The Michigan Daily-Thursday, February 15, 1979-Page 7 Ayers mixes funk with fun i By MATTHEW KOPKA "Y'all don't get music around here very often, do you?" said Roy Ayers Tuesday night to his largely black audience at the Second Chance. The popular vibraphonist and singer was obviously referring to the scarcity of black popular music on the Ann Arbor campus and the crowd responded with knowing cheers. After having warmed the already ex- cited audience up with his "I Want to Touch You," which included a short, funny rap about touching and some multi-lingual antics by his musicians, Ayers sang his substantially rearranged version of Sam Cooke's "You Send Me," the title and hit from his latest Polydor album. The crowd obviously liked the man and knew his music well, adding the voices to the chorus at Ayers' encouragement. They also scatted along with him while he sang and played. THE VIBES are a'pleasing, soothing instrument, with their bell-like tones and soft, seductive sound. Ayers has taken them out of their more frequen- tly-used jazz and put them into his more popularly-geared music. He obviously plays them well, but used them only sparingly Tuesday night.' The short, jazzy flurries which he did play, sometimes with one mallet in The Clash take overr Cle velan d ballroom (Continued from Page 6) One of their first great songs, "White Riot," performed Tuesday night as an encore sums up their poli- tical stance well: All the power is in the hands Of people rich enough to buy it, While we walk the streets Too chicken to even try it, And everybody does what they're told to, And everybody eats supermarket soul-food. White riot, I wann riot. White riot-a riot of my own I THE BAND PLAYED most of their best material, including "Janie Jones," their best pop song: "Hate & War," "What's My Name," and "London's Burning," three explosive tracks from their first LP, The Clash, which was foolishly never released in America; "Safe European Home," "English Civil War," "Tommy Gun," and "Guns On The Roof," their four most overtly political songs from their second album, Give 'Em Enough Rope; and "Jail Guitar Doors," "Clash City Rockers," "Complete Control," "City of the Dead," and "(White Man) in Hammersmith Palais," superb songs available only as singles. It was a memorable show, alive with the soulful beat of revolution. (It's no accident that The Clash performed a rock'n'roll version of the reggae tune "Police & Thieves," or that so many of their songs are underscored by reggae rhythms.) My friend Tom captured the evening's spirit when he said later: "This was one of the best rock'n'roll concerts I've ever seen. We got one of Mick Jones' guitar picks and smoked a joint in the front row, so I consider myself fulfilled." Tom will be going to law school next year. FETUS MONITORED NEW HAVEN, Conn. (AP)-Doctors at the Yale Medical Center are working. on a procedure which, they believe, can detect heart defects in the fetus. They are using ultrasound to search for congenital defects in the unborn in- fants of women who have been iden- tified as being in possible danger of having a child with a defect, said Dr. Charles Kleinman, a pediatric car- diologist. Ultrasound,4similar in principle to sona,, is widely used as a diagnostic tool because it does not require the in- sertion of anything into the body. According to Kleinman, doctors can get acceptable images in well over one- half of their cases. He said they were usually able to identify the two cham- bers of the heart, the presence of valves and get some idea of the size and ef- ficiency of the heart. The procedure, known as "echo car- diography," is still in its infancy, he said. each hand, sometimes with two, were quite appealing; and somewhat reminiscent of vibist Milt Jackson's. Though Ayers didn't play much, he dominated the show from start to finish, constantly speaking in an idealistic and often esoteric manner, exhorting the audience to become, peaceable people, to "stop killing one another", and to "check out the mind before you check out the behind." Both statements elicited appreciation from the audience. AYERS SHARED the center stage and singing with Kathleen Jackson, a talented and very pretty singer. It was her first night with the subsumed in synthesizers and slick production. It brought a lot of folks down on- to the dance floor. The band and Ayers had hit their stride, and a gutsy double funk at a medium tempo followed, filling the floor to bursting and causing some mean dancing. THE NEXT song, played after Ayers caught his breath, was also excellent. It had a short, distinctive break that left you hanging and then dropped you into its chorus right on the beat. It moved even those who were still in theiFr seats. The guitarist, Chuck Anthony, picked out an expellent solo in this and the next number, playing in a screeching rhythm and blues vein. This proved to be the most musically exciting part. of the evening. Ayers played with combinations of his musicians, calling on the conga player (Chano 'O'Fererral) and Anthony, and then on the drummer and keyboard player (Gene Dunlap and Harold Land) for some fairly inspired jamming. This was the biggest chance most of the band members got to show off, the set obviously being designed to highlight Ayers and his hits. The too-short per- formance closed with another "You Send Me," Kathleen doing some Min- nehaha near-yodels and warbling and complementing Ayers' singing more securely than the first time around. As she soloed Ayers excited the audience by miming a conversation with them, arguing and gesticulating, checking his new female vocalist out, and fixing everyone with an evil-eye. After standing outside for fifteen or twenty minutes past the 10:30 showtime waiting for the first show to end, and having to wait another good half-hour for the second show to commence, the crowd was very patient, and used the opportunity to socialize. There were some excellent outfits in attendance. I saw one woman with a long black cape, beautiful leather boots and an exquisite woven-gold skullcap that had flaps over the ears and a sort of bun on the top. A number of men, one of, whom was a particularly good dancer, wore baggy wool pants, bggy white dress -shits with small round collars and a thin tie. The audience nearly stole the show, and for $6.50 a person to get in theddor, perhaps they should have. DISTINCTIVE HAIRSTYLING FOR MEN AND WOMEN Try a 1979 NEW LONG or SHORT STYLE THE DASCOLA STYLISTS Arborland .a.....971-9975 Maple VilIag-.. ... 761-2733 Liberty off State .....668-9329 East U. at So. U.......662-0354 M- L NOON LUNCHEON Homemade Soup and Sandwiches-75C FRIDAY, FEBRUARY 16 NANCY FREDMAN Counselor-Case Manager at "Safe House": "DOMES TIC VIOLENCE: IS MARRIAGE A LICENSE FOR ABUSE?" GUILD HOUSE-so2Monroe Mediatrics presents: CLOSE ENCOUNTERS OF THE THIRD WORLD (Steven Spielberg) First time on campus. A global search for answers to the mysteries of unidentified flying objects which have fueled one of the most intriguing controversies of our time. This magnificent presentation of the concept of extra-terrestrial visitors creates a truly unique experience in motion picture entertainment. It brings you as close as possible to an event that could be the most momentous of our time-the exerience of contact with alien beings. With RICHARD DREYFUSS. Friday, Feb. 16 Nat Sci Aud 6:30, 900, 11:30 Saturday, Feb. 17 admission $150 (Thursday's film is cancelled) FRANCOIS TRUFFAUT'S 1959 THE 400 BLOWS Truffaut was the enfant terrible of French film criticism before he made this fim on a "can you do it better" dare. The unex- pectedhresult was the praise of former targets of Truffaut's pen. The sometimes humorous story of a neglected adoles- cent, this is also the autobiography of two other young men- JEAN-PIERRE LEAUD and TRUFFAUT himself. FRI: Fellini's AMARCORD SAT: Wertmuller's NIGHT FULL OF RAM CINEMA GUILD TONIGHT AT 7:00 & 9:05 OLD ARCH. AUD. $1.50 CINEMAGUIL. M i I' WEDNESDAY IS MONDAY IS "BARGAIN DAY" "GUEST NIGHT" $1.50 until 5:30 TWO ADULTS ADMITTED FRPRICE OF ONE ADULTS FRI., SAT..-SUN. EVE. t HOLIDAYS .S.ll MON.-THURS. EVE. 53.00 ALL MATINEES $52.50 CHILD TO 14$.34 ..J CHILD TO 14 $1.58 I r STATE FRI. & SAT. LATE SHOW TH EA TRE All~Oilot #fWOK" I.THEATRE American Hot Wax"I MON., TUES., THURS., FRI. 7:00 & 9:25 SAT., SUN., WED. 11:00-4:00-7:00-9:25 l F OF 66 I' k. a p r 3 w-F UiyPhotoODy MAURtEr'MAJLLEY Putting on Ayers Kathleen Jackson (above), vocally accompanied Roy Ayers during Ayers' show Monday night at Second Chance. Ayers (below), entertained the audience by singing, playing vibes, and offering a series of good-natured admonishments. The Ann Arbor Film Cooperative presents in Aud. A: Thursday, February 15 WIZARDS (Ralph Bakshi, 1977) 7 & 10:20-AUD. A Bakshi got the go-aheasI to do LORD OF THE RINGS on the basis of this fantasy set in the distant future. Wizard brothers battle each other to the death, with Nazi-like technology up against magic and faith. Remarkable animation- Disney pales by comparison. Featuring the voice of Mark (STAR WARS) Hamill. FANTASTIC PLANET (Rene Laloux, 1973) 8:40 only-AUD. A This widely-acclaimed animated film pre-dates WIZARDS as an epic fantasy of the struggle between good and evil. For from Earth, two races have evolved: the giant, super-mental Draags, and the tiny, primitive Oms. Surrealistic sci-fi-with a high-adventure musical score. "You'll think about it for a long time after you have seen it."-NBC-TV. In French, with subtitles. TOMORROW: THE BANK DICK, CHAPLIN SHORTS, and NEVER GIVE A SUCKER AN EVEN BREAK Plus: THE ANN ARBOR 8MM FILM FESTIVAL Public Lecture On Thursday, February 22, 1979 2225 Angell Hall-4:00-5:15 1 r.m r ,I 4 It Ip 2roo M _Al, Ak v 1 ~UMMER u Cand relax for the Summer UBLET S Sublet ina modern houseUPL M NI Vpp MAY thru AUG. P LE N At1j)2 single rooms availabl AOD in our 6 Bedroom house 1UFR "5min. from campus & Arb ' Block from Central Rec. C FULLY FURNISHED I with*Wsher/Dryer & DishwIsher BACKYARD has a vegetable "'SUNNY FRONT PORCHn p I PriceNegtiabl C -CallCheryl or Bruce iI 1 1 1 1 NAME ____ 1 ADDRESS - PHNE(Actual size of ad) PHONE1 I Please print or type legibly in the Cost: ONLY $8.00 before ac the copy to appear. I I 5:00P.M. March 2, 1979 I (March 3-Mnrch 19.es ti slen n One of the WArlric Tan Mnct