PAGE TWO THE MICHIGAN DAILY TUESDAY, NOVE ER;21. 1967 PAGE TWQ THE MICUh(~N UlAIJY TUESDAY. NOVEMBER 21. 1~7 A V"/1 Uta1t 411 1 U1 LLLlY / at IL47Vo poetry and prose beginners' Efforts Display A Professor's Life: They Keep Him Busy Promise in 'Generation' By ROBERT L. STILWELL - Assistant Professor of English E W. H. Auden, in the only pro-4 nouncement of his that I havet ever found memorable, invites uss to believe that so far as the art of literature is concerned "A begin- ner's efforts cannot be called badE or imitative. They are imaginary." This-says-or at least it ought to say-that such efforts deserve im- munity from the scrutiny of crit-1 ieism; because their only true ex- istence is confined to that limbo - of privacy and half-innocence1 wherein one presses one's firstY x trial-and-error struggles with ex-f perience and imagination and lan-1 guage, one's first raids upon the1 inarticulate. As might be expected, the cur-a rent number of "Generation" brings its share of pages that were perhaps not quite ready to emerge from that protective limbo. Still, the assay of such pages is not par- ticularly high; and for the most1 part this "Generation" displays a5 promise, and an occasional touchj of achievement, that make the magazine worth almost anybody's fifty cents.. Fiction Fiction probably constitutes the :strong suit of the present issue.1 There are only two stories; but al-i though neither of them is as yet, really achieved, really "written," they testify to the talents of their authors.I In "Raising Grandma," Keewat- in Dewdney imagines a half-liter-1 ate servant boy in the backwoods Canada of the nineteenth century1 and allows him to narrate a partlys ,comc, partly grotesque account of the local witch-man's quack efforts to save the life of an eighty-year- old woman who would much prefer to die and be rid of her miseries. Edward Germain's "The Search" makes an effort, sometimes suc-1 cessful, to get inside the eyes and mind of a young boy who has beenf dragooned; along with hordes of "other schoolchildren, into joining the search for a missing woman who has been beaten to death in a :stretclh of lonely country. Grad Library Power Fails Electricity failed in the General Library yesterday afternoon caus- Ing a sixty-five minute blackout: ~fiom 2:50 to 3:55 p.m. Students in the library, however, continued to study by flashlight and windowlight. The rate of books being taken out of the libary de- creased by about half for the rest of the day, library officials report. Immediately as the blackout oc- curred, library workers were told 'not to "render any services "unless it is an emergency." Employes with'flashlights were stationed at the entrances to the stacks and 'instructed to clear everyone out of the stacks and not let anyone In.' Students on the second floor, however, continued to use the card catalogue with flashlights and en- tered the stacks at places where no one was guarding the entrance. A library worker, describing the reaction of students as the black- out occurred, said, "The lights went out and they just pressed their noses harder to their books." p - There are several attractive poems, too. Joel Greenberg's "An- chor" and "A January Song" con- tain a number of sure touches; and Michael Madigan redeems two uncertain pieces ("Veronica" and "Stalled") with two others ("The Rites of Love" and "A Brother of Two Months") that are very good indeed. I must confess myself dis- appointed with "Fly" by Mark Lehman and, to a lesser extent, with "Charitas" by Michael Davis. Fritz Lyon's one-act play "The Machine" is still another parody not without its moments of inter- est, c*. the Waiting-for-Godot, Modern - Man - Destroyed - By - His - Technology - And - By - The - Collapse - Of - Meaning strain within recent drama. "Search for Realism" Andrew Lugg's essay "Reality in Two Dimensions," which he characterizes as "a , search for realism in modern art," is an ex- position of certain assumptions and techniques by which contem- porary painting, sculpture, cine- matography, poetry, and fiction have sought to discover fresh images of "reality.". Lugg con- veys, convincingly enough, the impression that he is right in there, on top of the latest artistic activities of Allain Robbe-Grillet Andy Warhol, Robert Rauschen- berg, Anthony Caro, Ellsworth Kelly, Robert Creeley, and a whole host .of other experimentors. One never doubts, in short, that he knows where it's at; and readers who desire some kind of chart to the avant-garde landscape should profit from Lugg's piece.' For readers already familiar with the territory, the essay will probably sound like rather stale news. Moreover, I fear that readers of both classes are likely to be put off by Lugg's creaking transitions and shaky paragraph- ing, by his pompous preference for the editorial "we," by his habit of referring to his own writings published elsewhere, and by his giving credence (on two different pages) to that hoariest of all historical half-truths about art: "With the advent of photography, painting was liberated from its self-imposed task of description Peter Griffith's "Catena" - a suite for guitar, in five brief movements - is a capable piece of new music, one likely to sound strangely conservative to per- formers or listeners who have tussled with the graphed-field scores of John Cage, Morton Feld- man, and Karlheinz Stockhausen. Photographs About the folio of photographs by George Junne and Robert Ath- anasiou, the lithographs by Pat- ricia Oleszko, and the line-drawing by Rowan Murphy, I can offer only the most untutored and im- pressionistic judgments. Junne 's views of the City Hall' in Toronto yield some easy-to-grasp, tepidly unoriginal insights into a dizzy- ing steel-and-concrete imperson- ality of curves, angles, and planes. Athanasiou's work seems slight- ly more inventive and en- gaging, especially his sea-birds on a log of driftwood and his head-on study of a zebra's face. I am sorry to report that I found Miss Oleszko's lithographs, and Miss Murphy's Steinberg- influenced drawing, almost totally without appeal - although they were happier choices for the maga- zine than its cover-drawing. Were I compelled to summarize my over-all feelings about this Autumn, 1967 number of "Gener- ation," I would suggest that the majority of its contributors have not as yet understood that saddest and most intractable of all artis- tic lessons: "The lyf so short, the craft so longe to lerne." But I would also hasten to add that several of its, contributors have made, are making, a begin- ning in the direction of this dif- ficult understanding. Something further may come of their admir- able energy and enterprise; and I, for one, enthusiastically hope that it does. (Continued from Page 1) the least about. "After all, I need some time to work on my own re- search,, and those meetings always take up so much of it." But, more than likely, Prof. Ten- tler will learn. As an assistant pro- fessor, not yet under the wing of The Great God Tenure and rela- tively new to the ups and downs of University bureaucracy, the meetings have just begun. Marvin Felheim, a full professor in the English department, came to Ann Arbor 19 years ago and has had more than his share of meet- ings. Having served on committees ranging from SACUA's Student Relations Committee to the execu- tive committee of the English de- partment, Felheim can speak from experience. "Committees are an obligation that the faculty has to the Uni- versity," he explains. The committees that men like Tentler and Felheim serve on ad- dress themselves to everything from the selection of new deans to arbitration of student-faculty dif- ferences. They're often the kind of affair that is closed to students, and Felheim has a "hey, buddy, let me tell you something" attitude when the topic turns to their closed-door nature. Damn Boring "Strategically, for the admin- istration, it actually would be best to keep the meetings open. They're so damn boring, the students would lose interest immediately." Of course, the professor's life doesn't end in the classroom or at the conference table. Felheim de- votes his mornings to class prep- aration, something he feels is one of the most critical jobs a professor performs. "There is nothing worse than a lecturer who comes in and reads off of yellowed notes," Felheim in- sists. "I remember when I was a student and had to listen to lec- tures that were three years out of date." So the early-rising Felheim sec- rets himself away each day to put together a new lecture. "But never in my office; I wouldn't get any- thing done." When he is in his office, how- ever, he keeps the door open, and finds himself talking with a coed about her pregnancy as much as her pentameters. The few hours a week he devotes to office hours prove to be a running, uninterrupt- ad conversation with his students, something else he sees as a pro- fessor's obligation. But, he admits frankly, he enjoys it. There are a number of other functions that necessarily fall into the professor's pattern. Just as Tentler, an assistant professor, supervises a group of graduate teaching fellows, Felheim and oth- ers of his rank supervise the as- sistant professors; the make-up of any department is almost as struc- tured as a corporate entity. Publish or Perish And professors write, too. The "publish or perish" legend is no cliche. Faculty members at a school like the University are re- quired to turn out scholarly ma- terial, and there is a reasonable justification. "Academic departments at ma- jor universities are national de- partments. The criteria are uni- versal, and for every deducible reason, you've got to publish," Fel- heim says. When a school is trying to at- tract the best students and the big- gest foundation grants, it has to have a noteworthy 'reputation to boast. And, a faculty member's published works are the only avail- able determinants of reputation. Students may all love a professor for being a stimulating, exciting teacher, -but this is the kind of information that never makes it off this campus and onto other campuses, or into the offices of the Ford Foundation. Then there are the PhD commit- tees to chair, the local speaking engagements to attend, the grad- uate school recommendations to write, even the faculty parties on Saturday nights. And by the time one week is out, a new one is beginning. Cram it all into the trimester system- something openly abhorred by most of the University faculty- and you can see what they're get- ting paid for. Ac ANN ARBOR-Educators, jour- nalists, and scholars will gather at The University of Michigan next week for a three-day conference on the contemporary college student' and the liberal arts in education. Entitled "The College Student- 1967," the program is set up as a series of panel discussions begin- ning at 3 p.m. Tuesday through Thursday (Nov. 28-30) in Rack- ham Lecture Hall. Tuesday's dicussions will focus on "The Student as Citizen." Panelists will be Stanley Swinton, assistant general manager of The Associated Press; Michael Dann, CBS-TV's senior vice president for programs, and Roger Rapoport, editor of The Michigan Daily. "The Personal Life of the Stu- dent" will be the second day's. topic. Panelists will be Dr. Willard Dalrymple, health service director of the McCosh Infirmary, Prince- ton University; Robert O. Schultze, dean of the college at Brown Uni- versity, and Prof. Theodore N. Newcomb, social psychologist and associate director of U-M's Resi- dential College. The program will close Thursday with a consideration of "The Image of the Student: The Gen- eration Gap." Participating in the discussion will be Jack Holland, dean of students at The University of Texas; Roy Ashm all, president of U-M's Graduate Assembly, and Bruce Kahn, president of the U-M Student Government Council. The Michigan Consort of Voices, Viols, and Other Historic Instru- ments will give a concert of seldom performed music of earlier cen- turies on Tuesday, Nov. 28. The Collegium Musicum pro- gram, directed by Robert Austin Warner, will begin at 8:30 p.m. in Recital Hall of the U-M School ross Campus of Music on North Campus. It is lems in nuclear test detection, open to the public free of charge. while at the same time serving, as On the program will be compo- acting head of U-M's Acoustics sitions by the Sermisy, Mico, Pur- and Seismics Laboratory. cell, Dowland, da Viadana, Quantz, * * * and Handel. ' The University of Michigan Col- * * * lege of Engineering, which ranks James R. Thiry, who has been fifth in the total number of en- named manager of employe and gineering degrees conferred by U.S. union relations in The University Cole-es, has 4.351 students enrolled 4 of Michigan Personnel Office, will be the chief negotiator for the University in upcoming collective! bargaining. Personnel Officer Russel W. Reister, in announcing Thiry's pro- motion, said that the "dual nature of the title, employe and union re- lations, reflects the University's continuing efforts and programs in the interests of staff members who are not represented by union bar- gaining agents." * * * The U.S. Interior Department has named U-M Prof. John M. De' Noyer assistant director of the U.S. Geological Survey. He is currently on leave from the faculty. Dr. De Noyer joined the U-M of geology and mineralogy in 1957. In 1962-63 he was employed by the Institute for Defense Analyses. He served as a consultant to the in- stitute from 1963 to 1965 to make special studies on difficulty prob- for the fall of 1967. According to Associate Dean Alen E. Hellwarth, there are 1,205 graduate and 3,326 undergraduate students enrolled. Of the graduate students, 451 are doctoral candi- dates and 754 master's degree candidates. Freshman enrollment has creased slightly to 818, compare:, with 782 in fall 1966. The college's statistics also show that 238 bachelor's degrees were presented in April of this year and 114 in August. A U.S. Office of Education re- port, which ranks the U-M fifth in engineering degrees conferred, also shows the U-M third in the num- ber of bachelor's degrees, seventh in master's degrees, and fifth in doctoral degrees. Purdue is first in bachelor's de- grees awarded and Massachusetts Institute of Technology is first in both master's and doctoral degre TEN NITES STARTING FRIDAY SUNDAYS TOO, MAT. & NITE un 4-1200-06 MONGO SANTA MARIA LIVERNOIS & 8 MILE -I BAKER'S KEYBOARD Il I "A GORGEOUS PIECE OF FILM-MAKING!I - SATURDAY REVIEW CWtUM81A PICTURES PREENTS BILIN RURTIK JET II UUTN ': << .BEST ACTRESS" 9rViginaWoolF/)CR By(tON AFfIREL UEF Eal ER ROUCTION OF pun WIU IE C~frPQ aYIS10 % mFR s lERNAANoK[,rA1 PR~Ia~fl " _ O~tlsudskrwigmlbso C itrRdSs lu 1 I ENDING WEDNESDAY dRam I Dial 8-6416 remark- "ROGER CORMAN'S BEST PICTURE. A quite able film, striking and imaginative." -Saturday Review ALOYLY$ *Tof EATH Samuel Z. Arkoff & lames H. Nicholson """' Roger Corman's Production of 7 .PSYCHEDELIC COLOR RECOMMENDED PEE FONDA SUSAN STRASBERG E NOV. 27-30 at the 5th DIMENSION 216 W. Huron-Ahn Arbor A FOLK WAR MOVIE BY MEGAN TERRY-DIRECTED BY ALLAN SCH RElER MUSIC & SOUND BY ROBERT SHEFF-LIGHTING BY PETER WILDE & JIM HAVEN Tickets on sale at CENTICORE BOOKSTORE, DISCOUNT RECORDS, PLASTER OF PARIS maynard house, at the door, and by mail through the DRAMATIC ARTS CENTER, Box 179, Ann Arbor. Monday through Thursday-8:30 P.M.-November 27-30. Single admission-$2.00. 41 - I R. Shows at 1:00-3:30 6:15-8:55 G MIGNIGAN TICKET OFFICE OPEN WEEKDAYS 10:00-1:00 & 2:00-5:00 CLOSED NOVEMBER 23-26 Mats. $1.25 Eves., Sun. & Holidays $1.50 * THURSDAY * I NATIONAL GENERAL CORPORATION FOX EASTERN THEATRES~ FQX VILLa6; 375 No.MAPLE RD.-"769-1300 Theglamoor "nd gatness.. Thespeed ac/d spectacle! 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