MARCH 7 • 2024 | 35 and Rav Kook wrote a touching letter in support of its creation. He saw the renaissance of art in the Holy Land as a symbol of the regeneration of the Jewish people in their own land, landscape and birthplace. Judaism in the diaspora, removed from a natural connection with its own historic environment, was inevitably cerebral and spiritual, “alienated. ” Only in Israel would an authentic Jewish aesthetic emerge, strengthened by and strengthening Jewish spirituality. Perhaps the most moving of all remarks Rav Kook made about art came in the course of a conversation he had with a Jewish sculptor: “When I lived in London, I used to visit the National Gallery, and my favorite pictures were those of Rembrandt. I really think that Rembrandt was a tzaddik. Do you know that when I first saw Rembrandt’s works, they reminded me of the rabbinic statement about the creation of light? “We are told that when God created light [on the first day of Creation, as opposed to the natural light of the sun on the fourth day], it was so strong and pellucid that one could see from one end of the world to the other, but God was afraid that the wicked might abuse it. What did He do? He reserved that light for the righteous in the World to Come. But now and then there are great men who are blessed and privileged to see it. I think that Rembrandt was one of them, and the light in his pictures is the very light that God created on Genesis day. ” I have often wondered what it was about Rembrandt’s paintings that so enthralled the Rav. Rembrandt lived in the Jewish quarter of Amsterdam, knew Jews and painted them, as well as painting many biblical scenes, though the closeness or otherwise of his connection with Jews has been the subject of controversy. Rav Kook’s admiration for the artist had, I suspect, nothing to do with this and everything to do with the light Rembrandt saw in the faces of ordinary people, without any attempt to beautify them. His work let us see the transcendental quality of the human, the only thing in the universe on which God set His image. Art in Hebrew — omanut — has a semantic connection with emunah, “faith” or “faithfulness. ” A true artist is faithful both to his materials and to the task, teaching us: To see a world in a grain of sand, And a heaven in a wild flower, Hold infinity in the palm of your hand, And eternity in an hour. (From Auguries of Innocence by William Blake) The name Betzalel means, “in the shadow of God. ” Art is the shadow cast by the radiance of God that suffuses all things: The world is charged with the grandeur of God. It will flame out, like shining from shook foil. (From God’s Grandeur by Gerard Manley Hopkins) And as Goethe said: “Where there is much light, the shadow is deep. ” When art lets us see the wonder of creation as God’s work and the human person as God’s image, it becomes a powerful part of the religious life, with one proviso. The Greeks believed in the holiness of beauty. Jews believe in hadrat kodesh, the beauty of holiness: not art for art’s sake but art as a disclosure of the ultimate artistry of the Creator. That is how omanut enhances emunah, how art adds wonder to faith. The late Rabbi Lord Jonathan Sacks served as the chief rabbi of the United Hebrew Congregations of the Commonwealth, 1991-2013. His teachings have been made available to all at rabbisacks.org. The Effectiveness of Unity Toward a Goal P arshat Vayakhel teaches us the profound sig- nificance of collective action and communal unity as the Israelites embark on the construction of the Mishkan (Tabernacle), a tangible sym- bol of their covenant with the Divine. Following the revelation at Mount Sinai, the community rallies together, tran- scending individual differences to contrib- ute generously toward this sacred endeavor. At the heart of Vayakhel lies the metic- ulous account of how the Israelites gener- ously contribute their resources and skills toward the construc- tion. Every member of the community, regardless of social status or material wealth, is invited to participate in this sacred undertaking. The egal- itarian ethos underlying this collective endeavor underscores the inherent value of every indi- vidual within the community, emphasizing the importance of inclusivity and mutual support. Furthermore, the narrative highlights the necessity of organization and coordination in communal projects. Moses appoints skilled artisans, such as Bezalel and Oholiab, to over- see the construction, ensuring that each task is executed with precision and excellence. This demonstrates the importance of leadership and expertise in guid- ing collective efforts toward a common goal. It underscores the principle that unity is not merely about coming together but also about working together effective- ly toward a shared vision. The Mishkan itself serves as a tangible symbol of the covenant between the Israelites and the Divine. Through its construc- tion, the community forges a collective identity centered around their relationship with God. The Mishkan becomes a focal point for communal wor- ship, embodying the presence of the Divine among God’s people and reminding them of their shared covenantal obligations. We, as contemporary read- ers, are challenged to con- sider the relevance of these principles in our own lives. In an era marked by indi- vidualism, the imperative to cultivate unity and solidarity within our communities res- onates deeply. The narrative of the Mishkan inspires us to harness the transformative power of collective action and to work toward common goals with shared purpose. Moreover, we are invited to contemplate the role of leader- ship and expertise in guiding communal endeavors. Just as Moses appointed artisans to oversee the construction of the Mishkan, so must contemporary leaders cultivate and harness the talents of individuals within their communities for the greater good. By fostering an environ- ment of collaboration and mutu- al respect, leaders can inspire collective action and empower others to contribute their unique gifts toward shared goals. By embracing unity, purpose and collective action, we can aspire to build sacred spaces in our midst, where the presence of the Divine dwells among us and where the aspirations of our communities find expression. Rabbi Robert Gamer is the rabbi at Congregation Beth Shalom in Oak Park. SPIRIT TORAH PORTION Rabbi Robert Gamer Parshat Vayakhel: Exodus 35:1-38:20, 30:11-16; II Kings 12:1-17. MARCH 7 • 2024 | 35 J N