempts to radicalize the brain- washed leading lady Gloria Pen- nybank. Gloria, you see, has ac- cepted the traditional woman's role without question and has become engaged to a traditional chauvinist, John Heartright. Her mother, Matilda, and her president of the Chamber of Commerce father Walter, act as convenient ploys for the viru- lent attacks on the type of socie- ty they represent. The lines in the play' speak for themselves. A g a i n, if you reject the message their poli- tics convey, you probably would criticize the play on all other DAILY OFFICIAL, BULLETIN The Daily Official Bulletin is an official publication of the Univer- sity of Michigan. Notices should be sent in TYPEWRITTEN f o r m to Room 3528 L.S.A. Bldg., before 2 p.m., of the day preceding pub- lication and by 2 p.m. Friday for Satudday and Sunday. Items appear once only. Student organization notices are not accepted for publi- cation. For more information, phone 764-9270. TUESDAY, NOVEMBER 17 Day Calendar Wind Instrument Student Recital: School of Music Recital Hall, 12:30 p.m. Center for Human Growth and De- velopment: Open house at 3 Center fa- cilities: (1) Amphibian Facility, re- search on frogs, Argus Bldg., Third and Williams St.. (2) Computographics, computerized storage of growth data, 611 Church St., (3) Electromyography of muscle in monkey, HR 3028, Kresge Hearing Research Inst., Ann St., 2-5 p.m. German Dept. Lecture: Prof. E. Beh- ler, U. of Wash., "Techniques of Irony in the Light of the Romantic Theory," Assembly Hall, Rackham, 4:10 p.m. Theoretical Seminar: H. Chan, CERN Continued on Page 10) Delta Sigma Delta Dental Fraternity a T.G.g Fri., Nov. 20 6-9 p.m. 1502 HILL ST. PETER Tuesday, Nov. 17 SEVEN SAMAURI dir. AKIRA KUROSAWA The classic film by the Japanese master. WEDL COMMANCHE STATIONf 7 & 9:30 (note times) 75c 66 1Auditorium 4 levels. The old stereotypes are constantly repeated: Jason Har- ris, portraying Matilda, gives the audience these classics. "Why did I send you to college? To get a husband," and "remem- ber, the main job of a woman is to make a man feel strong." As the playwright, Joan Hold- en, suggests, Matilda is a real "Uncle Mom." In the end of course, the male spirit. shrivels when the t w 9, finally organize the 500 sec- retaries at Amalgamated Life against their fifty male bosses. In a classic revolutionary scene, Walter, is trapped in his office by the two female revolu- tionaries. At gunpoint, Walter is about to give into their de- mands when John kills Sarah. She manages, in true melodra- matic form, to utter a final epi- --Daily-Denny Gainer taph: "She was shot in her Seale's courtroom experiences back for refusing to live on it." and Black Panther party his- Somehow, they performed so that you could see humor and insight in their lines, but after- ward the reality of what they were saying sinks . in: they weren't trying to dazzle the audience though they may have achieved that effect. They were trying to educate and arouse. The spontaneous crowd reaction at the end where the audience cheered Gloria's address-politi- cal speech, was the kind of thing you wish to you had words to describe. It was just beautiful. The troupes next effort was a bit harder to handle. It was an eleven scene playlet depicting events related in Bobby Seale's book Seize the Time and t h e transcript of the Chicago Seven trial. It alternated between tory; It could have been more ef- fective without the frequent changing of scenes, and the tir- ing, slow-motion manner of act- ing and speaking in the court- room sketches. The effect was to confuse the audience rather than increase their awareness. Even so, the words of Seale made up for whatever deficien- cies ;there were in the play's structure. When Steve Friedman emotionally gave Seale's credo, "you can kill a revolutionary but you can't kill a revolution," it was the message, not its deliv- ery, that was important. And the audience, then no longer spectators but participants, were quick to answer in force, "seize the time." DIAL 5-6290 Shows 1, 3, 5, 7, 9:10 0 7 IS THE MOST MOVING1THE MOST INTELLI- GE THE MOST HUMANE - ONTO HELL WITH IT! iT'S THE BEST AMERICAN FILM I'VE SEEN THIS YEAR!"Y BN'Y KESAYT AMIKE NICHOLS FILM ALAN ARDIN "A SUPERB, IMAGINA- TIVE, AND FAITHFUL ADAPTATION OF JO- SEPH HELLER'S EXTRA- ORDINARY BOOK! IT ABOUNDS IN LAUGH- TER!" -Wiliam wolf, CUE Th To BOWEN 75c omorrow- HOOT his Weekend: JOHN ROBERTS TONY BARRAND the ann arbor film co-operative presents w.c. fields and maewest in My- 11*te cplus short: the tell-tale heart tuesday, nov. '17 of 141'1 Ri/I STREET Ub171 auditorium a angoell haill 12 and under 35c 7 & 9:30 15c OWN THE UNIVERSITY OF MICHIGAN SCHOOL OF MUSIC AND DEPARTMENT OF ART PRESENT PUCCINI'S OPERA "MADAME BUTTERFLY" (Sung in English) Conductor: JOSEF BLATT Stage Direction: RALPH HERBERT, MEN DELSSOHN THEATRE--NOV. 20-21-23-24 at 8 P.M 4p Creative Arts Festival: Potpourri of events By CHARLEEN COOK, A Black Arts Festival and an original student musical will highlight UAC's 1971 Creative Arts Festival, which is aiming at more student participation this year. The Festival will take place through much of the month of March. The highlight of the Black Arts Festival, the first such fes- tival held by Creative Arts, will be a performance by the Broad- way cast of a play based on Lorraine Hansberry's book, To Be Young, Gifted, and Black. The play will be performed near the end of the festival at Lydia Mendelssohn Theatre, and will be cosponsored by the Profes- sional Theatre Program (PTP.) However, "the music is the prime thing, really," according to Black Arts Festival chairman Dwight Andrews, and jazz work- shQps from Detroit are expected to come to "show how the music has changed." There is also the possibility of "s'ome music-or- iented black group" performing, according to Linda Jacobi, chairman of the Art Committee of which the Black Arts Festi- val is one part. Andrews adds that there is a "very go'od possibility" of get- ting LeRoi Jones as a lecturer. There will also be'an exhibit of student art works; The student musical Friends, r is scheduled for five days and s ev e n performances starting March 22, at t h e Residential College Auditorium. The origi- nal script is by Marilyn Miller, with music by Dale Gonyea and choreography by Wendy Shank- in. A date for auditions has not yet been set. "We want to make musical comedy relevant, and relevant to people our age," says Miller. "We feel that t h e groups on campus, although they do very fine shows, simply cannot uti- lize.all the talent lying around." Other festival programs in- clude Cinema a n d Drama, Dance, a n d Literature and Journalism. The Cinema and Drama Com- mittee, according to chairman Joseph Bartush, is trying to line up either playwright Bruce Jay Friedan (Scuba Duba; Steam- bath), this year's writer-in-resi- dence, or Catch 22 author Jos- eph H e 11 e r. Cinema II is at- tempting to get director Arthur Penn, whose films include Bon- nie and Clyde and Alice's Res- taurant, while Cinema Guild has contacted Orson Wells, famous Shakespearean actor and pro- ducer of Citizen. Kane and Fal- staff who would show film clip- pings as well as lecture. Other attractions will include the student musical, eight-mil- limeter student films to be' shown by the Ann Arbor Film Co-op and a feature film by either Cinema Center or United Artists, with the producer and/- or director as a guest lecturer. Further possibilities, though still tentative, are an anthology of student experimental films from a California group called Cinema III, a n d the possible premiers of a new Dustin Hoff- man movie, Who is Harry Kel- lerman? The Erick Hawkins Modern Dance Company is "almost cer- tain," says dance committee chairman Cynthia Sebstad, to give performances and lectures on dance, although the contract has not been signed yet. The company contains seven people, of which "about three or four" are dancers, the remainder be- ing musicians. They are expect- ed to give two performances, two master-of-dance classes, and lectures on both dance and aesthetics. The dance program also plans to continue last year's "sensory perception" workshops, in which students form into small groups, study a particular dance form, walk about the campus obtain- ing sensory experiences, t h e n regroup to work with the per- ceptions they have obtained. An African dance lecture and demonstration by a University dance class and a lecture on contemporary music are also tentatively scheduled. The literature and journalism committee, like Cinema and Drama, which is attempting to contact Joseph Heller, is trying to get Alan Watts, also author of several books on Zen Bud- dhism. Although several sources ' connected with the festival have said that Heller's coming is al- most certain, obtaining either him or Watts will be an expen- sive process, and the Creative Arts Festival 1 o s t money last year. Tentatively suggested as a lec- turer on journalism, a n d ex- pected to be less expensive, is Roger Rapoport, former Daily editor and author of "Is t h e Library Burning?" Loucks, who claims there has been little emphasis on journal- ism per se in past festivals, says she would also like to do some- thing with broadcasting, "some- thing like closed circuit" (radio or television). Publicity committee co-chair- men Audrey Kavka and Dave Foran say that in the past stu- dents have not always realized that the individual events were part of a larger festival. "The festival this year is going to be publicized as a whole and not just as the individual forms," Kavka emphasizes. Admission $3.00 Good Seats Still Available BOX OFFICE HOURS: Nov. 16,-19-12:30-5 p.m. Nov. 20, 21, 23, 24- 12:30-8 p.m. Closed Sunday, Nov. 22 Ticket Information: 764-6118 Presentation Wednesday & Thursday November 17th & 18th Department of Speech-Student Laboratory Theatre presents HOW HE LIED TO HER HUSBAND by GEORGE BERNARD SHAW and EPISODE IN THE LIFE OF THE AUTHOR by JEAN ANOUILH ARENA THEATRE, FRIEZE BUILDING Promptly at 4:10 p.m. or earlier if theatre is filled. ADMISSION FREE. speaking Hui P. I TO I gm@ ENDS WEDNESDAY DIAL 8-6416 * 7- 9p.m. Minister of Defense, Supreme Commander Black Panther Party TONIGHT Vlce. And Versa. 'F HILL AUDITORIUM 8:00 P.M. 1 , . -. Ii - ... . I U