* THE MICHIGAN DAILY Saturday, music Sutherland: Cool cream By R. A. PERRY Imagine a room of Claes Oldenberg sculpture-furniture, made not of plastic but of in- flated velvet of the thickest plush; to lounge in such a room could be compared to experi- encing Joan Sutherland's con- cert at Hill last night. Joan Sutherland, ex-steno- grapher from Sydney, Australia, may well be the most famous soprano in the world today; she has certainly sung on the Ed Sullvian show more than has Teresa Berganza or Victoria De Los Angeles. Her fame is well deserved, for "La Stupenda" without a doubt has the most ravishingly luscious voice asnd perhaps the most adept color- atura technique-partly because it has thickness at the heights- than any living soprano. (Her coloratura certainly astonishes more than Popp's or D'Angelo's.) Yet .two criticisms inevitably creep into any discussion of Sutherland, and they apply to last night's enjoyable concert as well. One is that her articulation of text often verges on the molas- ses-like; after all, a Scottish folk song should not sound as if it were being sung in Nor- wegian. Secondly, her dramatic ,projection of a role lacks in- volvement; Miss Sutherland would never be mistaken for a Stanislavsky student. Now there are two ways of looking at these criticisms. One is to say "the hell with text and play-acting" and to admire Su- therland's voice for its gorgeous opulence a nd mind - boggling technical abilities alone. You cannot criticize a Thomas Cole landscape for its lack of inti- macy; in other words, to toss away Sutherland's flaws is bas- ically to agree with Beaumar- chais: "That which is not worth saying is sung." On the other hand, to realize the potential severity of these flaws is to realize the deficits of last night's recital. The flaws were somewhat accentuated by the fact that Sutherland chose to avoid florid arias (save Au- ber's "Eclat de rire," program- med only to gain applause at the end, and an encore) and to con- centrate on "art songs." A r t songs require very close textual articulation, which Sutherland seldom gives. A very curious thing thus happens: the sing- er captures the audience not by bringing them close to the song, but by drugging them with her undeniably beautiful voice. One sits in a kind of pleasant stupe- faction, where songs roll by, all vaguely resembling one another: the experience is highly ambros- ial but not musically valid. Certain songs, like Massenet's "Crepuscule," need to be re- leased with a certain elan, but Sutherland held the song in very closely, interested not in style or spirit, but in pure sound. When she did become involved in a song, the result was splendid, and Grieg's "Sol- veig's Lied" was most moving in her rendition last night. At other moments - involvement basically hindered by having the music before her - she sang quite perfunctorily, as in Ros- sini's "L'Invito." Two Delius songs emerged beautifully; five Scottish folk songs, best left to folksingers, were mundane. Husband and manager Rich- ard Bonynge provided the in- finitesimally minute accompa- niements, obviously knowing his place next to "La Stupenda." t j 1 if { t f}ff 1i! 4 ENCORE! By Popular Demand: GRAD MIXER N0. 2 SUNDAY, .FEB. 1 8 P.M. 25c donation ~ ~t THE H-QUSE ~ 1429 HILL ST. I 'WI ' hil -Daily-Richard Lee JOAN SUTHERLAND talks with Mrs. James Stewart and Helen Hayes in her dressing room. Miss Hayes and James Stewart will appear in the PTP's performance of "Harvey" opening Monday. ~~4 ...**::% . , . .*. ** Di ary f CunryPres * "he ostnrlyfulesflmee md "" Joh ss ell Taylor;vm. , : &.0 Archit.....:.ture . 66-81{5.udtru - - S S S S S ' ": A RED WAGON SPECIAL. IN 35MM INGMAR BERGMAN'S 1968 FILM A man's confrontation with war ;W PRESENTS Eleven students win Hopwood Awards | NOW e DIAL 8-6416 i 3 NIGHTS-Friday, Saturday, & Sunday January 30, 31, February l1 Auditorium A, Ange.l .alll-5c A booklet of critiques of this semester's 1]960s retrospective will be available at the ticket desk for 25c. GOLDEN L ION WINNER! Eleven University undergrad- uates received Hopwood Awards for creative writing yesterday afternoon. The awards total $1,300. These Hopwood Awards, and the major awards to be made in April, were made possible by the late Avery Hopwood, a U-M alumnus of 1905. The playwright left the University mone to recognize "the best creative work" in writing by students.- Awards in essay, fiction, and poetry were presented by Robert C. Haugh chairman of the Hop- 'wood Comnmittee. In essay there were four awards: $150 to Susan Schroed- er, a Literature Science, and the Arts freshman from 1560 Brockway, Saginawdfor Three Etssays; $100 to Linda L,.-Rapp, an LSA freshman from 4839 Westland Ave., Dearborn, for A Pair of Essays; '$100 to Em-1 my Lou Johnson, a LSA soph- omore from 177 Riverbend Drive, Chesterfield, Mo., for "Crazy People," and $50 to Roberta Joanne Evans, an LSA freshman from 3856 Yorba Linda, Royal Oak for Three Essays." "In fiction .there were three , awards: $150 toRuth Bennett, a freshman in the Residential Col- lege, from 27126 Sutherland, Southfield, for "The Man Who Sat in. Uncle's Chair"; $150 to Mrs. Dolores Hodge, an LSA sophomore from 3431 E. Surrey Drive, Saline, for "Kick Heels at Heaven," and $100 to Nelson Feldman, an LSA sophomore from 88 Palmestron Road, Roch- ester, N.Y., for "Peter Leepenz." In poetry there were four awards: $150 to Kathryn A. Rogers, an LSA sophomore from 415 S. Kalamazoo Rd., Vicks- burg for "Crucible of New Wine"; $150 to John Timothy Wells, an LSA sophomore from 4761 Springbrook Rd., Toledo, Ohio, for "Circles"; $100 to Da- I ThiS WOBMK.f. is backa -Broadside etc.,etc. niel Martin, an LSA freshman from 9 Applegarth St., Newton Center, Mass., for "The World in a Convex Mirror," and $100 to Martha Nash, a sophomore from 2224 Sylvan Ave., Grand Rapids, for "The Second Sand- bar." Fifty-seven students competed for the awards, entering 17 es- says, 20 works of fiction, and 32 poems. ' Louis Simpson, Pulitzer Award poet for 1964, read from his poems before the presentation of awards. r i UNIVERSITY PLAYERS present... Dark of the Moon I I ,., r NN' I' , ll r .r n r ...6P Ii- MONDAY through FRIDAY 'at 7 and 9 P.M. . SATURDAY and SUNDAY at 1, 3, 5,7, 9 P.M.. l ,i U 1 iI I Fl 2 I l I %, i by Howard Richardson ,and .William Berney A Powerful Modern American Folk-drama Set in the Smoky Mountains 1 U"'. I BECAUSE OF THE OVERWHELMING RESPONSE TO THIS PROGRAM WE ARE BRINGING BACK THE BEATLES MOVIES FOR SATURDAY AND SUNDAY ONLY BEATLES DOUBLE FEATURE presents WINTER 1970, 1960's In Retrospect t Heavy Duty Steering and Suspension Parts " BALL JOINTS * IDLER ARMS * TIE ROD ENDS Jan. 30, 31, Feb.1 ... . . Shame Tickets at Trueblood Box Office, Frieze Bldg. Saturday, 12:30-8:00 P.M. Feb. 6, 1. The Misfits Phone 764-5387 Seats: $2& $2.50 o S :TOP WORRiYING! ' ISDN THE WAY! The Colorful Adventures of THE BEAThES are more Colorful than ever...in COLORI / EAS'IMANCOLOR AUNITED ARTISTS e Feb. 13, 14, 15' .Yellow Submarine AND MORE SATURDAY ' Shown Three Nights-Friday, Saturday, Sunday ud. AAngellHall,7:00 and .9:3 Our REDWAGON SPECIAL PROGRAM makes it possible for you to see each of these outstanding flicks for a mere 75c .For an- other mere 25c you can buy a scintillating booklet of critiques of all this semester's films). WOW! FINAL PERFORMANCE 8:00 P.M. I s I Trueblood Theatre, Frieze Building Sel l POT .N a COWORbyDe' I UnitedArtis TON IGHT! f adults-$1.50 children-75c TEACH-I in Daily Classifieds Yellow Sub-12:30 and 3:30 Help-2:00 and 5:00 SATURDAY AND SUNDAY ONLY not continuous with "FANNY KILL" I ',to] i YP;TH.. or u!M 7:30 P.M. ON HILL AUD. REPRESSION LONG TIME COMIN' ' SPEAKERS: IC IGAN WORLD'S FAIR In its final day-noon to midnite AdmiSSionC: "I,, $1.00 +4 Variety Shows qu 3:0U,7:0,an EDWARD (ROWTHER WORKSHOPS (to begin following the last speaker): REPRESSION IN THE MILITARY 1025 Angell. Hall REPRESSION OF RADICAL LABOR Auditorium B Historian, Center for the Study of Democratic Institutions ARTHUR KINOY REPRESSION OF WOMEN Auditorium C Radical lawyer, expert on political trials URBAN REPRESSION 1035 Angell Hall THE MASS MEDIA AND REPRESSION 231 Angell Hall 'WELFARE AS REPRESSION1 E JERRY RUBIN Chicago Canspiracy , , - I i - -- - - - - - - - - --