Page Two 6 THE MICHIGAN DAILY Wednesday, November 19, 1969 Page Two THE MICHIGAN DAILY Wednesday, November 19, 1969 arts festival '' Art V By SUSAN RODEWALD The myth of the struggling artist seems a bit hard to swal- low in Ann Arbor. Students who manage to afford University garrets rarely starve. Beneath their plaster andtpaint streaked rags throb souls that are mate- rially well nourished even if spiritually unsatiated. But the reponse to the recent opening of Art Venture, a gal- lery at 2030 Packard, indicate:; this relative financial security may oddly enough create a new form of artistic peril. Unlike most new galleries which must en tare: search for patrons, Clark Mat- thews, the gallery's proprietor, instead discovered a new prob- lem-- a lack of interest by the artists themselves. Envisioning untapped reser- voirs of student talent eager to sell as well as herds of poten- tial patrons, Matthews had orig- inally reasoned that Ann Arbor could become an artistic supply and demand center. And by keeping prices within a moderate range Matthews planned to provide an outlet for the work of previously un- known artists who are usually shunned by the few local gal- Defeat leries in lieu of well-established local or national artists and craftsmen. "By staying under $150 on most nieces, I hope to establish a reputation for quality at rea- sonable rates," Matthews ex- plains. "If you begin low," he adds, "you make your work more generally available and start to build the following that creates future demand." But in the few months since the gallery was established, Mat- thews' perceptions of the poten- tial Ann Arbor market have fail- ed to materialize. "Fewer artists than I had expected are willing of Affluent Inertia to commit themselves," he says. "I have received no sculpture so far, and few mixed media works." While Matthews admits the hesitant response may be due to the newness of the gallery, he observes that "part of the prob- lem derives from the artists' fear of public exposure." But Matthews' explanation presents a simplified view of the situation, Some students have already discovered private sales channels. By hawking among friends or hoarding for the summer art fair, they avoid the middleman's commission. Oth- ers contact local shops such as Middle Earth and Little Things which occasionally accept se- lected crafts for display. The General Store and The Pot Shop for example are primarily stock- ed by student ware. Those who have not sought markets often hesitate to en- danger future reputation by premature exhibition. For every romantic idealist thus devoted to his uncapitalized Art, there are a dozen rational integrators who will eventually combine their talent with business, industry, or education. In such fields, an isolated individual style and vocabulary are often less es- sential than the ability to com- municate through established forms. Both types frequently regard art education as an apprentice- ship in method. They seek fam- iliarity and facility with mul- tiple media and techniques, rare- ly concentrating upon one mode for long. The relics of their changes adorn walls of friends' and relatives' homes or furnish personal mausoleums, but few are designed for sale. Despite these tendencies, Art Venture houses an exciting range of new talent, enough to m a k e Matthews' complaints seem unjustified. Paintings vary from the warm pop of Hedy Brintzinger's massive Leger-like figures and David Lakish's vivid acrylic abstracts, to Carolyn Bloom's serene non-objective watercolors. Shaggy wall tex- tiles and pillows by Terri Kazer- ta and Kathryn Beecher pad a cell surrounding the sway and jingle of their free-hanging woven Bell Cages. One of the most startling ob- jects on view is Matthews' own creation, a pseudo-sentimental EUROPE '70 SUMMER CHARTER FLIGHTS Fly the Reliables! * sponsored by U of M * regularly scheduled IATA Carriers 0 possible rebate if plane fills 0 returns from Continent 0 first class service Information available UAC Travel Committee 2nd floor Union 763-2147 (2-5 P.M.) or 763-1 107 mo THE UNIVERSITY OF MICHIGAN / > Ann Arbor :g r °{ - .,. 1 yf , r"' l 7 'P f f ; -'. - f . .. .t. RING DAY TODAY 9:00-4:00 at FOLLETT'S Z FOLLETT'S BOOKSTORE 322 S. State Street Ann Arbor, Michigan 48104 SERVING THE THIRD GENERATION OF AMERICA'S COLLEGE STUDENTS TWIN FEATURES NOW 40M DIAL 8-64 16 -Daily-Jerry Wechsler assemblage of Victorian clock cases, blinking Christmas bulbs, synthetic flowers and faces. Eighteen-year-old Carl Johnson employs more traditional form- ulae vith expressive grace in his raku ceramics. Prints by Rita V. Messenger and Ralph A. Wolfe ably represent the graphic arts. The variety of perception and technique incorporated in these works proves that art can sur- vive even in a midwestern "cul- ture center." As neccesity de- serts invention, the student ar- tist creates or discovers per- sonal motivation, unique as his medium and message. Rational decision may have little influ- ence upon the process. -Daily-Jerry Wechsler -Tcinema- M adwoman of Chailot A foolish, shallow . r M "When You paint, you can't think about reasons. You work at times with feelings that have no home in arguments. If you really thought-about all the other kids in this school, about all the other art schools across the country-- you'd blow yourI mind. So you don't think. You keep on working, and you don't think," Carolyn Bloom explains.I Such artists have overcome a foe more fearsome than social inhibition: Art Venture attests their defeat of Affluent Inertia. A.! u-i By NEAL GABLER Before the credits of Mad- woman of Chaillot, now playing at the Michigan theatre, a sign informs the audience, "This is the story of a triumph of good over evil. Obviously, it's a fan- tasy." If you like that, you'll love the film. If that strikes you as banal, be forewarned, this film seems as if it created banality. You can almost hear the gears turning in the producer's head, "This is going to be a GREAT movie. Lots of stars - Kather- ine Hepburn, Edith Evans, Dan- ny Kaye, Richard Chamberlain, Yul Brynner, good old O s c a r Holmolka playing a Russian. Lots of earthy wisdom - 'The world isn't beautiful any long- er.' Lots of Significance." And, my God, Stanley Kramer didn't even make it! All of this superficiality con- cerns a group of evil, evil busi- nessmen and politicians w h o are going to dig up Paris to drill for oil. Here comes Kate to the rescue. The Madwoman and her group of good, good common people thwart the baddies. Paris is saved. Hooray! I swear that's the story: it's that bad. Maybe something could have been salvaged out of this con- sidering the brilliant cast. Edith Evans gives an expertly humor- ous, if too brief, performance as one of the Madwoman's senile cronies that momentarily picks up the film. But Katherine Hep- burn is hopelessly miscast. Mad? Kate Hepburn? I've seen her give too many tart retorts on the Late Show to believe she can be anything but the height of so- phistication. Richard Chamber- lain is cast as a student radical. The rest of the cast is pass- able. Donald Pleasence stands out in his splendid sordidness. And poor Giulietta Massina gets my sympathy; she has the hard- est time with the English lang- uage. The bit players give the impression that they knew this was a stupid flick. I can't really blame the cast, though. Scenarist Edward An- halt had the film sabotaged from the outset. Who can pos- sibly perform well with drivel like, "'What do you want - to change the world?' 'No. I want a voice for my generation.' 'To be alive is to be fortunate.' 'The only hope for order is to keep the standard citizen computeri- zed.'" And Danny Kaye deliv- ers a ten minute sermon attack- ing the silent majority as face- less an most m Spiro A It ai had to ematog and Bu made t been d are noI taste. F some v n lemlC INDIA STUDENTS ASSOCIATION Ann Arborc Presents d unfeeling, that will al- - kgne yo want to b oostDeepavali Celebrations Program n't all that bad. Someone Variety Extravaganza good sense to hire cin- and raphers Claude Renoir _JeIndian Refreshment urnett Guffey. Whoever FreeI Style hat decision must h a v e SATURDAY, NOV. 22, at 8 P.M. ismissed, because there S TRUEBLOOD AUDITOR IUM other indications of good Renoir and Guffe" make Nfentbers 50c Othcrs7 75 ery beautiful scenes, us- """ ing natural lighting effective- ly. Bryan Forbes' direction is most often conventional, occas- sionally clumsy. Madwoman of Chaillot is an ambitious film. It tries to char-I acterize and condemn a mod- ern society in which the mad are saner than the alleged sane. For Forbes, Anhalt and Co. .lack the insight to create anything more than a foolish, eclectic, shallow, platitudinous polemic that rings as false as a wooden nickel. In other words, wait for this one on T.V. - -------- -- TONIGHT 7:30 P.M. THE VIETNAM FILM SERIES continues with a portrayal of one of the oldest legends of Vietnam-the beautiful story of "THE JADE HEART" followed by comments of Mrs. Le Thi Anh ECUMENICAL CAMPUS CENTER 921 Church St. COLORDeLuxe . . AND-... NEW YORK TMES '"Stolen Kisses' is a movie ITl cherish for a very long time. One of Truffaut's best-strong, sweet, explosively funny. Deiphine Seyrig seduces Leaud in one of the most erotic, nonsex scenes I've ever seen In a movie." subscribe To THE MICHIGAN DAILY Phone 764-0558 "HAVE A BALL, BABY" -"Putney Swope" SEE THE FUNNIEST DOUBLE FEATURE EVER TO COME TO TOWN! "Provokes uncontrollable laughter." -Mich. Daily "For those with the good sense to recognize the deft satiric wit of one of the most unorthodox and brilliant young film makers at work in America today." -Newsday "PUTNEY SWOPE" Ihe Truth and sbou '.0e ~Swope," 6:45, 9:30-Firemens," 8:15 only Milos Forman's Program Information 662-6264 LAST TIMES TODAY.. "ALICE'S RESTAURANT" SHOWS AT: 1-3-5-7-9 P.M. R STARTS TOMORROW! NED'S BOOKSTORE YPSI LAN T I This new store carries more trade (non-text) books than any other in the Ann Arbor-Ypsilanti area. Unusual 1970 calendars, thousands of paperbacks, lots of them used, some hardbacks. 10% OFF ON ALL BOOKS PRE-CHRISTMAS SALE WED., THURS., NOV. 12, 13 Mon.-Thurs.-9-9; Fri.-9-6; Sat.-1 2-5:30 "'EASY RIDER' IS TERRIBLY POWERFUL! IT GIVES ME CHILLS!" -RICHARD GOLDSTEIN. N.Y. TIMES "AN HISTORIC MOVIE!" "AN ELOQUENT FILM." "THE REAL THING!" -RICHARD SCHICKEL. LIFE -ROLAND GELATT, SATURDAY REVIEW -PENELOPE GILLIATT, THE NEW YORKER "I COULDN'T SHAKE WHAT I'D SEEN.""THE IMPACT IS DEVASTATING!" -REX REED, HOLIDAY MAGAZINE -JUDITH CRIST, NEW YORK MAGAZINE "EXTRAORDINARY ACHIEVEMENT!" "PROVOCATIVE AND AFFECTING." -NEW REPUBLIC -THE WALL STREET JOURNAL "ONE OF THE MOST POWERFUL I'VE EVER SEEN." -HOWARD SMITH,.VILLAGE VOICE "HAUNTINGLY BEAUTIFUL"'"GO.SQUIRM!" -PAGEANT MAGAZINE -LOOK MAGAZINE- "WILL KNOCK YOU OUT OF YOUR SEAT!" "BRILLIANT!" "STUNNING!" "BRILLIANT!" -THE VILLAGER -CBS RADIO - WASHINGTON POST "A VIBRANT, BRUTAL VISUAL ESSAY." -PLAYBOY "ASTONISHINGLY PERFECT!" "PERFECTION!" -ARCHER WINSTEN. NEW YORK POST - GANNETT NEWSPAPERS "BEAUTIFUL AND HORRIFYING.""REMARKABLE !" -PARENTS MAGAZINE -SEVENTEEN "A MAJOR MOVIE, A RAKEHELL FILM!" "AN ELOQUENT, IMPORTANT MOVIE!" s . I