100%

Scanned image of the page. Keyboard directions: use + to zoom in, - to zoom out, arrow keys to pan inside the viewer.

Page Options

Share

Something wrong?

Something wrong with this page? Report problem.

Rights / Permissions

The University of Michigan Library provides access to these materials for educational and research purposes. These materials may be under copyright. If you decide to use any of these materials, you are responsible for making your own legal assessment and securing any necessary permission. If you have questions about the collection, please contact the Bentley Historical Library at bentley.ref@umich.edu

June 01, 2023 - Image 45

Resource type:
Text
Publication:
The Detroit Jewish News, 2023-06-01

Disclaimer: Computer generated plain text may have errors. Read more about this.

JUNE 1 • 2023 | 5

old visiting for the first time
reflected, “I had no idea I’
d feel
this way … so connected …
this trip is too short.

As the days unfolded, there
was a shift in the way many
participants spoke about Israel,
its past, present and future.
People slipped into a different
sensibility. Their dominant
pronoun became “we.
” Their
bond to the Jewish people for-
ever changed. Israel worked its
wonders on each of them.
To hold the conviction
that Israel’s wonders have yet
to cease doesn’t make one
blind to reality, rather, it is
what sustains our hope even
when times are tough. Yoram
Taharlev, the prolific Israeli
songwriter and poet who
wrote these words, was born
on Kibbutz Yagur in 1938 and
lived until 2022.
The span of his life included
the founding of the State, the
War of Independence and
every subsequent war. He
would have been a teen when
Israel was so poor food had to
be rationed. He lived through
all the tumult, and he still saw
wonders without end. That’s
what he gives us in his poem.
Then, singer and compos-
er Rami Kleinstein turned
Taharlev’s poem into a song.
Kleinstein was born decades
after Taharlev, but he, too, has
lived through many of Israel’s
most difficult moments.
I write these words at a
moment that is particularly
fraught for Israel — a time
of social upheaval, political

turmoil and, recently, over a
thousand rockets raining down
from Gaza. Some would say
that it’s not the right time to
think about a song that speaks
of wonder. But maybe such a
song helps us hold onto hope
and perspective.
David Suissa, inspired
by a conversation with his
friend, writer Yossi Klein
Halevi, wrote poignantly that
“to maintain an attachment
to the Zionist project we need
something that feeds our
souls” — especially in difficult
times.
For Suissa, it’s the image of
his Moroccan-born grand-
father kissing asphalt upon
landing in Israel in 1955. “It
feeds me in a way that makes
me want to emulate my ances-
tors and never give up on the
Zionist miracle,
” he wrote.
For me, not giving up on the
Zionist miracle means believ-
ing that Israel is a place whose
wonders have yet to cease.
Even now. Especially now.
That’s why “Od Lo Tamu
Kol P’layich” is such a special
song for me, the song that
binds me to Israel.

This essay is part of ‘That Song,’ a

collection of writings about that one

Israeli song that rocked someone’s

world. Watch the video at https://youtu.

be/AY4_aUJys4Y.

Sally Abrams is director of Judaism

and Israel Education at the Jewish

Community Relations Council of

Minnesota and the Dakotas. She has

taught thousands about Israel and/or

Judaism in churches, classrooms, civic

groups and Jewish communal settings.

Od Lo Tamu Kol P’layich, recorded by Shlomi Shabat,
Yardena Arazi, Narkis and Liran Danino
Grand Opening
Specials!

optiquedetroit.com

6315 Haggerty Road, West Bloomfield | 248.863.9696
41840 Ford Road, Canton | 734.981.1760

We Are Now Back in
West Bloomfield.

Back to Top

© 2025 Regents of the University of Michigan