94 | MAY 18 • 2023 O n opening day of her painting exhibit at the Birmingham Bloomfield Art Center, Terry Matlen was thrilled that about a third of her 21 paintings sold and will be distributed when the exhibit ends on June 1. In the meantime, she hopes there will be more interested buyers because she established the autobiographical exhibit to relate to viewers and help them recognize their own ways of life and how they reached those ways. The key in the development of her display, RAW – A Journey Through Her Wild Imagination, Childhood and Symbolism, consists mainly of small story paintings with most in the size of about 8 inches by 8 inches. “This show unfolded as I was working on it,” Matlen said. “I have a lot of artifacts and vintage items in my studio, and I’d grab one of them and paint. “I start with one object and think what will make this painting work with a story but also artistic elements such as composition, texture, light and dark so things just happened. “I saw themes emerge which begin with my early childhood. The beginning of my show is a painting of me as a young girl looking pretty unhappy because there have been traumas.” Those traumas reach from a misdiagnosed appendicitis to the death of her father. Then there are feelings expressed about being a tomboyish sister among brothers. “One of the paintings shows me as a pouting little girl in a dance outfit standing next to my brother in what I thought was a very cool Cub Scout uniform,” she said. “He got to do things that I thought were interesting.” The artist wants viewers to be aware that she inserts humorous elements in her artistry as well because she wants to provide what she considers necessary laughter. The show builds with different symbols as Matlen is very interested in symbols, dreams and fantasies while working as an online social worker who has written two books, The Queen of Distraction: How Women With ADHD Can Conquer Chaos, Find Focus and Get More Done as well as Survival Tips for Women with AD/HD: Beyond Piles, Palms and Post-its. “I think small canvases can really draw a punch because they invite the viewer to come closer,” said Matlen, who also did one large painting at the request of the art center. “Viewers pull into these images and bring their own experiences “My goal is not only to express my own feelings and history but to let viewers bring their experiences into what they’re seeing. When you get close, you can see little tiny details you might not see standing 10 feet back.” Matlen, who grew up in Detroit and Huntington Woods and now lives in Birmingham, attributes her interest in art to a teacher at Berkley High School. The teacher gave each student a small piece of cardboard and told them to make a small hole and then look at surroundings through that hole. “That was the beginning of me Autobiographical Art ARTS&LIFE ART Terry Matlen tells her story through a series of small paintings at the Birmingham Bloomfield Art Center. SUZANNE CHESSLER CONTRIBUTING WRITER “Scout Envy,” oil on canvas, 8”x8”. LEFT: “Schuyler and the Flying Dutchman,” oil on canvas, 8”x8”. continued on page 96