THE MICHIGAN DAILY SATURDAY, FEBRUARY 17, 1968 PAGE TWO music Debussy-like Lowenguth Scores The Week To Come: A Campus Calendar i i By R. A. PERRY It is sad that many outstanding musical organizations receive scant attention only because they record with companies of second rate" quality. The great conductor Jascha Horenstein and the so- prano Erna Berger both never re-' ceived deserved attention in Amer- ica for this reason. Likewise, the outstanding French string quartet, the Loewenguth, which played to a dismally sparse audience last night in Rackham Auditorium, has been somewhat demeaned by their affiliation with a "B" recording company. Thus it was exciting to be al- lowedi to hear them in person and T _ C to assess their strengths, and the prism, and the diffracted shadings tention, and it provides ample re-j good fortune was doubled by the explored and intermingled. ward. An insistently driven Allegro. fact that they chose an unusual Yet we must be wary of such is followed by a nocturnally serene+ program of all French, twentieth- labels which insulate us from a Adagio, in which the Loewenguth' century quartets. In a program of truer understanding of what each played most beautifully. Only the Roussel, Ibert, and Ravel, the composer intended. More impor- final Allegro succumbed to the Loewenguth exhibited complete tant than such visual ways of dangers of diffusion in this musi- ensemble cohesion, outstanding thinking about the music, is to cal form. solo work, singing tone, precise at- consider what structural prece- Ibert's Quartet in C impressed tacks, subtleand intelligent phras- dents Debussy and Sons sought to me as being a workmanlike com- ing, and spontaneous enthusiasm. avoid. In Debussy music there is position of little ingenuity, inspi- Simply, this is a rare review, not only the refutation of archi- ration or deep feeling. All the The music that the four gangling tectural symmetry, but, as Pierre grandiloquence of the final Allegro Frenchmen chose 'showsclearlyBoulez has written, "a musical seemed to be an attempt to resolve usnfluence of Iwebuday,pleschool iform which is instantly renewing a problem that was never statedI of course, Impressionism. This itself and involves a no less in- in the first place. music may be impressionistic in stantaneous mode of listening." Under the sweet and controlledE that the themes may be thought Roussel's Quartet in D major bows of the LQ eguth members of as being projected through a most certainly demands such at- chedfamousQuartet in F by Ravel charmed the audience into silence, = attention, and reflection. Indeed, TONIGHT The Manchurian Candidate at Cinema Guild, Architecture Aud., 7 and 9:05 p.m. Warsaw Chamber Orchestra at Rackham Aud., 8:30 p.m. Helm Steers Rotten Film The Michigan's new formula film, The Ambushers, demands an immediate antidote-tele-! vision. Only a collage of the worst television situation comedies and weekly spy spectaculars could make Dean Martin's "lat- est and greatest" watchworthy. With the aid of a bevy of breasts and a non-existent struggle between the good girls (they're the ones in the. white flesh) and the bad guys (the 3,liens), Matt Helm walks through 90 minutes of flat foot- age. , A few explicit and illicit "tricks" of flesh and photo- graphy are enhanced by tech- nicolor and panavision. With bows to Cinerama, Martin cycles after the runaway flying saucer to save the negligeed heroine. Thank God for the Triumphs of Technology., -S. A. jeremy 1teig and the satyrs Plug into an Overused Socket By STUART APTiKAR Jeremy Steig and the Satyrs plugged into the Canterbury House last night and turned on 500 watts of distortion. There was hair and flutes, there were boots and roots, but amplified nada-doo-dah is no surprise even on Reprise so to speak. Leader Jeremy Steig has es-, caped the jazz stigma of his first record on Columbia and accepted A.C. current a's the B.C. of psycho- electric greens. Billed as the blues band with harpsichord and flutes, the Satyrs' first power hour sent' everyday sounds from the har- monica;, flute and circus-poised guitar of lead. voice Warren Bern- hardt. And the sounds camve through the left and right channels of a Sony 260 tape recorder so that the volume and quality of leader Jeremy Steig's flute work was lost. Though the four Satyrs invested much energy in their performance, the real stars of the evening were four matched Ampeg amplifiers. With power and poise, the black boxes of electronic artistry de- livered their message with clerical conviction and professional pre- cision. It is little wonder that these creative instruments are in such demand in the rock world. No Canterbury patron was left unmoved by the frequency oscilla- tion and freaky fidelity of the Am- peg reverberations. Jeremy and the Satyrs, however, remained the puppets of solid state. As long as the current flows, whatever musi- cal abilities they have are lost in gross electronics. Name Wilson Designates (Continued from Fage 1) some $52 million to support over 10,000 U.S. and Canadian students in their first year of graduate study. "Now our major role is to iden- tify for graduate departments those students who in our view have the best potential for college teaching," said Sir Hugh Taylor, president of the Woodrow Wilson Foundation. "This year's designates are as distinguished and carefully se- lected a group as last year's fel- lows. 'We hope all of them will receive assistance from the grad- uate schools or from federal or other fellowship programs.' Designates at the University are: Carl Alstfom, Robert Brammer, Gerald Cupchik, Dale Harger, Alexander Kly- myshyn, John Leach, Kristna Morr- son, Michael Olahausen, John Tenhu- nen, Wilma Wetterstrom, David Wru- bel'. Also named were: Katherine Chanmpe, John Cook. Peter Deutsch, Merle Ja- cob, Thomas Kaiser, Justin Krasnoff, Ross Miller, Adele Negro, Rayna Rapp Ronald Rosenblatt, Joyce Plell, Steven Shavell, ,Gary Skoog, Mark Smelson, Julie Wang, and William Whan. University seniors receiving honor- able mention are: Thomas Anderson, Steven Beaver, Sanford Bell, Robert Boggs, Donald Brezinski, Edward Fry- zel, Peter Mikelson, Diane Rogow, Wil- liam Schroeder, Thomas Snapp, Mark Stauter, Kathryn Teich, Charles Wright. Also: Alice Bloch, Barbara Boden- horn, John Brockett, Daniel Caster, Susan Harding, William Hugenberg, Martha Kohler, Elissa Matross, Virginia Mochel, Jeremy Raven, Neil Shister, Michael Stern, Elizabeth Valiance, Joyce Winslow, and Ellen Zweig. the piece is almost narcotic in its! thematic repetitiveness, though the way in which the bowed lyrics of the first violin contrast with the pizzicato canvas in the second movement is very exciting. One wonders why, with the ex- tensive available audience in Ann! Arbor, the audience was so small, and of such a small percentage of students. The Chamber Music Festival continues tonight with the much celebrated Warsaw Chamber Orchestra and concludes Sunday with an unusual concert by the Early Music Quartet. Such concerts deserve as much student attention as does MUSKET and' that is not meant as a cut at that particular group. Breathless at Cinema II, Aud. A, 7 and 9 p.m. SUNDAY Early Music Quartet at Rack- ham Aud., 2:30 p.m. The Manchurian Candidate atj Cinema Guild, 7 and 9:05 p.m. MONDAY The Lion in Winter at Hill Aud., Professional Theater Program,; 8:30 p.m. TUESDAY The Lion in Winter, 8:30 p.m. Fleming Tea at President Flem- ing's house, 4-6 p.m. WEDNESDAY Phebe by Racine and The Bar- ber of Seville by Beaumarchais at Student Laboratory Theatre, Arena Theatre, Frieze Bldg., 4:10 p.m. THURSDAY The Joyless Street and The Cab- inet of Dr. Caligari, at Cinema Guild, Architecture Aud., 7 and 9:05 p.m. Phebe and The Barber of Se- ville, 4:10 p.m. University Symphony Orches-a3 tra at Hill Aud., 8:30 p.m. FRIDAY The Joyless Street and The Cab- inet of Dr.' Caligari, 7 and 9:05 p.m. The Bridges of.Toko-Ri at Cin- ema II, Aud. A, 7 and.9:15 p.m. Concert Dance Organization at Dance Studio, Barbour Gymna- sium, 8:00 p.m.. The Byrds and Chris Montez at Hill Aud., 7 and 9:30 p.m. sat., sun. 8:00 p.m. 330 Maynard SATURDAY and SUNDAY THE MANCHU RIAN CAN DI DATE. with FRANK SINATRA JEREMY and the SATYRS (Reprise records recording artists) will blow your blues-lovin' mind! $2.00 per person $1.50 after 2nd set 4 TOPICAL and SATIRICAL FOLK SONGS sung by ROBERT GRAPPEL SUNDAY at 5:30 P.M. DELI HOUSE 7:00 & 9:05 P.M.. Architecture Auditorium I I 1429 HILL STREET $1.00 members, $1.50 others s_____I LAST ISSU E EVER! maybe on sale Wed., Feb. 21st Buy it, Read it, Destroy it! NOW ONLY 75c I 5 Today from 1 P.M. m I )a amow DIAL 8-6416 if what happens in tiThe happened to you... you wouldn't want to talk, about it either! Try Daily Classifieds N L~ - NOW SHOWING-2nd Big Week MON.-THURS.-7:00-9:00 0 FRI.-7:00-9:00-1 1:00 SAT.-3 :00-5:00-7:00-9:00-11:00 * SUN.-- FOX EASTERN THEATRESNEN FOX VILLBGE 375 No. MAPLE RD. -7694300 :00-3:00-5:00-7:00-9:00 -Daily-Andy Sacks Jeremy Steig and Flute if M) 7 IMF A COLUMBIA PICTURES presents An IRVING ALLEN Production ' * t' MATT HELM M UHe. S[ RTA~t~G 34 BERBER AlHEI[EM[3 TE 8ECELSMORT S.M . A. Sj TECHNICOLOR PARAMOUNT PCTURES presents PETER CLWNSON S 1111I I i resentalTAHTIPRODUCTION TERENCE SUZY TONY NORMAN MARTI N MORGAN- KENDALL- BECKLEY RODWAY -"BESWICK Orginal stage play by C SCOTT FORES Written for the screen and drected % PE TR COLLNSON :: SUGGESTED FOR MATURE AUIENCES Produced by HARRY FINE Print by TECHNICOLOR' A PARAMOUN PICTURE Mats. Sc.' & Wed. $1.50; Eves. & Sun. $1.75 "ONE OF THE YEAR'S 10 BEST! A PICTURE YOU'LL HAVE TO SEE- AND MAYBE SEE TWICE TO SAVOR ALL ITS SHARP SATIRIC WIT AND CINEMATIC TREATS!" NEW YORK TIMES "THE FRESHEST, FUNNIEST AND MOST TOUCHING FILM OF THE YEAR!" -SATURDAY REVIEW "A MILESTONE IN AMERICAN FILM HISTORY!"-STANLEY KAUFFMANN WINNER OF RIVE "THE FUNNIEST COMEDY GOLDEN GLOBE OF THE YEAR"-CHICAGO SUN-TIMES including: Best Supporting Actres Best Picture D' M S TBest Director "DON'T MISS IT a' -NBC-TVTODAY SHOW Best Promising Actor 4 - TODAY! I MILLF TATE E:. ----OOW Shows at' 1, 3, 5, 7, 9 P.M. -l tJCaRD LSE' % flow I WellII IT, "I would like to see it 20 times!" -San Francisco Chronicle "it truly hurts when you laugh!" --Stewart Klein, WNEW-TV "Is this a comedy? Do we laugh? The answer is yes. I recommend it!" 1, I Co-Starnng JILLST. JOHN-"RICHARD CONTE GENA ROWLANS'.SIMON OAKLAND JEFFREY LYNNLLOYD BOCHNER and SUE LYON as Dana r Produced by Aaron Rosenberg. Drectd by Gordon Douglas Screenplay by Rchard Breen "Al' arm vCby MWinnH. MIW PMAVSWN " COLOR BY DELUXIE An Acdb M *lAIPr0yUtn Pturt mat Nancy Sinatra sing tbh ile son? and Actress JOSEPH E LEVINE PRESENTS MIKE NICHOLS LAWRENCE TURMAN PRODUCT ION U-M CONCERT DANCE ORGANIZATION 18th ANNUAL DANCE' 0 N E R "Dazzlingly, explosively funny!" -New Yorker Magazine --Time Magazine A "Quality and impact" --Michigan Daily r20", M I "SINATRA KNOWS WHAT HE IS DOING AND HE IS SUCH A GIFTED ACTOR AND COMEDIAN THAT HE CAN DO IT WELL. His Tony is a real guy...a loner. Flashy women burst into his << life and promise him anything. He talks a good game and. acts a better one with four- bit hoods, shopworn strip- pers, def rocked physicians, trembling fences and simpering - I This is Benjamin. He's a little worried about his future. ITu TUEIDniiATE 1' 1 I 0 11 111-1 I I I