32 | JULY 30 • 2020 AT THE HELM OF A HUGE STREAMING HIT; FREDDIE’ S BIG SHOES Greyhound, a new big-budget film starring Tom Hanks (who also wrote the film), began streaming on Apple TV+ on July 10. It had the largest debut audience in Apple TV+ history and is now a summer streaming blockbuster. The title refers to the code name of a WWII U.S. Navy destroyer that escorted cargo ships crossing the Atlantic. These cargo ships and their war ship protectors were the subject of many Nazi sub attacks. The action centers on a three-day period in which all the Allied ships have to cope with many vicious attacks from a so-called “wolfpack” — four Nazi subs teamed up together. Reviews are mostly positive. Hanks plays the captain of the Greyhound, and some critics kvetched that the script didn’ t flesh out Hanks’ character enough. However, praise was universal for way the director, Aaron Schneider, 55, shot the film’ s action sequences and how he kept the film “taut.” Remarkably, by using a variety of new special effects, Schneider was able to make the film with- out a single scene actually being shot in the water. I was only recently able to con- firm that Schneider is Jewish. Bio was scarce because even though he has long worked in Hollywood, he has directed just one other feature film (the well-received, 2009 black comedy Get Low). After Greyhound began streaming, there was bio coverage in the local media near where Schneider grew-up (a small town near Peoria, Illinois). It mentioned that his father is Delwin Schneider, and that he is a 91-year-old Korean War veteran. Online family history records disclosed that Schneider’ s parents are Jewish. By the way, Aaron credits Billy Crystal, 72, with giv- ing him great advice. Thirty-five years ago, he was an unhappy college sophomore. He was studying engineering but wanted to get into film special effects. By chance, he met Crystal on a Florida beach and told him his ambition. “A very nice” Crystal, Aaron says, told him to go to film school. Schneider says that “go to film school” was not common advice 35 years ago, but it was the right advice. The Show Must Go On: The Queen + Adam Lambert Story is a documentary now streaming on Netflix. Lambert, 38, first rose to fame as an American Idol finalist in 2009. Not long after the Idol finale, he was interviewed by Gail Zimmerman, then the arts editor of the Jewish News. He told Gail that he was raised in his mother’ s Jewish faith, and she told me that Adam couldn’ t have been more charming (find the interview in the archive at djnfoundation.org). In 2011, Lambert began peri- odically touring with the surviving members of the rock band Queen. He is their lead singer, and that role inevitably leads to compari- sons with the late Freddie Mercury, the band’ s legendary lead singer. The film covers this “issue” and much more. Lots of live concert footage. Arts&Life celebrity jews NATE BLOOM COLUMNIST Gail Zimmerman and Adam Lambert JN FILE PHOTO