Page Two THE MICHIGAN DAILY Saturday, November 22, 1969 k~ge f~ THE MICHIGAN DAILY Soturdoy, November 22, 1969 By JIM IPETlERS ? t wnI hope that the ::ex Powxer Arts Center is completed soon. for ichganhasan opera coin- , 3 2'{ ; xf xJ ' fF pany that deservesc the best. In the opening n1-It of Jules Mas- 1 r y , senlet's Manon, lywhich will play thrIoughi Monllday, maestro Josekf Blatt anld his troupe lpreselnted( a ner'- perfect performance of a this Romantic classic, a superb combination of talent and a r- tistic ability. The typically comiplica ted >c" ars c v storx'line of yo3ung Manion's ~Y Sa t> t jsear'ch for" glam2or and glitter which ends in disaster could be eaisily followed fromin latt's poetically simple translation of .", .'the French original. With the st aging cap~abilities of Ralph Herbert, the twxo lproduced at version which does not bow to thle e f f u s Iv e sentim~entality' ;. wich could destroy the energy of1 the opsera in a flood of tears. Th'le unforced rhymes, the mnas- '> V tcrfully ironic unending d~finner t t x s x ,.u;of the Parisians in Act I whichi foreshadows the pala tr Y to y xfollow. the artificial agrof de Bretign in AcL II played ° sr; {,P x#eu with exact ness--all these pr'o- Q: ~~~vided a strong vehicle for theNI ils excellent singing of the prin- t ~ k~t GwenldolynSchleffel's Manion was a living character; we could {''k f '",c "' Y Pik Q K J , w seeY' ysv '_ SE her' grow and changTe, though.'l the marvel of her fine voice wa Gs splendidly consistent, From hler va ?cis of stones tand rivx- em'rad nount a;iisare also hutdb ghssand tnex- :amed_ xoiu s, i t ipi)by t lh e St ang lihtof lie hnagina- 1Idaily Classi fwcds GFF 3020 We lhtenow, Ph. 434-1782 r twenYpsilanti & Ann Artor SHOW TIMES tion xwhich sesA iMhars suc things: ''Somnetinwes on thtele 1phonle the one you ha fge ar and _gh1ostly voies wi-sltprin. 3'oil think they are trom ntother iv ires. Youm think they are.'' He is constantly conred with the dialogtue of memor1uy betxxeen the past a1nd; the pre:- snt, and tthiings 'thal :t t h e deadsay o te liing;andit is, a conUcern iledxv h te- derness of a xh nws that the strange ange ls Iitend''(7 us no harm. I"atll Jom'.and T1he F1arm onti ew Gre: _at Plains are marx'clous xmls Stafford is the, kind of mani wvho is tender, o lern love, and totugh at the e times. Hie sayvs .if incidenits of' my ;journey sing righlt for you, then i my miouthi can rabide this comnmunion, or i (can[ gnaw° other bones;." Hr knoxx-'s the x'aluos of reti- cence. bt is ('e:rtainly not afraid to speak honelyi , imaginllativ-- ly, and intimate-ly, Thef proof is in beautiful poems like( Re- turned to Say, Thinking f o r Berky, 'ihe animal thalt Drank Up Soundm, Strolkes, Pasing Re- mark, 'Uhe Fam'm on the Great Plains, an:d niauny othe~r, To close, I'll cut myself o ut and leave you alone with Wi- liam Stafford's spir'it and art: Star in a well, darkc message: when I die, my glance drawn over galaxies. all through one night let a candle nurse the dark to mark this instant of what I vwas, this oncer - not putting my head oulit blessing for business's sake alny frail markers ofr human y111ears:Nwe Nwant real f riends or none; what's genuine w~ill accompjany ever'y man,1 Who travel these lonely we14lls can drink that star. ''Cash n inund selling out are tw,.o different things" com- miented Alice May Brock as she autographed a pancakie stack; of her newxly released anti-text, Alice's Rtestaura nt Cookbook ait Cent icoi'e's r'eception Thiuirsday, MisBrock is the undehydrat- e'd, xitamin-packed original of Arlons song a nd restaurant scene, Yes, Virginia, there is an Alice, and her cinema self is mnere' corn flakes in comnparison. Onl the recipe: ''I make 'emtiUp. They're the result of eri Emieice, long and short, But co ok-ing depends up- oin your mood and your audi- enice and wvhat's in the ctup- hor.Stay loose. The basic in- greiet is your attittude.,, VMiss Brock's experrience is the result of oper-ating a virtttoso kitcheltn community in Mas- Ohmet.0neC cook he'selil , onexaitress, and a hand eg bter 'furnish the uwonderlanid vhcire Alice once manufactured thirty different meals in thirty minutes. When Alice eas ut, she htunts for a res-ftaurant like her own, xith ag'nie person handling lie pots. and peans. ''If a human makes mist akes, youttanl sympathize and hope for' a better day. It's thosema chin-mad disasters that I canll t take,'' Alice's spiced aniid scribbled cookbook wxas created for the humina n behind t he stove, St'aighit hmadeginforma- tion is liber ially sprlinikled with half-baked bean m Jokes and handy illustratldions of Ann Me- Cord's Lg served in an orgy at mosphei'e of grinning food freaks, It's the next best thing to eaiting t here, i. Continuous Today from 1 P.M. Saturday and Sunday--Nov. 22, 23 Rebel Without a Cause Dir. Nicholas Ray, 1955 * "Reflected (and possibly caused) more cultural changes," Pauline Kael. * Ray orchestrates the American scene in this semi_ classic film. * IN COLOR with the inestimable JAMES DEAN. NATAL IE WOOD, JIM BACKUS and SAL MINEO in his first performance. 7 C& 9 ARCHITECTURE 662-8871 75C AUDITORIUM 1 40M DIAL 8-6416 -Daily'--Sara Krulic~ih The Mle'ielganDatiy, edited and '- aman-by . sI udts ,at the University of M.r_ietan -"v;,_pitoie : 764 -0552. Second ida r roMch i u .40Ma. or St., Ann Arbor" Mahgat 41104Publh:'ed dailyv aus- doe'. ,r; ug : Sund;,y mxrn iixig Onticer- coI rteroll$10eb:e$m0il. liuml!er Session Ut1publihed 'I ud' I;rug a uiv tl mlorriug. Suabs, ip- I lll atu~ $J0( by carrier, $3.00 by ,,il, THAT DOG ON WHEELS IS COMING 0USCIiBE NOW!I_ f TU1S1W.wM 4 INI) A S7'C'1)IAI"S ASSOCIATION .i l __ -- A - I- - 'J E1 Deepaval.,,i Celebrations Program f j IlC I re'r Inodian t yi" l Re frshmnts SATURDAY, NOV. 22, cat 8 P.M. I~rtltrEjUMIVY VO/f.? ifA GIRL w 0 Y'ou're- not as inrni as usual? It's onl1y temporairy, you know. A monthly problem. But who cares when you have that puffy, bloated, "'Oh, I'm so fat feeling"? TRE DARx, ,that's who. 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