Qs4 £iIim Dat Seventy-eight years of editorial freedom Edited and managed by students of the University of Michigan under authority of Board in Control of Student Publications The Inauguration: Both sides now 420 Maynard St., Ann Arbor, Mich. News Phone: 764-0552 Editorials printed in The Michigan Daily exp ress the individual opinions of staff writers or the editors. This must be noted in all reprints. THURSDAY, JANUARY 23, 1969 NIGHT EDITOR: MARCIA ABRAMSON Dionysus in 69: A flaming rerun IT IS IRONIC that the newest fight over artistic freedom on campus centers around a modern adaptation of Euri- pides' classic drama, "The Bacchae," which provides a vivid portrait of the troubled mind of the censor. One could place the recent threats by the Ann Arbor Police that legal pro- secution may ensue from this Sunday's presentation of Dionysus in 69 in the context of the age old struggle for crea- tive artistic innovations against the heavy hand of the censor. But these battles against local Yahoos are far from unprecedented on college campuses in general or, unfortunately, in Ann Arbor In particular. And an at- tempt to reiterate the many potent ar- guments against censorship would be highly repetitive and unnecesary. Rather, in this rerun of the 1967 "Flaming Creatures" crisis, we should focus our attention on the seeming legal untenability of the actions of the local police. And we should note, as well, the extremely distressing response of the University Administration to this latest example of community harassment. AT FIRST GLANCE many would see few legal differences between the police warning that presentation of a. play by the University Activitie Center may violate obscenity statutes and high- way signs informing drivers that speed- ing may lead to arrest. However, in fact, substantial legal differences do exist be- tween the two cases. Unlike the right to exceed the speed limit, dramatic productions are clearly protected under the "freedom of speech" clause of the First Amendment. Conse- quently, the laws that regulate alleged abuses of the freedom of speech sped- ffcally forbid the kind of implicit pre- censorship that the Ann Arbor 'olice ap- plied in this case. In other words, our incredibly murky obscenity laws are such that a play can- not be declared obscene until after it is performed. And in light of its legally unhindered run in New York City and the gradual liberalization of obscenity statutes in re- cent Supreme Court decisions, it is dif- ficult to believe that any arrest arising from a presentation of Dionysus in '69 would be legally valid. ONE CONSEQUENCE of the warning is- sued by the police is that the directors of the Michigan Union and League have been under internal and external pres- sure to prevent the presentation of the play in the Union Ballroom. While the League wisely voted 1 a s t night ,to uphold UAC's decision to pre- sent the play, it is easy to envision the potency of this kind of police harassment under slightly more unfortunate stances. circum- The problem with censorship battles is that artistic considerations tend to become buried under a welter of legal technicalities. Artistic considerations are especially important in this case because this experimental drama is peculiarly sensitive to pre-censorship. Rather than being a formal set pro- duction, Dionysus in 69 consists in large measure of improvisations designed by members of the cast on the spot. And nothing is more conducive to destroying the creativity and inspiration that are at the heart of this production than the numbing knowledge that members of the local police are in the audience eagerly waiting for one false move. YET EVEN if the play is allowed to be presented without further legal difficul- ties, one can only be deeply distressed by the University's administration's re- action up to this point. Clearly reflecting his background as a labor mediator, Fleming has seen his role in this crisis as a kind of honest' broker poised midway between the po- lice and the students who are present- ing the play. When the University followed a sim-' ilar policy of benevolent neutrality two years ago, it allowed three students and pn instructor to suffer the protracted legal consequences of the Flaming Crea- tures arrests. In light of the recurrence of a similar controversy, one cannot attribute m u c ,h tactical success to the University's lack of firmness. The University must make clear to the rest of the local community, which receives enormous financial and educa- tional benefits from its existence, that it will not tolerate future disruptions or harassment of campus functions. AT PRESENT the most effective way the University can do this would be to petition Federal District Court to is- sue a restraining order forbidding fur- ther police interference with the showing of Dionysus in 69. While the legal implications of such an appeal predicated on First Amend- ment grounds are difficult to assess ac- curately, it is possible that the Federal Court would grant the request or even rule that under the relevant obscenity statutes the play is not obscene. In any case, such a suit would be a symbolic affirmation that the University stands together with the UAC students in defense of academic and artistic free- dom. -WALTER SHAPIRO Associate Editorial Director i By STEVE ANZALONE Special To The Daily WASHINGTON-The skies on Inaugura- tion Day were a 'drab Nixonian gray. The sun made a meek attempt to show it- self but was never very successful. And for those Americans not fortunate enough to be influential Republicans, the Inaugura- tion itself was not much more colorful. The closest I got to the august investi- ture on the steps of the Capitol was a second floor window in the Senate Office Bldg. To get across the street, even to the sidewalk surrounding the Capitol grounds, required a special pass. Mysteriously, standing room passes floated down from a few Senate Offices (undoubtedly Dempcrats) to some of the hoi polloi standing in front of the building. The green passes- transported these for- tunate people across the street, past the police contingent, through a fence, past a line of soldiers, onto the Capitol grounds- still a very safe 500 yards from the exalt- ing pageantsof American government. But this year, the exclusiveness of the Inauguration did not prevent the young, the dissatisfied, and the uninvited f r o mn having festivities of their own. A COUNTER-INAUGURATION was the work of the National Mobilization Com- mittee to End- the War. "The Mobe'", (re- sponsible left, adult-student orientation, unusually non-violent) summoned thou- sands of students and young people to Washington to remind the new President that the nation is still deeply disturbed about the war in Vietnam. The rain on Sunday morning did not stop a scheduled demonstration against the FBI, organized and led by the Ann Arbor Mobilization delegation. The protest was scheduled in response to an episode reported in The Daily, which involved alleged FBI harassment; of an Ann Arbor businessmen who, rented cars to the Ann Arbor Mobilization Committee for the trip to Washington. Car rental agent Philip Mendis told The Daily that he received two calls from the FBI telling him not to rent' cars to the Ann Arbor group. The march around the Justice Dept. Bldg. attracted over 700 people, carrying signs saying such things as, "Hoover should stick to cleaning rugs." BUT THE REAL business of the coun- ter-inaugural got underway Sunday after- noon. All the participating groups gathered for a rally in a striped circus tent that had been erected near the Washington monu- ment. The crowd was addressed by Mobe lead- ers David Dellinger and Rennie Davis, folk singer Phil Ochs, anti-war G.I.'s, and Ann Arbor's own Jim Mellen. The oratory gen- erally explained the purpose of the coun- ter-inauguration as well as the remaining activities. After the tent meeting, the crowd spilled Violence had been brief during the day. out and formed a march of about 10,000 There were sporadic clashes between strong. The one-eyed estimates of 5-6,000 marchers and the police during the march people in the morning papers were exceed- and about thirty arrests were made. Most ingly inaccurate. of the arrests took place after the march The march proceeded up Pennsylvania Ave. to the Capitol; the direction w a s counter to the direction of the Inaugura- tion Parade. There was a motley assort- ment of marchers - costumed Yippies, painted "Freaks for Freedom," and even a group calling themselves "Anabaptists for Freedom." Not only were there young people; the march attracted manyadults - s o m e marching with children, others walking with the help of canes. Reportedly, some Democrats also took part in the march. MARCHERS SHOUTED, "Join us!" to spectators who lined the way. One large segment ofrthe march stopped and cheered when a very distinguished looking, elderly gentleman alighted from parade bleachers and joined the march. But there w e r e many other people who defiantly thrust their thumbs down at the beckoning marchers. And as usual there were shouts of "You Commies" a signs saying, "America - love it or leave it." The counter-inaugural ball after t h e march was nothing short, of a disappoint- ment. Judy Collins and other big-name entertainment did not appear as promised. The ground around the tent, was veryl muddy. But there were many people who enjoyed the overflowing tent, the plenti- tude of loud rock bands and pot. wnen some demonstrators proceeded to the Smithsonian Institute to heckle guests at a reception for Spiro Agnew. THERE WAS considerably more violence on Monday when The Mobe activities were concluded and militants began to do their own thing. A large group tried to break in- to the Inauguration Parade and were re- pulsed by police. Ensuing fights between police and demonstrators were consider- able and many police cars were pelted with rocks. But this violence went virtually un- noticed by the press and television net- works. But on the whole, both demonstrators and police were well behaved and the pos- sibility of another Chicago was remote. The demonstration may have done little to give the new President additional in- ducement to speed an end to the war. But at the same time it was the kind of po- litical carnival that may be necessary to relieve many people of the likely boredom of the coming Nixon years Photos by Jay Cassidy Hickel and the generation gap THE SENATE, by consenting to the ap- pointment of Walter Hickel as Sec- retary of the Interior, will slash the last vine holding up the rickety bridge over Generation Gap, leaving the youth of the nation staring blankly through the smoggy air to the polluted river below. It is ironic that in his inaugural ad- dress, the new President made a 'number of tenative appeals to the nation's youth. Indeed, after Chicago, he could hardly be unaware of the almost total disaffection of what we like to think of as the leaders of tomorrow with the political and social values of suburban, middle-class America. PERHAPS IT WAS NAIVE at best to hope that the new President would attempt to deal with the generation under 30 in a responsive manner. But the new Old Nixon managed to dispel any illusion ev- en before his inauguration, by appoint- ing an all-white, all-male, all-business- men cabinet, and particularly by flaunt- ing conservationist sentiment with the selection of anti-conservationist Walter Mickel for Secretary of the Interior. I point to the selection of Rickel and not to the appointment of as notorious a militarist as Melvin Laird simply be- conservation withdrawn, youth's desire to preserve the government is bound to decline. And should the government act on Mr. Hickel's predilictions, future youth may never develop the love of country that some of us still maintain. A COUPLE of my m o r e revolutionary friends once took the weekend off to drive down from Berkeley to the Big Sur. They returned talking about Canada and the draft. "I guess I could always split out," Art said, "but the coast always man- ages to convince me that I care about this crazy country to want to stay and try to make it live up to itself." In a strange way, he spoke for many of us. For with no country to live up to, we might as well all leave. I hear the air is still clean in the more mountainous re- gions of Tibet-. -JENNY STILLER Thank you ANN ARBOR MAYOR Wendell Hulcher has awarded a new flag to the Hilton Letters to the Editor -J4,AMES WECHSLER NIxon,'s 1witl SOME OF US may have too often seen only the darker side of Presi- dent Nixon. But after reading an advance copy of a volume entitled "The Wit and Humor of Richard Nixon," one is tempted to hope that there will be minimal exposure to his lighter side in the new era. The jacket of the paperback carries the intriguing announcement that we are about to.meet "the Nixon nobody knows . . . the man who can be a humorist in the genuine American grain." In his preface; gem collector Bill Adler declares that "it has always been my belief that the wit and humor of a man reveal much of his personality and style." He presents his Nixonisms as proof that the President has "a de- lightful sense of humor, a sharp wit and a unique ability to bring laughter to audiences and friends." ZI TRUST no partisanship explains why I found myself in a state of numbed melancholy after examining the 158 pages of Nixon jewels. Mr. Nixon's Presidency may produce triumph or tragedy, but there is small peril that he will plunge us into the aisles along the way. According to the latest edition of the Random House dictionary, "Humor, wit are constrasting terms that agree in referring to an ability to perceive and express a sense of the clever or amusing." Certain samples to be presented in evidence will suggest that the Adler collection bears little resemblance to the 'promise of his title. What is perhaps most embarrassing is that, in an effort to provide a respectable amount of type, he was seemingly forced to use remarks that Mr. Nixon himself could not have deemed remotely amusing when he recited them. Thus on Page 23, there appears an exhortation delivered on Jan. 14, 1968: "What we need now are fewer marching feet and more willing hands" - a statement hardly designed to elicit a belly laugh. Or, back on March 8, 1963: "The Kennedy Administration is brilliant from the standpoint of salesmanship, brilliant from the standpoint of public re- lations, but the product doesn't live up to the words." Comment, yes; humor, invisible. SURELY THE SAME must be said of his pronouncement that "a man must be Judged by the decisions he made or didn't make, not by how he dots "t" or crosses and "i" (July, 1962). On March 13, 1960, according to the Adler reseachers, Nixon declared: "You know, nobody will believe it, but I'm really an egghead!" (Exclamation point not ours.) Since some earnest Nixon supporters have long maintained that this is a true description, any element of with and humor is peculiarly elusive. OTHER ITEMS CHOSEN at random from the Adler compilation of Mr. Nixon's brightest jests: "Now, noting the Kennedy signs here, I want to say I'm glad to see they are here, because we want some people to convert." (Oct. 4, 1960) "I greatly appreciate music. You know that's one place I'm like Harry Truman-I used to play the piano myself." (Sept. 28, 1960) "I like to relax by playing the piano-easy things, Christmas carols and old barbershop favorites like 'My Wild Irish Rose' and 'The Side- walks of New York. I can whack it out pretty well." (March 1, 1958) "I have been heckled by experts." (April 29, 1962) "It's time to plow ground here, because we want a bumper crop Correction To the Editor: j KNOW HOW difficult it is to J catch extemporaneous remarks on the run, but I feel I must cor- rect your account of my discus- sion w i t h Mr. Kosinski (Daily, Jan. 16). (1) Far from denying the possibilities of significant social change "inspired" from within our country, insistence on such possibilities was probably the main thrust of my comments. (2) I did not find "inconceivable" the thought of another country be- coming economically stronger than the United States. What I did question was the suggestion that such a power could forcibly dis- arm the United States. (3) Final- ly, while I do believe that the stu- dent movement reflects, in part, a new "aristocracy," with its his- torically characteristic attitudes and options, I do not recall hav- ing said' (nor am I sure I even understand) that the students can think in "mass terms." I feel bad about having to write this. However, I have talent enough for saying foolish things and must decline outside contri- butions. And what happened to all wS again stepped in as defender of contemporary community stand- ards, I muttered five minute string of obscenities. Even though I did this openly on South Univer- sity Avenue, happily I was not ar- rested. Clearly the University Ac- tivities Center officials should not be either. While Mary Barkey, ;Hugh Co- hen, Elliot Barden and I were in court for too many months, we learned well that Eugene Stau- denmaier knows little of the community whose standards he is protecting. He and his comrades refused to see that Flaming Crea- tures was really not so different' from the other movies playing in Ann Arbor, except that it con- cerned transvesties rather than the bisexuality of the Pepsi Gen- eration. It gave Eugene Staudenmaier, Judges Agar and Elden, the pros- ecution and others the chance to stand up as public defenders of morality. This matter of Dionysius in '69 appears to be in the same line of reasoning. The play is not vast- ly different. from several recent AFTER THE Flaming Creatures case ended, I had hoped that Eugene Staudenmaler and the prosecution had learned to stay away from cases of this sort, but they apparently care very much aboutareaffirming their position as moral Judges of the community. This was clear in July when Eu- gene proudly got on a plane to Washington with the copy of Flaming Creatures seized at Cine- ma Guild. They had told the de- fense the print would be burned; instead it was shown to the Sen- ate Judicary Committeeaas evi- dence against Abe Fortas' nom- ination for Chief Justice, The film apparently had much to do with Abe Fortas' withdrawal from the nomination - and Ann Arbor got on the map. The threat of prosecution against Dionysius in '69 indicates that these local forces of morality plan to maintain their role. It is unfortunate; it is inane; it is blind to what the contemporary arts are doing. It is also a big waste of time and money. It is an obscene thought but it appears clear that harassment of this sort will prob- w J