THE MICHIGAN DAILY ESDAY ComposerSees New Trend CHALLENGE: Speakers Prognosticate Future Position of 'U' p l liilI ;!i1' Dial 2-6264 r" IIW II ~ill~~r7, - ENDING TONIGHT ' "WHERE THE BOYS ARE" at 2:50 -6:20 & 9:50 TEALSO "THE GAZEBO" at 1:10 - 4:40 - 8:10 Ussachevsky went on to discuss the use of electronic music in conjunction with the human voice, and demonstrated this concept with a few examples. This idea originated with the Musique Con- crete, which "was never afraid of being humorous." Ussachevsky went on to discuss the composer of electronic music in more general terms. He said that such a composer should have the ability and the willingness to learn the materials of this new medium and should not be afraid to experiment. The medium of electronic music is very flexible, he added, and there are an infinite number of directions which can be taken with a given source of material. Ussachevsky lamented the fact that there were only two loud- speakers on hand over which to play the selections he had for illustrative purposes, and said that for full effect there should have been two loudspeakers in the back of the auditorium as well. Ussachevsky concluded his dis- cussion with a brief mention of the "prospects" referred to in the title of the lecture, saying that there is little reason why elec- tronic music cannot have the same lasting significance as the major works of the past. w STARTS WEDNESDAY * 0- ZAHARAT ARA ANAM . classes and cobras Dancer Puts YD CONVENTION: Panel Discussion Cites State Financial Growth ,, By JAMES NICHOLS "Economic Growth in Michigan" was the subject of a panel discus- sion Saturday as the state con- vention of Young Democrats met to explore issues important to the 1962 election campaign. Speaking to the assembly at the Michigan Union were Rep. Gilbert Bursley (R-Ann Arbor), chairman of the Joint Legislative Committee on Economic Growth; Roblee B. Martin, chairman of the Michi- gan Industrial Ambassadors; and Prof. Daniel R. Fusfeld of the economics department. Committee Hearings Bursley based his recommenda- tions on the hearings of his com- mittee. He said Michigan business- men find the present business ac- tivities tax "most inequitable." They will admit the cost of workman's compensation and un- employment in Michigan is not the nation's highest, but they are con- cerned about interpretations which they feel are stacked against them, he added.I He urged fiscal reform, restat- ing his formula of "adequacy, per- manency, and equity" in Michi- gan's tax structure. Bursley also called a state-wide credit organi- zation "a vital necessity." Abolish Tax Martin agreed with Bursley that the business activities tax should be abolished and the personal property tax reformed. But Mich- igan's tax burden has been built up beyond the proportion it de- serves, he said. The Great Lakes and the Sti. Lawrence Seaway "connect Michi- gan with ' the markets of the world," he said. His cement plant is able to compete with plants on both coasts and in Hawaii. He praised Michigan's highway pro- gram, and "the aggressiveness and progressiveness of Michigan's rail- roads." many companies knock the state." Spokesmen for Michigan should "extoll its virtues, not its short- comings." "We need more of Tex- as' attitude," he said. Prof. Fusfield saw a loss of em- ployment in the state's auto indus- tries due to automation and de- centralization, but said Michigan's economy is "growing and expand- ing rather well in other areas." "The great bulk of unemploy- ment resulted from a decline ir the number of workers employed to fill defense contracts. But for this decline, the unemployment level in Michigan would be "down to or even below national levels," he said. G&S Society To Perform 'Patience' The curtain goes up on "Pa- tience" or "Bunthorne's Bride," this evening at 8:30 in Lydia Mendelssohn Theatre, commenc- ing the April 3-6 showing of the Gilbert and Sullivan operetta pre- sented by the G & S Society. "Patience," a satire on the aesthetic craze of the 1880's, pre- sents a "Fleshy Poet" and an "Idyllic Poet," Bunthorne and Grosvenor, who are rivals for the affections of the milkmaid, Pa- tience. A train of languid ladies and their former flames, a Colonel,, a Duke, and a Major, with a regi- ment of officers of the Dragoon Guards, complete the picture. Patience, having been told that love must be absolutely unselfish, has to reject the perfect Grosvenor (Archibald the All-Right) and ac- cept the very imperfect Bunthorne. Grosvenor, cast off by Patience, is adored by the twenty love-sick maidens. When he is coerced by Bunthorne and Lady Jane, a "Mother Hubbard" type, to dis- card aestheticism, the ladies do likewise, explaining that Archibald the All-Right cannot possibly be All-Wrong. Patience, still the idealist, is now free to marry Archibald, since het is no longer perfect. Bunthorne, crushed, decides to wed Lady Jane, his one remaining adorer. However, Jane has consented to marry the Duke, a very ordinary young man who has decided to choose a lady who is distinctly plain, viz., Jane, so-that "Nobody is Bunthorne's Bride!" Tickets for any of the April 3-6 performances may be obtained now at Lydia Mendelssohn Thea- tre. ORGANIZATION NOTICES New Twist In Goodwill By BUEL TRAPNELL "I dance because I love dancing and because 3 want to spread good will for my country," Zaharat Ara Anam of Pakistan says. Zaharat, who is working on a master's degree in political theory, left Ann Arbor Sunday for Holly- wood, where she will be the first person ever to represent Pakistan in the annual International Folk Dance Festival. Billed on the program as the "first dancer of Pakistan," ("that's a little too much"), she will do a traditional folk dance with a "cobra" made by the University's Television Center. Meet Walt Disney While she is in Hollywood, she will appear on radio and televi- sion shows, and has been asked to give some speeches about her na- tive land. She will also visit mo- tion picture studios and meet with Walt Disney. Zaharat took lessons in both folk and classical dancing until she was 15 years old, when her parents asked her to quit and de- vote more time to her studies. But when she came to the Unit- ed States nearly two years ago, she saw an opportunity to give many Americans their first intro- duction to Pakistani culture. Extreme Boats, Now, although she admits that her love for both political science and dancing "make me feel like I am in two extreme boats," she dances whenever she can find the time, and has appeared in Denver, Washington, D.C., and Chicago and other cities in the United States and Canada. Zaharat plans to travel to the South, the only part of the United States she hasn't yet seen, and she may go to Europe this sum- mer. She wants to get a master's in dramatic arts, and then return to her alma mater, Dacca Univer- sity in East Pakistan, to teach poli- tical science. She is considering professional acting or dancing. Some time in the future she is going to write a book on her impressions of the United States. Court Justice To Judge Trial Justice Potter Stewart of the United States Supreme Court will serve as one of five judges in to- morrow's championship round of the Law School's 38th annual Campbell Competition. Arguing a hypothetical case in- volving whether the use of wire- tapping or eavesdropping with modern electronic devices by state police is illegal or unconstitu- tional, four law school juniors will be competing. Besides Justice Stewart, Judge Sterry R. Waterman of the United States Court of Appeals, Detroit Police Commissioner and former state Supreme C o u r t Justice George Edwards, Dean Allan F. Smith of the Law School and Prof. B. J. George of the Law School will be judges. See Bunthorne 0RAFFLED "By the advice of the Solicitor in UPATIENCE April 3-6 8:30 P.M. Lydia Mendelssohn Theatre By RONALD WILTON Predictions on "The Future of the University of Michigan" were made by Regent James D. Thur- ber, Prof. Charles F. Lehmann, as- sistant dean of the education school, and Robert Lusk - of the Automobile Manufacturers Asso- ciation at the Challenge program Sunday afternoon. Prof. Lehmann explained that the future could be viewed in two perspectives. "It can be thought of as an extension of the past and present or as a clean white slate." He laid out four propositions for the future. "Research will turn progressively to what we want to do including research on ourselves. Secondly, there will a more reflec- tive life for students and profes- sors. New Definition "There will be a new definition of relationships between us and society. Finally, there will be a- more intimate and durable associ- ation between faculty and stu- dents." He cited the need for a release of positive leadership and assert- ed that without it the University "faced with problems of size and complexity, will sink lower into its own paralysis." Lusk predicted that there would be a "continued examination and modification of the credit system. He also saw greater creativity in teaching. "Without this creativity the University is pretty much a waste of time. More could be learned by students in basemiant libraries than from teachers who do not have creativity and knowledge." He foresaw a "tremendous rise in the use of programmed learn- ineducational television and films. He cited "frightening studies of student conformity" and added that if the students commitment to truth and challenge could be strengthened "the University will have increased its greatness and reacted to the challenge of the future." Fears Groundless Thurber said that fears that the quality of undergraduates will be lower in the future were ground- less as "the Regents have spoken out for the need of a dynamic un- dergraduate body." In answering the question as to what percentage of students in! 1970 will be from out of state he asserted that "we are firmly com- mitted to maintaining a cosmopol- itan atmosphere. It is greatly to the University's advantage to maintain this." He said -that there must be a growing acceptance and support of the University's needs. "The pres- tige of the University is not based on the quality of its undergradu- ates but on its faculty and advanc- ed programs. This is not under- stood in the state and the Legis- lature." EElA KAZAN'S PRODUCTION OFF THWASS WRO TE FOR 11t SCREtN BI NATALIE WOOD w,. PAT HINGLE AUDREY CHRISTIE A4N INTOOU.CtNQ WALRREN BEATTYm TECHNICOLOR WARNER BROSMA A ALSO NOMINATED FOR 5 ACADEMY "JOSHUA LOGAN PRODUCTION LESLIE CARON."MAURICE CHEVALIER - -CHARLES BOYER-HORST BUCHHOLZ TECHNICOLOR*FrmWARNER BROS. NATALIE WOOD NOMINATED FOR BEST ACTRESS AWARDS 4 OPENS TONIGHT University of Michigan Gilbert & Sullivan Society is presenting PATIENCE" or BUNTHORNES BRIDE *Junior CLASS Play Natalie Wood: te Ilamboyant movie uiueens On screen or off, Natalie Wood is a Star with a capital "S." In this week's Post, you'll read how Natalie carries on in the glittering tradition of Pola Negri. How she makes box- office hay out of unsavory scandals. And what was behind the breakup of her marriage to Robert Wagner. 2%e Saturday Evening POST APRIL 7 RSSUE NOW ON SALE . April 3, 4.9 5, 6 Lydia Mendelssohnl tTheatre 8:,30 P.M. Tickets available at Box Of fice Too Many Knocks Martin complained that "too TOMORROW at 8 B'nai B'rith Hillel Foundation presents DR. MARVIN FELHEIMi Assoc. Prof. of English April5- 3-6 Tues., $125; Wed., Thurs., $1.50; Fri., $1.75 The 6th and final Lecture in the Series "An Inquiry into The Jew in Western Civilization" 41 Are Welcome 1429 Hill St. . C - R- -1 i I THE NEW YORKER (changed from Wednesday) I I Challenge: Seminar, "The Future of the University of Michigan," April 3,# 7:30 p.m., UGLI, Honors Lounge. Chess Club, Meeting, Distribution of Prizes for Tournament -Winners, April 4, 7:30 p.m., Union, Rms. 3MN. Re- freshments. * * * Congr. Disc. E & R Stud. Guild, Luncheon Discussion: "Christian View of Man," Rev. E. Ransom, Meth. Cam-I pus Minister, April 3, Noon, 802 Monroe. Human Relations Bd., Film: "Walk in My Shoes," April 3, 7:00-8:15-9:30 p.m. showings, Alice Lloyd; Aprii 4, 7:30 showing, W. Quad., Dining Rm. * * * Ulir Ski Club, Meeting, April 4, 7:30 p.m., Union. #* . * U. of M. Folk Dancers, Meeting, In- struction & Dancing, April 3, 7:30 p.m., 1429 Hill. Wesleyan Guild, Open House, April 3, 8-11 p.m., 602 E. Huron; Holy Com- munion followed by breakfast, April 4, 7 a.m., 1st Meth. Church, Chapel. . * .* German Club, CoffeerHour, April 4, 2-4 p.m., 4072 FIB. German conversa- tion, music, singing-"Herzlich will-C kommen" T1E ..EATI E 0{ 4R eople,'makes a lively, funny Sir Peter- a clever, sophisticated man in a ridicu- lous position- costumes, by Lloyd Burhngame, are just right, and so are his sets), lull of pouts and affectation. All the actors move and speak well; nothing is hit too hard, and nothing goes to waste, either. I r OFF BROADWAY HE Association of Producing Artists, a repertory group that has been in existence for several years and has played in other parts of the country, has opened its first season here with a most enjoyable production of "The. School for Scandal," The staging, by Ellis Rabb, is so original, quick, and stylish, always enhancing and clarifying but never in- terfering with the play. The cur- tains are transparent and behind them actors dressed as liveried servants set up each successive scene; then the principals get started, and by the time the curtains have parted the scene is already under way. Thus, the action is continuous but neatly punctuated. The company is very good, and is lucky to have, in Rosemary Harris, a really charming and accom- plished actress. Her Lady Teazie is young, witty, and ingenuous-always the country girl come to town. Miss Harris appears to take to the part effort- lessly, and in the scenes - with Lady Sneerwell, Mrs. Candour, -Crabtree, and Sir Benjamin Backbite-that croaking chorus of scandalmongers-- she is, in all her frivolity, so elegant that she seems at least a cut and three-quar- ters above her companions. "Volatile and gay" are Sheridan's own words for Lady Teazle, in the epilogue that com- bines the character's farewell to London with the actress's farewell to her audi- PnP hn...enditvcn. . nv nyd- The play, for all its satiric intent, is ood-humored and delightful, but sure- ly you don't need me to tell you that. -AND- I f 4 'RIEW At 0 WORKSHOP I .