THE MICHIGAN DAILY FRIDAY, THE MICHIGAN DAILY FRIDAY, .... MUSIC Fund Shortage May Cause Tuition Hikes Aolumbia s 'Six N how Wrmth1, D By R. A. PERRY A remarkable clarity exposes each t Every day is a holiday in the part played lovingly by Cleve- ertising game, and Columbia land's first chair instrumental- cords has gleefully proclaimed ists. (ML 6368) y as George Szell month. For A second release, which couples occasion they have released Mendelssohn's "I t a 1 i a n" Sym- new Cleveland Orchestra re- I phony and Schubert's "Unfinish-j dings, most of which, it should ed" Symphony, can receive only noted, are really reprints from mixed blessings. (ML 6375) Men- er Epic pressings. delssohn called his Fourth Sym- zell and the Cleveland Orches- phony "the most amusing piece are niot everyone's cup of lieb- I have ever done," and it receives umilch. Without a doubt, this an exciting and flawless reading hestra stands as the most dis- under Szell. The quicksilver open- lined in the country, and one ing allegro, fiendishly difficult for ic, without too much poetic - - ew Szell Records ynamic Precision i s 1 (Continued from Page 1) "All possible sources of revenue are constantly under considera- tion," he replied in response to the defeat of the House bill. "Therel is still hope that they can find sane agreeable combination of taxes in the time remaining in this legislative session. The University remains hopeful that there will be a revenue adjustment in the state this year." Hannah is not so optimistic. He warned that if tuition increases were announced at this time, "the situation will be the result of the "austerity"budget announced re- cent'y by Gov. Romney as the onlyl alternative to his fiscal reformj package. "You can't make up the millionsi you need just on student fees," he' explained, MSU tuition rates,t which are about equal to Univer- sity tuition schedules would be in- creased by obout $75 dollars' across-the-board. He claimed that the Presidents Council composed of a number of cc llege and university administra- The Presidents Council recently joined with the State Board of Education in the formation of a joint commiit e to lobby in Lan- sing for passage of an income tax in some form. "Many of the presidcnts are get- ting discouraged by the deadlock in the Legislature, Hannah claimed. Although his original budget was considered austere, Romne:i's total budget would be trimmed further, by $185 million, which would overall be 16 per cent below the original $1,153 billion. The 11 public colleges and uni- versities included on the budget would get a total of $241 million in state operating and construe- ton funds-a reduction of more than 20 per cent. the violins at the proper tempo, is not in the least slu or strained by the Cleve string section. The Schubert, however, ten plod, especially in the first n ment. Too often unnecess heavy accents retard the flow of the music, a flow w marks the older Walter re ing. Another preferred versic Cantelli's on the budget-p Seraphim label. Specially packaged and pr Columbia has released new ree ense, has said that they play ke a soloist." Indeed, seldom 1 you hear inprecise phrasing, yed ends, or erratic timing m this group. Each note is set o the conception of the whole e a jewel in a Faberge brooch, At his best Szell infuses a grace d warmth . into the ensemble cision. In less inspired mo- nts, his performances suffer m a heaviness, a four-square idity that somehow fails to give, n'music its own vital life. At ese times, his music sounds-per- t but moribund. The best of Columbia's recent eases pairs Mozart's Clarinet n'certo with his early, Diverti- nto No. 2, K. 131. The former ce comes from that late period, en Mozart no longer "comic sed" but seemed simply to athe out music, Robert Mar- lus achieves beautifully that tural respiring quality of this Ine, open music. The perform- ce, second only to De Peyer's London, receives perfectly bal- ced orchestral support. Szell excells in the Divertimen- a witty, playful piece of ele- nt entertainment music, most table for its frothy horn parts. 'iles Sm*ies' Best, Of Davis on Record By DAVID BERSON ment is awesome and his coi Ever since Miles Davis replaced tion is original and interesting an old and tiring rhythm section the group barely makes it. with a very young and fresh one The weakest member is d five years ago, each of his suc- mer Jack DeJohnette, who] cessive recordings has been bet- both the subtlety and delicacy ter than the previous one. His Lloyd demands. Bassist Cecil latest, "Miles Smiles" (Columbia- Bee is very poorly recorded. 2601) is one of the best of his But probably the biggestr long and fruitful recording career, block to the group's succes At first listening, the music this record is pianist Keith seems scattered and vague, but rett. The problem is simply it is the kind of album that gets Jarrett is so good that the better with each playing. Between of the group is usually about Miles on trumpet; Wayne Shorter, or six measures behind hin tenor saxophone; Herbie Han- his early twenties, he is o cock, piano; Ron Carter, bass, and the most prodigious talents in Anthony Williams on drums there today with tremendous techn is such an abundance of talent, a beautiful ' conceptin, a that the listener finds it hard to seemingly endless flow of idea keep his attention on the group .Despite the albums drawb rather than each member. But the album is well worth the by now the quintet is so tight and dust to hear Jarrett. so integrated that no one man de- tracts from another's playing. The key to the group's relative- ly new sound is Shorter, once an erratic sideman with Art Blakey's Jazz Messengers, but now one of *Q! the top three or four men on his Iddmg fo instrument. The album doesn't swing in the traditional sense, it WINNER OF6 A cooks with white-ish heat. The six compositions, three of them by Shorter, are fragmentary with loose harmonic construction. They ST PICTI set the soloists with the propellent rhythm of Carter and Williams and prevent any of them from falling back on well-worn cliches> which once marred Davis' work. Another new album, which, in many ways is everything the Davis LP isn't and vice versa, is 'Live at Monterrey" (Atlantic-1473) by the Charles Lloyd Quartet. Lloyd is an intriguing reedman, who made his debut with Chico Ham- ilton in 1961, and has been trying to match his striking success with that group ever since.' The album, recorded at last summer's Monterrey Jazz Festival, is his fourth and best as a leader, but not yet up to his collaborations with Hamilton and guitarist Ga- bor Szabo. Lloyd plays very well on the album. His technical equip- 'f fast ings of the four symphonies of urred Brahms, also performed by George eland Szell and the Cleveland Orchestra. Knowing Szell's propensity to ds to heaviness, one might expect this hove- set to bow to the keen competition. sarily On the contrary, the four sym- easy phonies receive amazingly dy- 7hich namic, sharp, and exciting per- tord- formances. on is There are two ways to avoid riced the heavy-handed excesses of Brahm's often bloated themes: riced, one is to underplay such an4 cord- stress the smaller tensions and voices, to paint the trees instead of the forest. Toscanini takes this approach with wonderful success. A second way is to grasp the larger statements with such vigor and incisiveness that the bour- geoise fatness is shaken off and the whole is revitalized. Szell chooses this latter approach and he too, for the most part, suc- ncep- ceeds marvelously. g, but The opening movement of the Second Symphony emerges won- rum- derfully lean and exciting, with a lacks controlled forward drive that that never once lets you down. Like- Mc- wise, there is no shmaltz about the famous fourth movement road- theme of the First Symphony. The s on Third Symphony receives the Jar- tightest, most reflective playing that that never, as it so easily can, be- rest comes maudlin. Only the Fourth t five Symphony begins to show the n. In Szell shortcomings: the first ne of movement, for instance, is cner- jazz vated by a slow tempo and lack pique, of tension. nd a Wonderfully transparent, the s. Columbia sound reveals with clar- backs, ity the most subtle interior voices, price yet never distorts at the highest dynamic levels. (D3L 358) 5 V ~ DIAL 8-6416 r a Fourth Week ! CADEMY AWARDS INCLUDING IRE OF THE VEARI AND BEST DIRECTOR-Fred Zinnemann BESTACTOR-Paul Scofield BEST SCREENPLAY FROM ANOTHER MEDIUM-Robert BoltI BEST CINEMATOGRAPHY (Color) BEST COSTUME DESIGN (Color) COLUMBIA PICTURES presents FRED ZINNEMANN'S tAi i4 , Senate Appropriations Committee tors met with R would probably just cut the sum months ago anda raised out of the budget." reform was morei Hannah has claimed a "crisis" appropriations for Romney several' agreed that tax important than a single year. Call for Greater Student Role In Campus Matters at Brown Phone 434-0190 E1 c Of CARPENTER RO S FIS NOW S HOWING FIRST RUN The Area's Finest Drive-in is 1 easy to reach-2 miles south of Washtenaw Rd. on Carpenter. BOX OFFICE OPEN 6:45 P.M. A A Brown, 'University student- faculty committee has called for a University Council on Student Affairs to provide a greater stu- dent role in campus decisions. The committee, appointed last November by Brown President Ray L. Haffner, has been exam- ining the present social system at the university. The investiga- tion was prompted by the dismis- sal of a student at Pembroke, Brown's sister school, and by the creation of two new faculty com- mittees. The committee recommended a council to be made up of three Brown students, two Pembroke students, one graduate student, three faculty members, and three deans. The council would propose all rules of conduct for students cov- ering such issues as partial hours, liquor, drugs and curfews. In some cases, they would sit as a disci- plinary committee. The proposal still must be ap- proved by both Haffner and thej corporation that owns the uni- versity. SHOWN AT 7:35 & 11:10 'PANAISIONANo COLOR4I...J 0 A ALSO WITHNCDEA TECHNICOLORO Is a Dazzling, Suspense Experience Started by a Girl Who Never Pulled Down the Shades Shown at 9:25 Only Plus-"WILD WATER CHAMPS"-In Color COLOR CARTOON tk O W% y' ? Mo,;~l" W>M-I-* RI CHARLES K. FELDMAN presents A FAMOUS ARTISI AMONG OTHERS PETER SELLERS .: , URSULA ANDRESS DAVID NIVEN WOODY ALLEN JOANNA PEHTEI . ORSON WELLESr OALIAHI.AVI 4 DEBORAH KERRB :. il WILLIAM HOLDEN CHARLES BOYER JEAN-PAUL DELMONDO GEORGE RAFTI i JOHN HOSION}o GUEST STARS r TERENCE COOPERD ~#j. BARBARA BOUCHET I Ii WITH abrilla d&#t Iracey Crisp ., Isis 5PRODUCTION LTO, it 1ostr r¢ A ,mW'W I A %. 011B i action,. S'1 JEROME WEIDMAN ay wright A rrive )Morrow I 'laywright Jerome Weidman 1 arrive here tomorrow for final earsals of his new play, "Ivory ver," which will premiere May 14 at Mendelssohn' Theatre. e Professional Theatre Program duction will feature Hurd Hat- .d. 'erformances will be at 8:30' . Wednesday through Sunday h 2:30 matinees- Saturday and iday. Tickets for the play are ,ilable at the PTP ticket office Mendelssohn Theatre from 10 .-i p-m. and from 2-5 p.n. nday through Friday. Veidman won the -Pulitzer, ny and Broadway Drama tics awards for "Fiorello!" nes Yaffe, co-author of "Ivory wer," will also be here for the al rehearsals. Yaffe adapted Broadway production of Duer- matt's "The Deadly Game" I has written plays for tele- on and movie screenplays. He also a novelist. THE EASTERN MICHIGAN UNIVERSITY PLAYERS presents Sheridan's ' comedy, of manners MAY 10-15 Seats $1.50. Res., HU 2-3453 Curtain 8 p.m.; Sun. Mat. 2 p.m. AL SEASO NS From the pay 1y ROBER BOLT -TCHNIcOLOR Mon. thru Fri. to Sat. and Sun. at 7:00 and 9:15 1:00-3:15-7:00-9:15 I cxcitcincnt!o tu1 Y Un*1 w A9 Elaine Taylor Angela Scoular S#f1in 4 r : .w r - Hombre means man... Paul Newman is 4 AVIV -AMPRI T1 J presents "he Marx Brothers oucho, Chico, Harpo, ippo, and Gummo) in h'e Coconuts~ 1 (Gr Z I Co1um1a PiCtUFS TI !