PAGE TWO THE MICHIGAN DAILY TUESDAY. JANUARY 25_ 1AIIS PAGE TWO THE MICHIGAN DAILY TTTFSflAV JANTTAI~V o~ A i..' 11 1cx1, a14xiN L,-AJLVj za, 1y00 I nfODEST GOALS: Absence of Cello' Better Than Most PUBLIC AWARENESS: New Recognition Accorded Dance as Sophisticated Art Raincoats cleaned, waterproof $200 A & P 1-Hour Cleaners 312 E. Huron Cash & Carry 668-9500 LUNCH-DISCUSSION TUESDAY, January25,12:00 Noon U.M. International Center I SUBJECT: "RELIGION & POLITICS IN POST-WARGERMANY" (The role of religion in the German restoration) Speaker: DR. JAMES POLLOCK By PAUL SAWYER Hans Conried, Ruth McDevitt, and a competent cast brought a first-rate staged television comedy to Ann Arbor last night in Ira 1 Wallach's "The Absence of a Cello." The play, of course, is bet- ter than most of what passes for entertainment on television, but its goals-most of which are com- petently achieved-were modest. Its place in posterity will ulti- mately be as one of the better high school drama productions. Never- theless, under the experienced hand of some long-time pros in the field of light comedy, it man- aged, for two acts at least, to present many pleasant moments.- "Absence of a Cello" is an ex- ample of the peculiarly American temptation play, known as "The Folksy Eccentric versus the Puri- tan Ethic in all its Horrors" (that is, personified in the form of big business). The most popular ex- ample of this form was, of course, the Sycamores in "You Can't Take It With You." However, times have changed since then, for the "eccentric" family in last night's production, in spite of what they said about themselves, were folksy and nor- mal enough to represent what most of the audience probably would like to picture themselves. Differences Of course, there are superficial differences. The victim of this particular conspiracy of The Or- ganization is a famous (but very folksy) physicist (Hans Conried) who has gone broke and is now applying for a job with a large home appliance corporation. His drawbacks: he loves to play the cello, and his wife has published five books on the sources of me- dieval romances. Conned and his family try their best to put on a good front for the company's representative - Otis Clifton, an Anglo-Saxon Protes- tant version of the immaculatein- carnation - and there results a clever series of jokes at the ex- pense of the corporate image. For example, jinglism ("B & N man and wife/Lead the B & N way of Across, Campus TUESDAY, JAN.25 8 a.m.-Ann Arbor Goals Con- .ference registration in the Mihi- gan Union. 3 p.m.-The journalism depart- ment will present Charles W. Fer- guson, senior editor of "eader's Digest," speaking on "Reading as a Metaphysical Experience" at the Rackham Amphitheatre. 8' p.m.-PTP presents ACT in Moliere's "Tartuffe" at Lydia Mendelssohn Theatre. 8:30 pm.-The School of Music 'presents the University Woodwind Quintet in Rackham Lecture Hall. WEDNESDAY, JAN. 26 4 p.m.-A Department of Zool- ogy Seminar presents C. R. Aus- tin of Tulane University on "Mechanisms of Sperm Entry in- to Eggs," at 1400 Chemistry Bldg. 7:30 p.m.-The college of engi- neering presents Brice Carnahan of the departments of chemical engineering and biostatistics, speakng on "An Introduction to Digital Computers and the MAD Language" in the Natural Science Aud. 8 p.m.-PTP presents ACT in Moliere's "Tartuffe" at Lydia Mendelssohn Theatre. 8:30 p.m.-The School of Music presents the Stanley Quartet in Rackham Lecture Hall. ORGANIZATION NOTICES USE OF THIS COLUMN FOR AN- NOUNCEMENTS is available to officiay recognized and registered student or- ganizations only. Organizations who are planning to be active for the Spring Term must be registered in the Office of Student Organizations by Jan. 27 1966. Forms are available in Room 1011 SAB. University of Michigan Amateur Ra- dio Club will hold a meeting on Wed., Jan. 26 in 4511 E. Engrg. at 7 p.m. Organization of theory classes. Speaker: Prof. Mouzon. Topic: "Antennas." Bahai Student Group, Fireside dis- cussion: "A Basis for Ethics?" Fri., Jan. 28, 8 p.m., 3545 SAB. All wel- come. Near East Studies Club, Lecture: "The Humanities and the Social Sci- ences: An Artificial Dichotomy Re- visited," Dr. Grabar and Dr. Schorger, Jan. 25, 8 p.m., Lane Hall. life"); the New Rhetoric (a new nqun, "isolate," is invented; after all, "Why let syntax stand in the way of progress?"); 'conformity and mediocrity ("We don't mind a questioning mind, but with one restriction-that he ask the same questions we do"), etc. It is one of the subtler ironies of this play (if there really are any) that Conried himself possess- es the genial, easy-going pragma- tism of most Americans, while Otis Clifton represents the darker, m o r e ruthlessly ends - directed pragmatism popularly associated with the pre-Roosevelt American business ethic. Inevitable And so the situation goes mer- rily enough, until the third act, when the inevitable happens. In the third act of most modern American comedies, stage and film, the author has two tasks: to resolve everything for the best, in spite of all improbability of char- acter; and to start to take your- self seriously. The professor's wife suddenly realizes that she and her husband have been "demeaning themselves" in front of Mr. Clifton, that in fact, they have "betrayed their honor." The sister of the family cooes some phrase about "You can choose your lives, but not your truths." Most repugnant to me was the attempt, which generally failed, to turn Otis into a good guy after all so' Conried can get the job in spite of everything. The popular appeal of this play lies in its ability to lampoon the more obvious foibles of American bourgeois status-seeking while pre- senting to the audience a set of characters that, in true fact, rep- resent a similar bourgois way of life more acceptable to all. It is only when it tries to take itself seriously that the play fails. By JOHN CRUMB, JR. A very sophisticated range of dance styles was performed be- fore supposedly unitiated, un- responsive Ann Arbor audiences last semester. Yet these perform- ances, particularly by the Paul Taylor Dance Company and the Alba Reyes Spanish Dance Com- pany, were enthusiastically at- tended and applauded last season. The news that dance is no long- er a European phenomenon and that its appreciation has penetrat- ed t h e American continent through the two coasts even into the suburbs of Ann Arbor, should have by now reached University administrators. "West Side Story" requires skilled dancers, so does the Gilbert & Sullivan Society and the Soph Show. The Music School's Opera, Max Reinhardt's "Rosalinda," re- quire prima ballerinas, a tradi- tional essential of opera. Dance as Art The University must think of dance as a sophisticated art, not just another form of physical exercise. Like any other art, dance is an attempt to communicate through a medium, in this case, the human body. Like any other art, it demands mental effort, perhaps more than the other per- forming arts because of its total involvement of the body as the instrument of art.' The University would do well to support dance here. Among other things, dance would en- courage a further cooperation be- tween the Music, Theatre and Art departments of the school, now drifting apart with the rapid phy- sical expansion of the University. Dance exists in dependence on elements of all three. "We must turn away many stu- dents each semester," said Doctor. Ester E. Pease, Superintendent of Women's Phys. Ed., "because we just don't have the facilities to accommodatethem. The classes we have number more than forty students in each. We hold classes in the halls of Barbour Gymna- sium, which is reputed to be the worst university phys.ed. building in the state. It is ill-heated,, ill- lit, ill-ventilated. "It has no large mirrors or ballet bars. Nor has it showers or dressing rooms for men. And men are essential to any effective dance program. It has only one room adequate for dance rehearsals. I even hold classes in the conference rooms. "This building must be used by the total Women's Phys. Ed. dept. as well." No Stage The University has no stage adequate for presentation of the dance. The only theaters on cam- pus that may be used by the dancers are Lydia Mendelssohn, Trueblood, Rackham Auditorium, and Hill Auditorium. Trueblood Auditorium has a miniscule stage appropriate only for chamber music concerts lectures, and lacks wings. and Hill Auditorium has an immense stage appropriate for orchestra concerts, but is again with out wings or make-up rooms and showers. Lydia Mendelssohn and Trueblood are drama stages built of soft wood which splinters, with a protruding iron-rimmed trap door in center stage and gouges left from stage crews. Pease said, "Never have we performed in these theaters but one of the dancers was seriously hurt." Autonomous Dance at the University should be autonomous from physical edu- cation, represented on an equal footing with the other art de- partments. It should have its own facilities, its own course requirements, pro- viding for the student who would be a performance major, as well as the one who would teach dance in primary and secondary schools. Other progressive schools like Bennington, Juliard, Ohio State, Indiana and Illinois have such facilities and programs. Let Mich- igan be next. I I For reservations, call 662-5529 U Professor of Political Science Sponsored by the Ecumenical Campus Center IQC & ASSEMBLY PRESENT OBSAT F EUB 5 8:30',P.M. Hill Auditorium Tickets $3.50-$3.00-$2.25 BLOCK SALES JAN. 27 INDIVIDUAL SALES Begin Jan. 31, 8:00 A.M. HILL AUDITORIUM BOX OFFICE MOLIERE FARCE : 'Tartuffe' Makes Debut The American Conservatory Theatre production of Moliere's wild F rench farce, "Tartuffe," will receive its Ann Arbor premiere tonight at 8 p.m. at the Lydia Mendelssohn Theatre. The play, the third ACT production to be presented by the University's Pro- fessional Theatre Program, is the story of a religious hypocrite who plots to gain control over an entire Parisian estate. His complicated efforts and eventual success, together with his immediate downfall at the end of the play, provide t he script with a host of classic farcical sit- uations. The play will also give Ann Arbor theatregoers the chance to judge the range and scope of the ACT Company. Following the terse, controversial drama of "Tiny Alice" and the biting satire of "Beyond the Fringe-'66," a suc- cessful production of "Tartuffe" would be an excellent example of the "flexibility" which William Ball, the founder and general di- rector of ACT, considers to be so vital to the life of repertory thea- tre. DAILY OFFICIAL BULLETIN' The Daily Official Bulletin is an official publication of the Univer- sity of Michigan, for which The Michigan Daily assumes no editor- ial responsibility. Notices should be sent in TYPEWRITTEN form to Room 3519 Administration Bldg. be- fore 2 , p.m. of the day preceding publication, and by 2 p.m. Friday for Saturday and Sunday. General Notices may be published a maxi- mum of two times on request; Day Calendar items appear once only. Student organization notices are not accepted for publication. TUESDAY, JANUARY 25 Day Calendar Ann Arbor Goals Conference-Regis- tration, Michigan Union, 8 a.m. Management Development Seminar - "Disciplinary Process and Grievance Handling": University Medical Cen- ter, 8:3 Oa.m. Management Development Seminar - "Better Letter and Report Writing": 'Michigan Union, 1:30 p.m. Dept. of Journalism Lecture-Charles W. Ferguson, senior editor, Reader's Digest, "Reading as a Metaphysical Experience": Rackham Amphitheatre, 3 p.m. Professional Theatre Program Per- formance-American Conservatory The- atre Company in Moliere's "Tartuffe": Lydia Mendelssohn Theatre, 8 p.m. School of Music 'Concert-University Woodwind Quintet: Rackham Lecture Hall, 8:30 p.m. Lecture I by Louis Lomax-Original- ly scheduled for 8 p.m. at Hill Aud. has been cancelled. Special Lecture-Charles W. Spencer, field engineer, Tektronix, Inc., will speak on "Theory and Applications of the Oscilloscope," on Tues., Jan. 25 at 7:30 p.m. in Room 1300 of the Chem- istry Bldg. General Notices, 5-Hour Special Topics in Chemistry. 7th Series: Dr. Hans H. Brintzinger, University of Basel, Switzerland, will speak on "Metal Catalyzed Reactions." The second topic of the series will be "Catalytic Reaction Path Involving Insertion Reactions," to be given3on Wed., Jan. 26, at 8 p.m. In Room 1300 of the Chemistry Bldg. Honors Colloquium in Curriculum and Instruction: Sponsored by the De- partment of Curriculum and Instruc- tion, Bbool 'of Education, for a se- lected group of advanced ',,octoral- students-7 p.m., West Conference Room at Rackham. Topic: "Knowledge Structure and the Curriculum." Regents' Meeting: Feb. 11 (instead of Feb. 18). Communications for con- sideration at this meeting must be in the President's hands not later than Jan. 28. Law School Admission Test: Appli- cation blanks for the Law School Ad- mission Test are available in 122 Rack- ham Bldg. The next administration of the test will be on Sat., Feb. 12, and applications must be received in Princeton, N.J., by Jan. 29. National Teacher Examinations: Ap- plication blanks are available in Room 122 Rackham Bldg. for the National Teacher Examinations. The next ad- ministration of the test will be on Sat., March 19, and applications must be received in Princeton, N.J., by March 4. Summer Intern in Washington: Those students particularly interested in working for the United States Infor- mation Agency this summer should contact Charles Monsma, summer in- tern counselor, at 764-3492 immedi- ately, as the closing date for filing applications is Feb. 1. Applicants must be at least juniors. Openings exist in many fields, especially radio-TV for- eign languages, international relations, or any communication skill. Another general meeting for all students in- terested in working in Washington this (Continued on Page 5) MCHIGgM 2ND WEEK Direct from its Roadshow Engagement PREMIRES ODAY U NO SEATS RESERVED Shows at 1:15-3:50-6:30-9:00 Mats. $1.25; Eves. & Sun. $1.50 ~: 20th Century-Fox presents hri PTP PROFESSIONAL THEATRE PROGRAM /21'e4h te 'IN I A.C.T. AMERICAN CONSERVATORY THEATRE I =* COLOR BY DIE ILUXE CINEMASCOPr: "COMEDY HAS A NEW FREEDOM! It swells -with joy, zest, delight in the world! A great film! Moviegoers can re- joice now!" -Newsweek Magazine 9@ ...adhe e i t'd THSRC1RRCM ED T RAY BROOKS MICHAEL CRAWFORD DNAI. DONNELLY "A madly whirling carnival of rnirth!" -Pittsburgh Press. "Shimmering and immensely appealing displayof style- thundering success!" -Pittsburgh Daily-Dispatch "Stunningly recreated N.Y. hit!" -Pittsburgh Post-Gazette THE 1965 LINCOL N CENTER HIT! In a New Version By RICHARD WILBUR Under the Direction of WILLIAM BALL . .. . 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