PageTwo 'THE MICHIGAN DAILY

Saturday, March 1, 1969


art


Program Informationj665-6240

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Looking for reality?

.. .lo and

behold!

DAVE JOHNS
GOES ELECTRIC
with
BASEMENT BAND

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By ROBERT LYTLE
The Michigan Museum of Art
presently has an exhibition of
contemporary piints on loan un-
til March 16 from the Winston
collection in Detroit. It is an
exciting, stimulating exhibition
with works by Andy Warhol,
R o b e r .t" Rauschenberg, Max
Ernst and some twenty other
artists.
In the course of the twen-
tieth century, artists have 7e-
lentlessly explored the pos-
sibilfties of painting. More than
the poets, novelists or drama-
tists, the modern artists 'iave
consistently challenged tradi-
tional ways of viewing the world
and have sought new forms to
express their vision and under-
standing. -Starting with Manet
and continuing through to Andy
Warhol and Barnett Newman,
they have violated every rule
and convention in their attempt
to define, not only the picto e
. plane,, but another reality en-
tirely. Today, there are no rules,
no conventions left and the ar-
tistls free to use whatever 'orms
necassa ry to express his vision.
The exhibit in the Alumni Me-
morial Hall is a startling ex-
ample of the depth and com-
plexity of that vision.
I say startling because I was
unprepared for what I even-
tually found: it is one think to
talk about new ways of seeing,
but to actually see in new ways
is'a different matter.
I had walked around the ex-
hibit, looking briefly at etch
work and trying to understand
what each one was about. I must
admit that my mind was not

on the prints before me---I was
thinking about the article I had
to write. I ended up with Bai -
nett Newman's work, The ,1o-
ment. It is a piece of plexiglass
about six inches wide and Three
feet tall. The center is light blue
and is bordered on either sidle
by a band of darker blue. I
liked it . . it was pretty.
unpretentious . . . I liked the
way it just seemed to go on arid
on . . . I realized that the length
was arbitrary, but . . . then I
looked at the title again: "The
Moment."
It was like realizing the sleep-
ing pill you took an hour ago
was not a sleeping pill at all--
but some heavy amphetamine:
my thoughts were speeding over
that "Moment." So I started all
over again, knowing I had miss-
ed it all the first time through.
I learned in History of Art
272 (a great course if Diane
Kirkpatrick is teaching it.
I don't know about anyone
else) that Robert Rauschenberg
is one of the most. important
and influential of the Pop ar-
tists, but I never really knew
why. "Accident" and the "Stunt
Man" prints provided the an-
swer. I had thought I under-
stood Allen D'Archangelo's un-
titled work the first time
around. But now, the more I
looked at it, the more confused
and bewildered I became. But
also delighted and entranced.
So it went with virtually all of
the prints. One or two remained
closed, but most of them open-
ed as I stepped back and lept
into them. They ceased to be
merely prints and became ideas,

perspectives----whole worlds
themselves.

in

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It is important to understand
why I missed so much the first
time. Basically it's because I
felt I could understand the pic-
tures without taking the time
to get into them. "Yeah, um .
cubist, perhaps futurists in-
fluence . . . um, concerned with
interplay of color planes . ."
But that's not it at all. Modern
art . is deceptively simple; it
often takes time and patience
to understand and appreciate
what the artist has done. Be-
cause the artist is often con-
cerned, not with showing new
things but with new ways of
seeing old things, it also re-
quires an open, inquring mind.
So it's there in that little
room, in the Art Museum . . . all
those new ways of seeing, all
those questions . . at least until
the 16th of March. You
shouldn't miss it.

Alice's
Sat., March 1

Restaurant
9 P.M.

50c


FREE FOOD--

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LAST 2 DAYS

SAT. AND SUN.
3:00, 5:00, 7:00, 9:00

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G-For General Audiences
NEXTI
"CHARLY"
Academy Nominated
BEST PICTURE-BEST ACTOR
Cliff Robertson

Read

BOOKS'

-Daily-Eric Pergeaux
Stunt Man
Robert RauSchenberg
Feb. 28, March 1
THE SERVANT
DIRK BOGARDE
screenplay by Harold Pinter
3 ACADEMY AWARDS
." "-. '

Every
Sunday

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ANTHONY HAYELOCK-ALIAN and ONBRA8OURNE HARRY FINE PETER CRUI SON ;
TECHNISCIU TECHNICOLO V A PARAMOUNT PICTURE S
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DOUBLE FEATURE-MON., TUES., WED.
ACADEMY AWARD WINNER ROD STEIGER
"NO WAY TO TREAT A LADY"
CATHERINE DENEUVE the "BELLE DE JOUR" girt
"BENJAMIN"

Batly

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-Daily-Eric Pergeaux
Andy Warhol: Self Portrait
NATIONAL~G~~E~A~ -O~-- -A-

-Daily-Eric Pergeaux
The Moment
Barnett Newman


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P OX EASTE}'N THEATR2ES
375 No.MAPLE R.7691300

HELD OVER
4th WEEK



NOMINATED FOR 2 ACADEMY AWARDS *





* BEST PICTURE * BEST DIRECTOR *

-_

"DAZZLING! once you see it, you'll never again picture
Romeo & Juliet' quite the way you did before!" - LIFE

Program Information r 668-6416
TODAY-2 SPECIALS
Winner of 6 Academy Awards
COLUMBIA PICTURES present
FRED ZINNEMANN'S
FILM (IF
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after-hours dancing
FREE
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(no age limit)
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Livernois at6 Mile
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GOOD FOR ONE FREE ADMISSION
WITH ONE PAID ADMISSION
Now appearing through March 2:
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Open till 5 A.M.-Friday & Saturday

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