continued from page 46 48 | NOVEMBER 25 • 2021 western Alaska visited by mil- lions of birds that migrate each spring to that biome from as far away as South Africa and New Zealand, a journey over vast expanses of land and water that covers 56,000 miles round trip. “Bernie Krause’s work teaches us that each animal species pos- sesses its own acoustic animal signature that, like a musical instrument in an orchestra, positions itself both with pre- cision and subtlety within the score of the soundscape of the ecosystem in which it lives, ” said Hervé Chandès, curator who worked on the exhibit introduced in France as com- missioned by the Foundation Cartier pour l’art contemporain. Krause, who tells his story in a Ted Talk readily accessible on the web, has information avail- able for those who can’t travel to the current display. There are relevant sites to Google and a readership opportunity through the book The Great Animal Orchestra: Finding the Origins of Music in the World’s Wild Places (Little, Brown). A LIFETIME LOVE OF SOUND “I don’t see very well so my world has been informed more by what I hear, ” Krause explained about his career origins. “I was fascinated with the music guitars could pro- duce and studied jazz with Joe Messina and classical with Joe Fava. ” In the transition to the sounds of nature, Krause pro- duced more than 50 natural soundscape albums in addition to the design of interactive sound sculptures for respected presenters. Among the places showcasing his installations are the National Museum of Natural History in Washington, D.C., the Houston Museum of Natural Science and the Chicago Science Museum. Part of bringing his work into the 21st century, Krause col- laborated with Dr. Stuart Gage at Michigan State University to introduce the soundscape ecol- ogy and the value of exploring natural soundscapes for the National Park Service. “I love what I do, and I have found a way to share the love of that work with others, ” said Krause, who grew up mostly terrified of animals because of allergies and a confrontation with ADHD (attention deficit hyperactivity disorder). “That said, I’ve been attacked by a polar bear when camping and recording bowhead whales on the shore of the Beaufort Sea early in my bioacoustic studies. In the Amazon jungle late one night, I was stalked by a jaguar, ARTS&LIFE EXHIBIT Details “The Great Animal Orchestra” is on display Nov. 20-May 22 at the Peabody Essex Museum in Salem, Mass. $12-$20. (866) 745-1976. pem.org. To access website videos, go to www.pem.org/ exhibitions/the-great-animal- orchestra-bernie-krause-and- united-visual-artists. Bernie Krause works in the fields to capture the sounds of nature. The exhibits present specific soundscapes and associated spectrograms (graphic visualizations of what is heard). continued on page 50