PAGE TWO TUF Mi'f'.HIFC. A m nA irT.v ____________ ..________________________________ . a ii.l~i. JRKUV ,l~l R L Y FRIDAY, JANUARY 21, 1966 British Film Praises Irnocence of Youth Consider Housing, Bookstore TV Contract Forces Writer's Cancellation By PAUL SAWYER With "The Knack," British director Richard Lester takes his place (beside Paul Goodman, maybe) as the English-speaking' world's foremost singer of the praises of youth. His latest film has all the gay abandon and frisky iconoclasm of his earlier work; but it is above all an ex-' uberant hymn to youth and in- nocence. In fact, it is just one in a recent series of British films dealing with the subject - the '"young inno- sents" have apparently supplanted the "angry young men"-all, of which have wide-eyed, plain-faced post-adolescents -like Rita Tush- ingham as their hero. This film, adapted (quite freely, I gather) from a play, features Ray Brooks as Colin, an energetic young schoolteacher living girl- less in the heart of London and growing more restless with each day. His tenant, one Tolen, is a cynical sophisticate of the Steer- forth tradition who successfully, hooks one girl after another, op-' erating on the assumption that all girls like to be dominated. It looks as though innocence dosen't have a chance, until Colin and his friend Tom, a ne'er-do- well artist, run into the inevitable Rita Tushingham, who has been endlessly in search of the nearest YWCA. There follow a series of delightfully imaginative scenes, including the most unusual rape scene you will ever see. In its infatuation with youth, "The Knack" trusts no one over 30. Adults appear from time to t i m e in various hypocritical guises, and much of the sound- track is loaded with gossipy voices censuring the present immorality of young people. In one brief moment, a voice asks "Where do they get it from?" while a milk truck pulls into view carrying an ad with a bare-legged girl on it. Tolen is himself too old for his years. He is always excessively mature, and Tom and Colin's playful spontaneity strikes him as "childish." In a larger sense, the film is in its own way a protest against hypocrisy and pettiness in general, an angry-young-man film without bitterness. Lester's filmic technique, as usual, augments the general mood of spontaneity and freshness with its flowing photography, and oc- casional impulsive leaps into fan- tasy and pure nonsense. In the sequence, for example, in which Tom, Colin, and the girl ride across London on a rolling bedstead, Lester puts them now on top of a truck, now floating down the Thames, now seated beside a parking meter. It's done mostly for fun, but occasionally these fantastic scenes function as ob- jective correlatives, if you will, of 'the general mood of the char- acters. In the same sequence, moreover, the bedstead itself, bouncing mer- rily and emptily down the streets for all to see, is a kind of embodi- ment of the fundamental inno- cence the film celebrates. It does not seem likely that Les- ter will go on forever making un- self-conscious films about unspoil- ed youngsters and be successful each time. But "The Knack" suc- ceeds. Aided by lively pacing, a clever screenplay, and some re- markably endearing characteriza- tions, .it is a real pleasure from beginning to end. (Continued from Page 1) stantially aid work in the area of housing?" Bodkin: "The concept of the SHA is to broaden the field of work in the area of housing and to strengthen student support and participation within the organi- zation. I believe student support and energy are important if hous- ing problems are to be effectively handled by students at all.". The motion asking for SGC to conduct a survey of student opin- ion on the war in Viet Nam was defeated because of disagreement on the method of the survey. Several Council members said that the motion sponsored by Bodkin and Jack Winder, '67, did not provide for a valid sampling of student opinion because it would only question 300 students on the issues. Steve Schwartz, '67, said, "I don't believe that the return on 300 questionnaires, which would be somewhat less than 300, would be representative of either the.300 persons consulted or of the 35,000 students on campus." Bodkin said that the figure of 300 was recommended by a re- search assistant affiliated with the Survey Research Center. Bodkin added that another mo- tion would be brought before SGC after agreement on a method for conducting the survey and speci- fically upon the number involved in the survey. Schwartz said that the most im- portant consideration is the or- ientation of the persons sampled. He commented, "The outcome of the survey will depend upon whether the people questioned are in the 'middle' on the Viet Nam question, or whether they are strongly in favor or against the war there." There were other questions in the survey debate: --Would a mailing or interview situation be most accurate and feasible? -Should the questions be "yes- no" or should they be interpreta- tive? -Would it be feasible to have the Survey Research Center con- duct interviews for the survey? -Should the sociology, political science and psychology depart- ments be invited to join in mak- ing the survey? Mickey Eisenberg, '67, said, "We have to answer questions on sta- tistical procedures and alternative methods of handling this type of survey before we can hope to of- fer up valid results." A motion was passed allocating $10 to have a statistician present to SGC viable methods of mak- ing a valid survey. The statisti- cian is expected to make the pres- entation at the next SGC meet- ing. The letter criticizing Cutler for his role in the formulation of a recommendation regarding the University Bookstore was printed in its entirety in The Daily yes- terday and was signed by the SGC Bookstore Committee., The motion requesting SGC to endorse this letter was defeated for a variety of reasons: Bodkin said, "The letter lacks timing. Cutler would have spoken to SGC, but since the letter ap- peared he was reluctant to meet with Council. Furthermore, the letter lacks clarity and indicts Cutler without explaining Cut- ler's stand." Laura Fitch said, "The general relationship between students and the Office of Student Affairs should be the central focus of SGC, not one issue within this relationship." She said further, "The issue is distorted and the letter has al- ready dealt its effect by making Dr. Cutler hesitant to comment outside of official statements. The question is now whether he can, in his position, publically disagree with the Regents or whether he can actually serve as a go-between for the students." "We must show that we are in- terested in the relationship be- tween the Office of Student Af- fairs and students. Can Dr. Cut- ler do what he has promised to students--open channels of com- munication? This is the basic question," she concluded. Bodkin commented on the posi- tion of the Office of Student Af- fairs as related to the hierarchy of the administration and stu- dents. He said that SGC should draw up a letter of concern about the relationship. Steve Schwartz, a sponsor of the motion, said, "We must find out whether Vice-President Cutler is institutionally aligned with the administration, committed to the students, or in the nebulous middle." (Continued from Page 1) Last Friday, January 14, the radio-television corporations in- sisted on Lomax signing contracts which, due to taping schedules, would impede his leaving Los An- geles at any time. If he did not sign at this time, any opportuni- ties for future developments would be completely lost. According to a statement re- leased by the committee Lomax "had no choice" but to sign the contracts, feeling that the oppor- tunity they afforded him to per- ture writer-in-residence program, form a vital service to the Los but they are hopeful that al- Angeles area, and especially the though the Lomax program has Negro community, required him proved disappointing, the entire to cancel his University obliga- idea of such a program will not tions. be abandoned. As is evidenced by In describing Lomax's present the great demand and warm re- situation, the committee express- ception to Lomax's proposed visit, ed its "appreciation to Mr. Lo- the committee is confident that max's honesty and present in- any future programs of this na- volvement in the deeply troubled ture would be highly successful. Los Angeles area." At present the committee has made no plans concerning a fu-I' "16 ~~1 s'- In Detroit .. . CONCEPT EAST THEATER 401 E. Adams Shows at 1:30.4:00-6:30 & 9:05 Weekday Matinee-.$1.25 Evenings & Sunday-$1.50 IF YOU HAVE ONLY SEEN IT ONCE, YOU HAVEN'T SEEN IT AT ALL THE BIGGEST BOND OF ALL! z~ t r presents Harold Pinter's "THE CARETAKER" I I Fri., Sat., Sun.-Thru Jan. 8:30 P.M. _ "" "" """' ~ ~ ~ ~ row. MICHIGAN 2ND WEEK Direct from its Roodshow Engagement . ". ^: <::>:= ;L ; x> ,' i x ;:<: :t:s i :: ;: ; {;>: .:be« "x ii ' _-. .:. .. ' . k:: NO SEATS RESERVED Shows at 1:15-3:50-6:30-9:00 Mats. $1.25; Eves. & Sun. $1.50 middle." X. 20th Century-Fox Presents S. 4 IN FREE UNIVERSITY: Group Aims at Creativity, Professional Theatre Program presents the National Tour of WINS CUNRI-EDl SIENCE I TEbKEVIN MAcO , PANAVMSO INI i ,1 uNiwEDARTSS COLOR BY ofELUXE CINEMASCORE (Continued from Page 1) another associate said.,' As the group's course syllabus says, the university involves. "a basic com- mitment to the idea -that intel- lectual creativity demands intense and serious involvement with the subject matter and that it de- mands the utmost in effort and precision." The university has not taken any of its ideas for curriculum or teaching methods from other free universities, associate Harvey Feinber said, though it has been inspired by them. The associates emphasized that they expected the curriculum to evolve as the university progresses. "If classes are not demanded they. will be dropped. Classes will be created when someone feels the desire to discuss his ideas with someone," one associate said. No location has yet been set for the university's classes. That will be established, along with the classes' meeting times, at regis- tration. 'en courses will be offered ini- tially. They are: "An Approach to Historical Theory," to examine the internal processes of history; "Block," a study of jazz; "Con- versations about America," a lit- erary look at the nature of the individual as an American; "Ed- ucation," a study of a teacher's role in society; "Marxism and Art," a study of Communism's in- fluence on art; f "Modern Film," an analysis of the film as an art medium; "Modern Political Econ- omy," a study of values, power and economics in America today; "Poetry Now," on the social rele- vance of poetry; "Power, Policy, Elites and the, Structure of Amer- ican Society," an analysis of the structure of American society; "Workshop on Art and Values," a study of the relation between ar- tistic experiences and the forma- tion of social values, and "Pros- pectus for Contemporary Music," a study of modern music as a whole. "An Approach to Historical Theory" will be limited to an en- rollment of 10 students, "Block" to 15 students and "Structure of American Society' 'to 20 students. All other courses will have unlim- ited enrollments. by IRA WALLACH *,RUTH McDEVITI 4, I 8:30 P.M. MON., JAN. 24 HILL AUDITORIUM HILL AUDITORIUM BOX OFFICE OPEN THURSDAY & VIfO 10-5 U1 '' 6 ZZLES.! Director Richard Lester has up and done it again . . with a camera that whizzes like a slap-stick in the hands of an old burlesque clown, he whips through this neo-Keystone business, flashing sight gags and fast throw- away lines. A wild and candid spoof of masculIine - sex drives!" "COMEDY HAS ANEW FREEDOM It swells .with joy, zest, delight in the world? A great film! Moviegoers can re- joice now!" - Newsweek Magazine ...and mw ogWetits BEST PICTURE CANNES - °FRAMFESTIVAL !PI WT E5 1965 $III TU ':.,. ECMMIVEDFq RAYBRDOKS MCHAEL CRAWFORD DONALDONNELLY F -, 483-4680 LNanceo CARPENTER R00AD FREE IN-CAR HEATERS NOW SHOWING CHARLON HESTON 'mWR RICHARD LORD? TECHNICOLOR® BOONEPANAVISION@ PLUS - an ALIED ARTISTS release { r~ 4'It huIiN I OFFICE HOURS Circulation-764-0558 Call between I and 4 Classified-764-0557 Call between 1 and 3 0 * J NMI TODAY AT 8:00 P.M. Today 4~1 ~igj MdS I :,3 PTP PROFESSIONAL THEATRE PROGRAM pejeh t4 A.C.T. AMERICAN CONSERVATORY 1 THEATRE 1 t I r TONIGHT at 7 and 9 P.M. f t r. t William Weilman's r , f , Public Enemy starring r James Cagney Jean Harlow Joan Blondell "Tantalizing!" "Stunning !" -N.Y. Times -N.Y. Post IA "Wildly imaginative !' --Saturday Review "Electric excitement!" --Pittsburgh Press I A A - N l & w 1 m r l - .r-- rI M I ti:::: 1 IM L7 I li°% W 1 -