Seventy-Third Year EDITED AND MANAGED BY STUDENTS OF THE UNIVERSITY OF MICHIGAN _ - UNDER AUTHORITY OF BOARD IN CONTROL OF STUDENT PUBLICATIONS hre Opinions Are STUDENT PUBLICATIONS BLDG., ANN ARBOR, MICH., PHONE NO 2-3241 Editorials printed in The Michigan Daily express the individual opinions of staff writers or the editors. This must be noted in at: reprints. WEDNESDAY, MAY 6, 1964 NIGHT EDITOR: KENNETH WINTER A LAST GLANCE: The Paradoxical Uni versity Greatness in Failure "So I Said To Those Wise-Guy Kids. 'Do You Know Of Anyone Who Is Living In Abject Poverty ... ?'" -1, o7 THE FOLLOWING PIECE is the 90th Daily editorial written over the past four years by one Gerald Storch, which for better or worse happens to be my name. I look back at the previous 89 efforts and I am not very pleased with myself because most of them were childish and sort of unreal. I read them again but now am surprised and a little bit em- barressed to find my own name actually attached at the bottom. And now comes the 90th and last-the farewell editorial that is supposed to be the best thing one ever writes, a poignant but mature catharsis of what one thinks about the University and him- self and life in general. ATHENS OF THE WEST - the great University of Michigan. Or at least that's what they say. In this newspaper's trimester survey of a couple months ago, 48 per cent of a grand total of our distinguished, bril- liant, dynamic faculty members in the sample were gracious enough to fill out and return the questionnaire. Even the freshmen, with a 70 per cent response,, acted more responsibly. I am often told that the system of man- ners, so ingrained among American stu- dents, is good because it trains them to display basic courtesies and respect for other people. Yet in the closing minutes of the, class hour, brilliant, talented Michi- gan students, without much thinking about it, clatter their notebooks and squirm and twitch and noisily get ready to leave-even though in drowning out the instructor's concluding remarks they are doing one of-the rudest things imag- inable in an academic community. It hap- pens every day, in every class. The state House of Representatives which recently toyed with cutting higher education budgets by five per cent later whisked through in nothing flat a bill for higher legislative salaries. Yet one of the University's distinguished, dedicated Regents announces his "respect and ap- preciation" for this very same group, and deplores the "unjust aspersions" cast upon them when Daily editorials venture to criticize legislators' cavalier treatment of the University's appropriation. "THIS IS A GREAT University" Yes, let's keep telling ourselves that. Briefly the vision arises of the Regents directing the robed semicircle chorus of students, faculty and administrators in united harmony to a tune of "Yes, this is a great University." The, paradox is simple: this actually is a great University only because there are enough people here with the sensitiv- ity and intelligence to realize that it isn't. Some of them I have known at The Daily. A few drop out of school. Others can be found in various faculty offices and in several positions in the adminis- tration. All inject the campus with most of whatever idealism and conscientious- ness it has. THERE HAVE BEEN moments in class when the instructor would say some- thing I found deep and moving. Ann Ar- bor is hilly, and one can drive or walk to a high crest and gaze down for hours at the beauty of the town. Then there are times for walking alone through the central campus late at night, staring at the empty, dark buildings and wondering what education is all about. But that is college. An isolated four years from real life, when a person is still young and worried enough to strive for a broader and more intelligent grasp of the problem of living it. Four years of meeting approximately one per cent of one's 25,000 fellow students and trying to understand one's own self better by learning from others. I HAVE GOTTEN MUCH from the Uni- versity, in spite of its veneer of com- placency and carelessness toward just about anything. In my work for The Daily, I tried to give something back in re- turn. In doing so, there were some truly great people on the paper whom I al- ways looked up to and wanted to emulate. Their names are now enclosed in dusty bound volumes of old Dailies and have been quickly forgotten by the campus. It is somewhat upsetting, I must admit, to realize that soon the same thing inevit- ably will happen to me. -GERALD STORCH City Editor, 1963-64 'ANGEL STREET': Drama Season Flubs Hamilton Melodrama FOR YEARS TEACHERS have been telling students that modern actors have trouble playing Shakespeare; but things are even worse than we thought. They can't play honest-to-God melodrama either. "Angel Street," by Patrick Hamilton, is an English melodrama or thriller, of a kind that used to be a staple of the West-end stage in London. This one exposes the machinations of a Victorian husband who turns out to be far other than he should be. His real aim in life is to complete a crime to which he committed himself 15 years before the plays begins, when he foully murdered an old woman for her rubies. Only he didn't find the rubies, and here he is, 15 years later, looking for them. MEANWHILE, TO give the audience good measure, he's also driv- ing his wife mad, and making passes at the maid. But Scotland Yard never sleeps for 15 years at a time, and the husband therefore has to spend a good deal of time off stage lolling about among out-of-work actresses so that Inspector Rough can set the wheels of justice turn- ing, and in the meantime, explain to the wife that she isn't mad after all. It sounds pretty silly, and it is. But such plays were written as ve- hicles for actors who know how to make the most of every strong line, of every theatrical situation, and in fact, with a Wolfit or an Orson Welles in the lead, "Angel Street," although it would never stir the deeps of thought in anyone, would at least give the adrenalin glands a good time. LAST NIGHT, Drama Season did almost everything wrong. Kent Smith in the lead was far too amiable a villain. Cutting old ladies' throats? That chap? Good God, no, I don't believe it. But he meets his match in Inspector Rough played by Robert Carraway. Mr. Carraway couldn't remember his lines in the first act; for the rest of the play he read them, but his reading was worse than his fumbling. Deanne Yek plays the saucy maid in an indescribable accent. Judy Riecker plays the honest maid respectably, but one can't hear. The only acceptable performance comes from Ruth Livingston as the wife. She looks suitably pre-Raphaelite, drawn and thin, and she understands the theatricality of her part. So there it is. The ladies behind me left, and I don't blame them. An audience at the old Lyceum theatre would have wanted its money back. -Frank Brownioy Department of English ,1; 7 ;I ( LETTERS TO THE EDITOR: Continuing the Debate on MSU and Merit Winners Hypocrisy and Civil Rights GROUP that is least concerned with today's civil rights movement is the sector of the population that should be most condemned by it. A large part of the population in the northern United States pays lip service to the principles of freedom for all, and because their hearts are in the right place, they are forgotten by civil rights leaders. But they should not be, for this sector of the population holds the key to the problem. It is unhampered by prejudice and in a position frequently to do some- thing about it. This part of the popula- tion is more influential than any other. Its members very often hold jobs in places where discrimination is an issue: in the firms with discriminatory hiring prac- tices, in schools, in the government. Startled out of inertia and complacency, they could inflict positive pressure within these organizations to end discrimination. Additionally, these people, in the North at least, are a large minority, if not a ma- jority of the population. Because they live in dozens of communities that are never mentioned as targets for demon- strations, they have the opportunity to set a precedent. And, because they do constitute so much of the population, if enough participated and drew in their less liberal counterparts, it would be strong testament of the worth of the cause. BUT THEY ARE NOT exerting inside pressure to change the American way of life, nor are they setting an example for those who live around them. They are sitting on their attractive porches drink- ing coffee and discussing smuggly wheth- Actinz Editorial Staff er or not civil rights demonstrations are the right ways to achieve the goal of equality for all. Usually they decide that they are not, because "peace is never achieved through violence." They are scared to positively support their beliefs. They are scared that their neighbors will ostracize them if they have Negroes as friends, that their property will become useless if land is sold to Ne- groes, that they will lose their jobs. And they are right. But what they lose is miniscule in proportion to what posterity and the great part of the population will gain by their loss. They might trade their kids' college education for what would be a community's good high school education; but sometimes sacrifice is necessary. For civil rights, it is absolutely essential. THE CAUSE of civil rights is just, but it often is weakened because it is as- sociated with people who do not yet have too much to lose-students and the peo- ple who are trying to get the rights they have been denied. It will be strong only when people who have a lot to lose, lose it, demonstrating powerfully adherence to the principle of equality for all. And the more people that realize this, the less will be the loss. Civil rights groups now are battering against the most impregnable part of society-those people who are solidly against equal rights. The usual tactic in a military campaign is to attack the weakest place in the line of defense. The weakest part of the defense in civil rights is the "lip service people." Making life more uncomfortable for these people than it would be if they supported civil rights conceivably could make them switch roles and use the immense power they have to change the situation. To the Editor: T HE DISCUSSION of past weeks in The Daily and by others of Michigan State University's schol- ar recruiting program was recently continued in the April 22 editorial by Michael Sattinger, "Seeing Who Benefits from MSU Scholarships," and the April 29 article by Jeffrey Goodman, "MSU Paces Nation in Merit Winners." Both admit that "MSU seems to be on top" in the number of such scholars recently admitted, as Mr. Goodman put it, but both endeavor to denigrate the MSU scholarship program. To deal with all the claims in these two disquisitions would, in- deed, tax the mind and spirit of a Merit winner, so that is a job I will not attempt. Two statements are, however, particularly remark- able. First, in the Goodman attempt to show that "a good proportion of the scholarship winners at MSU are (sic) not there totally by choice," the writer noted that the student will not know if MSU is giving him a scholarship until April of his senior year. Since most of these students put down MSU as first choice to get an MSU scholarship, he went on, and since by April "it is pretty late for him to change his choice," the writer concludes that the student is stuck, whether he gets an MSU scholarship, an outside one, or nothing, and will have to go to MSU-which conjures up images of hordes of deluded students sell- ing their birthrights for a mess of Spartan pottage. THAT'S A RATHER startling conclusion, however. All students who aren't "early decision" can- didates hear from their prospective schools-the University, Harvard, MSU or Podunk-in April, and all of them have until May 1 to make up their minds. With his acceptances and scholarship no- tices before him in April, the student has until May 1 to decide where he will go, which commits him.to nothing, let alone four years of his life in exchange for $400, as the article would have us believe. In fact, even John Stal- naker, president of the National Merit Scholarship Corporation, o- sevred that University attacks on the MSU program are "mosty sur grapes"-a comment that ha been studiously ignored in Ann Arbor: The other charge, so devastat- ingly phrased and so brilliantly conceived, is that "MSU is in quest of intellectually excellent students. Their National Merit Scholarship program serves no other purpose." (Sattinger editor- ial.) This is somewhat like ,aying "onelights a lamp for illumina- tion," or, "one sleeps to rest." Obviously MSU wants excellent students; and, by the admission of even these two worthies, it is getting them. That's a very com- mendable attitude, and those are very commendable results; we de- lude ourselves to think otherwise. Far from being ignoble or crass, a university that recognizes its faults and conscientiously and dil- igently seeks excellence is, in that respect and in that measure. ex- paganda stunt," "a ball of tin," they s6offed. But this bravado concealed extreme embarrassment and anxiety-so, later, as a histor- ian said of another day, "now that they were terrified, they were ready to put everything in order" The University has been shaken from its comfortable complacency by the Spartan scholarships as surely as the U.S. was by the So- viet sputniks. We have by now spent enough time lamenting -he lead we have lost. It is now time to regain it. -Mark Killingsworth, '67 ROTC Controversy To the Editor: I'D LIKE to give Jeffrey Good- man the credit he must feel he sorichly deserves for writing his article "Beat, Drums, Beat." He paints a very vivid picture of an unmilitary, sloppy bunch of college students, whom he chooses to refer to as "slobs" strolling around Ferry Field (instead of marching) and standing in groups that in no way resemble military formations. He criticizes the ROTC students for being unshaven and dressed like slobs and attempts to imply that they lack moral character by saying that when the cadets and midshipmen come to parade rest they immediately start telling dirty jokes and whispering ob- scenities to each other. This is how he described thr.m at their Thursday evening practice. He also extends his criticism to their ap- pearance Saturday morning, the day of the military review. *, * * I DON'T KNOW where Good- man was when he viewed these practices and the review itself (if he did), but in my company, while the practice was going on, I saw no man who looked any more sloppy than any other college stu- dent on this campus. There were certainly no dirty jokes being ex- changed, since there wasn't any conversation going on in the ranks. And as to Goodman's reference to our military formation-I'll grant you that we are not the equivalent of the Pershing Rifles Company (a tri-service military organization from Michigan) which took first in the nation last year in drill competition, but we may certainly be compared favorably with a company of enlisted men graduat- ing from their basic training. I make this comparison from ex- perience (having served in the' U. S. Navy) which is more than I can say for Goodman. He ap- parently made his criticism with- out having any experience except that of writing unsubstantiated, cutting editorials. If Goodman had taken the time to see the military review Satur- day morning, he would have seen (as I did) three battalions of clean-shaven cadets and midship- men presenting a very good mili- tary appearance. I might add, too, that shoes WERE shined and uni- forms WERE pressed. * * * UNDOUBTEDLY the real pur- pose of Goodman's article was to reflect discredit upon the military organizations on this campus and of our country. We, of the military, are aware of the already prevail- ing anti-military sentiment on this campus. It probably pleases many people to read an article such as Goodman's. I know it certainly must please all the enemies of our country to read about any anti- military sentiment that develops on our nation's college campuses. Whether Goodman realizes it or not (and he undoubtedly doesn't), the reason he is free and able to criticize as he does is precisely because this country does have a strong military organization. To maintain this military organiza- tion which keeps his unapprecia- tive hide free, a large supply of officers is. needed. And ROTC stu- dents such as Goodman chooses to criticize provide one of the major sources of officers. While he chooses to sit back and criti- cize, college students such as these at least have the gumption to get up and do something about keep- ing our country free. -Bert V. Calhoun, '65BAd EDITOR'S NOTE: I WAS at the review; I am an MS I1 cadet myself. And there WAS conversation. pass- ing, there WEREunshined shoes and unpressed uniforms. But none of this is really important. What I think far more pertinent is that Mr. Calhoun-and many others like him-has shown his total lack of a sense of humor. Doesn't anyone know how to laugh at him- self any more? For sparking laughter was pre- cisely the only purpose in my edi- torial. My particular feelings about the military, my country and the bravery or gumption of American soldiers are not here at issue. All this is is my feeling that despite all the Army ROTC's attempts to make well-oiled cadets out of us, we remain just normal, healthy, some- what sloppy and somewhat lazy college boys. And I submit that wars are won by just the sane kind of men-by men, individuals, not by "a strong military organization." Beneath all the discipline and order, it takes a hell of a lot of just plain individual guts to fight a war, and while this does not make the discipline and order unnecessary, it does make military parades a bit too much. -JG. 'Ensian 'Bias' To the Editor: A LITTLE LESS than a year from now, I will be completing To the Editor: I FEEL COMPELLED to offer a few remarks about that star- spangled Saturday night at Michi- gras. The near riot and the effect this had on the. atmosphere of the otherwise happy affair made me unhappy. And a race riot is no place for women, in my opinion. If there is to be fist swinging, hope that it is between males, and not males against females. One female I saw refused to leave the side of the field house where the trouble was brewing, because she wanted to "see" a race riot. * * * PART OF THE TROUBLE was the result of poor planning on the part of the Michigras Central. Committee. The affair simply was not planned to accommodate the general public. Next time this University plans Michigras, it must either be de- signed and recognized as a public affair, or be restricted, through the purchase of tickets, to card- carrying University personnel only. The whole riot incident was re- gretable because it was needless, It was not inevitable that fiiction would break out at Michigras. It was probable, however, that some- thing would go wrong in a poorly planned, overcrowded melee like the one in evidence on the Michi- gras Saturday night. -Robert B. Ellery, '65 IM four rich and rewarding years at the University. I sincerely hope that the yearbook that marks this milestone in my life will not be marred with the kind of slams and personal prejudice found in this year's 'Ensian. --Sherry Miller, '65 Riotous Weekend Y' ._.,.... 'QUEEN OF SPADES': fi Tchaikovsky Opr ci Theatre T HE UNIVERSITY PLAYERS and the opera department have brought an exciting production of Tchaikovsky's "The Queen of Spades" to Lydia Mendelssohn Theatre under the musical direction of Josef Blatt and stage direction of Ralph Herbert. The opera, sung in a translation by Mr. Blatt, is based on Puskin. The translation makes the plot realistic and Mr. Herbert has directed so that the opera is effective, not affected. It is a story of German, a poor soldier tortured by a craving for money. He learns that a countess, whose niece he loves, has the secret of three cards, but if she tells them she must die. German literally frightens her to death as he futilely tries to learn her secret, but her ghost tells him the cards. He gambles, wins the first two draws, but is tricked on the third. The role of German is the most difficult both vocally and dra- matically, but the roles of the countess, Lisa, and Tomsky are also difficult. LARRY JARVIS showed the audience the complete command he has of his beautiful voice. His acting left something to be desired in the dramatic scenes where he could not sustain the drama. Sue Morris was dramatically and vocally the most convincing person on stage. She has the ability to sustain both acting and singing at the same time, Lois Alt was a convincing countess. Vocally, she was in good form, but the death scene performance was overacted. Frank Dybdahl sang both of his songs well and acted with grace. Of the other principles, :: .:: .. ., . e._ v ."::