PAGE TWO THE MICHIGAN DAILY WEDNESDAY, NOVEMBER 17, 1965 PAGE TWO THE MICHIGAN DAILY WEDNESDAY, NOVEMBER 17, 1965 MOSCOW PHILHARMONIC: Underdog' Svetlano With Life, Bests IKo IN MAGNA CARTA ESSAY: Kamisar Contrasts Station-Courtroom Procedures v Directs -9 -9 By JEFREY CHASE Program Moussorgsky-Shostakovich: Pre- lude to Khocantschina Rachmaninoff: Symphonic Dances, Op. 451 Mendelssohn: Violin Concerta in E minor, Op. 64 Debussy: La Mer (The Sea) From Dawn till Noon on the Sea Sport of the Waves RARELY PERFORMED: Dialogue of the Wind and Sea A concert is only as good as theI musical knowledge of the man in charge. It is not enough for the orches- tra to make lovely sounds; thati man in charge must know how those "lovely sounds" fit into the scheme of the music being per-: formed. With this second performance of the Moscow Philharmonic Orches- 'U' Players To present 'Henry VP in Repertory rh The hypocrisy which has long "In the courtroom, the defend- to remain silent, his interrogators of the most truly libertarian clause bar who have come to accept the n d r sh " prevaded our criminal procedure ant is presumed innocent; in the simply will not let him." of the Fifth Amendment'." many procedural rights surround- is dramatized by comparing the police station, the proceedings us- Kamisar writes that "police in- Show in the Gatehouse ing the accused in the "mansion" contrasting conditions in "the ually begin, 'All right-we know terrogators may now hurl jolting Kamisar indicates that what are bitterly resisting the "exten- tra-last evening, with Igor Ois- gatehouse" (police station) and you're guilty; come through and questions where once they swung the landmark 1964 case of Esco- sion" of these rights to the "gate- trakh, solo violinist-one is of- "the mansion" (courtroom) in the it'll be easier for you'." telephone books, may now play on bedo vs. Illinois and other recent house." fered an opportunity for close day-to-day operation of criminal While the accused has his law- the emotions where once they re- confession cases signify Is that the range comparison of two men's law. yer at his side in the courtroom, sorted to physical violence." But, U.S. Supreme Court's focus has Escobedo Case control over the same ensemble Prof. Yale Kamisar of the Lawin the police station the suspect it is no less true today than it shifted from the show in the The Escobedo case may mark in the same hall and before a School points out these differ- usually neither has, nor is advis- was 30 years ago, that, quoting "mansioi" to the show in the a new chapter in constitutional- similar audience. ences and their legal implications ed of his right to get counsel. Ernest J. Hopkins, 'in every city "gatehouse." criminal procedure which the court Kondrashin Mediocre in the lead essay of "Criminal No Silence our police hold what can only be However, 1 a w enforcement cannot yet agree how to write, Monday evening conductor Kir- Justice in Our Time." In themansion, the accused not called outlaw tribunals-informal spokesmen and members of the points out Kamisar. it Kondrashin led the orchestra to' Magna Carta Essays only need not answer questions, and secret inquisitions of arrested - -___---___________________-_____ only mediocre results ,often mask- The collection of Magna Carta unless chosen to take the stand persons-which are, terminology ing the real meaning of the mu- Essays has just been published in he may not be asked any. The aside, actual and very vigorous sic in affective or crude color high- honor o fthe 750th anniversary of gatehouse scene shows a different trials of crime . . . Centering all lighting of the instrumental Magna Carta by the University picture. "Even if the suspect is upon the confession, proud of it, !h Un of kAh sounds..Press of Virginia. that rare and troublesome type staking everything upon it, the T e Iersity e M ICUI9O Conductor Evgeni Svetlanov In the gatehouse, writes Kami- who knows of (he is likely not to major cannon of American police showed us on Tuesday evening sar, "the enemy of the state is a be told) and insists on his right work is based upon nullification Gilbert and Sullivan Society that a performer need not __ _ __ _ __ __ __ OlusUarf depersonalized subject to be sized fice opulence of color for clarity of line and projection of musical up and subjected to interrogation meaning in form. Music- is a liv- tactics and techniques most ap- Presents ing art and the listener only knows propriate for the occasion. He isT what is communicated by under- game to be stalked." standing what is being built to By contrast, "once he leaves the and what is done once the apex 'gatehouse' and enters the 'man- 6 has occurred. sion'--if he ever gets there (most Too many performers miss the defendants plead guilty and don't) forest for the trees. -the enemy of the state is re- Many people, if they had to personalized, even dignified, thejM A SS tM EETIN G choose between the two concerts, public invited, and a stirring cere- probably elected to attend the mony in honor of individual free- Kondrashin-conducted one be- dom from law enforcement cele- Tickets on Sale9A .A. P.M . cause that man is better known brated." Sunday Nov. 21-7:30 P.M in this country; but, alas, it Court vs. Station Nov. 17-19; 22-4--SAB was the underdog - Svetlanov - The conflict of interest between LEAGUE BALLROOM Nov. 1-19; D-2-SA who scored ahead from the out- the accused and the state in the Nov. 29-30; Dec. 1-4--Lydia Mendelssohn Theatre set and maintained his lead to the courtroom is mediated by an im- Wed. and Thurs. Performances-$1.50 end. partial judge, but in the police Rachmaninoff station, "although the same con- To- nJFri. and Sat. Performances-$2.00 The Rachmaninoff Symphonic flict exists in more aggravated I To Be nnounceC Sat. Matinee-$1.00 Dances offer ample opportunity form, the law passes it by," points I for the makings of a cheap, melo- out Kamisar. p By LINDA WALZER Shakespeare's "Henry VI" will, be presented in repertory No- vember 17 through December 5 in Trueblood Auditorium by the Uni- versity Players. Because of the huge technical demands of the script and the many complex ma-, nipulationsinvolved, the play is rarely performed in full. This isj thought to be the fifth time a complete threenpart sequence has been given in one season. Robert BcGill, Grad, who plays the Duke of York and is the! business manager, describes "Hen- ry VI" as a study of period, not of individual characters. Many small roles are very important to the play, he says. The play in- volves many battle scenes: over 200 costumes and 40 sets of ar- mor are used. Ross Young, Grad, is the costume technician and pro-1 vided these. The play is jointly directed by William P. Halstead and Richard Burgwin, with the as- sistance of Claribel Baird. They are all professors in the Depart- ment of Speech. Martha Patterson, promotions director of the UP, states that many battle scenes included in the original play are cut out of this presentation, for the reason that they are unnecessary and unde- cisive. In addition, some 300 lines of "Richard III," a later play by . Shakespeare, have been included as an epilogue. By this addition, it is believed that the story will be rounded out and many ques- tions answered. "Henry VI" has been criticized by many people. For a long time. the authorship has been in doubt. Now, it is generally accepted that the plan and the majority of the writing is by Shakespeare, Mrs. Patterson said. The play is one of Shakespeare's first and is some- times called the work of an im- mature playwright. Mrs. Patterson states that, although the poetry involved is not as in later works, his sense of theatricality or his ability to dramatize were alreadyI present. This is evidenced through the moving scene where a father finds he has killed his son and a son finds out he has killed his father. This, she states ,is per- haps the most beautiful scene in! the play. Mrs. Patterson added that she believes the cutting and the adding of an epilogue has helped to make the important scenes stand out. Because the complicated chron- ology tends to become confusing at times. it is honed that a large3 dramatic monstrosity, but in the hands of Maestro Svetlanov they emerged as a rythmically vital piece with fine sense of form and line. One couldn't help notice the tympanist, especially during his solo in the first movement. And again in La Mer the most was Imade of the "kitchen cabinet"-I tapestry hung on the stage which but always in the best of taste. follows the family tree from Ed- Many might have been surpris- ward III through Edward IV and ed to hear the alto saxopohone Richard III will enable the audi- solo in the Rachmaninoff. No, ence to follow it more easily. A classical composers are not prej- second tapestry locates the geo- udiced if the sound fits! graphical action of the play in Igor Oistrakh, son of David, did France and Europe. an admirable job with the Men- This will be the first play of the delssohn concerto, especially in the year for the University Players, final movement, which moved in who ordinarily present seven ma- a very molto vivace allegro. Son jor productions in the winter and Igor is in an unfortunate situa- five in the summer session, with tion, however, because he will be two recently added for the spring forever compared to his father, session. This is the 25th Shake- thought by many to be the finest spearean play to be presented. violinist presently concertizing. I SUBSCRIBE TO BOTH ACT and PLAY OF THE MONTH and receive an EXTRA DISCOUNT 0 4 0 - ,: flM 1 ... _r f" . i ai r tr. iiieeY. 3i C itf? , .. _,,