The Michigan Daily-Tuesday, Oci Page 16-Tuesday, October 16, 1979-The Michigan Daily, I V - I1 I Disco: it sucks. but it still sells By NEIL PATTEN Disco. These days, it's played not just on the radio, but as muzak in offices, in restaurants and bars, even over phone lines when put on hold. This form of musical overkill may explain the recent "Disco Sucks" campaign started by crazy Chicago D.J. Steve Dahl earlier this summer. Steve, formerly of Detroit's radio station WWWW, now featured on Chicago's WLUP, initiated the whole stunt at a White Sox game as a prontotional gag - a gag that resulted in a near-riot during half-time, with craged rockers destroying disco albums by the thousands. Of course, Steve stands to profit quite nicely from all this lunacy; he is currently plugging his new anti-disco single "Do Ya Think I'm Disco." Nevertheless, the popularity of Dahl's slogan reveals a key controversy: Is disco really dying out as a pop cultural phenomenon? After a quick review of relevant data, it is fair to conclude that while disco has had certain problems over the last year, it is more popular than ever from a asales point of view, much to the. chagrin of rock fans. One major problem with attempting to gauge the overall popularity of this music form deals with the definition of disco music itself, since some of the biggest songs are sold under a number of different classifications. For example, records by the Rolling Stones and Rod Stewart are always classified as rock, yet their most successful releases of the. past year, "Miss You" and the ever-popular "Do Ya Think I'm Sexy," are both un- deniably disco songs. Likewise, one of the most innovative new disco songs released this year, "Street Life" by Randy Crawford with the Crusaders, is the only vocal cut on the primarily jazz album. Other disco songs are often on albums classified as soul, rock, or even new wave. EVEN CONSIDERING this problem of categorization, one only has to glance O N / / at Billboard's 'hot one-hundred' chart of top singles to realize that, of all areas in pop music, disco is the one area that has been least affected by the current industry sales crunch. Unfortunately, while disco still does good business, many feel that the music itself has reached a state of over- produced stagnation. These critics, in- cluding those who revelled in disco's early stages, are tiring of the bland, mediocre offerings of late, such as Bar- bra Streisand's pathetic "Main Event," Cher's blatantly formulated "Take Me Home," and the Bee Gees' "Tragedy." Although the past year has given us a few good discs like Cheryl Ladd's "Starlove in the Night" and Linda Clif- ford's unusual disco version of "Bridge Over Troubled Water," several see JUST, p. 19 INSTANT CASH! WE'RE PAYING $1-$2 PER DISC FOR YOUR ALBUMS IN GOOD SHAPE. RECORDS OPEN MON.-SAT. 10-6 209 S. STATE 769-7075 .J -J R WIT, a Of the many art forms available to the students of this greatUniversity none is more widespread than graffiti. Not only have we all seen it everywhere, but how many of us have scratched our names into the chairs in the Nat. Sci. auditorium or carefully lettered "This class is boring" on the tables of Mason Hall? Surprisingly, this fascinating field of human endeaver has rarely received its due recognition, and with that in mind I began this column many months ago in an attempt to publicize some of the more deserving samples of wall wisdom. Now, a year after I dropped my few remaining classes to take up full-time graffiti research, I can present to you the highlights of 1978-1979. Unfortunately, to find these highlights it was necessary to reread all of last year's "Nuke the Whales" columns, and it was distressing to see how poorly writ- ten some of them were. They were occasionally written under extreme time pressure, but this is no excuse; we have all known the feeling of being two hours from a term paper deadline with a blank sheet in the typewriter. Perhaps the Daily should add the following warning to its masthead: "The Michigan Daily is written almost entirely by people under the age of 22, like you. Not many of us can write well. Some of us also have classes. Careat emplor." Such candor could only result in a more close-knit relationship between the Daily and its readers. Here, now, are some personal favorites of last year. From the MLB where foreign tongues are not rare, an irate American demanded, "Let's see visas and passports right now," while the troubles in Iran were explained by the line "Fuck 'em if they can't take a joke. Signed, the Shah." From the Dennison building came such treats as "Suck Off My Atwood's Machine" and the Star Wars debate. Sam- ple: "Parsecs are a unit of distance not time, idiot." "Yes,, but relativity says From East Quad came the call to "Gas Jesus, '78" as well as several eulogies for Sid Vicious and some bitter protests against the designated hitter rule. In Markley one could find amidst the falling plaster of a dilapidated stairwell the headline, "Dorm stairway collapses-thousands feared dead;" the plaster on which this was written has since fallen down. The source of "There are two things in the world which taste like fish, and one of them is fish" has been lost, but the line itself is eternal. The endless puns on computer terminology in the NUBS bathroom and the scrawling of "Joe Licks Taint" everywhere on campus also rank with the best. The Graduate Library as always came through week after week with fun things to know and tell, like "Descartes Thinks!," "Drop the ham on Israel," "I'd rather have a frontal lobotomy than a course in geology," and the old favorite, "Meet me here at 4:00, signed Godot." (AMATEUR AND COMMER PHOTC SAME DAY COLOR PRI IN BEFORE 9:00 4 HOUR SLIDES IN BEFORE 9: KODAK E6 PROCESS ONL " CUSTOM ENLARGEMENTS WHITE AND COLOR * DUPLICATE SLIDES * PASSPC " COMPLETE PHOTOGRAPHIC PROCE SERVICES " WE HAVE THE EQUIPMENT TO D( PROPERLY " KODAK PAPER, CHEMISTRY, At CONTROL MATERIALS ARE USED E Hours-Open Monday thru Saturday 8:30 AM Close Monday 8:00 PM, Tuesday thru Saturday Noon Closed A ++.4"wnr~ 973N .A NN A I3180 PAC KAR D RD. Two BLOCKS EA 444 * 444 * * 4444 * }4i *4444*4.A44Iiflf 'ftii{4 ftif4444*44* 1 ffl+44* 4 4*94444*9444*4 4*444444 }ii 4}f{f~ *4*444*4 4 H *4M M 4*44*4 44*4*444*4* + P . 11