'QUr Ar~ galt Bally Seventy-First Year - ... EDITED AND MANAGED BY STUDENTS OF THE UNIVERSITY OF MICHIGAN "When Opinions Are Fre UNDER AUTHORITY OF BOARD IN CONTROL OF STUDENT PUBLICATIONS TrUth WIU PrOVftI1 STUDENT PUBLICATIONS BLDG. " ANN ARBOR, MICH. 0 Phone NO 2-3241 Editorials printed in The Michigan Daily express the individual opinions of staff writers or the editors. This must be noted in all reprints. FRIDAY, OCTOBER 7, 1960 NIGHT EDITOR: ANDREW HAWLEY SECOND ISSUE: Notably Fine Poetry Gives 'Arbor' Stature ]PIE SECOND issue of Arbor suggests that its editors will soon have to decide whether they want it to continue as a professional journal or remain an obscure rival of Generation and the repository of contributions from entrants in the Junior Hopwood contest. One solution might be to restrict itself mainly to poetry. All the poems are competent and some are excellent; whereas the fiction varies from bad to mediocre. For all the attacks which have recently been leveled against modern poetry and the criticism which has CHORAL UNION: Soprano Tranquil Voting Blocs Forming For SGC Elections INTERQUADRANGLE Council is going to try to deliver a big bloc of votes in the upcoming Student Government Council election. But IQC hopes to deliver them to SGC, not a particular candidate. This is one of the things presently going on that hopefully point to a big turnout at the election Another thing is the newly-formed campus political party. At this moment, the IQC campaign gets better odds on its success. The political party is still largely theoretical: an organization has been set up, but as yet the party does not advocate anything except the importance of its concept and it does not have a nathe. Next Installment PART III of the thrilling "Adventures of Jack and Dick - Boy Politicians" appears on the moving Rembrandt tonight and an audience of millions will watch the two candidates battle over semantics and scope of the vital issues facing the campaign. The historic nature of the Great Debate will attract many. The concern over the problems facing the nation will draw other viewers. But regardless of the reason for the interest in the debate, the real purpose should not be forgotten. If the candidates talk around the issues instead of about them, as they did last week, and if they continue to use this media merely as a means of expressing their personality or "humanness", and if they are interested only in conveying a "sincere concern" for the problems of the world without suggesting pro- grams to solve these problems, then we should be thankful for our good neighbor to the North - Canada. Windsor, at least, offers light entertainment labelled as such on channel nine. -M. BURNS.. MAX LERNER1'Y The Resis m WHEN THE HISTORY of the UN is written, one of its great chapters will turn on the outcome of the Russian vendetta against Dag Hammarskjold as Secretary General. and Ham- marskjold's courage in fighting back. In a General Assembly session which in the past weeks has been crowded with episodes of poli- tical theater, both in and out of the chamber, Hammarskjold's quiet reply to Khrushchev's frontal attack proved easily the most electric of the whole session thus far. Compared with the inner drama and the historic importance of Hammarskjold's words the cavortings of Castro and the antics of Khrushchev have a tawdry fleeting quality. They will be forgotten when the next batch of arm-wavers and desk-thumpers comes along. But no matter what happens to Hammarskjold in his own personal fortunes his stance and the way he defended it will not easily be for- gotten. IT IS NOT often that a figure is cast up in our time who so clearly takes the long view and who so inevitably will be part of the loom of history. Hammarskjold is that kind of figure. He is not shaped to the heroic mold of the recognizable heroes of the past. He doesn't shoot people nor shed blood, he doesn't order mass mUrders, he doesn't sweep like a con- queror over a land nor resist the invader, he doesn't die for his country. He is a man who in the past has always had to speak in the most guarded and tortuous phrases and whom we have associated with everlasting, musty, dry-as-dust dossiers. Nonetheless he emerges as a hero in our time. He is one of Ralph Waldo Emerson's "repre- sentative men," using the term as Emerson used, to mean a man who expresses the new main currents of thought and striving that give an age its character. He has no divisions, as Khrushchev and Eisenhower have, and no rockets. He has no consistency except mankind itself. If he represents the spirit of our age it is not the spirit of the past we have had to shoulder as a crushing inheritance, but of a future whose outlines we can barely grasp- Editorial Staff THOMAS HAYDEN, Editor NAN MARKEL JEAN SPENCER City Editor Editorial Director JUDITH DONER .......... .. Personnel Director THOMAS KABAKER ................ Magazine Editor THOMAS WITECKI ....,..,....... Sports Editor KENNETH McELDOWNEY ..,. Associate City Editor KATHLEEN MOORE N.. Associate Editorial Director HAROLD APPLEBAUM ,...... Associate Sports Editor MICHAEL GILLMAN ,.....,.... Associate Sports Editor HE IQC plan, on the other hand, is based on a stable existing organization which has the means and support to act. Envisioned in the IQC program: strengthened open houses, an advertising campaign, and personal contact between IQC and house officers in an attempt to interest voters and explain issues. If this plan is carried out successfully, as it can be, the so-called "apathetic quaddies" will have a big voice in the election. Maybe it is not that they are apathetic but that they are just uninformed. Similar programs by other residence unit organizations would add greatly to interest and concern with SGC. Another means for generating interest in the election would be a concerted effort by incumbent members to publicize the Council, exclusive of a particular candidate's campaign. At election time, many candidates promise to bring SGC closer to its constituents by meeting with them, or issuing newsletters, or visiting houses for dinner. There is, actually, little done to carry out these promises. Something should be done. THESE efforts are within the scope and structure of present University organiza- tions. They have promise for return and should be prosecuted vigorously. While the political party is still in the forma- tive stages, members of the party expressed a wish to center election campaigning around campus issues. Their success in arousing and focusing campus interest on elections depends on their ability to transform their objectiv into organized action in a limited time. At the same time, the organization people should not disparage the political party's efforts toward the same end. The ultimate am- bition of both should be to make student government at the University mean something to each student. -PHILIP SHERMAN ter a future that men can win only if they develop a disinterested body of international officials who feel passionately committed to their de- tachment. WHAT IMPULSIONS have moved Khrush chev to make the all-out effort to destroy Hammarskjold? That is a question on which observers can differ. It may be a frustrated fury at having lost the rich prize of the Congo, which was like a golden apple ready to fall into his hand. It may be that Hammarskjold's per- sonality-contained, correct, ironic-is so com- pletely estranged from Khrushchev's own bumptious and volatile personality that every resentment against the Secretary was com- pounded. It may be quite simply that Hammar- sk old's idea of his duty stands in the way of Khrushchev's projects and schemes. But whatever Khrushchev may be up to, the more important fact is that Hammarskjold has chosen to resist rather than fold up. His words have the rhythm of a mind which has seen the writhing serpents and refused to panic. To Khrushchev's jibe about whether he had the courage to resign, his answer had the spare simplicity of a committed man: "It is very easy to resign," he said. "It is not so easy to stay on. It is very easy to bow to the wish of a big power. It is another matter to resist." In the face of a bloc leader who struts and swaggers like a gang tough, the resister faces probablet mayhem. But in resisting he will have created a new image of transnational man for younger men to follow, and will thus have made history. HAMMARSKJOLD'S stance needs no verbal flourishes from any of us to decorate it. But one fact needs to be made clearer than it seems to be to a number of heads of delegation in the UN. Khrushchev's charge is that Hammarskjold is a stooge of the West and not genuinely neu- tral. The fact is the exact opposite: Hammar- skold's sin was exactly his neutrality, which was unyielding to the Soviet designs in the Congo when Khrushchev wanted him to be pliant. Khrushchev does not want a neutral UN Secretariat that will act justly, but one that is paralyzed and will not act at all. That is why the David-like struggle of Ham- marskjold against the Russain goliath may prove a turning-point in the history of the UN. If Khrushchev wins out, the UN will become as ineffectual as the League of Nations was, and the only law we shall have will be the law of the nuclear jungle. If Hammarskjold musters enough support from the small nations of Af- rica, Asia, Latin-America and the Middle East, and rides out his term, the principle will be established that a UN official need not panic before any of the great-power Goliaths, and perhaps some day we shall have a body of men capable of building precedents for a body of grown up around it, there seems concerning what constitutes a good poem. No one seems to have any idea what makes a good story, THE POETRY IN ARBOR rep- resents a variety of styles from the precision of Charles Philbrick's poem on birth, "Circle Without Any End", to the doggerel of Mary Sutton's "Digame Porque", Some- times the spectre of e, e. cum- mings seems to tread heavily be- hind many of the poems, but the majority are surprisingly original.7 Among the best contributions are X. J. Kennedy's fanciful "Seine River Blues", Meryl Johnson's' "The Cats" and James Boyer May's "Conundrum". Only two of the short stories deserve notice. Robert Erwin's "A{ Gal's Red Comb" creates a con- vincingly folksy Ozark setting;: unfortunately the characters and plot are as original as a Snuffy Smith comic strip. Merril Whit- burn's "Where The Rainbow Ends" fails to connect its fascinating description of economic depres- sion on the Upper Peninsula with the life of its uninteresting one- dimensional hero. One other piece, H. B. Hamme's "The Mars Brown Suit", an interior monologue of a maniacal artist who sees the world about him in terms of form and color, has a good central idea. I wish the narrator didn't have to end up by murdering his psy- chiatrist. IN SPITE OF THESE FAIL- ings,Arbor succeeds in rising above the usual standard of college literary magazines in its poetry and in one good piece of prose - Victor Perera's "Rejilaj Mam", a vivid description of a cigar-smok- ing Dionysian deity from Guate- mala whose delightful pagan cere- monies seem like something out of a Huxley novel. With the ex- ception of some lapses in style (what is an elliptical twist of Irony?) this essay is in the best tradition of travel literature, -M. E. Novak Instructor, Depart- ment of English to be some general agreement LETTERS to the EDITOR Passions Rage... To the Editor: ONE IS NO longer surprised to find that the commercial movie houses resort to exaggerat- ed, misleading, and sex-baited ad- vertising to promote their other- wise dull motion pictures. However, is it necessary for the Cinema Guild, which shows good films, to advertise Dreyer's sober PASSION OF JOAN OF ARC as THE PAS- SIONS OF JOAN OF ARC (see the Weekly Calendar for Oct. 3 to 9)? Really! G. Mumma Week Shock ... To the Editor: WHILE thumbing through our calendar, marking off test dates, and other 'goodies', it be- came apparent that there are fif- teen and a half weeks of classes this semester, as compared to fourteen and a half next semester, and all semesters previous to this one. Needless to say, it came as a shock. For some unknown reason, this was not made public by the Uni- versity administration. Not only are we interested in why we have an extra week of classes (as punishment for one extra day of Christmas vacation?), but also, why no one knows of this fact, other than the Calendar Com- mittee? Are we lowly students completely isolated from every- thing but work, in the chaperon- ing eyes of the administration? -Paul Schoenwetter '62 Bob Benson '63 Bob Daskal '62 WOMEN'S SENATE: Evaluates Three Functions MARY Curtis-Verna swept on to the stage and into Verdi's aria "Ernani involami" to begin the eighty-second Choral Union series at Hill Auditorium last night. The soprano, arrayed in a sweeping red evening gown, began her recital in full voice, although somewhat off-pitch in the high register, From this aria through the Verdi aria that conclude the concert, howevedr, there was little more action from Miss Curtis- Verna. Continuing in Italian, the sop- rano sang three rather easy melo- dic Italian songs, and then, under- took Ravel's Sheherazade. The Ravel number, fairly slow might be, in proper hands, a piece dis- playing the sensuality of the East as seen by the composer, but as sung by Miss Curtis-Verna, it continued the tranquil mood of the previous songs. The audience, a fairly good barometer of perfor- mance interest, came down with a minor case of coughing. A quintet of Richard Strauss lieder com- pleted the pre-intermission portion of the program. Although the language changed, the mood of restraint continued. Some of the Strauss was well sung, but the quality was hard to detect amid the peaceful atmosphere. AFTER INTERMISSION, Miss Curtis-Verna again switched lan- guages, this time to English with a group of four songs. Giarnini's "Tell Me, Oh Blue, Blue Sky," Duke's "Morning in Parr" and Charles' "Night" added little to the quality of programming or performance, but Samuel Barber's "Sleep Now" was given a fine ren- dition. Concluding the program, the soprano again turned to Verdi, singing "Pace, pace, mio Dio" from La Forza del Destino. This time Verdi got a better hearing than at the beginning of the re- cital, but the performance lacke the excitement that a good dra- matic Verdi aria can have in the hands of a stimulating soprano. Two encores ended the evening's singing: first the well-known Italian air "Ritorne a Sorrento," easily the most dramatic number of the evening, while second came the peaceful "Songs my Mother Taught Me," which left the au- dience on the restful note that characterized most of the program. --Mark Slobin -Daily-James Warneka THE GRAMMATICAL FICTION-Comrade Rubashov, disillusioned and degraded by the new communist regime, communicates his frustrated philosophy and dreams to the inmate of the neighboring cell by tapping on the wall. AT LYDIA MENDELSSOHN: 'Darkns at Noon':' Unfulfilled Drama "DARKNESS At Noon" opened at the Lydia Mendelssohn Theatre last night, to a sparse audience - and, I'm afraid, more with' a whimper than a bang. The play had some really fine moments - the sets were well conceived by Alice Crawford, with scrim walls separating the cells, and various kinds of drops for the dream scenes, Some of the scenes were truly moving - the last scene, between Luba and Rubashov, done under the guise of quoted interrogation but, actually spoken by the girl who was dimly seen behind' the scrim wall, carried a good deal of emotional impact. But generally, the play was disappointing, largely because Darkness By PAT GOLDEN Daily Staff Writer W OMEN'S Senate has three du- ties, according to the Michi- gan League constitution: To pass legislation concerning women stu- dents; to refer projects and ques- tions to appropriate organizations and committees for study and solution; and to express an opin- ion by vote on matters concerning students. Its legislative function, as ex- plored previously, appears to be valuable to the University and to women. Yet this function does not operate effectively alone, since it is seldon needed. One way to im- prove Senate's effectiveness would be to develop and emphasize the two other duties it possesses. ONE OF THESE, the privilege of referring projects, questions and recommendations to the appro- priate committee, seems to be more of a procedural permission than a specifically delegated re- sponsibility. W i t h i n Senate's sphere of operations it is quite normal for committees or boards to be formed to study special prob- lems. However, this function does not lend itself to expansion. Senate's executives have also explored a related method of ex- pansion, using Senate as an in- formation-disseminating center. Forinstance, spceakers from cam- pus groups such as the Office of Religious Affairs would tell the delegates about their services. The girls would then take the ideas back to their houses and present them merely as interesting in*- formation, There would then be one per- son in every housing unit with a general knowledge of special serv- ices and programs at the Univer- sity which are often overlooked. It would mean that the represen- tatives of such organizations would only have to make one speech or demonstration, instead of meet- ing with Panhel and Assembly separately. It is possible, however, that in meeting with the two smaller groups more is accomplished on both sides. The speaker can relate his subject to the audience more directly, and the listeners are more apt to ask questions and of- fer opinions in a small, close group. Another major drawback of this is that Senators, also func- tioning as Assembly or Panhel as an opinion bloc, does not at first seem valuable, but deserves further investigation. Senate is recognized as an or- ganization for considering prob- lems which concern women as a body. Is it not possible that on other more general problems, women as a body might tend to- ward one viewpoint? Perhaps a women's opinion bloc does have a place on campus. If so, its activi- ties might be compared to those of the League of Women Voters. On the other hand, emphasiz- ing this function might tend to isolate women's needs, and in ef- fect create differences of opinion which do not really exist. If Sen- ate were to consider all-campus issues and express opinions on At Noon is a novel which shouldI problems of transforming any novel into a play are many and complex; when the novel is one of thoughts and dreams almost ex- clusively, it is even more difficult to transfer it to the stage, a medium of action and of words. FOR THIS REASON, some minor technical difficulties be- came deterrents to the thought of the 'play. Sudden changes were required to change the scene from the cell-reality to the dream- flashback. This was done by suden set-changes - scrims flying in from the ceiling, set walls suddenly creaking in - The acting was somewhat spotty. Merrill McClatchey, who played Rubashov, was vocally secure, but his movements were static and tened to so much re- petition that his performance was occasionally monotonous. Nancy Heusel as Luba had a sudden warmth which was start- lingly effective in the general coldness of the play. All in all, the play fell a little ,flat-more because of its inherent weakness as a play than the acting or inconspicuous direction. When Rubashov, at the very end, says to Gletkin, "The means have be- come the end, and darkness has come over the land," the audience should be nearly shaken from their seats. Instead, the drums are only loud. -FAITH WEINSTEIN them by vote, the preponderance of such opinions would have noth- ing to do with women's needs, but would rather be an expression of the members' feelings as students. * * * . THIS IS THE type of activity the newly-formed campus politi- cal party will undertake, It is quite possible that the appear- ance of one such opinion bloc on campus will spark a trend toward group stands on local issues. If Senate is to expand its acti- vities, the most effective way is perhaps to act as an opinion bloc on campus issues. This, however, hinges on whether there is a place for such an opinion bloc and on whether Senate is in a position to take this place. "Oh, Yes - He WAS Here, But He Just Left". - r - C /Y - .:J 4A'4> A' probably have been left alone. The The MFick Bit Cinema Guild... "PICNIC" is a realistic filq.. Its subject is frustration:'~ the frustration of a beautiful young girl who wants to be loved for more than her body; the frustra- tion of her not-so-pretty younger sister; the frustration of a mother who wants her daughter to marry "up" and a father who doesn't want his son to marry "down"; the frustration of an old maid school teacher; the frustration of a restless athlete to succed beyond the football field; the frustration of a middle-aged bachelor who finds his way of life challenged. "Picnic" is essentially a film about sex, but it treats the subject with honesty and taste. It is well filmed and well directed - and yet it misses being great. This is perhaps because the movie lacks subtlety and plays down to its audience. KIM NOVAK IS TYPE-CAST as beautiful but dumb and she mono- tones her part adequately. William Holden and Cliff Robertson do well as her chasers, while Susan Strasberg looks on as the in- feriority -complexed, scholastic younger sister. She plays her part with excellent insight into its comic and tragic aspects. Rosa- lind Russell portrays with per- fection a neurotic old maid school teacher who is all too eager for marriage. But, although the film is well photographed and each scene is interesting, there are too many scenes and I, for one, was glad when the picnic was over. -red Flaman The State ..,. BATTLB in Outer Space" com- bines an amazingly versatile plot (there doesn't seem to be one) with rather well done technical effects to produce one of the worst of the new, and highly Hollywood- ish productions of the Japanese film industry. Geared to the ram- bling and juvenile mind this film, rather than introducing the usual philosophical questions of con- temporary science fiction, side- steps them neatly - they aren't mentioned. Acting and plot structure are strongly reminiscent of the cliff- hanger of the early 20's, and you have frequented war movies, junior high school plays and high school trips to Washington will find much to recall these memories. * * * "TWELVE TO THE Moon," a Columbia pictures release, is the I t 'LF IMI