AGE ..TWO THE MICHIGAN DAILY WEDNESDAY, OCTOBER 26, 1966 PAGE TWO THE MiChiGAN DAILY WEDNESDAY, OCTOBER 26, 1966 CHARGE DISCRIMINATION: Landlord-Picket Dispute Goes (Continued from Page 1) and his daughter. Its main con- tention is that the issue -is not one of rent, but of satisfactory agreement on lease conditions. The statement admits, however, that after the original complaints fromj the neighbors of the two girls, certain things were said-and done by all parties which would have been better unsaid and undone." This statement partially refers to charges by the girls that Mrs. Wagner had told them, through Miss Wagner, "that the Wagners wanted no Negroes in that house." According to the two girls, "We were to tell our Negro friends not to visit us at our house or we had to leave." The girls filed a complaint with the HRC on Oct. 3, claiming that the verbalbnotice given them to leave was based on racial consid- erations. By that time Joan Wag- ner, Wagner's daughter, had mov- ed outtbecause,according to the order, the relations between Miss Wagner and the two girls had be- come "intolerable." Notice About Oct. 13, an official evic- tion notice was served. The cause order charges that after the two girls complained to the HRC, they agreed to negotiate a lease with Carpenter and there- by "reduced their demands to money." This negotiation took place last Wednesday. The result was that the girls offered to pay $185 per month-they paid $165 originally -but that Wagner refused their offer because, according to the order, "the terms and conditions did not represent reasonable terms and conditions, and reflected, on the contrary, the adolescent atti- tudes of the defendants (Oakes and Johnstone) that the rental should be based on their ability to pay . . . that as part of said lease the defendants agreed to release all claims-by a mutual release-which they had or might have against the plaintiffs ... Terms The girls and the picketers claim that not only had they terms and conditions, bu Carpenter negotiated with agreed that the terms we and said that "If WagnE not accept these terms Ic stay on as his lawyer." Carpenter admits thatl this but claims it wasn't h to make such a comment. girls did not negotiate the rather they dictated the adds. From the rejection of th ner's terms to the presen munication between the parently has broken dow girls claim that Wagner ne them why he didn't acc terms, and believe in fa he wants them out. Never Asked Carpenter says that th never asked why the tern rejected, and asks, "If the want a lease what do they "This is a case of a ma ing mistakes in racial relati desiring to correct those m These people won't accel as sufficient. They want re To Court, offered He added that he thought the it that group's desire for public apology them, by Wagner would be "humiliat- ere fair ing." er does Board .... will not "We'll negotiate a lease with a five-man board with only one he said representative from our side (Car- is place penter) and agree to anything "These that board decides, whether it's terms, $160 or $240," he added, evidently im," he referring to the HRC panel. But the girls find it difficult e Wag- to accept Wagner's good faith' t, com- first, because the eviction notice parties remains; second, because there n. The have been no direct indications to ver told them that "mistakes were made," ept the and finally because they are pres- ct that ently being charged with serious allegations in the pending court case. he girls Thus, agreement is still far off. Phone 482-2056 -fxAv 4cOwCARPENTER ROAD FREE HEATERS OPEN-6:30 P.M. NOW SHOWING MARLON BRANDO ANJANETTE COMER JOHN SAXON Shown at O9:10Only THE APPALOOSAI TECHNICOLORO I ENDING0 TONIGHT "HOWLINGLY FUNNY" Bosley Crowther, New'York Tames MORGAN! DIAL 8-6416 U -THURSDAY- Woody Allen's "WHAT'S UP TIGER LILY?" . Goal of Generation: Variety Among Arts I ALSO Shown at 7; 05 Only TECHNICL.OR. PLUS- "CRUISING WATERS" COLOR CARTOON By CAESAR BLAKE The editor of GENERATION quotes Browning to support this year's first issue's ambition: "One may do whate'er one likes in Art." This means, in GENERATION, variety (among the arts), boldness, (not merely untried, but new), "fun" ("...make sure that one does like it"-continues Browning) -lots of antennae reaching here and there for maximum interest, and maximum coverage of what goes on in the arts -on campus. People write stories-and here are two: Lemual Johnson's as- tonishingly intense rendering of the critical moment of a teacher- priest's "going under," and Clau- dia Buckolts' dizzying projoction of a young man's quasi-mystical consciousness perhaps at the mo- ment of its self-defeated collapse. Mr. Johnson and Miss Buckolts are good, very good, but one minor suggestion: could she use some of his almost too stringent economy and tightness, and he some of her not always controlled power of amplifying .detail? The poets and lovers of poetry are well served. Martha MacNeal Zweig has just about everything: a good eye, a good ear, a rever- berating mind and imagination, and a pro's technique. "Impulse to Dissolution" reads well, over and over. Charles Silverman's "Un- titled," like Ju d y Stonehill's "Swing," has great verbal skills to recommend it, but doesn't it (or don't they) verge pretty close -to a kind of nervous strain that we are asked to take as wit? On the other hand, the poignancy of. Richard Widerkehr's "The Gam- bit" is clear, firm, and only vague- ly troubling in the working out of its image. There are photographs and prints to represent the visual art- ists. Jane Dreyfuss -admits she is just beginning photography and therefore we can excuse a certain interest in elemental contrasts of line and shape that seem not to be the final possibility of the very images her sensitive eye catches. Vita Shapiro's pair of photos of Will Geer caught the shadow and sunshine contrasts of his pensive and genial moods beautifully. The gay, free, whimsy of Steven Zapton's lithos is pleasing, though I thing it unnecessary (and fun- damentally mistaken) to call them "sophisticated child drawings in lithographs." Char-Lynn Smith'sl lithos are unequivocally "adult" or "sophisticated," as you please, especially in the group of .several ,finely done heads and faces. I don't know anything at all about scores for the guitar, but there is-Peter Griffith's here, com- plete. And all I can ask is, "Why not?" And there are essays that are not thunderously heavy with liter- ary criticism or philosophical nail- biting. Which is not to say that Jerome Segal's "On Ownership" is not very serious, and genuinely interesting. It is an extraordinary piece that gets hold of the old tradition of the familiar essay in its very personal idiom, and at the same time easily and dicreetly uses the devices of the discursive, documented article. As to its argu- ments, the last sentence of the essay works two ways. The other essay is an interview; with Will Geer, doubtless a fasci- nating person. Miss Richmond is to' be applauded for obscuring herself as questioner, but it is a bit puzzl- ing to wonder what questions Mr. Geer was answering from time to time. Several Geers seem to get started, but none continues long enough to be as interesting as the man surely is. Then, finally, Richard Reich- man's play. It is a lively, insistent piece of. business that occasionally gets hung on its own word-play (because the badinage gets noth- ing forward). I take it as a merit that one, gets echoes of the Brecht-Ionesco-Pinter m o d e s: Reichman obviously has a - sure sense of contemporary theater, and works well within its exigen- cies. There may be some awkward- ness in the resolution, but the play develops pretty carefully all along the, way. All in all, this issue does its editors proud. If it aimed for variety and amplitude, it got there clearly and, in a sense, differently, considering some past GENERA- TION schemes. The quality? As high and as even, I suspect, as the body of artistic effort it repre- sents. It may be helpful in future, though, to consider the difficulty in Browning's line, and guard against the. new that is not true, and against self-indulgence that masquerades as "art" of "love" or both. (For the sake of art, of course.). ms were ay don't y want? n mak- ons and istakes. pt that venge." I7IAN p, V SIZ'EN¢r 11 Cutler Offers Modifications Of Regents' Power Decision' DIAL 5-6290 "MEMORABLE!" -N.Y.Times "VISUALLY MAGNIFICENT!" - Newsweek 2OLhaNLURr'FOX presents GEDRGE PEPPARO 'JMES JASON CINEMASCOPE Coln r In DAMUX Shows at 1:00-3:35 6:15-9:00 Read and Use Daily Classifieds I I (Continued from Page 1) matters such as "drugs, behavior resulting from psychological dis- turbance and prostitution and other sex-related questions." Cutler's tentative plan calls for an expanded judicial group simi- lar to the Joint Judiciary Council that would include a lawyer and mental health expert to deal with specialized problems. Cutler says that he plans to "develop a system which will take into account the diverse nature of the University community" that embraces his "belief in the im- portance of student involvement and accountability for affairs which concern them," In developing the system Cutler said the University "must insure due process within a framework that is legally sound and defen- sible in the face of a court test." He also plans to "involve as broad a segment of the commun- ity as possible in the development of an effective and workable sys- tem." Cutler also suggested the need for a "University-wide standard for conduct" that "should take - carefully into account the tradi- tion of the University as an in- stitution devoted to the principles of freedom with responsibility." Dai Bring ly Classifieds IQuick Results I U U TODAY ot 1:00-3:00 5:05-7:15-9:25 1 fil Is m/ CINEMA II presents with Paul Newman Friday & Saturday 'J.' I I 7 & 9:15 P.M. U "EXTREMELY CLEVER . . . SOMETHING IN IT FOR EVERY- BODY, INCLUDING PROFESSIONAL SAFECRACKERS." -New Yorker Magazine COLUMBIA PICTURES JAMES jjCOBURN. 0a HERTDN0 CAMILLA SPARV E RAYN RRY-oROUH ROBERTEWEBBER TODD ARMSTRONG" Produced by CARTER OeHAVENPRUCINEATNCOR Writtena ed Directe by BERNARO GIRARD A DeHAVEN4I1RARDODUTO ATA OO presenGIs FREE SHOWING. TONIGHT. Aud. A, A.H. irc I .D. Required I '4 I 7:00 & 9:00 offers W GREAT EVENINGS" TUESDAY, NOV. 22 at 8:30 P.M. "FIDDLER ON THE ROOF" The International Smash Hit with Luther Adler At the Fisher Theatre in Detroit Round trip bus-fare Limited number of Tickets at $5.50 $2.25 members $2.50 others SUNDAY, DEC. 4 at 8:30 P.M. Annual Balfour Concert of Detroit, Z.O.A. Sol S. Hurok presents DANIEL BARENBOIM ITSHAK PERLMAN "A young master of the "Dazzling Violinist" keyboard" with the DETROIT SYMPHONY ORCHESTRA \/ALTFRPOOLE C'nnuctino The Greats of Movie Comedy PLUS! CRAIG OSCARSON IN PERSON (if the Friends of Film demand an 111111 1111