TUESDAY, FEBRUARY 21, 1967 PAG IK SIX . THE MICHIGAN DAILY PAOE SIX THE MICHIGAN DAILY TUESDAY, FEBRUARY 21, 1967 GTO Overhead Cam 2+2 Sprint 'Marat-de Sade': Lunacy Is Reality;TrioItalianod'Archi: G And now Pontiac Presents THE FIREBIRD Available in convertible and hardtop coupe with engines up to 400 cubic inches. Call Peter Thom-Klinger Pontiac's student representative for more information. Home Phone: 662-8820. Other times by appointment. KLINGER PONTIAC By ANN L. MARCHIO Peter Weiss' forceful and slight- ly disturbing production of "The Persecution and Assassination of Jean-Paul Marat As Performed by the Inmates of the Asylum of Chartenton Under the Direction of the Marquis de Sade," more commonly referred to as "Marat de Sade," was presented last night at Hill Auditorium. Sponsored by the University's Professional Theatre Program, the production is by the National Players Company, organized by Zev Bufman in October 1966 and composed of fifty American ac- tors, designers, director and tech- nicians. The company was created to produce contemporary drama as well as new version of stage classics. Carefully paced by the director Donald Driver the play has a number of effective motifs, among these are the whimsical motivation of the mob and allegory on the life of Christ. There is also a comic relief character in the form of the only sane man of the production, the director of the asylum, played by Edward Holmes. He serves to connect the audience with the ac- 2500 Jackson Road at North Maple 662-3221 IL - -I 3 U tion in a most obvious way, yet, the impact is even reinforced by the audience's laughter. The music, under the direction or Rod Derefinko, is another in- teresting highlight of the play. Although there is a strong sense of rhythm, the songs sound like elaborate recitatives, almost at home with Handel or Bach com- positions. A group of four figures, distin- guished by their make-up and choreography have a multiple pur- pose. At times they provide an animated and ethereal contrast to these serious speeches of the Mar- quis and Marat but also have two additional roles. They act as a Greek chorus when necessary, commenting and filling in the audience. And they become Furies, haunting and molesting the mind of Marat. In this rather incongruous and dynamic aura are juxtaposed the protagonist and antagonist. Marat, sitting in a literal bath of mortification, watches his high ideals concerning the rights of man in the French revolution be- come ineffectual because of the greediness inherent inhthe revolu- tionaries. Despite their victories they still yell, "Marat, we're poor Daily Classifieds Bring Quick Results and the poor stay poor." However, Perfec tio 1 he never gives up preparing his The Special Events Committee of Sesquigras would like to thank these Ann Arbor Merchants for their help in making Sesquigras the Best Weekend in 150 yeafs. The University Laundromat Folletts and Depth The Student Book Service Norm's Little Shop, Camelot Brothers Schlanderer's Jewelers Barnard's Tice's Men's Shop Ulrich's Book Store Village Apothecary Brown Jug Redwood and Ross Englander's Carmans Van Boven's Wikels Moe's Sport Shop Campus Bootery Wild's Men Store Discount Records (S. University & S. State) Saffell and Bush Drake's Stanger's Design Econo-car of Ann Arbor Michigan Pharmacy 4' UNION-LEAGUE ENDS FRIDAY Sign Up Now UAC Offices Second Floor of the Union FALL ORI ENTATION LEADER INTERVIEWS writing to incite action, even when By RICHARD PERRY sion that the Trio Italiano ex- his followers desert him. Ann Arbor audiences seldom hibits. Seldom has the writer heard qualities that bind him pbiiOs5- burst into a spontaneous standing such perfection of timing and such phically with Marat, but he rtas ovation, but the small group which clean articulation of both the rejected the idea of revolution. Ile gathered in Rackham last Sunday swiftest arpeggios and the longer feels that it leads to the death of thus rewarded the Trio Italiano architectural phrases. choice, as well as severs one's in- d'Archi.11Pashwvrmuteenb- dividuasstynThere exists a fine point where yond their perfect technique, for Imagination and the body are a chamber grouphpasses from play- the Trio Italiano plays nottmerely Imagnaton nd he odyareing well together to a state of the external structure of the mu-. his only existence. Although he breathing together. The Buda- sic, but reaches to its reflective began as a revolutionist, he was pest and Pascal Quartets, to name core. One finds oneself not mere- incapable of murder because the but two, achieved this ultimate ly listening to "performance" but revolution was a machine destroy- synthesis, and the Trio Italiano being involved in the "meaning" ing without emotion. For him, no must be added to this select list. of the musical ideas, and ulti- restless idea can break down the Many trios are composed of in- mately confronting, be it roman- wall of society, no pen break down dividual solo artists who come to- tic, one's self. its institutions. Igether for special performances The major work on the program In this. stunning and unique and provide most expressive rend- was Mozeart's Divertimento in composition of insanity and real- erings; few attain the technical E-flat major, K. 563, which this ity, the meaning of each is obscure. perfection and united musical vi- group has previously recorded (DGG 39150). All the above en- Fou daton Tonacomiums apply to the Trio's per- formance of this work. One could perhaps have wished for a slightly German House at Oxford in the Menuetto's so to provide a greater contrast between the move- vents, but this is a minor point. By JOYCE WINSLOW The two-floor addition will The members of the Trio Italiano A $100,000 grant has been pre- make room for a library. It will obviously own fine instruments, sented by the Max Kade Founda- have individual study carros, a for they produced an enormously tion for the establishment of a language lab, and equipment for rich and resonant tone. German Language House in Ox- mdividual listening to tapes and Bocccherini's Trio in D opened ford Housing. On the first floor will be a large tHayconcert. A contemporary of Plans for the house call fora all-purpose roam for academic Haydn, Boccherini displays all of two-floor addition to the and socialr eBh e the suprprise, wit, and tunefulness Cheever Co-op. rya apurpose rooma willebe and lacks only the harmonic rich- ai-conditioned. ness that we expect from the for- Applications for admission to mer master. The Trio Italiano's the co-operative House are avail- performance was sharp and lucid, "able in room 1076, FriezeBuild revealing the interplay of the ICE Ing and, must be turned in by Feb- three voices. ERSH I P MEETING ruary 28. Room and board will cost Written in 1959, Goffredo Pe- $715 for two semesters, the same trassi's Trio suspends us in a time- 1. SESQUISTRUGGLE price as all other Oxford units, less world devoid of Cartesian including The French House al- (tonal) coordinates. There is some- 2. CIA-NSA-U of M ready established in Oxford oHus- t h i n g strangely sub-molecular 3. Eing. about this beautiful music, as if ETC. 'The Max Kade Foundation of it were the soundtrack for a bub- New York is chaired by Kade, 84, ble chamber. The execution of this 00 Rm. 3G, Union a retired businessman who manu- work, stressing a machine-like am- factured Pertussin cough medi- bient in its perfection of,phrasing, cine. was evocative and moving. Vo GeNERAL MEMB DISCUSSION OF. IMPORTANT. TUES., FEB. 21 8:' 8: 1_________________i I "I've ironed my hair...tried lots of torchery things to get rid of natural curl." (This is how Dee Dee Dolan looked before using CURL FREE. And these are her own words.) "It's ob- noxious...not so much the ringlets... as the frizzy ends. I've tried all kinds of things to get the curl out but nothing does it. I have to set it in great big rollers...and just keep myfingers crossed.Whenever it's even a little damp outside...the set comes right out. My hair just hangs sort of bushy. "I've always envied kids who've had straight hair. I'd really love to wear those straightcollegiate styles. 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