Page Twc THE MICHIGAN DAILY Thursday, September 25, 19'69 Poge Twc' THE MICHIGAN DAILY 4 hursday, September 25, 1969 Stanley Quartet: ..Neta yaw4tn i n s ight rag By JIM PE.'I1EIs B~efor'e tihe idea of four men getting together to make music became synoriomous with "rock group'' or "band,'" there was the ever faithful string quartet. And, here in Anin Arbor, before the Stooges, there was the Stanley Quartet. When Gilbert Toss, profes- sor of music herei, came to Ann Arbor in 1942, the University of Michigan was hardly noted for its musical adventuresomne- ness. Coming , from eas2tern Smith College( wheretk,' par- ticipated in the fire side'-styled Smith College Stringt Quartet. Ross carried the conce£pt of re- sident string quar tet to tin! booming Midweskt It was the timge of musical expansion. During the first half of the 20th century, New York City was the center for orches- tral and chamber groups. Or- chest ras were the first to be funded, people f elt that there was sonic safety in nunmbers, and if they gathered together 100 musicians, even though they' were Americans, whatever went wrong couldn't. really be not- iced-- as long as there was a baton-hurling; European c on- dutctor' to kep them in line. But the't, are only four mem- ber's of a6string quartet, anid no one dlaredi to talk about stupport- ing ath ing:Ii_ as risky as that, innce chamber music was held eer'ti'miore sacred than the or chestral i'i'ptory. So, traveling trine qua rtets lrk thlt.'1lnaes the Kneis- els, andti e London String Qutttu rc, th!le Uniit ed S'tattes-v. ihthemn plea- sant , unof len ie %vorks. Tchai- kovsky's "'A ndanite Cantabile'' and Dvorak's "American Quar- tet" were favorites. But aftet(r thbe stecondl World liar, nothing European wv a s sacred. And t he American cul- ttural ri nio ec began, of course, ,wherethu money ws -- in the colleest.-arid unive rsities. T1here are two ways~ to set-up atny resident group). _A universityv either buys a ptaek aed-roup) to be its own, therbyacuiin6 status symbol rand a fe widt players for its orchiest'aor else, as Michigan (ild, develops a group of teacher- lherf o mci's whbo are' factulty members. Thus in 1949, the Stanley Quartet was ceeate-d, ior which individual rmusician s wrere- cruit ed,baeonteriees in te cd ii '° a .'wellas iilayiiig a hi lit y. and let i'iii~iiig is goL a id t'unl it'r re tvo iflry it ,1' oc,' a iletRoss, firs vioini't frlte Quartet. Th'is irnlg tatenment involv- cis a lot, arid the Stanley Quar- tet has taken. on a lot of re- sponsibilities. Since its incep- tion the Quartet, with Univer- sit y Funds, has commissioned anrd performed major chamber piect's by 20th century comnpos- ('I's. Using the talents of stuch corn- posers as Darius Milhaud, Heitor Villa-Lobos, Leon Kirchner, and Walter Piston, the Quartet in- terprets "service" in one sense as Piatronage to aspiring comi- Aind then, being part of a mun iversit y, t he group's "service" has been extended to introduc- ing modern compositions to the students. This interest has priomnpted many younger com- posers such as Leslie Basset, Wallace Berry, andi Ross Lee Finney to dedicate new quar- tets to the Stanley ensemble. The Quartet performs Hinde- mnuth, Bartok, Prokofiev, and Stranvinsky regularly. Surrounding any institution is a community, andi the in- volvemnent of the Stanley Quar- t.t is not lacking here either, "Above all, it is the purpose of he r'esident quartet to reach young people, since they will constitute the listening public of tomorriow," says Ross. Arid to him this means personal con- tact. In 1958 the Quar't~t made a tour' of Negro colleges in the deep South. Last year they gave at sies of ten recitals around Mvichl ian and neighboring sates, They hold a yearly string clime for' high school music- ianis. andt usually have a place in t he Conternporairy Music F"es- tial he'ld iher'e each year. It is easy to say that a quar- tet composed of faculty menu- b~'rs can never equal the per- formiance standards and tech- iqutes of the Budapest on' Guinari Quar'tets; and that's true, But looking at this col- lectiorn of nitsicians fromi that point of view eliminates a reat part of what the y'vec beenI try- ing to do. This is whiat. all the history and facts fail to point otit: the Quartet, during its twenty yo ar's, has gained an unrestrict- edi freedom from being part of the University. "The concert artist is de- pendent for' his living on next yeair's enlgag"lements, so he must plan his program dis each year so as not to offenid anyone," Ross adds. As Gilbeit Ross mel(ntiorned hi>, i' had been talking abott t ,' om qtuarte'ts commissioned reenlyfrom George Crumb ai: ncleyrnotni'Shifrin. Itis'ti lac'k of tinancial w\(.ir ' ha illowvs the group to c xl)['Il'inerit with new music, lp'rotc ,chamber compositions by early 20th cent ur'y compos- THURSDAY, OCT. 2, 7:30 P.M. Dalier, Exci*tement, Reward Venture Forth to the Creative Arts Festival M/ssMeeting. in the Union BaI.'room for Committee Sign ups Learn About The Festival .. . THEN JOIN UP D~aly-JerryWerchsle'r er's, and1(1 (xipay Mozar't poor'ly, vi ii oik:'d on a nmoder'n qtmatotr'a lpartic.ular' recital1. Chamber music is probably consider'ed to bt' niore yawn'i- inducing; than op ' by th' ge(neral pjublit'.btut the priese'nt ni'mnbers of the Quartet, Gil- bert Ross, violin: Gustave Ros- seels, violin; Rober't Courte, viola: arid Jerome Jelinek, cel- lo, smile much more than they' yawn. Not unlike a r'oc'k grotup, they live a commiunalI life ai'ound their music. ''Tile days of the musical diret't', ot a string; qua't et ai'e0v,''':1"4a I ,nisel diecided what xva, o be layed and howv they woV(ld payit. But rio longer. All nun rtepi tations ar'e decidled inunso: aidAif airy one mnmnber'fel ixeti"a i'ehear'sal is necessaryit one'' sas Ross, t'hoiiig the.)'' ucu of the enitire Qintti t Tihey aregl'. n ~iii arnd wami'i pl s xel.f'or' one( coticcrt ffous a;t.I (Gustave Rossels flew- toCicago; w t hle the ti mheerti ' riei_'r td to drive, i olint Rsses'strtcs wvas lost iii transt. so the Stan- ley Qua :'rt appared i1con - mert, nt li tiPo of tine r':ir 1 i :p'agmeCoolidge Founidtion of. t lie, Libi'ar'vof Congkt;s, inha",' y;lack1s anid wrinkled 's)0rt('Oats Bell hot t ow-sari l tv ii- stru'menits mnay roth nthe'rmxt >1 'p. hint xvi tin l t im tu onily the tx t na iiseaori for' t him Stanilcy %-Quai t.:asg'ounp THU RSDAY and FRIDAY Double Feature DA RYO u'F A CHA 11MBERMAID Blood of a Poe (ir. JEAN CCCTEIAU 1930 Bath films each show, come twice Fit-w Michiigan Dail', eclited and i an- ' ' by tud'its at t'heUiversity or ~Ma~ an ewsphone: 784-0)552. Second 'te- IO~tatepaiid at Ann Arbor, Mich- I a' : 420 Mavr' St.. AinnArbor, t( i ~4814.Pubnished 6'ai,' 'rues- (L,. through unday moIni , n,,tir-i .1il , ya'. S bcriptiorl ..t-'s 510 by Sr ininer t'>,iorbli 'rbd Turdrry it 3an, clrn ay iny anr~n.Sus'rp t1:..I rotes: Ittiti by (c nrr LUr, G!0 by Pent your Reommate wiTh a Classified Ad 3020 Washtenow, Ph. 434-1782 B~etween Ypsilanti & Ann Arbor SHOW TIMES: Wed.. Sat., Sun.-1 -3-5-7-9 last "Its strength is in its two key play- ers. Each beinci determined, per- haps, ta do his best actinq before a peer, Burtan and Harrison qive firmly disciplined, finely delineated performances of undeviotinq hon- esty. Burton has rarely immersed hiimself in a part to the extent that one could forgiet he was Richard Burton, but he doems it this time, Harrison has often seemed to be octinq before a mirror rather than a camera, In Staircase he is actinq 'oefore the broken mirror of a man's life ,and he evolves a poiq- nancy that is wonderfully real," 'lime Maciazinc 20th Century-Fox presents RICHARD BURTON REX HARRISON in the Stanley Donen Produaction "STAIRCASE" am sad gay story J D t)d byt STANLEY DONE N ~ HA- LES DYER ",d upon t-,upra to _UOL YMOORE -PANAVISION' COLOR c. Det,,'~ R. _ thursday and Friday 1:00, 9:00 PT'TH Foruyj T ,f/i, ALPHA PHI ALPHA- UNION-LEAGUE Present the 1969 Cannes Film Festival \ . h ! , f " X ' :a:v'' "OS&' r \v y t .try k.N.. .: 7 " K.. ; ° f ' . +.. ;. - . a . r MATNLUTHIER KING BENEFIT CONCERT with "EXUBERANT" "A MATRWORK 7 & 662_, r} 887 1 ARCHITECTURE' AUDITORIUM PIOI .. misomm, loollsomil IN TONIGHTd AT 800 -.MONUMENTAL" Munemor IIt OVERWHELAIING" 'EI 1tG EXCELLE,\ ;r ,,; "ALL FIRST RATE" NA, Daily New, I I / I -Toledo Blade MaGNIIC E N T -Detroit Free Pre(s N. Y. Three, @4 SHOWS-i1 :15-3:45-6:15-8:45 VANESSA REDGIIAVE "4ITHE LOVES OF ISADORN' X IXANTCHENI{O "JASON ROBA RDS SNEtAK PREVIEW ScpL.,16 Sept. 28, 1969 Ann Arbor Newswf SHAKESPE AES RICHARD EASTON y ' .° y e o t w. ; THE FIFTH DIMENSION SATURDAY, OCT. 11 i . .f