The Michigan Daily-Sunday, Page 8-Sunday, November 19, 1978-The Michigan Daily ROOK New Holmes: 'Take precautions' 'Because he has stripped the consulting detective of all his endearing qualities, and turned him into a petty, arrogant, intellectual snob, Dibdin must rely on his plot to maintain the reader's interest. Here again, sadly, he fails.' THE LAST SHERLOCK HOLMES STORY By Michael Dibdin PantheonY 192 pp. $7.95 RECENTLY, there have been a bevy of Sir Arthur Conan'Doyle imitators - from Billy Wilder's The Private Life of Sherlock Holmes to Nicholas Meyer's Seven Per Cent Solution. The latest imposter is Michael Dibdin, who seems bent on finishing off our hero once and for all as evidenced by the arrogant title of his book: The Last Sherlock Holmes Story. He will certainly fail in this endeavor, for as long as we admire unerring logic and quick wits, so will writers attempt to recapture the essence of the quin- tessential detective. Dibdin's presum- pruousness could be forgiven, however, were his mimicry of high quality-it is not. What made Conan Doyle's stories immortal were not the plots-these were interesting but not spec- tacular-but rather the charac- terization of the eccentric master sleuth. Were Holmes alive today, he would likely sue Dibdin for defamation of character. Dibdin has turned the omniscient detective into a pathetic, insecure creature who needs to lord his in- telligence over anyone who challenges him. Inspector Lestrade has always been a buffoon, and Watson has never been known for his brilliant criminal analysis, but Doyle's Holmes laughed off their obvious inadequacies. He would, of course, tease Lestrade mer- cilously, but the barbs were subtle and jovial, and usually escaped Lestrade's understanding. Not so with Dibdin's Holmes. From the outset he is more cynical and sarcastic, and his tongue has been given an uncharacteristic acerbity. He seems intent on mocking Lestrade and sometimes even Watson to the point of humiliation. He is por- trayed as an intellectual tyrant, exhibiting none of the compassion for mental inferiors that we have come to expect. Conan Doyle's Holmes was generally amused 'by his comrades' errors. He certainly would never have stooped to using his own intellect to demean and insult his friends. DIBDIN has also stifled one of Holmes' greatest traits-his ability to detach himself emotionally from a case. To Holmes it is all an in- tellectual exercise. He takes only cases that tax his mettle, and he has no par- ticular interest in public notoriety. When Lestrade gets the credit for solving a case, Holmes simply chuckles, and takes a long puff on his ubiquitous pipe. Dibdin has not so much contradicted this countenance as failed to capture it. This side of the shamus is simply never seen. His abusive treat- ment of Lestrade, however, seems Ken Parsigian is a Daily man- aging editor.r sationalistic attempt by Dibdin to spice up his story. He succeeds only in By K en Parsigian epulsing the reader with his super- fluous vulgarity. FTER A FEW killings, Holmes blithely informs us that Jack the Ripper is none other than the motivated not only by a need to exert for the Conan Doyle impersonators, who dread Moriarty. Surprise! 'uperiority, but also to have his usually begin their books by explaining In the preface Dibdin, in the guise of abilities recognized by Lestrade and that what follows is the true story that Watson, tells us to be patient with him Watson. This establishes a concern for Watson was not able to tell originally because unlike Conan Doyle, he is not a acknowledgement that is atypical of for fear it might embarrass persons good writer. These remarks are only Holmes. who were living at the time. Dibdin's too prophetic. The book establishes no Because he has stripped the con- book follows suit, but adds a new twist. mood, and exhibits no feeling for the sulting detective of all his endearing He explains that Conan Doyle wrote the millieu in which Holmes qualities, and turned him into a petty, original Holmes stories from notes lived-England during the 1890s. Dib- arrogant, intellectual snob, Dibdin given him by Watson. The preface fur- din simply conceived a story, and told it must rely on his plot to maintain the ther says that Conan Doyle frequently with the bare facts and awkward tran- sitions. He even went so far as to plagiarize lines from Conan Doyle's "The Final Problem." In describing ctne d Moriarty to Watson, Dibdin writes: H: "You have probably never heard of Professor Moriarty?" W: "Never." H: "Aye, there's the genius and the wonder of the thing," he laughed bit- terly. "The man pervades London, and no one has ever heard of him. That's what puts him on a pinnacle in the records of crime." T HE DEVIATIONS from the Conan Doyle original are minis- cule. Conan Doyle spells "Aye" with- out the 'e,' writes "he cried" instead of "he laughed bitterly," and omits the word "ever" from the next-to-last sen- tence. This is not to imply that Dibdin ~~~~ plagiarized the lines in an attempt to present Conan Doyle's writing as his --- own. Certainly Dibdin is aware that -most Sherlockians are fanatics who would instantly recognize Conan Doyle's wording. What Dibdin's actions do show us is that he is not confident of his own writing ability. His lack of con- fidence is most justified. The game is now afoot, and Holmes is - stalking Moriarty who is stalking - -'Holmes. There is, of course, a surprise ending in which we learn the identity of Moriarty. I would not spoil it for those - ~ masochistic enough to read the book, but suffice it to say there is a psychological twist to the whole affair which is, again, lacking in originality. reader's interest. Here again, sadly, he embellished these stories to make them Triteness, , however, is not the fails. more readable. Watson, however, did primary flaw with the surprise ending As have nearly all such stories writ- not tell Conan Doyle the truth about to the mystery. The most significant ten after Conan Doyle's death, The Last Holmes' death in 1891. He kept this problem is that this "ending" comes 72 Sherlock Holmes Story proclaims to be story a secret, wrote it himself, put it in pages before the actual completion of the actual explanation of Holmes' a vault, and left instructions in his will the story. three-year disappearance from 1891 to that the vault should not be opened until The final 72 pages are spent 1894. ConanDoyle, in "The Final 1978. Not exactly an original concept, maneuvering Holmes and Watson into Problem," relieved himself of the bur- but functional nonetheless. It justifies the proper places near a cliff so that den of churning out Holmes stories by writing a Holmes story in 1978, which Holmes and Moriarty may die as Conan having the great detective fall off a cliff was its only purpose. Doyle has told us they did. It is a clum- during a struggle with his arch enemy The story, unfortunately, is even sy attempt to rectify this preposterous Professor Moriarty. Both men were more banal. Holmes is out to capture tale with the original Conan Doyle, and killed, and Conan Doyle retired from the most vile of English it is certainly not worth 72 pages of a writing. The public outcry for more criminals-Jack the Ripper. His only 190-page story stories, however, was so great that clues are cryptic notes Jack leaves the In short, if Dibdin's haughty title has Conan Doyle was finally persuaded to police after each of his brutal killings. any effect on authors who are con- revive his-sleuth in 1894, and invent a The notes are particularly graphic, as sidering writing a Sherlock Holmes sto for his three-year absence. are the descrip1tions of the mutilations. novel we can only hope it will act as a Xiy ry b e'p ?e) ' ts' 3ika m/iore ta:,n. r.W - self deterrenL '. Urban ites head for quiet t go on to college, and computer math and film appreciation courses are offered along with the FFA club (Future Farmers of America) and the auto shop. But some small-town attitudes remain. To many of the students here, a car is still proof of masculinity, and the higher the back wheels are jacked, the shinier the paint job done in a family garage, and the faster it goes on the back roads on Saturday nights, the more of a man you are. Every five years or or so someone drinks a little too much or goes a little too fast around a curve with his arm around his girl and wraps the car arounda tree. The high school students are excused from classes for the afternoon to walk to Hosemer's Funeral Home. Ten miles up I-94 is Chelsea, the largest of these villages, with 4,000 inhabitants. Chelsea /alone has remained relatively free from a large influx of "outsiders," although there are plans for building a subdivision to ease some of the demand for housing. But for now it is a community of mostly older homes built during the late 1880's in the then-fashionable New England style. As a result, many of the homes wood a have widow's walks, which look yards strangely out of place in this landlocked presic village. Lincol Orig T HERE IS ONE SMALL section hill, Cl of newer homes north of the la the village, and many of the there farms have subdivided their once rise ar spacious acreage to take advantage of the tof the rapidly increasing land prices. The churcl result: next to a pasture of fat-bellied door cows, a starkly modern house stands in Buildi a grove of trees. But the majority of door houses are modest turn-of-the-century blocks "Grov hand-l adver Dance Confir Slayer Methc and s school blue c to the oU much tll IiTaver Saloor elderly Beaut3 folded and w procla On Drugs "Tour Inside inforn behinc you w knit pa other somem theiri and yc