Page Six

THE MICHIGAN DAILY

Wednesday, April 5. 1972


Winter on Some new classical records
(Continued from Page 2) I have only the highest praise Harnoncourt add their share of
tihei r oad is mind that the string quartet as for this recording. Brueggen is an expertise in accompanying, as well.
a medium was a relatively new artist of a caliber one seldom One would like some program
one, Haydn having begun writing hears. His playing is sensitive, notes, but the style is ,familiar,
his own not long before. Mozart's with nuances of color and phras- and one appreciates the works as
Ru w ork first efforts are steppingstones to ing that enrich the Vivaldi con- music of quality if not master-
his later masterpieces, and one certo and the Van Eyck variations pieces. The reproduction is su-
(Continued from Page 2) can even see in K. 157 glimmers of immensely. The ensembles are perb; American firms could learn
the genius that is so apparent ini equally outstanding: the Concen- a lot from listening to these ex-
The album includes a sampling K. 387 or K. 421. tus Musicus and the Bruegg-n cellent Philips and Telefunken
of the group's own songs as well h EConsort. Both Leonhardt and I surfaces.
as a number of old standbys. Most The European recorder virtuoso
of the songs penned by the group FasBuge perdi n ______________________________
are instant throwaway-classics, a Arbor about six weeks ago. He has D
throwaway-classic being a song recorded a vast amount of the DISCUSSION ON
that's not particularly good but Baroque literature with such dis- AFRICAN TRIBAL ART
a lot of fun anyway. Take "Save tinguished colleagues as Gustav
the Planet," for example, a gospelLk Presented by JIM BENNET
flavored tune by singer Jerry La- Leonhardt and Nikolaus Harnon-
Croix that has predictably inane court. On the latest (Telefunken Join us for SLIDES, MUSIC, and a
lyrics ("Save the planet/Who will SAW 9560-M)nthere are five "TYPICAL" AFRICAN DESSERT
save the planet?/Who will volun- works: the Concerto in C minor'
teer?/Will it be Mr. Black?/Will for recorder and strings by Vival- Thursday, April 6, 1 972-8 p.m.
it be Mr. White?" yet easily trans- d
cends its subject matter by virtue diCorelli's "La Follia" Variations,
of its innate funkiness and the Dances and Airs by Anthony Hol- ECUMENICAL CAMPUS CENTER, 921 Church
band's enthusiastic performance. borne, Variations on "Doen Daph- Reservations: Days 662-5529 Nights 665-6236
In this context the lyrics are no ne" by Van Eyck (which Brueg-
more important than the words in gen performed here) and Loeillet's-__
a nursery rhyme. Even better is
"Still Alive and Well" by Rick Sonata in C minor for recorder Subsc ibe T o
Derringer, whose credits include and continuo.
looking like a punk, being a pretty -_--- - -
sloppy guitarist and a former THE MICHIGAN DAILY
member of the McCoys, and hav-
ing authored "Rock and Roll.
Hoochie-Ko," a classic song that
"Still Alive and Well" is in theW,
tradition of. Another goodie is Otis * a -
Redding's "Can't Turn You
Loose!" Jerry LaCroix sings al-
most as good as Otis himself; the
horns that pervade the album are
used especially effectively, driving
the song along in the best R&B
tradition, following LaCroix every
step of the way.

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Unfortunately there are a few
instant throwaways too. which is
why. this really should have been
a single disc. "Tobacco Road"
starts off alright, but after bring-
ing the song to a close the group
doodles its way to a 17:13 extrava-
ganza. Luckily, though, it's the
only song on the side, so you don't
even have to lift the tone arm to
skip it. "Rock and Roll, Hoochie-
Koo." even though Johnny Win-
ter helps his brother out on this
one, is also pretty much of a stiff
due mainly to Johnny's incredibly
inept, inappropriate guitar play-
ing.
All in all, nothing strikingly ori-
ginal, just a lot of old R&B done
perfectly at times and acceptably
the rest of the time. If you can
use a little of that, then get out
the wine and let it rock.
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