THE MICHIGAN DAILY Saturday, March 25, 1972 TV movies Tonight: Do Not Fold, Spindle or Mutilate, 8:30 (7) That Man From Rio, 9:00 (4) The Girl Who Knew Too Much, 11:30 (2) The Rainmaker, 11:30, (7) Sunday: Jigsaw, 9:00 (7) Outlaw of Red River, 11:30, (2) Monday: Tell Them Willie Boy is Here, 9:00 (4) China Doll, 11:30, (2) Tuesday: The Forgotten Man, 8:30 (7) Mission to Death, 11:30, (2) Side Street, 11:30, (50) Wednesday: I Was a Teen-age Frankenstein, 8:00, (62) The World, the Flesh and the Devil, 11:30, (50) Star Mar ' :": r s#m2 COUZEN'S FILM CO-OP Presents "WINNING" ring Paul Newman, JoAnne Woodw and Robert Wagner ch 24 & 25-7, 9, 11 75c person - $1 couple .i'.1 .Y. . .Y } "ti card, 1 f, x v P.M. pry, ;rti .i"J::^.JJ:{:' '. h":J.":.'J.':: J.:. .. .... Creative themes choreographed By SHERRY COTTIER Troupe spirit and a sense of enthusiasm a n d enjoyment among the dancers generate welcome feelings in this week- end's Concert Dance Weekend I program at the Power Center of Performing Arts. Imaginative costumes, creative themes and on the whole well choreograph- ed and controlled performances, propell the troupe as they reach out to their audience with pleas- ure and companionship. Sponsored jointly by the De- partment of Physical Education and the University Activities Center (UAC) Creative Arts Festival, the program features Ballet, African and Modern Dance, accompanied by music ranging from live Brahms and African drums to taped ocean waves and electronic gyrations. The evening program opens with a pounding, thumping, scarf-waving Nigerian Welcom- ing dance which creates an en- tirely different atmosphere than the afternoon children's pro- gram. ,The many joking, play- ing numbers of the earlier show are deleted and replaced by others which comment on so- cial situations as they have been or may become, or depict- ing emotional traumas and celebrations. Gay Delanghe, a guest per- former from the Lucas Hoving Company in New York and a former University dance gradu- ate, performs two numbers, one well pointed and directed, the other confusing and abstruse. "Girlie" shows Delanghe's wit in choreography as well as her excellent ability to portray a subject with vibrant empathy. In an orange leotard and skirt and yellow knee socks, Delanghe depicts a 1930 society girl who might easily be off a magazine cover. With lots of pelvic ac-, tion, shaking breasts and rub- bing thighs, she gives a clear view of the body action required tn "the gay 20's." Unfortunately, Delanghe's sec- ond number does not match the first. Perhaps this is because she did not choreograph it her- self. The theme and symbolism in "Staying On" is never il- luminated, and it is disappoint- ing after her first appearance. Againraising the performance to new heights, Alana Barter movingly portrays a woman burying her mother in "Elegy." Her straight stretched fingers and her stomach grasping, her jolting, weaving side movements are involving depictions of mis- ery. Barter's facial expressiveness reaches to the outer edges of the auditorium. Highlighted by a succession of spotlights, at the conclusion of her number she huddles beaten to the back of the dark stage. The last bell toll is still ringing as she ap- pears to collapse. Two numbers in. the program ,which were composed of elec- tronic music are both intellect- ually stimulating and pleasure- able to watch. "Interrupted Episode" is a 1984-ish picture of stifled com- munication, complete with hel- met and hiding faces. A final attempt by two members of the group to reach and touch fails, and the small searching faces are buried again. In "Celebration of Energies," Amy Ellsworth studies each dancer individually to determine their center of energy, and then marks it with red nerve projec- tions on tan leotards. The dan- cers vibrate and jolt and often look pushed or pulled about the stage as is fitting of the sci- OOPS! F WRONG NUMBER! The D a i I y mistakenly printed the wrong tele- phone numbers in the Friday Quarry Photo ad. # Thecorrect numbers are: 761-2011, S. State at N. University; 665-0621 Stadium near Liberty. ence fiction atmosphere set by the music and lights. This afternoon's childrens' matinee will feature many of the same numbers as the even- ing performance , with some light fantastical additions. "A Masque of Beasts," a ser- ies of short Gothic and Renais- sance dances, is shotgun mimic- ry of horses, ostriches, peacocks, monkeys and a green - yellow amphibian reminiscent of Laurel and Hardy by embodying a good deal of their slapstick, mindless prank pulling. Each character flirts and plays with the audi- ence while parading in haughty splendor or naked, drawing homeliness. ; Continuing in this light mood is the number "And The Jesters Who Listen Are The Amoebas of Tomorrow," which depicts three imbecile, but loveable jokers, smelling gym socks, leap- frogging, and uniting and split- ting like amoebas they are to become. Their jester-striped purple, green and yellow cos- tumes lend brightness to an otherwise baren stage, and once again imagination's fibres are stretched to loosen and enjoy. Unfortunately, the b a 11 e t number, also included in the DIAL 668-6416 HELD OVER ! TWO HIT ENCORES NOMINATED FOR ACADEMY AWARDS "Summer of '42" BEST EDITING BEST SCREENPLAY BEST PHOTOGRAPHY BEST SCORE AND JANE DONALD FONDA SUTHERLAND kiu te JANE FONDA BEST ACTRESS BEST SCREENPLAY evening program, is not as well directed as others. Performed to a piano piece by K.P.E. Bach, the two dancers are often iso- lated from each other and gen- erally seem unaware of the oth- er's presence on stage. Cos- tumed as traditional ballerinas and lacking the enthusiasm shown in other numbers, these dancers do not emit the same lively or imaginative sensation sustained throughout the show. Springfest Don't forget the Creative Arts Festival's Springfest this weekend in the Union Ballroom. Saturday afternoon (1-5) there will be arts and crafts workshops, with a poetry read- ing at 1:00 and a Quilting Bee at 2:00. That evening (8-11), there will be a coffeehouse with folk singing and poetry read- ings. Sunday afternoon (12-6) there will be an art fair with over 80 artists displaying and selling their work. That eve- ning (8-11) there will be in- ternational folk and square dancing with lessons for begin- ners. ""-D SATURDAY and SUNDAY END OF SUMMER Dir. YASUJIRO OZU, 1961 JAPANESE with English sub-titles Ozu's austere technique and p r e c i s e cinematic grammar describe t h e disintegration of a close- knit family and the end of traditional society. ABSOLUTELY THE SCARIEST SHOW EVER ! BEYOND HORROR! SHOWN INTACT! NOTHING CUT! TONIGHT ONLY -10:30 P.M. "MORE TERRIFYING THAN HITCHCOCK'S PSYCHO'!"1 "a An IMAGE TEN Production E!IPA'I in! 4 'I ANN ARBOR TENANTS UNION presents TONIGHT-SATURDAY, March 25! 7:00 P.M. SHOWING- DUCK SOUP-Marx Brothers THE BOAT-Buster Keaton SPARRING PARTNER-Charlie Chaplin plus: ROAD RUNNER Cartoon 9:15 P.M. SHOWING- MONKEY BUSINESS-Marx Brothers MONEY MUDDLERS-Abbott & Costello BIG BUSINESS-Laurel & Hardy plus: TWO ROAD RUNNER Cartoons! NATURAL SCIENCE AUDITORIUM-Admission: 75c I ARCH ITECTURI AUDITORIUM E 75c ALSO- H. P. LOYECRAFT'S %air - SPER CLASSIC TALEOF ' Ul ! E TERROR AND THE \ 0 C SUPERNATURALI 1h AMERICAN INTERNAHONALhocrRC sANC COLOR o SANDRA DEE-DEAN STOCKWELL ED BEGLEY LLOYD BOC NR .-DONNA RE ORASAMPFFER1 I s ALL SEATS $2.00 "NITELIVING DEAD' 10:30 9"DUNWICH" - 12 MIDNTE 7 and 9 P.M. 0 NOW Academy Award Nominee BEST ACTOR FI. -- A. the ann arbor film cooperativeI BACK BY DEMAND and in 35mm. CINEMASCOPE and COLOR A showing that is not on our published schedule of Philippe de Broca's THE KiNG OF HEARTS with ALAN BATES (of WOMEN IN LOVE) and GENEVIEVE BUJOLD French Language-English Stitles "Wildly raffish slapstick and satire"-The New York Times "Reminiscent of Rene Clair and strongly influenced by Mack Sennett."-Life Magazine At the end of World War I, the fleeing Germans plant a bomb in a French town to stop their pur- suers. The townsfolk flee, forgetting the inmates of the local insane asylum, who get loose. Bates, a Scottish private, scouting for the bomb thinks the lunatics are the townsfolk and the fun begins. MONDAY EVENING!-March 27th-ONLY! auditorium a-angell hall-7 & 9:30 p.m.-still only 75c COMING TUESDAY-Francoise Truffaut's very fine BED AND BOARD 110 SOLST/S SCHOOL presents A WALT DISNEY FILM FESTIVAL Sunday, March 26 7:00 p.m.-"ICHABOD & MR. TOAD"-Legand of Sleepy Hollow & the Wind in the Willdws 9:00 p.m.-"MELODY TIME" with Pecos Bill, Johnny Appleseed, Little Toot and more! Monday, March 27 7:00 p.m.-"DAY CROCKETT AND THE RIVER PIRATES" 9:00 p.m.-"DAY CROCKETT, KING OF THE WILD FRONTIER" Tuesday, March 28 7:00d , m.-"DAV CROCKETT, KING OF THE WILD FRONTIER" 9:00 p.m.--"DAVY CROCKETT AND THE RIVER PIRATES" NAT. SCI. AUDITORIUM ALL SHOWS 75c .- Seott tackles another difficult character - that of Dr. Herbert !lock, Chief of Medicine of a giant metropolitan hospital com. plex -and his minute-by-minute tribulations in coping with both his personal and professional lives. .L i AUAC UGI8 RtGPII P~G Sows TONIGHT and SUNDAY in color Goin' Down the Road 'A GUIDACE SUGGESED BadedB4Amhit 7:. AD TADnd9: 7:00 and 9:00 CINEMA II SUNDAY SPECIAL! (one night only) DOUGLAS FAIRBANKS in THIEF OAF BAGHDAD (1924, Raoul Walsh, dir.) Three hours and six minutes of the greatest fantasy spectacle of all time. The Mountain of Dread Adventure. The Valley of Monsters. The Citade.l of the Moon. With Anna Mae Wong and a cast of, literally, thousands. Music by Rimsky-Korsakov, Liszt, Bernard, Herrmann and others. ONE SHOW ONLY AT 8:00 P.M.-tickets on sale at 6:30 p.m. (Cinema I open meeting, East Quad rm. 124, Monday at 8:00 P.M.) After 8 p.m. Tuesday, March 28 nothing will be sold. no brands will be mentioned. INSTEAD-we are offering an informal discussion of the terms used in the audio industry. For exam- ple, What are RMS, IHF, and Peak Power? What is an FET transistor? What is the difference be- tween a reflex and air suspension speaker? We hope to talk about receiver amplifiers and tuners, as well as speakers, taperecorders, and phono- graphs. We hope the information will help you in selecting a stereo. Please call us if you can come. This week's feature: SONY TURNTABLE I "Indeed, this is Canada's finest film" Two young men leave the Maritimes to "make it" in Toronto. Naive, ambi- tious, in an undirected sort of way, one of them tries for a job in an advertising agency. They find they must settle for jobs in a bottling plant. They yearn for the chic secretary from the front office, but settle for two waitresses. Progressively, their "plans" for goin' down the road are folded down into the aimless, alienated routine of working-class reality. Until their final desperate re- bellion-ripping off delicacies from the supermarket-ends in violence. An excel- lent film: Taunt, sexy, intelligent, violent, sensitive. Possibly the best-and truest -film of working class experience. I 0 TONIGHT-7 & 9:30 P.M. SUNDAY-8:30 P.M. ONLY $1 contribution free coffee, etc. conspiracy 330 maynard 761-7849 U M Film Soc. I c .a ....v.., ra,. -.-.mo-v-, .r- ^+ r -5 yr. warranty -svnchronous motor I 0 I M ar ' ~ ~I I .* .