the Soviet Union and China, ending years of hostility and culminating in long-awaited reciprocal trade agree- ments. At the same time American G.I.s were taking a drubbing in the Viet- namese jungles, other world forces came into play to thrust the new global realities upon us. The most notable of these was the rise of terrorism as the potent political force of the 70s, legitimized by the Palestine Liberation Organization that succeeded in bringing the Palestinean people's plight to the world's conscience. In 1972, in the most dramatic display of terrorism's power to capture world at- tention, Arab terrorists of the "Black September" unit disrupted the Munich Olympic games and took 11 Israeli athletes hostage. The drama ended in death for the hostages and five gunmen, focusing the eyes of the world for the first time, on the Palestinian, struggle. BY 1976, Yassir Arafat, who engineered the PLO campaign of terror, was the recognized spokesman for Palestinian people and was stating his case in more respectable forums like the assembly hal of the United Nations and in interviews with Barbara Walters. But the success of the PLO's tactics sparked a wave of terror for dissident groups from Tokyo to Berkeley who viewed terrorism as the best way to put their political platforms before the public. AT THE SAME time, the 70s saw a new militancy on the part of the so-called "Third World," which had just shaken off the colonial yoke of imperialism and was ready to challenge the cold war alliances that dominated the 1960s. This new resiliency on the part of the world we neglected was demonstrated markedly in 1973, when the oil producing states of the Mideast an- nounced an oil boycott of Israel's weapons supplier, sending prices in the West spiraling, causing long lines at gasoline pumps, and highlighting America's energy dependence on - foreign imported oil. An old cartel was given new life-and new respect-and sent Americans reeling from the realization that the "most powerful nation on earth" was being challenged on another front, the energy front. The West was taking a beating economically. The Europeans grouped together in an economic community for a united affront on global inflation. The Japanese enacted protectionist trade legislation. The dollar sank to new dep- ths in relation to the German mark (the dollar bought four marks in 1970, and today buys less than two), the French franc and the Javanese Yen. ALL THIS COMBINED led to a realization, after a decade, of . America's )diminished importance in the world. It really was, as some have suggested, an age of limits. We learned the limits of military and economic power, and the limits of our own impor- tance. But if the West suffered during the 1970s, it was not at the hands of the East. In fact, the Soviets had similar misfortunes over the decade. Crop and grain harvests were lower than predic- ted, oil is beginning to dry (the CIA estimates that the USSR, now an oil ex- porter, will be importing oil in the next decade), and productivity, which has been rising at its slowest rate, is expec- ted to reach zero. Politically, too, the Soviets were taking a beating. Their initiatives in Africa met with little enthusiasm from African states not wanting to trade colonial imperialism for Soviet satellite status. In the Middle East, the Soviets found themselves left out of the peace negotiations after the 1973 Yom Kippur war. And th- only to deal chief rival f denly found ring of anti- states on the In the 60s characteriz tation-in Mideast. Bu was "deten we might as Jimmy Car new relation with compe Communication comes of ,the We're all artists as boundarie 3 ? .. yt ! ' 4 t 2 ' "Confusion is the current enemy of revolution."--Stokely Carmichael, "Pan Africanism." "The 60s ended in a sea of warm puke delicate enough to be called art."--Patti Smith THE DECADE of the celebrity is over. Andy Warhol's celebrated maxim that everybody would be famous for 10 minutes, has really lost its punch. The 70s made everyone the star, the artist-all the time. In the 70s, we can talk via computer technology to our television, we can reassemble, blow up, knock over, and otherwise "interact" with sculpture in museums, we can have technology that allows us to make quality films like never before. And all of it-the whole brambly mess-is con- sidered ART. Because art in this decade is about the boun-- daries being erased beween tho who experience it. "Vertebrate competition d than the opposition, monopo with territory, hoarding sign Science is based on transmith accelerating the process of ir entropy. The final war may be Dag and Schrodinger's Cat from an interview in Science Fici "Simple phrases and plain understand. This reduces the are made, and minimizes the necessary. "--Ameco's Commerc cense Guide for Elements 1, 2, & 1, -....; 0 t t ' ' i - v r ._ . a e .. . ~i. .n.d_, . a. _ S.. S t .*_ ..S .. .. . }t.i*f i iiS Pi i''. .-