) ENTERTAINMENT IN BRIEF W odin. II -Ia u 9 n City pol c Last month, it wa reported that member of BBD and Whodini were pulled over and allegedly 'eat by ew York City police officers on a Har­ lem treet. Turns out non of BBD wa involved. Whodini had ju t fini hed filming video with Run DMC when they were topped by police. Whodini'8 John "Eest y" Fletcher id a white officer kicked him in the head making hi f ce hit the pavement. Th vehicle cont ining th group w topped because, accord­ ing to police, it matched the de cription of a car used in a robbery. The officers involved were white. Whodini' attorney h filed a complaint with th New York City's new Civilian Review rd. The city of New York m . t be in for a big I w uit. Teddy Riley is all talk By TUREKA TURK #Chk1!n Cltlz n First it was jazz. Then it w rock and roll. Soon after, it w all on rap. ow it' dancehall. ear­ ly every form of original BI ck oul music h come under the fe on its way up the popular mainstream ladder. But dancehall? Jami can middle cia s intel­ ligence quads write murder when it com to th success of dan­ cehall. They regard the rising music form as a reggae flunkie, from which dancehall is derived and accuse it of not being "suffi­ ciently musical or intelligible", as well as being sexist and materialis­ tic. Dancehall superstar Rexton "Shabba Ranks" Gordon doesn't escape the squa ' riticism eith r. , nothing more than "slackn " leaze-.masqu rading a culture. "Slackn is not mere xual I ness-though it certainly is th t. Slackn i a metaphorical revolt gainst law and order, an undermining of consensual stand­ ards of d cency. It is the the an­ tithes' of culture," Cooper . d. In other words, it goes gaiRSt the norm, a true ign of an inner-city revolution against middle cl s standards. Cooper . d her tudy of dan­ cehaU male/female relationships show that deejays are prai in not degrading women. "In the songs of sexual gender relations, the deejays were bigging up (praising, for you non­ Jamaicans) women. They id • • c Dancehall disciples find it a ritual to celebrate the deejaying as well as the body as a form in rela­ tion to the flavor. This doesn't fit at all into the middle class . tream the intelligencia have formed. "When I perform, I just give the public what is inside of me, so talking slack lyrics for the public is just to build the vib for m st of the bretherns and istrens down in the ghetto, because i you don't give them what they want, they won't listen to you," aid female deejay Angie Angel. SJiABBA RANKS posed to the uptown, style of speaking. "The creole lyrics of the deejays define the further textrem of the cri be/ora I lit rary continuum in Jamaica; Unrn diated by a middle­ class scribal sen ibility, d ejay oracy articulates a distinctly ur­ banized folk eth s," he explained. . - cehall is laughing in the face of its criticizing int Ili encia. "All thi mon y making and popularity and uper-stardom busine 'S i legitimizing mediocrity and ooli hn ss,:_ aid Angela ampson, a year-Old executive. • Y did be play uch a heavy role in "Rump Shaker", the new rna h from Wreckx N' Ef­ fects. For tho who haven't een the "Rump Shaker" video - Teddy' lounging on the beach, occ ionally peering through hi video camera at the' numerous women educ­ tively dancing around with their rump-revealing bikini .. Teddy's al 0 been spotted per­ forming the same song at the Apollo. IfTeddywa n'thappywith the effect Guy' exual over­ tone had on his career, it doe eem odd that he's indulging in imiJar conduct as a guest arti t with Wrec N' Effect. C uld it be that Teddy' talk­ ing out f both 'ide of hi face? Warner Bros sells out Ice T T and Warner Bro Rec rd will apparently e going their eparate way. Ace rding to chief M 0 tin, that appea to be the be t, if not only way of re olving their current creative differenc . The m ve comes after a year of tcn ion park by the rapper' ntrov rial "Cop Killer" relea -By the way . Spike Lee wa not among the Di rector Guild of America' nomination for it' highe t honor . For eight of the la t ten years, the Direc­ tors Guild' choice h gone on to win the 0 r for be t direct r. Talk is cheap. There', talk of another erie in th work for Della Ree e, ut Della ay she orne fr m the old cho 1. "If Y u don't have a c ntraci and it is n 1 igned,y ud n'thave anythi n J ut e nve ali n, and I have tion with every dy." - 'peclal contributors. Lisa 01- lins (Belund-] he- cenes) and Radio- 5 ope 7i1t! "'Ii,,." "IN TIlE DANCEHALL the woman can be who she wants to be ... We don't see anything wrong with the lyrics, we (are) just dane- . "Wouldn't y�u like r_nen!o treat ing to the mu ic," says dancehall your daughters like,la�les, like an­ disciple Gloria Bonner. gels? You wouldn t lIke. a�y man . What of the lyrics? Can anyone . to see your daughter passing on the really understand them? Do they street and tart to tell her (to) make really want to unders�nd them? up now, ite�ing her body parts," Perhaps those ethnic rhymes do Gloudon said to a caller on her talk hide tales of sexism, materialism, show. . even homophobia. But .al� deejays, ��en females, There is a big issue of true say the�r slackn IS only what Jamaican's ba hing homosexual the audience wants. lie tyle (it is against the culture to venture down any other path that isn't straight). One popular dan­ cehall song ("Baddy Bwoy") does praise the bashing of homosexuals. And then ther i the other sexism as well. be ��babibl. I n taft�·hmill:fIi. . mon y h makes, Shabba . coa man," ew York radio tal show h t Barbara Gloudon id at a recent public function. The criticisms have parked a feud in th sizable Jamaican com­ munity in ew York between up­ town (middle class intelligencia) and downtown (inner-city) Jamaica. Buju Bant n, one of the ph attest deejay to hit U.S. boarders from Jamaica, has soared with his hit, "Browning", a typical dancehall chant over a reggae-beat with a hip hop flavor. "Mi lov mi kyar, milove mibaik; mi lov mi: moni an ring bot mos of aJ mi , lov mi browning" "[love my car, [love my money and things but most of all I love my brown­ skinned girl" ARDO A K', anoth r popular dance haller, charged that Banton's "Browning" snuck in colorism, causing many Jamaican or dar - kinned w m n to try and lighten their kin, and responded with "Oem A Bleach". Carolyn Cooper, a lecturer in English at the University of the We t Indie ,hyp d nceh 11, aying that it i the "lib rating forum for ghetto women It. But the i ntelligcncia uads f I t its "V ry n, every young boy and girl will think all you have to do is et up and cream' yaa yaa yaa'andy uwinaGrammy. Then where will Jamal ? No edu­ cated peopl ,ju t a bunch of cater- waulers." • . 'Yaa, yaa ya " ay the cauter­ wall rs. "Besides," she continued "is And thjs inner-city pint of poor slackness bring all of we h peeked into a n w tr m of here ... That is how we all born." music and gained a hug f Bow­ ing. Shabba Ranks has won' a Butdancehall als com und r Grammy and i estimated at the gun for its clashing of th "col r making more than .5 million last bar" and the downtown, a op- year alone. The pop larity of dan- HOT 10 SINGLES 1. "HERE WE GO AGAIN" .............................................................. Portrait(Capitol) 2. "IF I EVER FALLIN LOVE" ..................................................................... Shai(MCA) 3. "KEY TO YOUR $ HACKLES " ............................................ A. U. T. H. O. R.I.T. Y. (Bass-X) 4. "RE INSCE" ................................... 0 ......... Mary J. Blige (Upfown/MCA) 1. "THE CHRONIC" .............................................. Dr. Ore (I nterscope/Priority) -2. "SKJUS OAT PAY DA BIUS" ............. :.0' , Positive K (Island) 3. "WHATSTHE411" ............................................ Mary J. Blig (Uptown/MeA) 4. "HARD OR SMOOTH" ....... ,....................................... Wre�kx -N- Effect (MeA) 5. "THE PREDATOR" ................................................ :::- lceCube (Priority) 6. "PORTRAIT" , .. : : Portrait(Capitol) 7. "LOVE DELUXE SAOE(Epic) 8. "3YRS'S MONTHS & 2 DAYS IN THE UFE ... " .......... Arrested 0 velopment (Chrvsalis) . . ,9. "TR�SPASS - Movie Soundtrack" ..................... , Various Artists (Sire/Warner Bros,) 10. "BOBBY" Booby Brown (MCA) 5 "I GOT A MAN" ............................................ , ..... :-:-:: .. : ..... PositiveK(lsland) 6. "FREAKY" .......................................................... X-Ch,ange(Fliptop) 7. "RUMP SHAKER" ............................... � Wreckx - N- Effect (MeA) 8. "IN THE STIll. OF THE NIGHT" ... � : Boyz II Men (Motown) 9. "SLOW AND SEXY" .................................... Shabba Ranks wi Johhy Gill (Epic) 10. " OORDI RY LOVE" SADE(Eplc)