Page Two THE MICHIGAN DAILY Saturday, February 19, 1972 Page Two. THE MICHIGAN DAILY I TV. Movie, Calendar SATURDAY 9:00 (62) I WAS A TEENAGE WEREWOLF 11:20 (9) FOR LOVE OR MONEY-comedy 11:30 (7) OUR MAN FLINT-James Coburn WINTER A-GO-GO (musical) 11:30 (11) BACK TO GOD'S COUNTRY-Rock Hudson 12:00 (13) FAME IS THE NAME OF THE GAME-Tony Franciosa, Jill St. John 1:30 (2) NICK CARTER, MASTER DETECTIVE SUNDAY 7:30 (2, 11) BEN-HUR pt. 2 9:00 (7, 24) THE ADVENTURES OF NICK CARTER 11:20 (9) ASYLUM FOR A SPY (drama?) 11:30 (2) RIO GRANDE-Big Bad John Wayne 11:30 (11) YES SIR, THAT'S MY BABY-(another musical) -Donald O'Conner 2:00 (2) LUCKY LOSERS-Bowery Boys MONDAY 7:00 (11) CHARLIE BUBBLES-Albert Finney 9:00 (7) A LOVELY WAY TO DIE- (crime drama?) 11:30 (9) THE BIRDS- (watch this movie) 11:30 (11) THE PRIEST'S WIFE-Sophia Loren TUESDAY 7:00 (9) TEXAS ACROSS THE RIVER-Dean Martin 8:30 (7) KUNG FU-(made for TV) t 11:30 (9) THE HELLFIGHTERS-John Wayne 11:30 (11) THE BOYS NIGHT OUT-Kim Novak WEDNESDAY 1:00 (9) HUD-Paul Newman &:00 (50) REBEL WITHOUT A CAUSE-James Dean, Natalie g Wood 11:00 (2) THE STAR-Bette Davis THURSDAY 4:00 (11) TWO FOR THE ROAD,-Albert Finny, Audrey Hep- burn 7:00 (9) A COUNTESS FROM HONG KONG-Marlon Brando, Sophia Loren 9:00 (2) BANDELERO!-James Stewart, Dean Martin FRIDAY 8:30 (56) IVAN THE TERRIBLE-Nikolai Cherkassov 11:30 (2) GEISHA BOY-Jerry Lewis SHERLOCK HOLMES IN WASHINGTON-Basil Rathbone. 11:30 (11,50) VILLAGE OF THE DAMMED 12:30 (9) THE REVENGE OF FRANKENSTEIN :00 (7) THE WITCH'S MIRROR Sublme spinning Modern Dance The Ann Arbor Dance Theatre, a group of dancers and choreog- raphers primarily from the Ann Arbor community, gave the open- ing performance of their eighth annual concert last night. The program, a series of in- dividual modern dance presen- tations, will be performed to- night at 8:30 and tomorrow af- ternoon at 2:30 in the Residential College Auditorium. Tickets, priced at $2 adults and $1 students, are available at Stangers and at the door. 5TH WEEK! At State and Liberty ATE. Program Information 662-6264 Fritz Lang's 1931 PETER LORRE classic psychological thriller 4:30, 7, 10:30 -and- The Pit and the Pendulum Roger Corman's color recreation of Poe tale 3:30 & 8:45 -DOLLAR DOUBLE FEATURE- FREE COFFEE conspiracy 330 Maynard. UM Film Soc. I DIAL 665-6290 ~R SHOWS AT: 1:15-3:45-6:15-8:50 FEATURE AT: 1 :30-4:00-6:30-9:00 All they wanted was their chance to be men . and he gave it to them. T'hiS W*OXKMD $1.50 FRI., SAT . SN MIKE SE-EGER 1 m4 I i -i I CONTINUED Cinema Weekend- I OPEN 1 p.m, SHOWS AT 1:15-3:10-5-7-9 P.M. Feature Starts 5 min. later I1 Editor's Note: The following two comments by Peter Mun- sing and Neal Gabler were omitted in yesterday's Cinema Weekend due to space limita- tions. FIFTH FORUM Together, Together is the worst film I've ever seen,and if you've read my reviews you know I've seen some real gems., At first I thought it was a parody like Is There Sex After Death? No such luck. From the sententious aims stated at the beginning to the incredibly saccharine end the film is a cinematic definition of kitsch. This film doesn't have every cliche in the book, it is the book. See Dr. Roland Curry's Sex Institute! Listen to him ex- plain: "Our civilization is going a mile a minute!" Hear one of the people he's helped say "When you look at a person it makes your heart go 'boom'-then you go to bed and you make love." But this is no mere porno film; this is a film about feel- ing with a capital F. "If you want to be with someone you love you have to feel it-right at the gut-that's where it's at." Everybody strips off their masks and relates (would you believe it? They used this line in their ads.), returning to a child-like state because that's where we had all the fun. No sex, just fornication. Together lets you know what lunch non-profit cooperative conspiracy coffeehouse-theater 330 Maynard Street UM Film Society Saturday and Sunday SATYAIT RAY'S THE MUSIC ROOM Dir. Satyajit Ray, 1965. Indian, Bengal; subtitled. Story of India's aristo- cracy with music by Ravi Shankar. if feels like to have had a loboto- my. As Roy Rogers said in Na- tional Enquirer: "I wouldn't let my horse, Trigger, see some of the movies that they've got out today." This film not only barks, it bites. It wasn't directed; it was perpetrated. It isn't a film; it's a crime against humanity; they're lucky they aren't going to reconvene the Nuremburg Tribunals. Etc., etc., etc. . . . -P.M. * * * f In regard to the Cinema II advertisement which bears my misspelled name: sorry folks! Neal Gabler never called Trash "the real Love Story." Neal Gab- ler never even saw the movie. -N.G. PANTA and the MAGIC SERPENT PLUS RETURN TO OZ AT Stockwell Hal-9 P.M. 75c children under 12-free FEB. 17, 18, 19 I "IT'S A SIZZLER" -Detroit News "ONE OF THE YEAR'S TEN BEST" -Time "The best American movie of the last six months." "Come on like gangbust- ers . . . I doubt if you'll see anything quite as devastating." -Michigan Daily -7,e DIRTY HARRY' -MATINEE- DR. SEUSS'S 5,000 FINGERS OF DOCTOR T Dir. Roy Rowland, 1953 A nine-year-vld boy falls asleep at the piano and dreams. ARCH ITECTURE AUDITORIUM I ".. consistently brilliant , . . -L.A. Night Life . . a virtuoso in everything." -Boston After Dark a*1 A MARK RYDELL FILM i Panavision9 TechnicoorO GP From Warner Bros.,A Kinney Company I t6 Hil $IT I Join The Daily CIRCULATION 'DEPT. Come in any afternoon 420 Maynard 0. 1 and 3 p.m. 75c I Ell Subscribe to The Michigan Doily of FIND OUT YOURSELF WHY EVERYONE'S TALKING ABOUT- By DONALD SOSIN An enthusiastic crowd turned out to hear Hermann Prey in a program of Schubert songs at the P o w e r Center Thursday night. With Leonard Hokanson at the piano, Prey spun out the sublime phrases of Schwanenge- sang, Schubert's last collection. The. fourteen poems that the composer set came from the work. of Johann Sidl, Heinrich Heine, and Ludwig Rellstab. Prey added four more Seidl songs to round out the evening.. Schubert's swan songs are varied in nature. The Rellstab settings are mainly lyrical, con- trasting with the anguished phrases of the Heine verses. Prey was eminently capable of bringing out fine points in'all of these, from the utter sim- plicity of "The Fisher Girl," to the torment of "Atlas" and the long arched lines of "Longing in Spring." With "The Ghostly Double," a Heine text, Prey reached a climax of emotional quality, and was wise to program it just be- fore intermission. He was equal- ly justified in rearranging the whole order of the songs, as they do not form a unified cycle, and their traditional order is only that established by Schubert's publisher. Thus the ironic "Farewell" could come at the close of the evening-it brought the audience to its feet through Prey's charm- ing, understated interpretation, matched by a superlative per- formance at the keyboard. The type of ensemble work that was evident throughout comes from the long association between the two artists. And it was Hokan- "son who had the last word in many of the songs and was able to draw the sound out to an in- finitesimal thread before it van- ished altogether. The Seidl songs were the least successful of the evening. Prey was too often below pitch, and seemed to be straining to give expression to the material. The pitch problems were never en- tirely solved, but his manner became more open and intimate later on, which, coupled with his perfect diction produced some fine moments. One expected more than a series of moments, however, and missed a true feeling that each sonk had its own particular characterization. In the end, though, one had a feeling of awe for the composer's ability to infuse simple material with endless variety, to match so perfectly the spirit of a poem ' with sounds. He was a true genius. What else can you say about a thiry-one-year-old com- poser who died, leaving over six hundred of the greatest songs ever written? PIPT OPUM SPIPTh AV6Ud AT A? UDRT DOWNTOWN ANN AAmOp INFORMATION 761-9700 ONE UNDER 18 ADMITTED MON. THRU FRI. 7 " 8:300 g10 SAT. & SUN. 5:30 0*7@ 8:30 *010 A career in law . . without law school. LAST PERFORMANCE ionesco-genet I When you become a Lawyer's Assistant you'll do work traditionally done by lawyers-work which is challenging, responsible and intellectu- ally stimulating. Lawyer's Assistants are now so critically needed that The Institute for Paralegal Training can offer you a position in the city of your choice-and a higher starting salary than you'd expect as a recent college graduate. Here is a career as a professional with financial re- wards that increase with your developing ex- pertise. If you are a student of high academic stand- ing and are interested in a legal career, come speak with our representative. Contact the Placement Office. A representative of The Institute will visit your campus on: WEDNESDAY, FEBRUARY 23 NOTE: If the above date is inconvenient for you, please call or write The institute for information. The Institute for Paralegal Training 13th floor, 401 Walnut St., Phila., Pa. 19106 (215) WA 5-0905 TONIGHT!l I VICTIMS and MAIDS I PLUS A SHORT: SATYAJIT RAY ARCHITECTURE AUDITORIUM Mendelssohn Ih. Thru Saturday Box Office-12:30 P.M. 7 and 9 p.m. 75c 4, I.Hm i 0 DIAL 8-6416 2 FUN FESTS CINEMA I1 AUDITORIUM A, ANGELL HALL, 7 & 9 p.m., 75c, tickets on sale at 6 p.m. I "The funniest movie I've seen this year! Just go, run to see it! -New York Pot I inme 1laew. Friday and Saturday: Andy Warhol's TRASH directed by Paul Morrissey (1971), NnI Coodi L.;m LX. -n------.