.E AGE TWO THE MICHIGAN DAILY mmmmmmW . .M.C-I.A.--A I--.. music Carmina Burana' Achieves ~1~IN -u U~'h -i' Faculty Group Set T~ PJ+ 1 poetry and prose 'Looking Glass' Emerges Abov Ilixel But lnjoyab By JAMES SVEJDA The advertisement read "'Car- rmina Burana'" (opera by Carl Orff) - Expo '67 production with Les Ballets Canadiens." More properly, of course, it should have been "Les Ballets Canadiens with incidential music by Carl Orff," This quibble should in no way be taken as criticism; it simply means that if you went Sunday night expecting the musical reali- zation of "Carmina Burana" to be the focal point of the concept you were in for a little disap- pointment. But even though the concert i t I S l both musically and as dance came as something of a mixed blessing, the overall effect that it pro- duced was highly enjoyable. The companion piece on the program, a "Divertissement Gla- zounov" drawn from that com- poser's "treasure chest of music titled 'Raymonda'" was given with an "orchestra" of two pianos. A friend of mine remarked that the use of so modest a musical force gave the performance a dis- tinct "rehearsal" quality. Spirited Dancing Personally, I found this ar- rangement preferable to a full orchestra since the presence of only two pianos mercifully tended to keep attention away from the relentless banality of Glazounov's, music. The dancing, it seemed to me, was spirited and accurate al- though the choreography (owing, perhaps, to the character of the music) seemed bland and with- out any particular direction. Musically, "Carmina Burana" was consistently distinguished. Disregarding soprano Michele Bonhomme's faulty intonation (in "In trutina" she sounded nearly a halftone flat in some places), the vocal soloists were excellent, tenor John Boydon especially so. The aria "Dies, nox et omnia" which among its rigors includes a high D, was sung with grace, ut- ter lack of apparent strain and and admirably in tune- Responsive Chorus In defense of conductor Vla- dimir Jelinek, who may have seemed to over-emphasize the pointillistic features of the score, the man did surprisingly well con- sidering he was given only the two pianos and a battery of ex- tremely busy percussionists to with. Actually, with the aid of a responsive, full-bodied chorus, leo tt ro esBy NANCY SHAW The same kind of attitude showsI le Eect Ann Arbor's new underground in "The Canadian Scene," writ- (Continued from Page 1) paper from Jeffery Hoff and ten by a "Looking Glass" corres- he was able to produce a sound there are some people very strong- group has emerged after its initial inability to find As for the bombastic, the paper that although it lacked the olr,y sdhea printer. The "Looking Glass" delights in printing articles about at times approached the richness Al tak t th reflects only the standard gleams I'Large Concepts with free sprink- of Orff's original orchestration. sobe Professor Richard d of light that manage to reach the lings of capital letters to show The choreography, though gen-nunderground. that the Concepts are Large in- erally provocative, was something andeend;on of i derseadT pp deed. This detracts when an article osophy department; John Erlich of It deserves to be read. The paper has something to say. "Capital of a mystery in spots. The seen- the social work school; S. M. Blin- has an important place-repre- Punishment is BLACK!" presents erio, for example, was at times der of the chemistry deartment; senting the radical side of the stish n g theCKispropor- curiously at odds with the libret- Alvin I Goldman of the philoso- spectrum. And this first issue is tion of Negroes to whites who re- to. In "Circa mea pectora," the almost exclusively political. It has cive th eat peat. wevr, barton'slins tllus hathephy department; David Segal,cevthdahpnly.Hwer baritone's lines tell us that he Thomas Mayer, Paul Siegel, Max little room for concern with music, it ends in pomposities. longs for his loved one, who has Heirich and Leslie Howard of the art, and just plain free expression yet to be put in an appearance. sociology department; John A. that underground papers are often As he (the singer) muses on the include. NATIONAL GENERAL CORPORATION ch ances of h er successful de- B ailey of th e N ear E astern Ian - T e p o l m w t h L o i g FOX EASTERN T HEATRES l w r e t w e sh d o s s o R u esic a d ndP t ofie a u et ed p r m n;md c l G a s " p n o s is h t it e m s oF O IUE chace o he sccssfl e-guages and literature dprmn; The problem with the "Looking flowerment when she does show Richard Post of deparment;a Glass" opinions is that it seems to FO I L 6 up, the lady on-stage is by thisth m operate by puffing assertions full 375 No. MAPLE RD.-"769-1300 time safely tucked away in the of wind. Granted, the idea of an man's arms and has, in fact, been mathematics department. underground paper is that you TOMC man ars ad hs, i fat, een Other faculty members planning serve a faction that agrees with ~toG~wnMyrpeet udBradIwnWnl present from the very beginning to join the demonstration are Pro-netr-ldwynaerpresentsAJddBemard-inW of the aria, you, or at least, one ready to be fessors Mark Ross of the physics persuaded. Agile Virtuosity d r ,Ronald Sullivan of The paper does this, and it covers In "Olim lacus colueram," the the engineering English depart- draft dodging, black power, race Roasting Swan's song was repre- ment, Thomas Aaylor of the music discrimination in capital punish- sented by an exhuberant, semi- school, and David Wolfe of the ro- ment, freedom of the press (un-- nude gentleman who twitched mance languages department. derground press, of course), the with virtuoso agility on a stick Also participating are Carol An- Kennedy assassination, and the held by two red-robed figures. dreas, an instructor in the soci- march on Washington. There is a This scene, whih appeared more ology deparement, Frank Haur- page devoted to the approaches like some fantastic crucification witz, a lecturer in the engineering of Concerned Democrats and Citi- than the usual swan-roast and school, and Zelda Garmson, a stu- zens for New Politics that contains- which, by the way, received an dy director of the Institute for So- what is probably the best writing enthusiastic ovation, was grizzly, cial Research. in the issue. obscene and wonderfully effective. The Economics Undergraduate But the journalism could do Advisory Committee issued a state- with some facts to back up its (Of course, it must be remem- ment last night, saying that statements. Example: "Canada, bered that this grim item, along "classified research under Univer- both as a nation and as indi- sexual smolithm nntatspice sity auspices contradicts the basic viduals, seems always to seek the things up here and there in the premise of academic freedom upon safest route to safety." TODAY and Canadiens' production, was com- which this university should func- It could also do with a sense WEDNESDAY pletely in keeping with the seam- tion." of proportion. It suffers from the ier aspects of Orff's score.) The committee outlined its de- Great Bombastic and from a' (2 DAYS ONLY) mands, based upon a premise that rather adolescent tinge to its dis- In sum, then, a respectably a lack of academic freedom is in- respect for authority. danced but unexciting "Divertis- volved when classified research is "Pot Luck," the predictable ar- sement Glazounov" and a "Car- conducted. ticle on grass, gives an impression / mina Burana" that was, despite All future University contracts that the writer is thirteen years and research should be made fully old and likes to smirk. He glows, some dramaitc eccentricities and available to the public, and no "Peanut butter and peyote sand- a few justifiable lapses in taste, classified research should be as- wiches! It's a beautiful trip and The heart cries: musically ' superb and generally sociated with the University." hopefully will replace acid," There is a line in Julius Lester's reprinted article that is sympto- matic of the editorial attitude. "To resist is to say No! without qualifi- cation or explanation." True, no- body may listen to you, but doesn't it seem that you might try a little explaining, instead of a policy of assume, then fume? And why not give more attention to the local community, where a little properly spread information might possiblly make a dent, instead of the Whole Wide World? It is good that the "Looking Glass" has published, after its first VERY LAST DAY "HAWAII" 8:30 P.M. )RROW der Production LEE MARIN POINT BLANK" ANGIE DICKINSON In Pansvionand Matroclor gtamwamm Uf'a PROF. HANS DAVID Noted 'U Bach) Scholar Dies Hans T. David, 65, professor of music and one of the world's greatest authorities on musicology,j died yesterday morning at his home at 1678 Glenwood Road, Anin Arbor. Prof. David joined the Univer- sity faculty in 1950 and held theI rank of professor since 1952. In that time, he had also lectured1 for a term at the University of Chicago. "Dr. David was considered one of the leading research scholars' in music in the world," Dean J. B. Wallace of the school of music said yesterday. "His trea- tises and books on Johann Se- bastian Bach are some of the most important resource materials to be found in all of the leading libraries." 161 Tonight and Tomorrow OLD AND NEW (1929) The first film in the SERGEI EISENSTEIN FESTIVAL Eisenstein's "hymn to the, coming mechanization." A classic from the great Russian director 7:00 and 9:05 ARCH ITECTURE AUDITORIUM STILL ONLY 50cm very entertaining. UAC - CINEMA II presents HALLOWEEN MOVI ES Sir Arthur Conan Doyle's "A STUDY IN TERROR" plus "DEVILS OF DARKNESS" plus Chapt. 7: FLASH GORDON UNION-LEAGUE WINTER WEEKEND '6 needs interested people NOW for the following committees: ''Booklet AS THE SCREEN /"% IS [" r' % tA t Kf ,_..' I (51VES WINP TO THE BELOVED "BUTTERFLY" ,1 } '' _ .. TUESDAYOCTOBER 31.21967 e Ground setback in a printer who was afraid of losing clients because he considered the paper subversive, Some impressive bits are the stan- dard superhero strip which, how- ever, contains skillful copy, and the design in the masthead mirror, in the CORE article, and in the Malcolm X review. And it is worth- while in offering a place to politi- cal positions that don't get a whale of a lot of attention in the Ann Arbor News. Buy it, and hope it has a chance to grow up a little. Direct From Its Roadshow Engagement SPECIAL POPULAR PRICES SPECIAL SCHEDULED PERFORMANCES 3 SHOWS 3 DAILY... MATINEES 1:20 - 4:50 EVENINGS 8:20 NO SEATS RESERVED Every Ticket Holder Guaranteed A Seat THn i RBR IE RDCO STEVE MCQHEEN RICHARD AEENRINEH RICHARD CIENIA CAHDICE DERDEEMAATANDRIANE TATE NO 2-6264 SIDNEY POITIER 'TO SIR; WITH LOVE" TECHNICOLOR "SUPERB! WARM, MOVING SIDNEY POITIER "TO SIR, WITH LOVE" TECHNICOLOR* AND HUMOROUS" -NY. News SIDNEY POITIER "'TO SIR, WITH LOVE" NOW AT THE MICHIGAN THEATRE 'z Box Office The most beautiful all lyricc The truly magnifice rnasterpue dramas.. ent Pucin Door Prizes, No Admission Charge I Tues., Oct. 31 8:00 P.M. UNION BALLROOM * Friday Night f * Secretary Sign up this week at Senior offices of the League Daily Classifieds Get Re c l 1 1 +c III J U I t J I -- - i GLORIOUSLY TOLD IN ENGLISHi BREATHTAKING COLOR BY TECHNICQL staring KAORU YACHIGUSA with MICHiKO TANAKA NICOLA FILACURIDI FERDINANDO LIDONNI Directed by CARMINE GALLONE A RIZZOLI-TOHO-GALLONE PRODUCTION SUBSCRIBE TO THE MICHIGAN DAILY UNIVERSITY OF MICHIGAN PLAYERS DEPARTMENT OF SPEECH present john arden's SERJEANT MUSGRAVE'S DANC ,wed: sat. nov.1-4_ COMING SOON (you should live so long) A Jewish Style DELICATESSEN THE ... - - I III