THE MICHIGAN DAILY S rnr lr^ t fni ,arr F 14 5 ... ,.. . .. ,.,. .. - - - ..JU.4I I ' iy, "./.uJo~er o, I7oJU S music ertesz sparles with Chicago Symphony at Hill i Dial 5-6290 zcm= SHOWS AT 1,3, 5,7,9 P.M By JIM DULZO I always look forward to Chi- cago Symphony concerts with a special sense of anticipation. Rumors of an incredible brass section, Strong woodwinds and strings, and an extremely tight ensemble sound whet my musi- cal appetite to a very high de- gree. Their reputation can at times make their concerts al- most anti-climactic. This, however, was not the case last night at Hill Audi- torium. Inspired by guest con- ductor Istvan Kertesz, the Chi- cago delegation turned in a rousing performance, consist- ing of works by Hayden, Bartok. and Dvorak. The evening commenced with Hayden's Symphony No. 67-an unusual work in that it contains some rather unique orchestra- - tion for Hayden's time. After slightly rough, surface treatment of the first movement, the or- chestra seemed to find itself and get down to business. The second movement showed some fine musicianship on the part of -Daily-Richard Lee the first and second violins- om l h to sca sensitive and elegant in the "frsomn :teelyhrds olushElyrscal Hayden tradition. Casn-Af n h-vet-uidn The third movement, marked minuetto, featured the use of a drone technique from the second violins. This served as a backdrop for a string trio, con- sisting of two violins and a cel- lo. The first chair men played sensitively, and the overall ef- fect was quite pleasing. The work then moved to a close with an overall warm approach- perhaps a bit too warm for Hayden. Kerstez is Hungarian by, birth and musical upbringing, and the program reflected this fact emphatically. The remaining portions of the program were heavily Slavic in nature, and Kerstesz was in his rightful realm here. Bela Bartok's The Miraculous Mandarin Suite ig- nores the difficulties of the bal- let's pretentiotis plot and goes directly to the meat of the mat- ter-a raw, colorful, and yet dissonant musical palette, full of !Hungarian rhythmic and tonal flavors. The work, as, do many ballet suites, suffers from a lack of visual display to accompany a rather complicated story line. Thus, unless under capable hands, it can easily lag. Kertesz skirted this hazard by ,giving the work plenty of, drive. Chicago's excellent string sec- tion came up with a wealth of colors, from steely-hard to lushly lyrical. Dvorak's Symphony No. 6, while still in a Slavic vein, de- mands a very different ap- proacl: bouncing, syncopated rhythms contrasted with long, lyrical, melodic lines. The string section can really let its hair down and dig into some very warm, satisfying passages. Com- bined with some very good woodwind work, these two sec- tions contributed -to what was to be a very surprising perform- ance. The symphony opens with a very robust allegro, complete with images of dancing gypsies and the like-very colorful and lyrical. Kertsz summoned a very warm sound from the strings, and ably contrasted it with tautly-played passages. The second movement is full of slavic romanticism, and the sensitive approach used contributed nice- ly to a very balanced presen- tation. Bounce was the word in the scherzo, thanks to some very tight bowing. Lots of bubbling ethnic cheer here. In the final movement, how- ever, I was at one point quite convinced that Kertesz had let things get out of control. The finale is marked allegro con spiritio, and I was quite con- vinced that the orchestra had used up all of its allegro and spirito. I senses an"anticlimax looming on the horizon. I was quite wrong. In an ex- hilarating coup d' etat, Ker- tesz squeezed a rip-roaring coda out of his group, and it took the crowd's *breath away. Playing at a dizzying tempo with deaf- ening dynamics, the string and brass sections snatched victory from the Jaws of defeat in a surprising realization of what is an essentially dangerous piece of music. The crowd applauded mightily at the conclusion of the pro- gram, and it was deserved. Dash and vigor were the;key words of the evening, and a lot of it came from Istvan Kertesz. NATIONAL GENERAL CORPORATION FOX EASTERN THEATRES - FOX VILL915E 375No. MAPLE RD.-769.1300 LAST 3 DAYS MON.-TUES.-7:10-9:10 SUN.-1:15-3:10-5:05 7:10-9:10 DEAN MARTIN STELLA STEVENS AEIWALLAC ANNE JACKSON. **** HIGHEST RATING "AN ARTISTICT ACHIEVEMENT!" rachel, rachel is the best written, most seriously acted American movie in a long time," -N.Y. TIMES rachel, rachel is a double-barreled triumph! Joanne Woodward is extraord- inary-and Paul Newman's direction is excellent." -David Goldman, WCBS Radio rachekr rachel is a film of beauty and delicacy. Joanne Woodward must win an Academ yAward nomination for her superlative per- f ermance." -LADIES HOME JOURNAL in the PAUL NEMANprodu dona whe TCHICOLOR'IIOMWAERO10S.-S iR ANIS LAST DAY TODAY "Frank" 4:20, 7:00, 9:40-"Drac" 3:00, 5:40, 8:20 M BORIS! BELA! r TOGETHER! SHOCKING!10 Remember the guy with the funny things in his neck and the big feet? And remembear the guy,~ with the long teeth, who was always thirsty for the red stuff and afraid of the daylight? Well, they're both back. Boris Karloff and Bela Lugosi. "FRANKENSTEIN" and "DRACULA," in the two original 1930's versions. SO DROP IN, BORIS & BELA ARE ALWAYS LOOKING FOR NEW BLOOD. The concert, held in the but his Events Building, was obvious- pressions ly oriented for the bernefit of dexterity. the middle-agdd enthusiasts. As most a matter of fact, there were name as probably justnas many adults as students in attendance.. It was. a good thing for Johnny that they were there, for the show 'was not very appealing for a primarily student audience. The Bud and Cece Dance Team led outhe concert with a routine entitled "The History of .Modern Ballroom Dance." They started with the Ch arlest- ton and finished with a con- glomeration of frug, monkey, swim, and jerk. Only the older members of the audience appre- clated it, because they were the only ones' who' could remember back that far. They enjoyed the g y r a t i o n s , that apparently brought back many fond memories. The highlight of the concert was Doc Severinson, who un- fortunately was iin the spotlight for the shortest time. He ade- quately displayed his mastery of the trumpet as he double and triple-tongued his way through' "Malaguena" and "La' Maca- rena." He also drew the most enthusiastic applause of the night 'for his rendition of "Go- in' Out of My Head." Doe's artistry was sharply contrasted by the 'next perform- er, Marilyn Maye who revealed. her fame for singing the Lin- coln-Mercury commercial. She is really not a bad singer, but N the: audience soon grew tired of her as she crooned through ten minutes of an exhaustive med- ley. She also made such 'obvious blunders as repeatingea song done by Bud and. Cece and "Goin' Out of My Head." Then-the Star came on, mon- ologuing to the yuks and guf- faws. of the younger married couples who could truly appre- ciate his jokes about the pill. His jokes were not terribly funny. Perhaps it was because many of his routines were reminiscent of those we've all heard many times before. There were the ones about the lesser known' airlines, topless restaurants, and!. TV commercials we'd like to see.. It's hard to laugh at thing , where hundreds of students craned their necks to get a glimpse of the grey-haired mas- .ter standing in the press bok. I would hope that future con- cert sponsors learned from this performance the lesson they should have learned long ago. This kind of "comedy" just does not go over before the sophis- tication of Michigan students. It never has, and it probably never will. We only have one more "arf arf" concert this semester, Bill Cosby, and we can only hope thing§ will pick up this winter. 4 e 9-. A 5" SHOWS AT 1:00-3:00-5:00 7:10-9:101 (Feature 10 min. later) The Paper Lion' Is abot to get creamed Stuart Millar presents Al Starn ~~~Aida Technicolor' United Artists NO 2-6264 -Next- L MtN I LVAI - i A -Daily-Eric Pergeaux "And no*w, here's . STARTS WEDNESDAY COLUMBIA PICTURES and HRIZONPICTURESPenfs But Lancaster lThe Swmm' ler TECHNICOLOR S uggustd fat Naive Adim& HELGA ow I ,I .. STARTS TOMORROW-7 :00-9:00 ACADEMY AWARD WINNER BEST DIRECTORr-MIKE NICHOLS JOSEPH E. LEVINE MIKE NICHOLS-LAWRENCE TURMANIm.tooum -This isle amin. He's a little wo red about -isfuture.' AN AVCO EMBASSY FLM T H E G R A D D A T E AVCO MBSS I EtLM AS TECHNICOLOR" PANAVISIN "MACOEMBAS 7ass ouES s TODAY AT 1, 3, 5, 7, 9 p.m. "BRILLIANT! Luis Bunuel, a master of cinematic erotica ! -Saturday Review announcing An International Festival of New Film The First American Showings Of 26 Short Films from 9 Countries... "60 " " in. * " "00 i"" w"# ! M w " " : " " @0 " # #! " " ! 0 1 0 s r r 0000& "0000 s " " .0 " s " "0 @4 # * i * aaao s00000 "a a a e "a a " a " " ," *" * ias aa :a " " "0 +s i @ 0 Alr 11 a distinguished series of three programs presenting the newest achievements in creative cinema, by the world's most talented film makers. I i i among the films to be shown... " VERSAILLES by Albert Lamorisse, Paris " RAKVICKARNA Prague " DESERTION West Germany " LA VITA Milan " MIRACLE Budapest * SAMADHI -San Francisco " WHY DID YOU KISS ME AWAKE? West Germany " MARIE ET LE CURE Paris * TONIGHT LET'S ALL MAKE LOVE IN LONDON with Michael Caine, The Rolling Stones, Julie Christie, Eric Burdon, et al. I We 'Don't J'ust' Publsh a N ewspaper * We meet new people " We laugh a lot * We find consolation " We have T.G.'s A Contemporary Approach to OCTOBER 1-13 _ Shakespeare's Directeed by Ellis Rabb -4 * We play football (once) - We make money (some) # We solve problems s We gain prestige " We become self confident " We debate vital issues * We drink 5c Cokes I *A ®* U a A a mm = I I I A A4 A TIC C'T"Tf "% T)TJ f" T'%T T1" r*VTf-%XT '-rT-TT7 A T TT-%T "The show was extraordinary .. delightful, exhilarating, deeply moving ... Congratulations, hI. -c fk nn.nlinarc a a rr THE FVFImG STAR. Wasinn.n lC. I1 I