Page Two THE MICHIGAN DAILY Wpc4nPCr4nv- lewm inn, Va. 107t 40 Page Two THE MICHIGAN DAILY *'IIur.JsuJy, )ur.iuLar.y i 3~, I5y7I I:t 0 . .images "ian'Carlo mentti The Medium Thurs. 4:10; Fri.-Sat. 8:00 Box Office Opens at 12:30 Frieze Arena Theatre i U II -Daily-Tom Gottlieb l $1.50. cinema' Pieces': A study in Nicholson By NEAL GABLER Many people react to Five Easy Pieces by trying to find in it some one elemental American truth or by fitting it into one of the great American genres. Some call it a road picture in the Huckleberry Finn - Easy Rider tradition. Others see Bob- by Dupea as the alienated anti- hero. Still others read its mes- sage as the decline of art in the technocentric society. There is probably some truth in each of these claims, but most of us instant analyzers are victims of an old American penchant for quick categorization and of a more recent penchant for dig- ging out the relevancy of just about everything and explain- ing why things belong uniquely to our times. The search for relevancy is a dangerous practice which can over-look' universality for tren- diness. Indeed, one of the most refreshing things a b o u t Five Easy Pieces is that it is not simply a "road" picture or an "alienated hero" picture; it is not, thank God, this year's Easy Rider; and it is not a film fu- ture generations will look at to untangle the 70's. Rather, it is an old-fashioned filh about struggle-the kind of struggle that has been with us for thou- sands of years and that I sus- pect will be with us for thou- sands more if we somehow man- age to survive. The struggle is, essentially, between environment and tem- perament, and it is staged by reversing the old Horatio Alger tale of the poor boy who, through diligence and natural skill, becomes one of the world's great concert pianists. Robert Eroica Dupea (Jack Nicholson) has been raised in a family of musical geniuses on a small island in Washington's Puget Sound. But Dupea is a misfit for the kind of life he's been trained in. He lacks the talent and, more importantly, the disposi- tion to follow in his parents' and siblings' footsteps. So he drifts into the America of trail- er homes and diners and bowl- ing alleys and C&W music. He settles down with waitress Ray- ette Dipesto (wonderfully play- ed by Karen Black), goes to work at an oil rig, guzzles beer and tries to lose himself in a new environment.N As the film begins he is living with Rayette in an existence that alternates between cruelty end physical affection, with a social life consisting primarily of fooling around with his hill- billy compatriot Elton. Tiring of it all, he quits his job at the rig and drives up to Washington, at his sister's insistence, to make peace with his father who's been debilitated by a stroke. On the way, in one of the film's few comic moments, he picks up two lesbians who are escaping to Alaska where it is "clean and white." Once on the island, he meets Catherine, his brother Carl's fiance. Rayette appears. A short time later, with Cather- ine refusing his propositions and with Rayette pregnant, he drifts away again. And thats how we're left. Since Marx always seems to wiggle in, it's been common to mistake Dupea's drift for aliena- tion. But Dupea's problem is much more. He is not repressed by class or capitalism or tech- nology so much as by his own nature. As a result, he is more classic tragic hero than modern anti-hero. He is suspended be- tween two cultures, each of which he has roots in but neither of which he can be assimilated into. Talking about his musical ability, he tells his father, "We both know I wasn't that good." And yet he rebukes his friend Elton as "some cracker asshole who lives in a trailer camp try- ing to compare his life with mine." Director Bob Rafelson con- structs his film around these antipodes. On the one side are a sleazy California town, a re- frigerator full of beer, Tammy Wynette records, and his girl- friend Rayette. On the other side are the lovely Washington island, chilled wine, Chopin, and Catherine. For all its shabbi- ness, the one side has a certain genuineness, spontaneity and strength. For all its beauty, the other has a certain detachment, calculation and weakness. Joseph Morgenstern views this typology as anti-intellectualism in action, and there is no doubt that Dupea rejects the intel- lectuals; in one scene he ex- coriates a group of his brother's pseudo-sophisticate friends with. "You're totally full of shit." What he really rejects, how- ever, are not ideas and intelli- gence, as Morgenstern believes, but the dispassion and sterility that come with the severance of heart from mind. He seeks feel- ing, and he despairs that the artists and thinkers have pro- grammed their emotions and thereby lost them. Cut off from the intellectuals, Dupea's concundrum is that he f Delta Sigma Delta STG Fri.-Jan. 15 6-9 1502 Hill St. cannot fully embrace Rayette's culture either, though he affects its life-style as if to compen- sate for his artistic inheritance. He swears, brawls, gambles, drinks, bowls, goes to work at the oil rig. But he is no more like Elton and Rayette than he is like the intellectuals; he is not all muscle and unmediated emotion. He respects their truth- fulness but must ultimately re- ject them because, like the in- tellectuals, they are confined by their sensibilities. They will never be able to understand his other half, his Washington half. The inability of either culture to reach beyond itself reinforces Dupea's half-breed status and hisdimmiscibility. He wants to find a place where he'll fit, where each of his parts will be understood. Yet condemned by temperament not to accept for- mula for feeling, and con- demned by environment not to accept the purely visceral, he is resigned to failure. He must exercise his emotions and hide in a hard-bitten cynicism that compels him to curse when he is moved. It may be a bleak portrait, but like other tragedians Rafel- son will not relent: You cannot belong to two cultures. (Note that I am speaking of approach- es and not of education, class, age, etc.) Catherine, Carl, Ray- ette, Elton may be happy be- cause they have found their niche, and Dupea will never be happy until he commits himself to one of his halves and sheds the other. That's what it is all about. You can either be sensi- tive or be happy, but you cannot be both; to try to bridge the See FIVE, Page 7 BEST FILM OF 1970 DIA L 662- Cott 18 A ' ' PIS .,'.1- 8S Pod. JACK NICHOLSON NOW at the State Theatre Shows at 1:15-3-5-7-9 p.m. APPLICATIONS NOW BEING TAKEN TO FILL ONE VACANCY STUDENT GOVERNMENT COUNCIL MEMBER-AT-LARGE SEAT AND 3 STUDENT OPENINGS ON UNIVERSITY COUNCIL (Proposes conduct regulations & considers policies concerning police on campus) Pick up applications & sign up for interviews at 1546 SAB STUDENTS FROM ALL SCHOOLS & COLLEGES ARE URGED TO APPLY 950% OF THE READING POPULATION READS ONLY 250 TO 300 WORDS PER MINUTE OR LESS FAST READING IS NOT DIFFICULT TO LEARNI All those who completed courses held this past year at the Bell Tower Hotel achieved speeds of 800 to 1800 w.p.m. with the same or increased comprehension they had at their slower reading rates. SEE HOW EASILY YOU CAN: -save hours, use your time more efficiently -learn to read 3 to 10 times faster than you do now -improve your comorehension and increase your enjoyment of reading material at a cost less than HALF that of nearly all other commercial reading courses! Bring a book to a free, live demon,tration of the reading skills which will be taught in a GUARANTEED course offered this semester. Demonstration This Week-Tues. & Thurs., Jan. 12, 14-7:30 P.M. at the Bell Tower Hotel, 300 So. Thyer St., across from Burton Tower CHECK THE SeaTramn on Capitol Records and on SATURDAY NIGHT, JAN. 16-HILL AUD. WITH DAVID BROMBER tickets on sale now Union Lobby $2.50 $3.00 $3.50 Students International Discount Records Presented by ffi(1 IQOUSB an International Liberation Studies project CHNA WEEK JAN. 10-16, 1971 THURSDAY FRIDAY SATURDAY - r FIDDLER BEERS founder of the Fox Hollow Folk Festival Columbia recording artist fiddle psaltery Thurs.- Peter Bowen 75c Sat,, 2 p.m.-- Workshop (free) Sat. nite late- After hours with MICHAEL COONEY, ALY BAIN and others Menotti s Medium' to be presented by 'U' Players University Players will present Gian Carlo Menotti's two act opera, The Medium, Thursday afternoon, Friday and Saturday evening, January 14, 15, and 16. The Medium centers around the confusion of Baba, a phony medium who uses her daughter and a deaf-mute accomplice to concoct "supernatural" happen- ings for paying customers. A crisis develops when Baba hears "real" voices and feels a hand at her throat during one of her performances. She tries to re- pent and return the money to her customers, but they refuse to believe she is a fraud. Still the .. voices continue, driving Baba to violence. Difficulties over royalties forc- ed the postponement from last fall when the show was planned in an excerpted form for the Student Laboratory Theatre. Rather than abandon the p r o- ject. it was decided to present it for a paid audience in addi- tion to the regular University Players season. Admission will bs one dollar. Curtain times will be 4:10 p.m. Thursday and 8 p.m. Friday and Saturday. ePrformances will be held in the Arena Theatre (Frieze Building). Awr WED. 'Sol mixed media/workshops "CHINA: ON E-FOURTH OF HUMANITY mixed media event around Edgar Snow's unique color documentary of 30 years Chinese Liberation Struggle -WORKSHOPS- "FOREIGN POLICY" "WOMEN IN CHINA AND AMERICA" "PEOPLE'S MEDICINE IN CHINA AND AMERICA" 7.30 p.m. adm. $1 FIRST PRESBYTERIAN CHURCH (basement) 1432 WASHTENAW (off S. University) arrangements courtesy of Ecumen- ical Campus Center mixed media/panel/workshops "CULTURAL. R EVOL UTION" mixed media event around News color documentary -PANEL- Robert Williams William Hinton Orville Schel'I Leni Sncair CBS -WORKSHOPS- "EDUCATION FOR LIBERATION" "ART, MEDIA, AND CULTURE" "COMMUNES AND COLLECTIVES" 7:30 pm. adm. $1 NATURAL SCIENCE AUDITORIUM off diag film/address/panel "UNITY AND STRUGGLE" SHORT FILM: Robert Williams in China Addresses by: WILLIAM HINTON ROBERT WILLIAMS -PANEL- Robert Williams William Hinton Chuck Holt (NCCF) Mark, Selden (CCAS) Brian Spears (SGC) 7:30 p.m. adm. $1 TRUEBLOOD AUDITORIUM in Frieze Bldg. I WINTER TERM OF THE I I Missed "Harvey"?-Don't Miss THIS SPECIAL STUDENT DISCOUNT! A PROGRAM IN JEWISH STUDIES * THE HASSIDIC VIEW ON THE EXISTENCE AND PURPOSE OF THE UNIVERSE " HEBREW FOR BEGINNERS " HEBREW SPEAKING CLUB " INTERMEDIATE HEBREW " ADVANCED HEBREW " THE HOLOCAUST: A Psychological, Thelogical & Literary Approach " THE ARAB-ISRAELI CONFLICT: Historical, Social, & Psychological Issues Registration Tues., Wed., Thurs. Jan. 12, 13, 14 7-10 P.M. * JEWISH MUSIC 9 YIDDISH * MARTIN BUBER * SURVEY OF BIBLICAL LITERATURE Job, Psalms, Prophets * BASIC JUDAISM + JEWISH COMMUNITY IN AMERICAN SOCIETY . CONTEMPORARY CRISES & JEWISH LAW * ISRAELI EXPERIENCE GROUP Hillel Foundation Ii I I A') Ch uII I && d1 9d II U-. I ' 1LV HIILL bbd-41 ILV - I I _l t® i