� .. _- , Readers Write ... - -- ___.._ _...._ -- I , I II • III If l 1111 pn n: ('.' n 11 I po n i n , HIiII'rdll'I·I"·1l 11111 Fundi for man- pl\RnCIPATE, A7 Opinions, \ ';el".\' I P rt I of II Lester's World . .. . AND I CA, J GENERALLY SHOWYOU ONE THAT DIDN'T S I A T LIKE THIS. SHOW ME A SISTA' THAT ACTS LIKE THIS By Mumia Abu-Jamal nd Ed b THEIR CULTURAL SYM. BO or images are repre­ sented everyw nere, from the engravings on their money to the artworks in their museums, from the photographs in news­ papers and textbooks to the spiritual symbols placed above the altars in our churches. For those without power, and for tho whose labor power is exploited, their identities are denigrated, ignored or devalued. In Brazil, they use the xpres- ion, "Money lightens he skin." "Blackn " is in thi context not a function of color, genetics or biological heritage, but instead, is primarily defined by one's ac­ cess to money, property, and pow r. Dr. Manning Marable i Director of the In titute for He arch in African­ Amencan Studies at Columbia Unioer- ity, New York City. "Along the Color Line" app ars in over 250 publicauons and l broaden t by 75 radio taiions internationally . o From Death Row ri ! Fr 111 ath Row, t his i Mu- mia A u-Iamal.