Page Two THE MICHIGAN DAILY Sunday, Mor6 26; 1972 Page Two THE MICHIGAN DAILY Sun~Ioy, March 26, 1972 records images-- It the ann arbor film cooperative This celebr birthd time album have Pinc condu4 lish t solos Violin and E burg Major lease. Ing y seems tic wo to Bat works tra is the mi less t All thi the er tually as pra Concei instru. sembl sound achror The young virtuo has w nation terpre someti terical mendo has fi and th The Bach, ludes partic males' gue in pedal disc, Sonata the se ually great, the w ale pr vaansiv Celebrating Bach's By DONALD SOSIN 33 in C minor" makes sense in past week music lovers the context of Newman's pen- ated J. S. Bach's 287th chant for daredevil tempos and ay, and it seems a good fragmented structure. These to talk about some Bach devices work a bit better here s, one new and some that than in the "Italian Concerto." been out for a while. The use of the harpsichord has Zukerman makes his seems a bit unusual, although sting debut with the Eng- Newman justifies it historically Chamber Orchestra a n d in his commentary, and there is in the two Concertos for enough change in registration to and Orchestra (A minor sustain interest. major) and the Branden- By the time one has heard "Concerto No. 3 in G these three albums, one either " on a new Columbia re- loves Newman's playing or des- Zukerman is an outstand- pises it. Either way one probab- ,oung fiddler whose style ly feels certain that he is slight- more fitted to the roman- ly crazy. No matter, some very rks he has recorded than great artists must have had a ch. The rhythms in all the screw loose to pull off s u c h lack crispness, the orches- phenomenal feats as they did not always together, and (although I wonder about Glenn icrophone placements seem Gould sometimes, but even so han ideal in several spots. do not like his playing). is is bad enough, but with One is prepared, in any case, mergency of a "new" (ac- for the fourth record, contain- old) way of playing Bach, ing the Goldberg Variations. cticed by Harnoncourt and (M30538) Musicologists will pro- ntus Musicus, with o 1 d bably have little more to com- ments and a small en- plain about than the omission e, the overblown, 1 u s h of the correct title. The same here strikes me as an- characteristics found earlier are rifstic. evident here, but are nowhere as other albums are by the apparent as in the "Italian Con- harpsichord and organ certo." Generally one hears just so, Anthony Newman. He good solid playing; the faster on praise from critics the variations are very fast indeed, over for his exuberant in- but otherwise thoroughly enjoy- tations which, although able. The minor variation is ex- imes bordering on the hys- quisitely delicate, in contrast to , nevertheless convey tre- the tempestuousness surrounding aus excitement. So far, he it. A treat for everyone, insom- ve albums on Columbia, niac or not. hey are mostly first-rate. And finally, Newman plays or- first two discs are all gan works of Bach, Dandrieu, and contain various pre- Frank and Liszt (M 31124). This and fantasies and fugues; and the other organ recordings ularly worthwhile are the were made on the Noack Organ tic "Passacaglia and F'u- at Trinity Evangelical Lutheran C minor," played on the Church in WorchesteruMass., harpsichord (on the first and the Beckerath Organ at St. MS 7309), and the "Trio Michael's Church in New York. i No. 5 in C major" on The former has a bright, cond disc (MS 7421). Act- clear sound that goes well with this whole latter record is Bach as well as the thicker tex- from the registrations to tures of Franck. Curiously, the ise juxtapositions of chor- pieces that come out best on this reludes with the more ex- disc are the two Dandrieu trif- e works There is always les, taken from his "Lyre d'- birthday: Orgue." Franck's "Chorale No. 2 in B minor" is more varied and in- teresting than his first in E major, and Newman makes ef- fective use of his instruments in{ setting off the different sections. His rhythmic alterations seem more natural in music of this ro- mantic character than in the Bach "Trio Sonata No. 4 in C major," which is nevertheless carried off with Newman's us- ual brilliance. Liszt's demonic "Fantasy and Fugue" on; B.A.C.H. closes the set.'':}', The sound on all five discs is excellent, except for two tn my harpsichord selections on the earliest recording. Otherwise I have no complaints. Newman and producer Steven Paul have worked to create albums of in- terest and merit. Those who take to Newman's original interpretations will have more meat to chew on in com- ing months, when Columbia re- leases a new recording of the Brandenburg Concertos, with a small chamber group conducted from the harpsichord by New- man. Judging from the tape I heard of the Fifth, it should be an impressive collection. BACK BY DEMAND and in 35mm. CINEMASCOPE and COLOR A showing that is not on our published schedule of Philippe de Broca's THE KING OF HEARTS, with ALAN BATES (of WOMEN IN LOVE) and GENEVIEVE BUJOLD French Language-English Subtitles "Wildly raffish slapstick and satire."-The New York Times "Reminiscent of Rene Clair and strongly influenced by Mack Sennett."-Life Magazine At the end of World War 1, the fleeing -Germans plant a bomb in a French town to stop their pur- suers. The townsfolk flee, forgetting the inmates of the local insane asylum, who get loose. Bates, a Scottish private, scouting for the bomb thinks the lunatics are the townsfolk and the fun begins. MONDAY EVENING!-March 27th-ONLY! auditorium a-angell hal-7 & 9:30 p.m.-still only 75c COMING TUESDAY-Francoise Truffaut's very fine BED AND BOARD -Daily-Jim Wallace - CREATIVE ARTS FESTIVAL Presents SPBINGF'EST WEEKEND in conjunction with the monthly art fair series and the student art gallery SUNDAY, MARCH 26-12:00-6:00p.m. in the MICHIGAN UNION BALLROOM Art Fair: 80 artists selling and displaying their crafts International Folk and Square Dancing: 8:00-11:00 p.m. in the Michigan Union Ballroom with the U.M. Folklore Society, and the U.M. Folkdance Club. Everyone is invited to come and dance. FREE LESSONS are provided. 1 CINEMA II SUNDAY SPECIAL! (one night only) DOUGLAS FAIRBANKS in THIEF OF BAGHDAD (1924, Raoul Walsh, dir.) Three hours and six minutes of the greatest fantasy spectacle of all time. The Mountain of DreadAdventure. The Valley of Monsters. The Citade. of the Moon. With Anna Mae Wong and a cast of, literally, thousands. Music by Rimsky-Korsakov, Liszt, Bernard,, Herrmann and others. ONE SHOW ONLY AT 8:00 P.M.-tickets on sale at 6:30 p.m. (Cinema I open meeting, East Quad rm. 124, Monday at 8:00 P.M.) ------- ----- It a clarity of line that reminds one of Glenn Gould, without his really eccentric rhythms a n d phrasings. Newman does make alterations in tempo occasion- ally, but is convincingly musical most of the time. On the third record (M 30062) Newman tackles the "Italian Concerto" and the formidable "Chromatic Fantasy and Fugue in P minor." The latter is an extraordinary experience, t h e harpsichord sound crystal clear and excellently reproduced. The concerto is rather bizarre, how- ever. The driving rhythms a r e frequently distorted in an at- tempt to clarify the structure that falls flat. One appreciates Newman's ability to play cleanly at an impossible tempo, but that is all to be gleaned from this performance. Newman turns for the first time to other composers on this album, with a Haydn sonata, two short works of Rameau and Cou- perin, and a premiere recording of his own "Chimaeras I and II" The last are interesting for their use of the registral and limited coloristic possibilities on the harpsichord, but serve more as showpieces than as shining ex- amples of contemporary music. The Rameau and Couperin are stylish and tastefully ornament- ed and Haydn's "SonataNa. INTERESTED IN FILM ? Cinema II is holding an open meeting in Class- room 124 of East Quad, this Mondoy at 8:00 p.m. for anyone interested in joining the group. If you'd like to be involved with film presentation in Ann Arbor, we'd like to meet you. MONDAY at 8:00 p.m. Rm.124-EAST QUAD Project Burrito 4 A Mexican Dinner DATE: SUNDAY,Q o March 26th O PLACE: 331 THOMPSON ST. ANN ARBOR TIME: BENEFIT Chicano Legal Defense Fund Sponsored by: T.R.-Chicano U of M Social Work Student Org. .SATURDAY and SUNDAY END OF SUMMER Dir. YASUJIRO OZU, 1961 JAPANESE with English sub-titles UAC-DAYSTAR Presents the final concert of semester on day classesend April 21 Fri. 1.50-3.00-4.50 reserved seats on sale now Mon.-Fri. 12-6 p.m. Michigan Union, Also at Salvation Rec- ords on Maynard St... ............. ...:... ... ..}" ........ v. . ..... ':" .v. :ai...... r.:'r... ,...."}X} .,."'. .":i..:$. . . f.,.... t:. ..v"4.." .:-$ -. : ._ ..:..:.. .<":.:::.!::..:: .............. ... ..-,.... ..c. .. ... . . ... .. .. .r . . .. . .....f-...?r.. . ..: . . .;:: :;<:;,.: $Y. . r r - THE UNIVERSITY OF MICHIGAN GILBERT & SULLIVAN SOCIETY presents PATIENCE APRIL 5-8 Lydia Mendelssohn Theatre Wed., Apr. 5 Fri., Apr.71 Sal., Apr. 8 8:00 $2.50 7:00 $2.50 2:00 $2.00 Thurs., Apr. 6 Fri., Apr.7 Sal., Apr. 8 8:00 $2.50 9:45 $2.50 8:00 $2.50 CIRCLE DESIRED PERFORMANCE Number of tickets desired...... NAME..... ADDRESS. PHONE.... Tickets will be held in your name at the Lydia Mendelssohn box office if order is received after Wednesday. MAIL TO: G & S SOCIETY, 2531 STUDENT ACTIVITIES BLDG. ANN ARBOR, MICHIGAN 48104 r t You know you'll want to this concert, so get a seat early. make killer I KRIS KRISTOFFERSON: "Songwriter of the year 1971" (Me & Bobby McGee, Sunday Morning Coming Down, Help Me Make It Through the Nite) KRIS KRISTOFFERSON Also BONNIE RAITT 4 BLACK FILM SOCIETY Ozu's and p austere technique r ec i s e cinematic grammar describe t h e disintegration of a close- knit family and the end of traditional society. ARCHITECTURE AUDITORIUM EXPLORING BLACK IMAGES IN FILM MARCH 27: presents Cotton Comes to Harlem From the novel by Chester Himes, one of Black America's most bitter expatriate writers. Ossie Davis translated Himes' sense of the absurd to the screen but forgot to transfer the rea- sons why there is absurdity. Godfrey Cambridge stars. Body and Soul After World War 11, the embittered American cultural Left, betrayed on one hand, outflanked on the other;' turned to social realism. Before Gory Cooper, et. al. could spill the beans, some important films of social criticism got made. This is one of them. In a film ostensibly about the fight racket, Canada Lee and John Garfield gave devastating portrayals of a Black cham- pion and the white champion the racketeers replaced him with. APRIL 3: Shadows Still John Cassavetes most important film. There were hundreds of Cassavetes in the Village, scuffling, picking at the jazz of the American Savage, somewhere between Fats Waller and the Monk. Norman Mailer, out of it, burned them with an essay, The White Negro. This Cassavetes got up and "made" this powerful psychological drama on the disintegration of Black identity. An improvised film. Green Pastures Lots of films have been made from the Old Testament. This is not one of them. If the title hadn't already been used, this film could have been called Nigger Heaven. Despite the parad- ing of every Black stereotype in American cinematography, this is one of the great films of Hollywood. Rex Ingram stars in al all-Black cast. APRIL 17: The Pawnbroker In the midst of the most brutalized island of people in the world, Harlem, a German Jew comes back to humanity. Rod Steiger's best film, with powerful performances from Brock Pe- ters and Raymond Saint-Jacques. Murder on Lenox Avenue We haven't seen this picture and we can't find anyone who has. But the idea of a picture with an all Black cast about a murder on a street in Harlem intrigued us. Made for Black audiences of the '30s, the film will be, at the very least, of sociological interest. APRIL 24: Dutchman 7 and 9 P.M. 75c "Ri be whc cre der ma of A stre The ap crir whi sev VIOLENT CRIMES sing rates of violent crimes cannot tolerated, especially by the victims o are often University students. In- asing the number of police or reor- ing police enforcement policies are . t full solutions. We must explore ny new ideas aimed at the reduction opportunity for the criminal to act. program for massively increased. eet lighting should be instigated. ought should be given to developing rogram for citizen involvement in me prevention such as "operation VOTE istle" which has proved successful in eral areas in the Midwest." a't *l I I _ m OPENS WEDNESDAY! Arthur Kopit INDIANS 11 I _ _ i . 11 ow Iwo va a+ Iaaa Vaaa II 4 II