THE MICHIGAN DAILY

Thursday, April 17, 1969

TH::HGNDALhrdy Arl1,16

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records


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Youngbloods, Ike &

Tina, etc.

monotonous. Johnny makes for
some variety by sometimes us-
ing a steel-bodied unamplified
guitar, and displays mastery of
the bottleneck style as well. But
what makes the album is John-
ny's singing, especially (on "Tri-
bute to Muddy" and "It's My
Own Fault") when he sings in
unison with (or in response to)
his guitar leads. The Columbia
album will be the one to watch
for, but blues fans take notice:
Johnny Winter is here.
An oddly traditional blues al-
bum is Ike and Tina Turners
Outta Season (Blue Thumb BT-
55). Ike and Tina have always
been among the biggest stars in
the rhythm a n d blues scene,
and Tina probably the most ex-
citing woman in the world. Like
other great performing acts
(Otis Redding, James Brown,
the Who), they leave much of
their vitality back in the bar
when they come into the studio.
(The great ones, of course, have
enough to make it work in the
studio too.) Here they are with-
out the horn section, and with-
out the Ikettes, doing simple
and sweet country blues. The
songs are familiar (some Jimmy
Reed, and "Dust My Broom,"
"R o c k Me Baby," "My Babe,"
"I've B e e n Loving You (Too
Long)") and the sessions aren't
the best you've ever heard (com-
pare Otis' "I've Been . . .", Or
Little Walter's "Mean 0 1 d
World"), but it works. It works
real good.
My name is Charles
Atlas. I can't prom-
ise you'll win the
title of "World's
Most Perfectly
Developed Man" as
I did. But I do be-
lieve I can make a
powerful He-Man of
you--in a very short
time. You can prove
it to yourself--at my
risk. My bid free book
tells how to' do it. <

These records - and the new
Dylan, Everly, Byrds, and ex-
Byrds records - are all part of
the "roots" phenomenon occur-
ring in American popular music
today, and not really "rock"
records. Indeed, the highest en-
ergy soul music to appear in a
long while is the work of a post-
Coltrane New Thing saxophon-
ist. In New Grass (Impulse A-
9175), Albert Ayler comes down
from spaced-out screaming-be-
yond-form to basic gospel mu-
sic. It's hardly down, really; the
expression is viscerally exciting
and pure. Albert still screams,
and keeps his otherwordly hornl
timbre, but the solid r & b back-
ing is there, and the Soul Sing-
ers too. All right.
Shifting gears completely, con-
sider the Youngbloods' latest,
Elephant Mountain (RCA LSP

of their music. The group's
strongest points, Jesse Colin
Young's singing and the quiet
ensemble sound, are evident
here, but the loss of guitarist
Jerry Corbitt is quite a blow,
When the Youngbloods do their
special brand of hillbilly gospel
music, things stay very interest-
ing, but Electrical Banana can't,
carry the load alone, and their
jams, unfortunately, seem to go
nowhere.
Finally, let me tell you about
Happy Trails (Capitol ST 120),
the second (and last) record
from Quicksilver Messenger Ser-
vice. The entire first side (25
min.) is devoted to Bo Diddley's
"Who Do You Love," and Quick-
silver here achieves true tribal
rock and roll. (Marshall Mc-
Luhan, this means you.) This
was hinted at in the Grateful

ter at this, but Chess Records
makes it impossible for its musi-
cians to show their best work.)
Tribal music is involving,
continuing, and succeeds in tak-
ing you along with it. The Bo
Diddley beat is hypnotic, a n d
Quicksilver is especially n i c e'
for this, since they do it all with
a gentleness. Something to real-
ly get into, hardly "background
music", but maybe you can- get
some work done anyway. Good
luck .
The Michigan Daily, edited and man-
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Michigan. News phone: 764-0552. Second
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carrier, $10 by mail.

Special Added Attraction
COUNTRY JOE
AND THE FISH
plus
Teagarden and VanWinkle
Sat., May 10, 8:30 P.M.
COBO ARENA
All seats reserved $6.50,
5.50, 4.50, 3.50
FOR MAIL ORDERS: Enclose certi-
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4

_I

ANN ARBOR
BLUES FESTIVAL
THE PREVIEW
LUTHER ALLISON
CHICAGO BLUES BAND
f REE


::. >z
B

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MONDAY, APRI L 21

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4150). T h e Ybungbloods have Dead's Anthem of the Sun, and
done some of the best "folk- in "The Fool" on Quicksilver's
rock" (these old phrases j u s t
keep hangin' on), and more than first album, but never sustained
most groups, have remained as well as here. (Of course, Bo
conscious of the country origin Diddley himself is still the mas-
CuRIA OUILD
THURSDAY and FRIDAY
i'~ Y
sIir. JOHN HUSTON, 1961
written by ARTHUR MILLER
Marilyn Monroe-Clark Gable
7 &9 ARCHITECTURE
662-8871 AUDITORIUM
Tr Dail Classifieds
Phone 764-0558
A RB OR
K -L
DEL HIA ORCHESTRA
concerts
APRIL 24, 8:30 Richard Tucker
RICHARD TUCKER. Tenor a
ogram
.. ..........Prokofieff
"Misero!
.. ..........Mozart
n,"e from
DTCE. .... .. . ... ... . Handel .
.Debussy
...Meyerbeer
Manon Lescaut" ... . .. ... ...Puccini
TUCKER
. . . . .. Respighi
PRIL 25, 8:30
SON, Conductor Joanna Simon
CHORAL UNION
JOANNA SIMON, Mezzo-soprano
ogram
CHORAL U ..... Gie
.slo Tomas) Ginastera
A.I M . . . . . . J o h n C o r ig lia n o
IA SIMON
HiTER A . ........... ChopIn
APRIL 26, 8:30
ANDY, Conductor
ogram
.. ............Wagner Hans Richter-Haoser
.. ..........Charles Ives
. ........ ............uc.n.M ahler
PRIL 27, 2:30
SON, Conductor
CHORAL UNION

JOHN McCOLLUM, Tenor
WILLIS PATTERSON, Bass
.SOVA, Cellist
ogram
.Schubert
L UNION and SOLOISTS
tra ................... . .... Elgar
NELSOVA
PRIL 27, 8:30 Zara Nelsova
ANDY, Conductor

co-starring HARRY MORGAN JACK ELAM
Written and Produced by WLLIAM BOWERS Directed by BURT KENNEDY
G Suggested For GENERAL Audiences byCOLO©RD United Artot
L.....J.....~J byDeluxe E"Ot'awent from lj

I --

THE FUNNIEST
WESTERN
SATIRE IN AGES
-FUNNIER THAN
"CAT BALLOU"
PURE "CAMP"
SEE THE
WEST'S
GREATEST
"Put-Down" Artil
in, Action!
ALSO Surfing Classic
"WET & WILD"
SHOWS AT 1,3,5, 7, 9
Feature 20 Minutes Later

Program Information: 2-6264

3RD- WEEK

OF
SIDE-SPLITTING
LAUGHS

i

m

15t

- - -

e

ANN

SEPTEMBER 16-28

Students
Takea
a
Break!1
200
"RUSH TICKETS"
AT
$100
for each
performance
will be
put on sale
each
concert day,
5to .
(Sun. 12to 1 P.M.
for afternoon concert)

Featuring the PHILA
at all

SAROYAN'S
bef

V
9

THUR MAY,

EUGENE ORMANDY, Conductor


Thor Johnson

Pr
"Classical" Symphony..........
Concert aria and Recitative, K. 431,
o sogno! a son desto". . ..
Recitative and aria, "Sound an Alarn
"Judas Maccabeus"
"'Iberia" .
"0 Paradiso" from "L' Africaine"'
"No! pazzo son! guardate' from "h
MR.'
Symphonic Poem, "Pines of Rome"
FRIDAY, A
THOR JOHN
UNIVERSITYI
HANS RICHTER-HAASER, Pianist
Pr(
Psalm 150, Op. 5 . . . ....
UNIVERSITY t
Aria from "Bomarzo" . . . .
"Fern Hill' ........... ....N.
(to text by I
JOANN
Concerto No. 1 in E minor, Op. 11
HANS RICI-
SATURDAY,
EUGENE ORM
Pr
Overture to "Die Meistersinger",.
Symphony No. 3.............
Symphony No. 1 (with "Blumine")
SUNDAY, A
THOR JOHN
UNIVERSITYt
MARIA STADER, Sporano
JOANNA SIMON, Mezzo-soprano
ZARA NEL
Prc
Mass in A-flat, No. 5............
UNIVERSITY CHORA
Concerto for Violoncello and Orchest
ZARAI

-j

SEPTEMBER 30-OCTOBER 12

Ghelderode's
"A whiff of satanical sulphur"
by the author of the APA hit "Pantagleize"
Directed by John Houseman

Another delightful APA revival of an American cla 'sis

I



a

Maria Stder


OCTOBER 14-26
Sogol's
The
MbUr

Directed by
Stephen Porter

John McCollum

SUNDAY, A
EUGENE ORW
RFClkll CRI

ijIO.rigTok

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